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The American Woman's Home Sweet Home: Recentering and Commodifying the Hearth in National Ideology 美国妇女的家——甜蜜的家:在国家意识形态中重新定位和商品化的家
IF 0.1 Pub Date : 2023-05-01 DOI: 10.1162/thld_a_00808
Carrie Gammell
At 14 James Lane, in the center of colonial East Hampton, New York, sits a gray-shingled, sloping-roofed cottage. Its front door knocker bears the words “Home, Sweet Home.” The cottage was built in the seventeenth century, when East Hampton’s residents were hardy villagers who made their living on the land and sea. Though mellowed with age and embowered with wisteria, it has for the most part been preserved against the ravages of time, weather, and fire. Today this old house—with its custom wainscoting and hand-wrought hardware, antique furniture, and silver lusterware—attracts sightseers far and wide, serving as inspiration to artists and homemakers alike.
在詹姆斯巷14号,位于纽约殖民地东汉普顿的中心,坐落着一座灰色的斜屋顶木瓦小屋。它的前门门环上写着“家,甜蜜的家”。这座小屋建于17世纪,当时东汉普顿的居民都是靠陆地和海洋谋生的顽强村民。尽管它随着年龄的增长而变得成熟,并被紫藤雕刻,但它在很大程度上被保存下来,以抵御时间、天气和火灾的破坏。如今,这座古老的房子——有着定制的墙裙和手工五金、古董家具和银色光泽——吸引了各地的游客,成为艺术家和家庭主妇的灵感来源。
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引用次数: 0
THLD51 Contributors THLD51贡献者
IF 0.1 Pub Date : 2023-05-01 DOI: 10.1162/thld_x_00807
Benjamin Akhavan, Latifa Alkhayat, Pardis Alipour, Iman Ansari, Christopher Joshua Benton, Yeo-Jin Katerina Bong, Jake Boswell, Ian Callender
Pardis Alipour is an artist currently pursuing her MFA at the School of the Museum of Fine Arts at Tufts University. She received a bachelor’s degree in Architecture from the University of Tehran. Through incorporating the tools and skills collected from architecture school, she activates spaces, objects, and materials to analyze, criticize, and physicalize the stratified experience of living under an Islamic theocracy.
Pardis Alipour是一名艺术家,目前正在塔夫茨大学美术馆学院攻读硕士学位。她获得了德黑兰大学建筑学学士学位。通过整合从建筑学校收集的工具和技能,她激活了空间、物体和材料,以分析、批评和物理化伊斯兰神权统治下的分层生活体验。
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引用次数: 0
ITZAN
IF 0.1 Pub Date : 2023-05-01 DOI: 10.1162/thld_a_00795
Benjamin Keenan, Timothy S. Thomasson
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引用次数: 1
Thermo-Myco-Chromo-Synthetic: Albedo, Bio-Composites, and the Climatic Dimensions of Color Thermo Myco Chromo合成:反照率、生物复合物和颜色的气候维度
IF 0.1 Pub Date : 2023-05-01 DOI: 10.1162/thld_a_00789
Maroula Zacharias
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引用次数: 0
Before | After: Thresholds Roundtable: The History and Legacy of Thresholds Journal 之前|之后:阈值圆桌会议:阈值期刊的历史和遗产
IF 0.1 Pub Date : 2022-04-01 DOI: 10.1162/thld_a_00772
Timothy A. D. Hyde, Mark M. Jarzombek, A. León, Alona Nitzan-Shiftan
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引用次数: 0
The Memory Bunker 记忆地堡
IF 0.1 Pub Date : 2022-04-01 DOI: 10.1162/thld_a_00751
Batoul Faour
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引用次数: 0
Redes: Bread and Justice, Peaches and Bananas 面包和正义,桃子和香蕉
IF 0.1 Pub Date : 2022-04-01 DOI: 10.1162/thld_a_00756
Camila Galaz
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引用次数: 0
The Past Futures of Aerotropolis 航空大都市的过去和未来
IF 0.1 Pub Date : 2022-04-01 DOI: 10.1162/thld_a_00741
Andrew Witt, Hyojin Kwon
From the Wright Brothers’ first powered flight in 1905 until the conclusion of World War II, the popular imagination of mechanical air travel offered a vision of cities and societies transformed by ubiquitous flight. In 1932, the industrial designer Norman Bel Geddes predicted air travel would become as routine as a commuter train trip, with attendant implications for urbanism: “We can expect the old 5:15 to be a group of ten passenger planes arriving at minute intervals.”1 The airport was the building type that embodied and amplified the transformative possibilities of air travel for the city. During the interwar period a colorful cast of American architects, developers, and inventors proposed vast elevated landing platforms surmounting networks of skyscrapers and enormous mechanical contrivances to launch and land planes on rooftops. During that period, the airport was a barometer of both technoscientific progress and cultural fantasy, an infrastructural typology in creative flux. As the airport evolved, so too did the possibilities of the future city, and in many speculative visions the airport and city fused into a single metropolitan organism. In 1939, the designer Nicholas DeSantis coined an apt term for such an intimate integration of airport and city: the aerotropolis.2
从1905年莱特兄弟的第一次动力飞行到第二次世界大战结束,人们对机械航空旅行的普遍想象提供了一个城市和社会被无处不在的飞行所改变的愿景。1932年,工业设计师Norman Bel Geddes预测,航空旅行将成为通勤火车旅行的常规,随之而来的是对城市化的影响:“我们可以预期,旧的5:15将是一组10架客机,每隔一分钟抵达。”1机场是一种建筑类型,它体现并放大了航空旅行对城市的变革可能性。在两次世界大战期间,由美国建筑师、开发商和发明家组成的丰富多彩的团队提出了跨越摩天大楼网络的巨大高架着陆平台,以及在屋顶上发射和降落飞机的巨大机械装置。在那个时期,机场是技术科学进步和文化幻想的晴雨表,是一种创造性变化中的基础设施类型。随着机场的发展,未来城市的可能性也在发展,在许多推测性的愿景中,机场和城市融合为一个单一的大都市有机体。1939年,设计师尼古拉斯·德桑蒂斯为机场和城市的紧密结合创造了一个恰当的术语:航空城。2
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引用次数: 0
Screen Time 屏幕时间
IF 0.1 Pub Date : 2022-04-01 DOI: 10.1162/thld_a_00743
Jeffrey Landman
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引用次数: 0
Thresholds Revisited: Building Dwelling Not Thinking 重新审视门槛:建造住宅而非思考
IF 0.1 Pub Date : 2022-04-01 DOI: 10.1162/thld_a_00745
Lucia Allais
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引用次数: 0
期刊
Thresholds
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