Abstract The starting point of my study is represented by two works, Grădina de sticlă(Tatiana Țîbuleac) and Un singur cer deasupra tuturor (Ruxandra Cesereanu). These are two novels that organize their narrative discourse following the relation trauma-memory-identity. In fact, Tatiana Țîbuleac and Ruxandra Cesereanu emphasize in their proses how can a social identity be recreated, when everybody feels the terror enforced by the authority. In this case, when you lose everything, you become vulnerable and this feeling causes the alienation, the break. Therefore, in this paper, we will show how the memory reopens the dialogue with the past, more exactly with a traumatic past. We will illustrate also the fact that in the process of remembering the space changes the identitary their attributes.
我的研究起点是两部作品，grigrdina de sticlei (Tatiana Țîbuleac)和Un singur cer deasupra tutor (Ruxandra Cesereanu)。这两部小说都是按照创伤-记忆-身份的关系来组织叙事话语的。事实上，Tatiana Țîbuleac和Ruxandra Cesereanu在他们的文章中强调，当每个人都感受到权威所施加的恐怖时，如何才能重新创造社会身份。在这种情况下，当你失去一切时，你会变得脆弱，这种感觉会导致疏远和破裂。因此，在本文中，我们将展示记忆如何重新开启与过去的对话，更确切地说，是与创伤的过去。我们还将说明这样一个事实，即在记忆的过程中，空间改变了其相同的属性。
{"title":"Cartografii Ale Memoriei În Proza Ruxandrei Cesereanu Și A Tatianei Țîbuleac","authors":"Gabriela-Emilia Merce","doi":"10.2478/clb-2019-0029","DOIUrl":"https://doi.org/10.2478/clb-2019-0029","url":null,"abstract":"Abstract The starting point of my study is represented by two works, Grădina de sticlă(Tatiana Țîbuleac) and Un singur cer deasupra tuturor (Ruxandra Cesereanu). These are two novels that organize their narrative discourse following the relation trauma-memory-identity. In fact, Tatiana Țîbuleac and Ruxandra Cesereanu emphasize in their proses how can a social identity be recreated, when everybody feels the terror enforced by the authority. In this case, when you lose everything, you become vulnerable and this feeling causes the alienation, the break. Therefore, in this paper, we will show how the memory reopens the dialogue with the past, more exactly with a traumatic past. We will illustrate also the fact that in the process of remembering the space changes the identitary their attributes.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124491346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The aim of this paper is to show how traditionalist elements are shaped in Lucian Blaga’s poetry. After presenting some theoretical aspects about the literaray magazine Gândirea, the one Blaga collaborated with, we will explain how religious and rural motifs get a metaphysical pattern, in comparison with the way they are used in the traditionalist poems.
{"title":"Lucian Blaga: Metaforizarea Poeticii Gândiriste","authors":"Adela-Diana Chindriș","doi":"10.2478/clb-2019-0022","DOIUrl":"https://doi.org/10.2478/clb-2019-0022","url":null,"abstract":"Abstract The aim of this paper is to show how traditionalist elements are shaped in Lucian Blaga’s poetry. After presenting some theoretical aspects about the literaray magazine Gândirea, the one Blaga collaborated with, we will explain how religious and rural motifs get a metaphysical pattern, in comparison with the way they are used in the traditionalist poems.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130614195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this study is to demonstrate that using Romanian Interwar Novel we could draw a cartography of rural space. Even in the modern writers fiction we will analyse many rural spaces that we could find in some of the novels. Also, in another novels we found out that the rural space plays an important role in the construction of the narrative plot.
{"title":"O Cartografiere A Spaţiului Rural În Romanul Românesc Interbelic","authors":"","doi":"10.2478/clb-2019-0003","DOIUrl":"https://doi.org/10.2478/clb-2019-0003","url":null,"abstract":"\u0000 The purpose of this study is to demonstrate that using Romanian Interwar Novel we could draw a cartography of rural space. Even in the modern writers fiction we will analyse many rural spaces that we could find in some of the novels. Also, in another novels we found out that the rural space plays an important role in the construction of the narrative plot.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125204143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The aim of this paper is to highlight the vanguardist poetical universe of Ilarie Voronca, focusing on the construction of corporeal representations. The poetics of corporeality is associated with the concept of “crisis”, the latter being reverberated in the vanguard lyrical works as an effect of the historical and social context of the 20th century, which is the First World War. As a result, the consequences of this context bring to the vanguard writers poetical substance, which encapsulates the body and the disease, these two being transposed into several eerie, radical and shocking images in Ilarie Voronca’s poetics. This paper is going to demonstrate the existence of several corporeal representations in Ilarie Voronca’s poems, which are mainly represented by the vulnerable body, viewed as a limit and as the diseased/the suffering, proving that the crisis of corporeality is the effect of the historical conflagration at the beginning of the 20th century.
