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Antiphon-A Journal for Liturgical Renewal最新文献

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Music and Liturgy in Medieval Britain and Ireland ed. by Ann Buckley and Lisa Colton (review) 《中世纪英国和爱尔兰的音乐和礼拜仪式》,安·巴克利和丽莎·科尔顿主编(书评)
IF 0.1 Pub Date : 2022-09-13 DOI: 10.1353/atp.2022.0019
D. Page
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引用次数: 0
Introduction to Eastern Christian Liturgies by Stefanos Alexopoulos and Maxwell E. Johnson (review) Stefanos Alexopoulos和Maxwell E.Johnson的《东方基督教礼仪导论》(综述)
IF 0.1 Pub Date : 2022-09-13 DOI: 10.1353/atp.2022.0020
David M. Friel
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引用次数: 0
The Art of Preaching: A Theological and Practical Primer by Daniel Cardó (review) 《传道的艺术:神学与实践入门》,Daniel Cardó著(综述)
IF 0.1 Pub Date : 2022-09-13 DOI: 10.1353/atp.2022.0017
Andrew R. Wadsworth
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引用次数: 0
The Pre-Eminence of the Roman Canon: A Key for Liturgical Reconciliation 罗马正典的卓越:礼仪和解的关键
IF 0.1 Pub Date : 2022-09-13 DOI: 10.1353/atp.2022.0011
D. Cardó
ABSTRACT:The Roman Canon has been the core of the Roman Mass throughout the centuries. This reality is particularly important in the implementation of the Motu Proprio Traditionis Custodes, for the frequent recitation of the Roman Canon can be an important aspect in a reconciled approach to liturgical development. Although decades ago some scholars questioned its historical and pastoral value, the canon still stands as the most ancient witness to Eucharistic practice in the Roman Rite. Along with its historical pre-eminence, there are theological reasons that contribute to a special appreciation of the First Eucharistic Prayer. The historical and theological arguments for the centrality of the canon should lead to its frequent use, as recommended by the Church.
摘要:几个世纪以来,罗马正典一直是罗马弥撒的核心。这一现实在执行《固有传统戒律》时尤为重要,因为经常背诵罗马正典可以成为礼仪发展中和解方法的一个重要方面。虽然几十年前一些学者质疑它的历史和牧灵价值,但正典仍然是罗马仪式中最古老的圣体实践见证。除了它在历史上的卓越地位外,还有神学上的原因,使我们特别欣赏第一圣体祷文。正典的中心地位的历史和神学的论点应该导致它的频繁使用,由教会推荐。
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引用次数: 0
John Henry Newman and the Development of Doctrine: Encountering Change, Looking for Continuity by Stephen Morgan (review) 约翰·亨利·纽曼与学说的发展:遭遇变革,寻找连续性斯蒂芬·摩根(综述)
IF 0.1 Pub Date : 2022-09-13 DOI: 10.1353/atp.2022.0014
Guy Nicholls
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引用次数: 0
The Development of the Meaning of the Term "Liturgy" in the Twentieth Century “礼仪”一词在二十世纪意义的发展
IF 0.1 Pub Date : 2022-06-03 DOI: 10.1353/atp.2022.0002
R. Nicholas
ABSTRACT:The term "liturgy," inherited from the ancient world, gradually fell into disuse in the Latin West. With the advent of the Liturgical Movement, the term not only grew in usage but in depth of meaning. The paper traces how the definition and meaning of the term developed throughout the twentieth century. Pius XII in Mediator Dei emphasized liturgy as the worship rendered by the Church in union with its Head. The Second Vatican Council in Sacrosanctum Concilium developed the term in reference to the sacraments and the sanctification of their recipients. The Catechism of the Catholic Church complemented the roles of the Father and the Son in the liturgy by amplifying the role of the Holy Spirit.
