Pub Date : 2021-07-27DOI: 10.19137/anclajes-2021-25313
Carlos Hernán Sosa
I review the development of studies on the nineteenth century in literary criticism in Argentina from the first twenty-five volumes of Anclajes. These studies achieved a strong imprint and visibility during the 1990s and mid-1990s; to suffer, later, a notorious stagnation. The shift in these interests seems to be almost a foreseeable consequence given the enormous influx of critical approaches focused on the situation of the most recent Latin American literature.
{"title":"Miradas críticas, travesía editorial, arqueo provisorio. Itinerarios sobre prácticas y discursos literarios del siglo XIX latinoamericano","authors":"Carlos Hernán Sosa","doi":"10.19137/anclajes-2021-25313","DOIUrl":"https://doi.org/10.19137/anclajes-2021-25313","url":null,"abstract":"I review the development of studies on the nineteenth century in literary criticism in Argentina from the first twenty-five volumes of Anclajes. These studies achieved a strong imprint and visibility during the 1990s and mid-1990s; to suffer, later, a notorious stagnation. The shift in these interests seems to be almost a foreseeable consequence given the enormous influx of critical approaches focused on the situation of the most recent Latin American literature.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49639075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-27DOI: 10.19137/anclajes-2021-25311
Hernán Pas
A panorama of the advances on the 19th century produced in the criticism of the last decades is displayed from the initial imprint of Angel Rama's legacy to the so-called material turn. The relevance that research on the periodical format acquired in studies on literary production, circulation and reception in that century is described and the contributions published in Anclajes are reviewed as a correlate of broader perspectives on publishing, literature, and reading.
{"title":"De la ciudad letrada a las voces impresas. Un recorrido conjetural","authors":"Hernán Pas","doi":"10.19137/anclajes-2021-25311","DOIUrl":"https://doi.org/10.19137/anclajes-2021-25311","url":null,"abstract":"A panorama of the advances on the 19th century produced in the criticism of the last decades is displayed from the initial imprint of Angel Rama's legacy to the so-called material turn. The relevance that research on the periodical format acquired in studies on literary production, circulation and reception in that century is described and the contributions published in Anclajes are reviewed as a correlate of broader perspectives on publishing, literature, and reading.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44134960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-27DOI: 10.19137/anclajes-2021-25320
M. Oliveto
{"title":"Oliveto, Mariano. “Reseña de Invención de la nación en Borges y Marechal. Nacionalismo, liberalismo y populismo de Mariela Blanco”","authors":"M. Oliveto","doi":"10.19137/anclajes-2021-25320","DOIUrl":"https://doi.org/10.19137/anclajes-2021-25320","url":null,"abstract":"","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43852574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-09DOI: 10.19137/anclajes-2021-2532
J. Amícola
On the anniversary of the journal Anclajes, this article reviews its contributions to issues of the sex-gender system, from the last decade of the 20th century to the most recent queer studies. I point out the integration of these contributions to a growing trend in the field of Humanities, both in central and peripheral countries, and describe the relevance of some of the articles published in the journal.
