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Exemplaria Classica最新文献

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Glanes critiques et philologiques en marge des Fragmentary Latin Histories of Late Antiquity de Van Hoof et Van Nuffelen 从范-胡夫和范-努费伦的《晚期拉丁文残史》中撷取的批判性和语言学内容
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-12-07 DOI: 10.33776/ec.v27.7980
J. Nardelli
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引用次数: 0
Tra Iporchemi e Parteni (Pindaro, Hyporch. F9 Recchia) 在伊波切米和帕特尼之间(品达,Hyporch.)
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-12-07 DOI: 10.33776/ec.v27.7723
Tiziano Presutti
Il contributo esplora le possibilità ecdotiche ed esegetiche legate al passo di Athen. 14.631c-d, in particolare la questione della classificazione di un frammento pindarico ivi citato (Hyporch. F9 Recchia = fr. 112 Sn.-M.), parte di un carme iporchematico per il quale non è però da escludere una componente partenia. 
这篇论文探讨了与 Athen.F9 Recchia = fr. 112 Sn.-M.)的分类问题。
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引用次数: 0
Un Suplemento Al Fr. 2 Livrea (= Lomiento) de Cércidas (P.oxy. 1082, Col. Vi, 8-9) 对 Cércidas 的 Fr. 2 Livrea (= Lomiento) 的补充(P.oxy. 1082, Col. Vi, 8-9)
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-12-07 DOI: 10.33776/ec.v27.7695
Juan Luis López Cruces
Se propone un suplemento para Cércidas, fr. 2, 22-3 Livrea2 (= 2, 23-4 Lomiento) que es coherente con la idea de que la primera porción perdida del poema (P.Oxy. 1082, col. VI, 1-9) contenía la descripción de los peligros de la tempestad en el mar como símbolo del amor violento y lujurioso.
有人为《塞西达斯》提出了一个补充部分,即第 2、22-3 节中的 Livrea2 (= 2、23-4 节中的 Lomiento),该补充部分与该诗最初遗失的部分(P.Oxy. 1082, Col. VI, 1-9)中描述海上暴风雨的危险象征着暴力和欲望之爱的观点一致。
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引用次数: 0
«Consensus codicum», «consensus editorum». Méthodologie et pratique de l’ecdotique classique générale et propertienne en particulier "编纂共识"、"编辑共识"。古典编纂学的方法和实践,特别是普罗佩特编纂学的方法和实践
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-12-07 DOI: 10.33776/ec.v27.7978
G. Liberman
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引用次数: 0
Il Paratesto in Catullo: alcune riflessioni su un saggio recente 卡图卢斯的副文本:对最近一篇论文的一些思考
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-12-07 DOI: 10.33776/ec.v27.7976
Letizia Brandani
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引用次数: 0
Cynthia e lo statuto dinamico dell’elegia, tra dream narrative, arte figurativa e modelli epici 辛西娅和挽歌的动态地位,介于叙事梦想、具象艺术和史诗模式之间
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-12-07 DOI: 10.33776/ec.v27.7977
Irma Ciccarelli
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引用次数: 0
The Homeric Chariton 荷马史诗中的查里顿
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-12-07 DOI: 10.33776/ec.v27.7697
Loukas Papadimitropoulos
This study demonstrates that far from having a mere ornamental function or from simply serving as testimony to the author’s erudition, the extracts from the Homeric poems illuminate better certain developments in the plot of Chariton’s novel or the psychology of some of its characters by the juxtaposition of the world of Callirhoe to those of the Iliad and the Odyssey. 
本研究表明,《荷马史诗》节选不仅具有装饰作用,也不仅仅是作者博学的见证,而是通过将《卡里霍》的世界与《伊利亚特》和《奥德赛》的世界并置,更好地揭示了查里顿小说情节的某些发展或其中某些人物的心理。
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引用次数: 0
Reseñas de libros 书评
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-12-07 DOI: 10.33776/ec.v27.8040
Marios Skempis, Uwe Walter, Hauke Schneider, F. Stama, Michael Lloyd, Juan Antonio López Férez, R. Martin, Theofanis Tsiampokalos, Silvio Bär, Stefano Acerbo, Zsolt Adorjáni, María Teresa Amado Rodríguez, Carmela Cioffi, Antoine Viredaz, Chris Eckerman, L. Galli, D. Kiss, Anthony Corbeill, Leonardo Costantini, Francesco Ursini, Hunter H. Gardner, Christopher Trinacty, Gert-Jan van Dijk, Nicola Reggiani, A. Merle, Víctor Manuel Pérez Gil, Giuseppina Magnaldi, Marc-Antoine Gavray, Marcos Antonio Pérez Alonso, María Teresa Santamaría Hernández, Calum A. Maciver, Bruno Rochette, Guillaume Bonnet, F. Ripoll, Willy Evenepoel, Serena Cannavale, Ana Isabel Fernández Galvín, Cecilia Sideri, Ignacio J. García Pinilla, César Sierra Martín, Cristina Diego Pacheco, Fuensanta Garrido Domené
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引用次数: 0
Editing Ovid´s Metamorphoses: A Discursive Review of Ramírez de Verger on Book 6 编辑奥维德的《变形记》:拉米雷斯-德-韦尔热关于第六卷的论述性评论
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-12-07 DOI: 10.33776/ec.v27.7979
S. J. Heyworth
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引用次数: 0
Pelasgus Sacca. Una nuova testimonianza su Sacada di Argo e alcune osservazioni sulla fortuna umanistica dei Deipnosofisti di Ateneo 佩拉斯古斯-萨卡关于阿尔戈斯的萨卡达的新证据以及对雅典娜乌斯的 Deipnosophists 人文主义财富的一些观察
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-12-07 DOI: 10.33776/ec.v27.7696
Serena Napoleone
Nella figura di Pelasgus Sacca, personaggio menzionato all’interno di una breve lirica premessa alla Cosmodystychia dell’umanista veneziano Francesco Negri, sembra potersi identificare l’auleta argivo Sacada. La discussione di questa eventualità apre una finestra sulla circolazione dei Deipnosofisti di Ateneo a Venezia tra Quattro e Cinquecento e offre nuove evidenze a sostegno della plausibile congettura di Casaubon per il testo di Athen. 13.610c. 
威尼斯人文主义者弗朗切斯科-内格里 (Francesco Negri) 的《宇宙论》在一篇简短的抒情序言中提到了佩拉斯古斯-萨卡 (Pelasgus Sacca) 的形象,从这个形象中似乎可以辨认出奥勒塔-阿吉沃-萨卡达 (auleta argivo Sacada)。对这一可能性的讨论为 15 世纪至 16 世纪雅典神智学家在威尼斯的流传打开了一扇窗,并为支持卡萨翁对雅典文本的合理猜测提供了新的证据。13.610c.
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引用次数: 0
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Exemplaria Classica
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