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El régimen de la ficción en la prensa mexicana a principios del siglo XX: lectura y materialidad 20世纪初墨西哥新闻界的小说政权:阅读与物质性
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.19137/anclajes-2022-2636
Yliana Rodríguez González
: The phenomenon of the fictionalization of journalistic writing will be ex - plored, by following Marie-Ève Thérenty and Sarah Mombert, who analyze this discursive process in which the reality, the facts themselves, are treated as fiction in journalistic genres such as the chronicle, the fait-divers , the travel story, the reportage and, even, the interview. These textual exchanges, which will problematize the relationship between journalistic writing, fiction and reality, are the issues that will be examined in some Mexican newspapers of the early Twentieth Century. To this analysis it will be added the consideration of material conditions and reading practices as possible indicial elements of the phenomenon.
本文将探讨新闻写作的虚构化现象,Marie-Ève thsamrenty和Sarah Mombert分析了这种话语过程,在这种过程中,现实,事实本身,在诸如编年史,事实潜水者,旅行故事,报告文学,甚至采访等新闻体裁中被视为虚构。这些文本交流将使新闻写作、小说和现实之间的关系成为问题,这是20世纪初一些墨西哥报纸将审查的问题。在这一分析中,还将考虑物质条件和阅读实践,作为这种现象的可能的初步因素。
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引用次数: 0
Perspectivas sexogenéricas en los manuales de lengua y literatura publicados por Santillana. El caso de “Todos protagonistas” 桑蒂利亚纳出版的语言和文学手册中的性别观点。“所有主角”的案例
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.19137/anclajes-2022-2638
P. Bórtoli
: This study stems from a doctoral thesis entitled “Gender and Literature in Textbooks for Argentine Secondary Schools (1984-2011)” sponsored by CONICET and directed by José Maristany and co-directed by Analía Gerbaudo. The study’s main
:本研究源于一篇题为“阿根廷中学教科书中的性别与文学(1984-2011)”的博士论文,该论文由CONICET赞助,JoséMaristany执导,Analía Gerbaudo联合执导。研究的主要内容
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引用次数: 0
La invención de Nuestra América. Obsesiones, narrativas y debates sobre la identidad de América Latina, de Carlos Altamirano 我们美国的发明。卡洛斯·阿尔塔米拉诺关于拉丁美洲身份的痴迷、叙事和辩论
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.19137/anclajes-2022-26311
C. Fernández
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引用次数: 0
Impresos periódicos y literatura. Circulación, exposición, intercambios. Innovación, prácticas editoriales, poéticas 印刷报纸和文学。流通,展览,交流。创新,编辑实践,诗歌
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.19137/anclajes-2022-2631
Geraldine Rogers
Resumen: Tiempo atrás era habitual estudiar la literatura poniendo en el las figuras de autor y sus proyectos literarios, reparando poco en los contextos colectivos de publicación (a se de de sin considerar Abstract: Some time ago it was customary to study literature by placing the figures of the author and their literary projects at the center, paying little attention to the collective contexts of publication (unless they were avant-garde magazines), without considering how and where the letters had acquired the material body that requires thinking about them not only in terms of writing but also in terms of their circulation, in terms of readings and appropriations. In recent years, research on literature has increas-ingly addressed these aspects, providing valuable knowledge to study Latin American literature with perspectives attentive to its materiality and forms of circulation. The dossier Literature, journalism and materiality explores the exhibition strategies, the forms of innovation, the editorial practices and the poetics produced in the intense process of exchanges between the press and literature in Mexico and Argentina during the first half of the 20th century. It shows how the concept of materiality has been expanded, with a variety of significant aspects to think about the periodic forms of production, circulation and consumption of literature.