{"title":"Para Conmemorar un aniversario: del sistema sexo-Género a Los estudios queer","authors":"J. Amícola","doi":"10.19137/anclajes-2021-2532","DOIUrl":"https://doi.org/10.19137/anclajes-2021-2532","url":null,"abstract":"On the anniversary of the journal Anclajes, this article reviews its contributions to issues of the sex-gender system, from the last decade of the 20th century to the most recent queer studies. I point out the integration of these contributions to a growing trend in the field of Humanities, both in central and peripheral countries, and describe the relevance of some of the articles published in the journal.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44543147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-20DOI: 10.19137/anclajes-2021-25319
Sergio Caruman Jorquera, Marcela Cabrera-Pommiez
{"title":"Caruman Jorquera, Sergio y Cabrera Pommiez, Marcela. “Reseña de Historia de la ciencia ficción la-tinoamericana I. Desde los orígenes hasta la modernidad de Teresa López-Pellisa y Silvia Kurlat Ares (editoras y directoras)”","authors":"Sergio Caruman Jorquera, Marcela Cabrera-Pommiez","doi":"10.19137/anclajes-2021-25319","DOIUrl":"https://doi.org/10.19137/anclajes-2021-25319","url":null,"abstract":"","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48941062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-18DOI: 10.19137/anclajes-2021-25315
Enzo Cárcano
Al estudiar la obra lirica de Maria Rosa Lojo reunida en Bosque de ojos (2011), es posible identificar dos momentos: uno en el que se ubican Visiones (1984) y Forma oculta del mundo (1991), y otro compuesto por Esperan la manana verde (1998) e Historias del Cielo (2011). Si en los primeros dos poemarios prevalece el ensimismamiento del poeta-medium que se hace cargo de la enunciacion, en los dos ultimos, la poetica lojiana se expande (en un gesto que puede llamarse descolonial) para integrar referencias y personajes de tradiciones historicamente marginadas y silenciadas por la razon moderna. Esta incorporacion hace que la busqueda de lo Otro, cardinal en la lirica lojiana, se emprenda con un lenguaje mas expansivo y narrativo, mas dispuesto al asombro y la ironia, lejos del tono grave, temeroso y oracular de los volumenes iniciales. Este viraje se lee como el paso del poeta-medium al poeta-chaman, figura sacerdotal esta ultima que la misma autora ha considerado en algunos de sus textos metapoeticos.
通过研究Maria Rosa Lojo的抒情作品《Bosque de ojos》(2011)，我们可以确定两个时刻:一个是视觉(1984)和隐藏的世界形式(1991)，另一个是由espera la manana verde(1998)和Historias del Cielo(2011)组成的。如果在前两个poemarios的忧思enunciacion poeta-medium处理,在两国后期,poetica lojiana扩大(在一个手势,可被视为descolonial)为参考数据及传统人物现代历史边缘化和被禁止的原因了。这种结合使得对他者的探索，在洛吉安的抒情诗中，以一种更广阔和叙事性的语言进行，更倾向于惊奇和讽刺，远离了最初卷的严肃、恐惧和神的语气。这种转变被解读为从媒介诗人到萨满诗人的转变，萨满诗人是一种祭司的形象，作者在她的一些元神话文本中也考虑到了这一点。
{"title":"La expansión de la lírica de María Rosa Lojo en \"Esperan la mañana verde\" e \"Historias del Cielo\"","authors":"Enzo Cárcano","doi":"10.19137/anclajes-2021-25315","DOIUrl":"https://doi.org/10.19137/anclajes-2021-25315","url":null,"abstract":"Al estudiar la obra lirica de Maria Rosa Lojo reunida en Bosque de ojos (2011), es posible identificar dos momentos: uno en el que se ubican Visiones (1984) y Forma oculta del mundo (1991), y otro compuesto por Esperan la manana verde (1998) e Historias del Cielo (2011). Si en los primeros dos poemarios prevalece el ensimismamiento del poeta-medium que se hace cargo de la enunciacion, en los dos ultimos, la poetica lojiana se expande (en un gesto que puede llamarse descolonial) para integrar referencias y personajes de tradiciones historicamente marginadas y silenciadas por la razon moderna. Esta incorporacion hace que la busqueda de lo Otro, cardinal en la lirica lojiana, se emprenda con un lenguaje mas expansivo y narrativo, mas dispuesto al asombro y la ironia, lejos del tono grave, temeroso y oracular de los volumenes iniciales. Este viraje se lee como el paso del poeta-medium al poeta-chaman, figura sacerdotal esta ultima que la misma autora ha considerado en algunos de sus textos metapoeticos.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45081186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-02DOI: 10.19137/ANCLAJES-2021-2516
Rocío Fernández
The fascination of Latin American modernism for 19th century French fashion merchandise has been widely addressed in literary theory. Texts filled with diverse cultural materials, textures and objects configured a poetics of the bazaar that became part of a series of strategies through which Latin American literature defined and linked itself to hegemonic aesthetics of the 19th century. The poems and chronicles of Cuban writer Julián del Casal (1863-1893) are no exception; this proliferation of merchandise reveals how the gaze and the images become configured as empty fictions, filled by a cosmopolitan desire. This feature, tied to the function and configuration of images in Cuban modernism, makes possible an anachronical reading of the presence of State merchandise at the other end of the century: Antonio José Ponte’s decadent reality in post-Soviet Cuba.