摘要:“礼拜仪式”一词源于古代,在拉丁西方逐渐废弃。随着Liturgical运动的出现,这个词不仅用法越来越多,而且含义越来越深。本文追溯了这个词的定义和含义是如何在整个二十世纪发展起来的。庇护十二世在Mediator Dei中强调礼拜仪式是教会与其首领联合进行的崇拜。梵蒂冈第二届会议在《圣礼礼仪》中发展了这个术语,指的是圣礼及其接受者的神圣化。天主教会的教义问答通过放大圣灵的作用来补充圣父和圣子在礼拜仪式中的作用。
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引用次数: 0
Syrian Hymnography 叙利亚Hymnography
IF 0.1 Pub Date : 2022-06-03 DOI: 10.1353/atp.2022.0004
Irénée-Henri Dalmais, Giles Conacher
ABSTRACT:Syrian hymnography covers vast tracts both of time and geography. In the Syrian liturgical traditions, in contradistinction to those of the Latin West, poetic compositions play a central role. Of particular importance is the work of St. Ephrem, preacher-poet. Popular musical culture was not without ambiguities, bearing, fostering and disseminating teachings viewed as heterodox by some; hence it was sometimes more didactic and apologetic than lyrical. Alongside hymns, antiphons and responses form part of the corpus. A brief summary of the current place of hymnography in the churches of the West and East Syrian traditions is given.
摘要:叙利亚的赞美诗涵盖了广阔的时间和地域。在叙利亚的礼仪传统中,与拉丁西方的礼仪传统不同,诗歌作品扮演着核心角色。特别重要的是圣Ephrem的工作,牧师和诗人。流行音乐文化并非没有歧义,承载、培养和传播被一些人视为异端的教义;因此,它有时更多的是说教和道歉,而不是抒情。除了赞美诗,对唱和回应也构成了语料库的一部分。简要总结了赞美诗在叙利亚西部和东部传统教会中的地位。
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引用次数: 0
"What has Christ to do with Apollo?": Unpacking the Apollonian and Dionysian Principles in Joseph Ratzinger's Theology of Music “基督与阿波罗有什么关系?”——解读拉辛格音乐神学中的阿波罗原则和酒神原则
IF 0.1 Pub Date : 2022-06-03 DOI: 10.1353/atp.2022.0003
David Birkdale
ABSTRACT:The Apollonian and Dionysian spirits occupy a central role in the theology of liturgical music proposed by Joseph Ratzinger (Benedict XVI). These terms highlight different priorities in music: the Apollonian represents reason, while the Dionysian represents primal emotion. Ratzinger holds that liturgical music should always be Apollonian, placing himself in a tradition that goes back to Plato. This article examines the history of this tradition, and argues against the Dionysian alternative proposed by Nietzsche and its current proponents, who regard the priority of the Apollonian spirit as essentially a form of European colonialism. Citing an example from Kongzi (Confucius), I show that the Apollonian spirit is not limited to Western thought, and allows for an experience of the Logos, a universal value.
摘要:在拉辛格(本笃十六世)提出的礼仪音乐神学中,阿波罗精神和酒神精神占据着核心地位。这些术语突出了音乐中不同的优先顺序:阿波罗代表理性,而酒神代表原始情感。拉辛格认为,礼拜音乐应该永远是阿波罗式的,他将自己置于一个可以追溯到柏拉图的传统中。本文考察了这一传统的历史,并反对尼采及其当前支持者提出的酒神替代方案,他们认为阿波罗精神的优先性本质上是欧洲殖民主义的一种形式。我引用孔子的一个例子,表明阿波罗精神不仅限于西方思想,而且允许对逻各斯的体验,一种普遍的价值。
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引用次数: 0
Divine Worship: Daily Office (Commonwealth Edition) (review) 神圣崇拜:每日办公室(英联邦版)(评论)
IF 0.1 Pub Date : 2022-06-03 DOI: 10.1353/atp.2022.0005
Michael G. Earthman
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引用次数: 0
Piercing the Clouds: Lectio Divina and Preparation for Ministry ed. by Kevin Zilverberg and Scott Carl (review) Kevin Zilverberg和Scott Carl主编的《拨云见日:Lectio Divina和牧师的准备》(评论)
IF 0.1 Pub Date : 2022-06-03 DOI: 10.1353/atp.2022.0010
M. Heintz
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引用次数: 0
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Antiphon-A Journal for Liturgical Renewal
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