Pub Date : 2022-09-01DOI: 10.19137/anclajes-2022-2636
Yliana Rodríguez González
: The phenomenon of the fictionalization of journalistic writing will be ex - plored, by following Marie-Ève Thérenty and Sarah Mombert, who analyze this discursive process in which the reality, the facts themselves, are treated as fiction in journalistic genres such as the chronicle, the fait-divers , the travel story, the reportage and, even, the interview. These textual exchanges, which will problematize the relationship between journalistic writing, fiction and reality, are the issues that will be examined in some Mexican newspapers of the early Twentieth Century. To this analysis it will be added the consideration of material conditions and reading practices as possible indicial elements of the phenomenon.
{"title":"El régimen de la ficción en la prensa mexicana a principios del siglo XX: lectura y materialidad","authors":"Yliana Rodríguez González","doi":"10.19137/anclajes-2022-2636","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2636","url":null,"abstract":": The phenomenon of the fictionalization of journalistic writing will be ex - plored, by following Marie-Ève Thérenty and Sarah Mombert, who analyze this discursive process in which the reality, the facts themselves, are treated as fiction in journalistic genres such as the chronicle, the fait-divers , the travel story, the reportage and, even, the interview. These textual exchanges, which will problematize the relationship between journalistic writing, fiction and reality, are the issues that will be examined in some Mexican newspapers of the early Twentieth Century. To this analysis it will be added the consideration of material conditions and reading practices as possible indicial elements of the phenomenon.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43053668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.19137/anclajes-2022-2638
P. Bórtoli
: This study stems from a doctoral thesis entitled “Gender and Literature in Textbooks for Argentine Secondary Schools (1984-2011)” sponsored by CONICET and directed by José Maristany and co-directed by Analía Gerbaudo. The study’s main
{"title":"Perspectivas sexogenéricas en los manuales de lengua y literatura publicados por Santillana. El caso de “Todos protagonistas”","authors":"P. Bórtoli","doi":"10.19137/anclajes-2022-2638","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2638","url":null,"abstract":": This study stems from a doctoral thesis entitled “Gender and Literature in Textbooks for Argentine Secondary Schools (1984-2011)” sponsored by CONICET and directed by José Maristany and co-directed by Analía Gerbaudo. The study’s main","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42337595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.19137/anclajes-2022-26311
C. Fernández
{"title":"La invención de Nuestra América. Obsesiones, narrativas y debates sobre la identidad de América Latina, de Carlos Altamirano","authors":"C. Fernández","doi":"10.19137/anclajes-2022-26311","DOIUrl":"https://doi.org/10.19137/anclajes-2022-26311","url":null,"abstract":"","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44567679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.19137/anclajes-2022-2631
Geraldine Rogers
Resumen: Tiempo atrás era habitual estudiar la literatura poniendo en el las figuras de autor y sus proyectos literarios, reparando poco en los contextos colectivos de publicación (a se de de sin considerar Abstract: Some time ago it was customary to study literature by placing the figures of the author and their literary projects at the center, paying little attention to the collective contexts of publication (unless they were avant-garde magazines), without considering how and where the letters had acquired the material body that requires thinking about them not only in terms of writing but also in terms of their circulation, in terms of readings and appropriations. In recent years, research on literature has increas-ingly addressed these aspects, providing valuable knowledge to study Latin American literature with perspectives attentive to its materiality and forms of circulation. The dossier Literature, journalism and materiality explores the exhibition strategies, the forms of innovation, the editorial practices and the poetics produced in the intense process of exchanges between the press and literature in Mexico and Argentina during the first half of the 20th century. It shows how the concept of materiality has been expanded, with a variety of significant aspects to think about the periodic forms of production, circulation and consumption of literature.
