{"title":"García Jurado, Francisco. \"Borges autor de la Eneida: poética del laberinto\"","authors":"Francisco Javier Martínez Real","doi":"10.5209/AMAL.53416","DOIUrl":"https://doi.org/10.5209/AMAL.53416","url":null,"abstract":"","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"8 1","pages":"57-57"},"PeriodicalIF":0.1,"publicationDate":"2016-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/AMAL.53416","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70668252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Molpeceres Arnáiz, Sara. \"Mito persuasivo y mito literario. Bases para un análisis retórico-mítico del discurso\"","authors":"M. Rodríguez","doi":"10.5209/AMAL.53420","DOIUrl":"https://doi.org/10.5209/AMAL.53420","url":null,"abstract":"","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"8 1","pages":"53-56"},"PeriodicalIF":0.1,"publicationDate":"2016-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/AMAL.53420","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70668584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Myths in Crisis: The Crisis of Myth. Ed. José Manuel Losada y Antonella Lipscomb. Newcastle upon Tyne: Cambridge Scholars Publishing, 2015, 441 pp. ISBN: 978-1-4438-7814-2.","authors":"Luis Alberto Pérez Amezcua","doi":"10.5209/AMAL.53417","DOIUrl":"https://doi.org/10.5209/AMAL.53417","url":null,"abstract":"","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"1 1","pages":"59-67"},"PeriodicalIF":0.1,"publicationDate":"2016-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/AMAL.53417","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70668266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Mitos de la sabiduría femenina entre tradición y subversión\". Coord. Carole Viñals.","authors":"Irene Ruiz-Melgarejo Rubio","doi":"10.5209/AMAL.53419","DOIUrl":"https://doi.org/10.5209/AMAL.53419","url":null,"abstract":"","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"8 1","pages":"79-82"},"PeriodicalIF":0.1,"publicationDate":"2016-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/AMAL.53419","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70668336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Historically, Salome was an unexceptional figure who never catalyzed John the Baptist's death. However, in Christian Scripture, she becomes the dancing seductress as fallen daughter of Eve. Her stepfather Herod promises Salome his kingdom if she dances for him, but she follows her mother’s wish to have John beheaded. In Strauss’s opera, after Wilde's Symbolist-Decadent play, Salome becomes independent of Herodias’ will, and the mythic avatar of the femme fatale and persecuted artist who Herod has killed after she kisses John's severed head. Her signature key of C# major, resolving to the C major sung by Herod and Jokanaan at her death, represent her tragic fate musically.
{"title":"Daughter of Eve, \"Femme Fatale\", and Persecuted Artist: The Mythic Transgressive Woman in Oscar Wilde's and Richard Strauss's \"Salome\"","authors":"Corinne E. Blackmer","doi":"10.5209/AMAL.51851","DOIUrl":"https://doi.org/10.5209/AMAL.51851","url":null,"abstract":"Historically, Salome was an unexceptional figure who never catalyzed John the Baptist's death. However, in Christian Scripture, she becomes the dancing seductress as fallen daughter of Eve. Her stepfather Herod promises Salome his kingdom if she dances for him, but she follows her mother’s wish to have John beheaded. In Strauss’s opera, after Wilde's Symbolist-Decadent play, Salome becomes independent of Herodias’ will, and the mythic avatar of the femme fatale and persecuted artist who Herod has killed after she kisses John's severed head. Her signature key of C# major, resolving to the C major sung by Herod and Jokanaan at her death, represent her tragic fate musically.","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"8 1","pages":"1-15"},"PeriodicalIF":0.1,"publicationDate":"2016-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/AMAL.51851","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70668568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
First part of a two-section article that analyses the extensive reinterpretation of Daphne’s myth in the opera Daphne (1938) by composer Richard Strauss and librettist Joseph Gregor, who used the version of the myth by Parthenius of Nicaea better than that by Ovid. Itsultimate aim is to examine Strauss’ statement about his new opera’s meaning and if the authors managed to achieve their objective by means of manipulating the mythical storyline.
{"title":"Bailando con Dioniso: el mito de Leucipo y Daphne de Richard Strauss y Joseph Gregor","authors":"Manuel Antonio Díaz Gito","doi":"10.5209/AMAL.51761","DOIUrl":"https://doi.org/10.5209/AMAL.51761","url":null,"abstract":"First part of a two-section article that analyses the extensive reinterpretation of Daphne’s myth in the opera Daphne (1938) by composer Richard Strauss and librettist Joseph Gregor, who used the version of the myth by Parthenius of Nicaea better than that by Ovid. Itsultimate aim is to examine Strauss’ statement about his new opera’s meaning and if the authors managed to achieve their objective by means of manipulating the mythical storyline.","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"8 1","pages":"23-43"},"PeriodicalIF":0.1,"publicationDate":"2016-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/AMAL.51761","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70668547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Paul Dukas’ work cannot be reduced to his most famous piece, L’Apprenti sorcier. Having also published in many journals, he stands out as an author with original and individual style different from Debussy’s. In Arianne et Barbe-Bleue, maliciously considered as just a response to Pelleas et Melisande, his biggest concern remains the transformation into music of Maeterlinck’s poem, the way of bringing the internal music out of written language.
保罗·杜卡斯的作品不能被简化为他最著名的作品《巫师学徒》。他还在许多期刊上发表过文章，是一位与德彪西不同的具有独创性和个人风格的作家。在Arianne et barbe - blue中，被恶意认为只是对Pelleas et Melisande的回应，他最大的关注仍然是将Maeterlinck的诗转化为音乐，将内在音乐从书面语言中带出来的方式。
{"title":"Ariane et la Clef d'Or","authors":"P. Brunel","doi":"10.5209/AMAL.51778","DOIUrl":"https://doi.org/10.5209/AMAL.51778","url":null,"abstract":"Paul Dukas’ work cannot be reduced to his most famous piece, L’Apprenti sorcier. Having also published in many journals, he stands out as an author with original and individual style different from Debussy’s. In Arianne et Barbe-Bleue, maliciously considered as just a response to Pelleas et Melisande, his biggest concern remains the transformation into music of Maeterlinck’s poem, the way of bringing the internal music out of written language.","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"8 1","pages":"17-27"},"PeriodicalIF":0.1,"publicationDate":"2016-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/AMAL.51778","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70668558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mercedes Aguirre Castro, Cristina Delgado Linacero y Ana González-Rivas (eds.) \"Fantasmas, aparecidos y muertos sin descanso\"","authors":"M. I. Rodríguez","doi":"10.5209/AMAL.50231","DOIUrl":"https://doi.org/10.5209/AMAL.50231","url":null,"abstract":"","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"72 1","pages":"87-91"},"PeriodicalIF":0.1,"publicationDate":"2015-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70668637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Découpage I (2013)","authors":"Gema Navarro Goig","doi":"10.5209/AMAL.50233","DOIUrl":"https://doi.org/10.5209/AMAL.50233","url":null,"abstract":"","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"7 1","pages":"35-35"},"PeriodicalIF":0.1,"publicationDate":"2015-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70668661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gerhard Poppenberg: \"Die Antinomie des Gesetzes\"","authors":"Carmen Rivero Iglesias","doi":"10.5209/AMAL.50232","DOIUrl":"https://doi.org/10.5209/AMAL.50232","url":null,"abstract":"","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"7 1","pages":"97-99"},"PeriodicalIF":0.1,"publicationDate":"2015-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70668650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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