{"title":"Criza Corporalităţii În Poetica Lui Ilarie Voronca","authors":"Alexandru Foitoș","doi":"10.2478/clb-2019-0014","DOIUrl":"https://doi.org/10.2478/clb-2019-0014","url":null,"abstract":"Abstract The aim of this paper is to highlight the vanguardist poetical universe of Ilarie Voronca, focusing on the construction of corporeal representations. The poetics of corporeality is associated with the concept of “crisis”, the latter being reverberated in the vanguard lyrical works as an effect of the historical and social context of the 20th century, which is the First World War. As a result, the consequences of this context bring to the vanguard writers poetical substance, which encapsulates the body and the disease, these two being transposed into several eerie, radical and shocking images in Ilarie Voronca’s poetics. This paper is going to demonstrate the existence of several corporeal representations in Ilarie Voronca’s poems, which are mainly represented by the vulnerable body, viewed as a limit and as the diseased/the suffering, proving that the crisis of corporeality is the effect of the historical conflagration at the beginning of the 20th century.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129923011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The aim of this essay is to offer a gastrocritical analysis of Emil Brumaru's poetry, taking into consideration the symbolism of fruits, vegetables, dairy products, spices and food in general. The four main parts of the essay are based on the sensuality of the fruits, on the memories brought up by food, on dreams stirred up by spices and on the autochtonous place described by the traditional "zacusca". These, all together, will prove the fact that the gastronomical references in Brumaru's poetry are full of connotations and this is what we will try to identify by the interdisciplinar approach.
{"title":"Gastrocriticism: pentru o reinterpretare a poeziei lui Emil Brumaru","authors":"Denisa-Maria Frătean","doi":"10.2478/clb-2019-0004","DOIUrl":"https://doi.org/10.2478/clb-2019-0004","url":null,"abstract":"Abstract The aim of this essay is to offer a gastrocritical analysis of Emil Brumaru's poetry, taking into consideration the symbolism of fruits, vegetables, dairy products, spices and food in general. The four main parts of the essay are based on the sensuality of the fruits, on the memories brought up by food, on dreams stirred up by spices and on the autochtonous place described by the traditional \"zacusca\". These, all together, will prove the fact that the gastronomical references in Brumaru's poetry are full of connotations and this is what we will try to identify by the interdisciplinar approach.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132521672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Lucian Blaga’s writing merges into the boundaries of the European modernism both if we refer to the formal and the theoretical aspects of his work. His poetry shows us the deconstruction of the typical rhymed verse through the use of the white one. But as soon as poetry deconstructs the concepts of rhyme or meter as a necessity to define the formal aspects of writing, there is the resistant concept of rhythm which shows himself a plural concept. The aim of this paper is to investigate rhythm in the poetical creation of Lucian Blaga not as the asset of formal constructions, but as it was proposed by Henri Meschonnic a discursive rhythm which is in a tight relation with the subject of speech.
{"title":"Pentru O Poetică A Ritmurilor Discursive În Lirica Blagiană","authors":"Mihai Duma","doi":"10.2478/clb-2019-0012","DOIUrl":"https://doi.org/10.2478/clb-2019-0012","url":null,"abstract":"Abstract Lucian Blaga’s writing merges into the boundaries of the European modernism both if we refer to the formal and the theoretical aspects of his work. His poetry shows us the deconstruction of the typical rhymed verse through the use of the white one. But as soon as poetry deconstructs the concepts of rhyme or meter as a necessity to define the formal aspects of writing, there is the resistant concept of rhythm which shows himself a plural concept. The aim of this paper is to investigate rhythm in the poetical creation of Lucian Blaga not as the asset of formal constructions, but as it was proposed by Henri Meschonnic a discursive rhythm which is in a tight relation with the subject of speech.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126378239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The following paper revolves around the concept of thanatos, whose name comes from the personification of death in the Greek mythology. In other words, the objective of this paper is to analyze the main forms and symbols regarding the theme of death in several poems of Lucian Blaga and Dylan Thomas and try to explain how, despite the fact that they come from different cultural environments and have different sources of inspiration and literary purposes regarding the aim of their works, their poetical works present several resemblances in terms of meaning in relation to the theme of death, as approached in the 20th century modern poetry.