简历：Tiempo atrás时代习惯于研究文学作品，reparando poco en los contexttos colectivos de publicación，而不考虑这些信件是如何以及在哪里获得的物质本体，这不仅需要从写作方面考虑，还需要从发行量、阅读量和拨款方面考虑。近年来，对文学的研究越来越多地涉及这些方面，为从关注其物质性和流通形式的角度研究拉丁美洲文学提供了宝贵的知识。档案《文学、新闻学和物质性》探讨了20世纪上半叶墨西哥和阿根廷新闻界与文学界激烈交流过程中产生的展览策略、创新形式、编辑实践和诗学。它展示了物质性的概念是如何被扩展的，从各种重要的方面来思考文学的生产、流通和消费的周期性形式。
{"title":"Impresos periódicos y literatura. Circulación, exposición, intercambios. Innovación, prácticas editoriales, poéticas","authors":"Geraldine Rogers","doi":"10.19137/anclajes-2022-2631","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2631","url":null,"abstract":"Resumen: Tiempo atrás era habitual estudiar la literatura poniendo en el las figuras de autor y sus proyectos literarios, reparando poco en los contextos colectivos de publicación (a se de de sin considerar Abstract: Some time ago it was customary to study literature by placing the figures of the author and their literary projects at the center, paying little attention to the collective contexts of publication (unless they were avant-garde magazines), without considering how and where the letters had acquired the material body that requires thinking about them not only in terms of writing but also in terms of their circulation, in terms of readings and appropriations. In recent years, research on literature has increas-ingly addressed these aspects, providing valuable knowledge to study Latin American literature with perspectives attentive to its materiality and forms of circulation. The dossier Literature, journalism and materiality explores the exhibition strategies, the forms of innovation, the editorial practices and the poetics produced in the intense process of exchanges between the press and literature in Mexico and Argentina during the first half of the 20th century. It shows how the concept of materiality has been expanded, with a variety of significant aspects to think about the periodic forms of production, circulation and consumption of literature.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45235985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-01DOI: 10.19137/anclajes-2022-2635
Margarita Merbilhaá
: On the basis of cover art and advertising development at the beginning of the twentieth century, at a key time of periodics publishing History in Argentina (in terms of the offer of growth and diversification), this work analyzes the uses of writer’s portrait in Los Pensadores between 1922 and 1924, the booklet with which Antonio Zamora (1896-1976
{"title":"El universo del autor en un folleto: retrato y nombre propio en Los Pensadores (1922-1924)","authors":"Margarita Merbilhaá","doi":"10.19137/anclajes-2022-2635","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2635","url":null,"abstract":": On the basis of cover art and advertising development at the beginning of the twentieth century, at a key time of periodics publishing History in Argentina (in terms of the offer of growth and diversification), this work analyzes the uses of writer’s portrait in Los Pensadores between 1922 and 1924, the booklet with which Antonio Zamora (1896-1976","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42461052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.19137/anclajes-2022-2627
C. Roccatagliata
{"title":"Un brillo concheperla. Teoría queer y literatura latinoamericana, de José Amícola","authors":"C. Roccatagliata","doi":"10.19137/anclajes-2022-2627","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2627","url":null,"abstract":"","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45061031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.19137/anclajes-2022-2622
L. Candiano
: This essay analyzes stories published in Los años duros (Jesús Díaz, 1966), Condenados de Condado (Norberto Fuentes, 1968) and Los pasos en la hierba (Eduardo Heras León, 1970) with the goal of characterizing features of the so-called narrative of
本文分析了发表在《Los años duros》(Jesús Díaz, 1966)、《conconados de Condado》(Norberto Fuentes, 1968)和《Los pasos en la hierba》(Eduardo Heras León, 1970)上的故事，目的是描述所谓的叙事特征
{"title":"La narrativa de la violencia en la literatura cubana (1966-1970). Organicidad política y autonomía estética","authors":"L. Candiano","doi":"10.19137/anclajes-2022-2622","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2622","url":null,"abstract":": This essay analyzes stories published in Los años duros (Jesús Díaz, 1966), Condenados de Condado (Norberto Fuentes, 1968) and Los pasos en la hierba (Eduardo Heras León, 1970) with the goal of characterizing features of the so-called narrative of","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44413965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.19137/anclajes-2022-2625
Á. Sanz
: Due to the originality of its aesthetic approach in representing a traumat- ic testimony, Art Spiegelman’s graphic novel Maus is one of the most famous works about the Holocaust produced by the post-memory generation. Within the currents of thought on the Holocaust, it is possible to conceive its style of representation as a pertinent and ethically valid solution to the dilemma of images v. testimony. Likewise, it is worth noting how its essentially fragmented, narrative approach reflects conditions in which the work was created: the scarcity of sources and the traumatic and familiar component of the memory represented.
{"title":"Representar el trauma. Posmemoria y ética de la representación en Maus de Art Spiegelman","authors":"Á. Sanz","doi":"10.19137/anclajes-2022-2625","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2625","url":null,"abstract":": Due to the originality of its aesthetic approach in representing a traumat- ic testimony, Art Spiegelman’s graphic novel Maus is one of the most famous works about the Holocaust produced by the post-memory generation. Within the currents of thought on the Holocaust, it is possible to conceive its style of representation as a pertinent and ethically valid solution to the dilemma of images v. testimony. Likewise, it is worth noting how its essentially fragmented, narrative approach reflects conditions in which the work was created: the scarcity of sources and the traumatic and familiar component of the memory represented.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48598284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.19137/anclajes-2022-2626
Julieta Marina Vanney
{"title":"Traducción, desplazamiento y estética migrante en Papeles falsos (2010) de Valeria Luiselli","authors":"Julieta Marina Vanney","doi":"10.19137/anclajes-2022-2626","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2626","url":null,"abstract":"","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42119930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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