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Kress Gift to Arizona 给亚利桑那的克雷斯礼物
Pub Date : 1960-06-01 DOI: 10.2307/773861
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引用次数: 0
Uccello's “Battle of San Romano” 乌切罗的《圣罗马诺战役》
Pub Date : 1960-06-01 DOI: 10.1080/15436322.1960.11466261
Howard R. Fussiner
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引用次数: 3
Richard Neutra: 1950–60. Buildings and Projects.: W. Boesiger, editor Richard Neutra: 1950-60。建筑和项目。W. Boesiger,编辑
Pub Date : 1960-06-01 DOI: 10.1080/15436322.1960.11466285
D. Gebhard
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引用次数: 0
Horatio Greenough, Archibald Alison 霍雷肖·格林诺,阿奇博尔德·艾莉森
Pub Date : 1960-06-01 DOI: 10.1080/15436322.1960.11466263
D. Ringe
In his recently published book, Origins of Functionalist Theory, Edward R. DeZurco traces the varying concepts of the theory of form as function to about the year 1850 and speculates on writers who may have influenced the similar theories of Horatio Greenough. But although he includes several—most notably Ralph Waldo Emerson and Edward R. Garbett—with whose work Greenough was familiar,1 he leaves out of consideration one late eighteenth-century aesthetician—Archibald Alison—whose views in at least two areas are remarkably parallel to Greenough's own. DeZurco does indeed summarize the fundamental points of Alison's theories as they are presented in his Essays on the Nature and Principles of Taste and places them properly in the chronological development of the functionalist concept. He does not, however, consider the possibility of a specific influence of the Scotch rhetorician on the American sculptor.
在他最近出版的《功能主义理论的起源》一书中,爱德华·r·德祖尔科追溯了形式作为功能理论的不同概念,并推测了可能影响了霍雷肖·格里诺类似理论的作家。但是,尽管他包括了几个人——最著名的是拉尔夫·沃尔多·爱默生和爱德华·r·加贝特——格里诺对他们的作品很熟悉,但他没有考虑一位18世纪晚期的美学家——阿奇博尔德·艾莉森——他的观点至少在两个领域与格里诺非常相似。DeZurco确实总结了艾莉森理论的基本观点,正如他在《品味的本质和原则》中所提出的那样,并将它们恰当地放在功能主义概念的时间发展中。然而,他没有考虑苏格兰修辞学家对美国雕塑家的具体影响的可能性。
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引用次数: 0
College Art News 学院艺术新闻
Pub Date : 1960-06-01 DOI: 10.1080/00043249.1960.10793966
Virginia Schoener
General Renaissance Conference The Graduate School of the Ohio State University presented the Fourth Annual Conference on the Humanities, October 27 and 28, Subject of the conference was “The Renaissance Image of Man and the World.” The emphasis of this conference was on what Renaissance men and women thought of themselves and their age, their own interpretations as seen in their music, art, literature, philosophy, and science. Representing the field of art, visiting scholar Professor H. W. Janson of New York University, spoke on “The Image of Man in Renaissance Art—from Donatello to Michelangelo.” A Renaissance art exhibition opened at the Columbus Gallery of Fine Arts in honor of the conference.
美国俄亥俄州立大学研究生院于10月27日至28日举行了第四届人文学科年会,会议主题是“文艺复兴时期人类与世界的形象”。这次会议的重点是文艺复兴时期的男男女女如何看待自己和他们的时代,以及他们在音乐、艺术、文学、哲学和科学中所看到的自己的诠释。代表艺术界的纽约大学访问学者h.w. Janson教授发表了题为“文艺复兴时期艺术中的人的形象——从多纳泰罗到米开朗基罗”的演讲。为了纪念这次会议,文艺复兴时期的艺术展在哥伦布美术馆举行。
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引用次数: 0
Roosevelt University 罗斯福大学
Pub Date : 1960-06-01 DOI: 10.1080/15436322.1960.11466273
L. Fink
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引用次数: 0
Three Poems 三首诗
Pub Date : 1960-06-01 DOI: 10.1080/15436322.1960.11466266
Alexandra Grilikhes
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引用次数: 0
The Art Students' Responsibility in the University 高校艺术系学生的责任
Pub Date : 1960-04-01 DOI: 10.2307/773959
Dorothy Eisenbach
University art conferences throughout the country frequently discuss “The Responsibility of the University to the Art Student,” I'll reverse this and talk briefly about the responsibilities of the art student in the University. Of course this immediately becomes the responsibility of the student himself, and involves the integrity of the whole University program which in turn gets right back to teachers like myself—and there goes the title of this talk.
全国各地的大学艺术会议经常讨论“大学对艺术学生的责任”,我将反过来简要谈谈艺术学生在大学中的责任。当然,这立即成为学生自己的责任,并涉及到整个大学项目的完整性,这反过来又回到像我这样的老师身上——这就是这次演讲的标题。
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引用次数: 0
Jakob Rosenberg, Great Draughtsmen from Pisanello to Picasso 雅各布·罗森伯格,从皮萨内洛到毕加索的伟大画家
Pub Date : 1960-04-01 DOI: 10.1080/15436322.1960.11466250
K. Berger
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引用次数: 0
Henry Hope Reed, Jr.; The Golden City 小亨利·霍普·里德;金城
Pub Date : 1960-04-01 DOI: 10.1080/15436322.1960.11466256
H. A. Brooks
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引用次数: 0
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College Art Journal
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