{"title":"Ipostaze Thanatice În Poetica Lui Lucian Blaga Și Dylan Thomas","authors":"Raul Săran","doi":"10.2478/clb-2019-0009","DOIUrl":"https://doi.org/10.2478/clb-2019-0009","url":null,"abstract":"Abstract The following paper revolves around the concept of thanatos, whose name comes from the personification of death in the Greek mythology. In other words, the objective of this paper is to analyze the main forms and symbols regarding the theme of death in several poems of Lucian Blaga and Dylan Thomas and try to explain how, despite the fact that they come from different cultural environments and have different sources of inspiration and literary purposes regarding the aim of their works, their poetical works present several resemblances in terms of meaning in relation to the theme of death, as approached in the 20th century modern poetry.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126536213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Secession Influences in Blaga’s Poetry (Influențe Secession în lirica blagiană) – This essay analyses the impact of the years spent in Vienna on the formation of Lucian Blaga, taking into consideration the fact that, at the end of the 19th century and the beginning of the 20th century, the capital of the Empire was the centre of an impressive art movement called the "Vienna Secession". The aim of this paper is to identify the similarities that can be established between the art of the painter Gustav Klimt, a representative figure for that period and the president of Secession, and the poetry of Blaga. The comparison includes the symbols to be found in the works of the two artists, such as the spring flowers and the serpents, the dominant colours, the type of lines used in the creation of their images and the reaction of people to their modern art.
分离派对布拉加诗歌的影响(Influențe Secession n lirica blagianu) -本文分析了在维也纳度过的岁月对卢西恩·布拉加形成的影响，考虑到在19世纪末和20世纪初，帝国的首都是一个令人印象深刻的艺术运动的中心，称为“维也纳分离派”。本文的目的是确定画家古斯塔夫·克里姆特(Gustav Klimt)的艺术之间可以建立的相似之处，他是那个时期的代表人物，也是分离派的总统，以及布拉加的诗歌。对比包括两位艺术家作品中的象征，如春天的花朵和蛇，主要的颜色，在创作他们的图像时使用的线条类型以及人们对他们的现代艺术的反应。
{"title":"Influenţe Secession În Lirica Blagiană","authors":"Denisa-Maria Frătean","doi":"10.2478/clb-2019-0013","DOIUrl":"https://doi.org/10.2478/clb-2019-0013","url":null,"abstract":"Abstract Secession Influences in Blaga’s Poetry (Influențe Secession în lirica blagiană) – This essay analyses the impact of the years spent in Vienna on the formation of Lucian Blaga, taking into consideration the fact that, at the end of the 19th century and the beginning of the 20th century, the capital of the Empire was the centre of an impressive art movement called the \"Vienna Secession\". The aim of this paper is to identify the similarities that can be established between the art of the painter Gustav Klimt, a representative figure for that period and the president of Secession, and the poetry of Blaga. The comparison includes the symbols to be found in the works of the two artists, such as the spring flowers and the serpents, the dominant colours, the type of lines used in the creation of their images and the reaction of people to their modern art.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131908617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The starting point of my work is represented by three of Lucian Blaga’s plays: Daria, Ivanca and Înviere. We tried to show that the characters of these plays represent pieces of individuality and also these characters will be free from their existential drama only if they will become a mirror for the each other, only if they will be interconnected and if these characters will be able to transfer a part of their identity to another individual.
{"title":"Inocentul Alienat Și DepăȘirea Limitelor (Auto)Impuse","authors":"Gabriela-Emilia Merce","doi":"10.2478/clb-2019-0007","DOIUrl":"https://doi.org/10.2478/clb-2019-0007","url":null,"abstract":"Abstract The starting point of my work is represented by three of Lucian Blaga’s plays: Daria, Ivanca and Înviere. We tried to show that the characters of these plays represent pieces of individuality and also these characters will be free from their existential drama only if they will become a mirror for the each other, only if they will be interconnected and if these characters will be able to transfer a part of their identity to another individual.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125546625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This study is based on a research on literary criticism, with a focus on several aspects of Lucian Blaga’s biography from an ideological perspective, aiming and examining its falsifications before 1989 and its true version after the socialist period. Due to most of the papers published by his daughter, Dorli Blaga (more specific, correspondence, diaries and official documents), we could claim that Blaga represents not only a literary case, but also a political one. To be more precise, the purpose of this article is to reveal some demystifications directly related to his biography, outlining three main periods in what concerns Blaga’s reception: the ’50s, the ’60s and the after ’90s.
{"title":"Mistificări Și Recuperări Biografiste: „Cazul” Lucian Blaga","authors":"Ioana E Pavel","doi":"10.2478/clb-2019-0005","DOIUrl":"https://doi.org/10.2478/clb-2019-0005","url":null,"abstract":"Abstract This study is based on a research on literary criticism, with a focus on several aspects of Lucian Blaga’s biography from an ideological perspective, aiming and examining its falsifications before 1989 and its true version after the socialist period. Due to most of the papers published by his daughter, Dorli Blaga (more specific, correspondence, diaries and official documents), we could claim that Blaga represents not only a literary case, but also a political one. To be more precise, the purpose of this article is to reveal some demystifications directly related to his biography, outlining three main periods in what concerns Blaga’s reception: the ’50s, the ’60s and the after ’90s.","PeriodicalId":398624,"journal":{"name":"Lucian Blaga Yearbook","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129299214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：