拉丁美洲现代主义对19世纪法国时尚商品的迷恋在文学理论中得到了广泛的讨论。文本充满了不同的文化材料、纹理和对象，构成了集市的诗学，成为一系列策略的一部分，通过这些策略，拉丁美洲文学定义并将自己与19世纪的霸权美学联系起来。古巴作家Julián del Casal(1863-1893)的诗歌和编年史也不例外;这种商品的激增揭示了目光和图像如何被配置为空洞的虚构，充满了世界主义的欲望。这一特征与古巴现代主义中图像的功能和结构有关，使得对本世纪另一端国家商品的存在进行不合时宜的解读成为可能:安东尼奥·何塞·庞特(Antonio jossore Ponte)在后苏联时期古巴的颓废现实。
{"title":"Bazaar, merchandise and decadence: Antonio José Ponte and Julián del Casal","authors":"Rocío Fernández","doi":"10.19137/ANCLAJES-2021-2516","DOIUrl":"https://doi.org/10.19137/ANCLAJES-2021-2516","url":null,"abstract":"The fascination of Latin American modernism for 19th century French fashion merchandise has been widely addressed in literary theory. Texts filled with diverse cultural materials, textures and objects configured a poetics of the bazaar that became part of a series of strategies through which Latin American literature defined and linked itself to hegemonic aesthetics of the 19th century. The poems and chronicles of Cuban writer Julián del Casal (1863-1893) are no exception; this proliferation of merchandise reveals how the gaze and the images become configured as empty fictions, filled by a cosmopolitan desire. This feature, tied to the function and configuration of images in Cuban modernism, makes possible an anachronical reading of the presence of State merchandise at the other end of the century: Antonio José Ponte’s decadent reality in post-Soviet Cuba.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42090301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.19137/anclajes-2021-2511
Irina Garbatzky, Julieta Viú Adagio
Late 20th and early 21st century Latin American literature rereads and problematizes late 19th-century Latin American Modernism. This article examines some of these genealogies in order to analyze the significance of this literary dialogue in our present time.
{"title":"The late 19th century archive in contemporary Latin American literature","authors":"Irina Garbatzky, Julieta Viú Adagio","doi":"10.19137/anclajes-2021-2511","DOIUrl":"https://doi.org/10.19137/anclajes-2021-2511","url":null,"abstract":"Late 20th and early 21st century Latin American literature rereads and problematizes late 19th-century Latin American Modernism. This article examines some of these genealogies in order to analyze the significance of this literary dialogue in our present time.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67727570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.19137/anclajes-2021-25114
María Pía Bruno
{"title":"Reseña de El dragón en la biblioteca. Lezama Lima y la literatura cubana (1948-2002) Guadalupe Silva Buenos Aires, Katatay, 2019, 289 páginas.","authors":"María Pía Bruno","doi":"10.19137/anclajes-2021-25114","DOIUrl":"https://doi.org/10.19137/anclajes-2021-25114","url":null,"abstract":"","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67727494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.19137/anclajes-2021-2514
Julieta Viú Adagio
Going beyond an autobiographical reading of María Moreno’s Black out (2016), this article analyzes its intertextualities with late 19th century modernist novels. Moreno’s novel, set in the late 20th century, reveals thematic and formal resonances with narratives that novelized the life and times of the artist. This reading of Black out as an artist novel is based on the relationship it establishes with the modernist archive (constant similarities and also important differences), such as the newspaper form, the defense of a particular aesthetics, and the definitions and positions toward literary labor.
{"title":"Echoes of the artist novels in Black out by María Moreno","authors":"Julieta Viú Adagio","doi":"10.19137/anclajes-2021-2514","DOIUrl":"https://doi.org/10.19137/anclajes-2021-2514","url":null,"abstract":"Going beyond an autobiographical reading of María Moreno’s Black out (2016), this article analyzes its intertextualities with late 19th century modernist novels. Moreno’s novel, set in the late 20th century, reveals thematic and formal resonances with narratives that novelized the life and times of the artist. This reading of Black out as an artist novel is based on the relationship it establishes with the modernist archive (constant similarities and also important differences), such as the newspaper form, the defense of a particular aesthetics, and the definitions and positions toward literary labor.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67727665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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