简历:Tiempo atrás时代习惯于研究文学作品,reparando poco en los contexttos colectivos de publicación,而不考虑这些信件是如何以及在哪里获得的物质本体,这不仅需要从写作方面考虑,还需要从发行量、阅读量和拨款方面考虑。近年来,对文学的研究越来越多地涉及这些方面,为从关注其物质性和流通形式的角度研究拉丁美洲文学提供了宝贵的知识。档案《文学、新闻学和物质性》探讨了20世纪上半叶墨西哥和阿根廷新闻界与文学界激烈交流过程中产生的展览策略、创新形式、编辑实践和诗学。它展示了物质性的概念是如何被扩展的,从各种重要的方面来思考文学的生产、流通和消费的周期性形式。
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引用次数: 0
El universo del autor en un folleto: retrato y nombre propio en Los Pensadores (1922-1924) 小册子中作者的宇宙:思想家的肖像和自己的名字(1922-1924)
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.19137/anclajes-2022-2635
Margarita Merbilhaá
: On the basis of cover art and advertising development at the beginning of the twentieth century, at a key time of periodics publishing History in Argentina (in terms of the offer of growth and diversification), this work analyzes the uses of writer’s portrait in Los Pensadores between 1922 and 1924, the booklet with which Antonio Zamora (1896-1976
:在二十世纪初封面艺术和广告发展的基础上,在《阿根廷历史》出版的关键时期(从增长和多样化的角度),本作品分析了作家肖像在1922年至1924年间在《洛斯潘萨多雷》中的使用,安东尼奥·萨莫拉(1896年-1976年)
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引用次数: 0
Un brillo concheperla. Teoría queer y literatura latinoamericana, de José Amícola 一种融合的光泽。何塞·阿米尼卡的酷儿理论与拉丁美洲文学
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.19137/anclajes-2022-2627
C. Roccatagliata
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引用次数: 1
La narrativa de la violencia en la literatura cubana (1966-1970). Organicidad política y autonomía estética 古巴文学中的暴力叙事(1966-1970年)。政治有机性与审美自治
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.19137/anclajes-2022-2622
L. Candiano
: This essay analyzes stories published in Los años duros (Jesús Díaz, 1966), Condenados de Condado (Norberto Fuentes, 1968) and Los pasos en la hierba (Eduardo Heras León, 1970) with the goal of characterizing features of the so-called narrative of
本文分析了发表在《Los años duros》(Jesús Díaz, 1966)、《conconados de Condado》(Norberto Fuentes, 1968)和《Los pasos en la hierba》(Eduardo Heras León, 1970)上的故事,目的是描述所谓的叙事特征
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引用次数: 0
Representar el trauma. Posmemoria y ética de la representación en Maus de Art Spiegelman 代表创伤。阿特·斯皮格尔曼的《鼠的后记忆与表现伦理》
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.19137/anclajes-2022-2625
Á. Sanz
: Due to the originality of its aesthetic approach in representing a traumat- ic testimony, Art Spiegelman’s graphic novel Maus is one of the most famous works about the Holocaust produced by the post-memory generation. Within the currents of thought on the Holocaust, it is possible to conceive its style of representation as a pertinent and ethically valid solution to the dilemma of images v. testimony. Likewise, it is worth noting how its essentially fragmented, narrative approach reflects conditions in which the work was created: the scarcity of sources and the traumatic and familiar component of the memory represented.
:阿特·斯皮格尔曼的平面小说《毛斯》是后记忆时代最著名的关于大屠杀的作品之一,因为它在表现创伤证词方面具有独创性的美学方法。在关于大屠杀的思潮中,有可能将其表现风格视为解决图像与证词困境的相关且合乎道德的解决方案。同样,值得注意的是,其基本上支离破碎的叙事方式反映了作品创作的条件:来源的稀缺以及所代表的记忆中创伤和熟悉的部分。
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引用次数: 0
Traducción, desplazamiento y estética migrante en Papeles falsos (2010) de Valeria Luiselli 瓦莱里亚·路易斯·埃利(Valeria Luiselli)的翻译、流离失所和移民美学(2010年)
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.19137/anclajes-2022-2626
Julieta Marina Vanney
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引用次数: 0
Las revistas culturales latinoamericanas. Giro material, tramas intelectuales y redes revisteriles, de Horacio Tarcus 拉丁美洲文化杂志。霍雷肖·塔库斯的《物质转折、智力阴谋和修正网络》
IF 0.1 Q1 Arts and Humanities Pub Date : 2022-05-01 DOI: 10.19137/anclajes-2022-2628
Tomas Ventura
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引用次数: 1
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