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La Acrobacia de lo póstumo. Reescrituras inéditas de Silvina Ocampo
IF 0.1 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.19137/anclajes-2023-2713
Romina Magallanes
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引用次数: 0
Puntos sueltos. La literatura argentina y sus textualidades ocultas, de Cecilia Corona Martínez 松散的点。塞西莉亚·科罗纳·马丁内斯的阿根廷文学及其隐藏的文本
IF 0.1 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.19137/anclajes-2023-2716
Sabrina Rezzónico
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引用次数: 0
Clases de literatura argentina, de Beatriz Sarlo 比阿特丽斯·萨洛的阿根廷文学课
IF 0.1 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.19137/anclajes-2023-2717
M. Villagarcía
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引用次数: 0
Antonio Argerich como promotor del naturalismo. En torno a una carta de agradecimiento de Émile Zola 安东尼奥·阿格里奇是自然主义的推动者。关于埃米尔·佐拉的一封感谢信
IF 0.1 Q1 Arts and Humanities Pub Date : 2023-02-01 DOI: 10.19137/anclajes-2023-2715
A. Romagnoli
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引用次数: 0
Babel (1921-1929): arquitecturas y modalidades de exhibición de la literatura. De la vida en común a la bibliografía 巴贝尔(1921-1929):建筑和文学展览方式。从共同生活到文学
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.19137/anclajes-2022-2633
Verónica Delgado
: Looking at the compositional dimension of publications allows us to think about the relationships between literature and periodicals based on what the magazines
观察出版物的构成维度可以让我们基于杂志的内容来思考文学与期刊之间的关系
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引用次数: 0
Lecciones de lengua mexicana en 'El Tepozteco' de Mariano Jacobo Rojas 马里亚诺·雅各布·罗哈斯的《El Tepozteco》中的墨西哥语言课
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.19137/anclajes-2022-2634
Freja I. Becerril Cervantes
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引用次数: 0
Volver sobre lo recortado: exposición y conservación en las secciones “Museo” de Borges y Bioy Casares 回到剪裁:博尔赫斯和比奥伊·卡萨雷斯“博物馆”部分的展览和保护
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.19137/anclajes-2022-2637
María de los Ángeles Mascioto
: The article explores the poetics of clipping in a set of texts published in the “Museo” section y Jorge Luis Borges and Adolfo Bioy Casares, in Destiempo (1936-1937) and Los Anales de Buenos Aires (1946-1948) y Jorge Luis Borges and Adolfo Bioy Casares. The manipulation of texts can be linked to modern clipping technology, which responded to the need for brevity, a requirement of the press, as well as literary and editorial procedures implemented in the recovery of texts from the most diverse sup-ports and that enable to think about cutting as rewriting and reinterpretation (Thérenty, 2012; Viu, 2019). Under the name of “Museo”, the published texts are inserted in the semantic field of exhibition and conservation. Regarding the first, it will be analyzed the visuality of the texts. Regarding the second, the strategies of its collection will be studied (Guelfi Campos, 2019). Finally, we will study the new writing modalities that generate fragmentation and synthesis. We hypothesize that these cut poetics diluted the role of the writer as the sole author and implied an intervention on genres.
:本文探讨了Jorge Luis Borges和Adolfo Bioy Casares在Destiempo(1936-1937)和Los Anales de Buenos Aires(1946-1948)发表在“博物馆”部分的一组文本中的剪裁诗学。文本的操纵可以与现代剪辑技术联系在一起,现代剪辑技术回应了简洁的需求,这是媒体的要求,以及在从最多样化的支持中恢复文本时实施的文学和编辑程序,使人们能够将剪辑视为重写和重新解释(Thérenty,2012;Viu,2019)。在“Museo”的名称下,出版的文本被插入展览和保护的语义领域。关于第一部分,我们将分析文本的形象性。关于第二个,将研究其收藏策略(Guelfi-Campos,2019)。最后,我们将研究产生碎片化和综合化的新写作模式。我们假设这些切割诗学淡化了作家作为唯一作者的角色,并暗示了对体裁的干预。
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引用次数: 0
Escritura y traducción en América Latina. Diálogos críticos con Andrea Pagni, de Sabine Friedrich, Annette Keilhauer y Laura Welsch (eds.) 拉丁美洲的写作和翻译。《与安德里亚·帕格尼的批判性对话》,萨宾·弗里德里希、安妮特·基尔豪尔和劳拉·韦尔奇编。
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.19137/anclajes-2022-26310
M. C. Domínguez
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引用次数: 0
Escrituras de viaje a África y memorias de la esclavitud en Dionne Brand y Saidiya Hartmann 迪翁·布兰德和赛迪娅·哈特曼的非洲之行和奴隶制回忆录
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.19137/anclajes-2022-2639
Lucía Stecher Guzmán, M. Johansson
.
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引用次数: 0
De 'petit revue' a 'magazine' informativo y literario: mediación política y editorial en Revista Moderna de México (1903-1911) 从“小评论”到信息和文学“杂志”:墨西哥现代杂志(1903-1911年)的政治调解和编辑
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.19137/anclajes-2022-2632
Ana Laura Zavala Díaz
: Most of the literature about Revista Moderna (1898-1903) and Revista Mod- erna de México (1903-1911) assumes that both publications integrate a single editorial project because of its affiliation with the Latin American modernism, particularly with that of the second generation, which presented a more decadent aspect. Although some scholars have noted the differences between the two formats, the petit revue and the North American styled magazine, the truth is that Revista Moderna de México has been reviewed in very similar terms to its predecessor, that is, as a literary, elitist and minor - ity magazine, representative of a group with a specific literary positioning. In this paper, I will examine some of the devices that the editors of Revista Moderna de México used to articulate this transformation not only of format, but also of discursive positioning, mediated by the political and publishing market conditions from that time. This study pretends to draw attention to the set of negotiations and resistance that some agents of the literary field carried out through their professionalization process and their search for an alleged autonomy regarding other recognition figures during the transition from the 19 th century to the 20 th century
关于《现代评论》(1898-1903)和《现代评论》(1903-1911)的大多数文献都认为,这两份出版物都整合了一个单一的编辑项目,因为它与拉丁美洲现代主义,特别是第二代现代主义有联系,呈现出更颓废的一面。尽管一些学者注意到小杂志和北美风格杂志这两种形式之间的差异,但事实是,《现代主义杂志》受到的评价与它的前身非常相似,即作为一本文学、精英和少数群体的杂志,代表着一个具有特定文学定位的群体。在这篇论文中,我将研究《现代回顾》的编辑们用来阐明这种转变的一些手段,不仅是格式的转变,还有话语定位的转变,这是由当时的政治和出版市场条件所介导的。在19世纪到20世纪的过渡时期,文学领域的一些代理人在其专业化过程中进行的一系列谈判和抵抗,以及他们对其他承认人物的所谓自治的寻求,本研究试图引起人们的注意
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引用次数: 1
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