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Olympica Pindarica (I) 奥林匹卡-平达里卡 (I)
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-12-07 DOI: 10.33776/ec.v27.7694
G. Liberman
Remarques critiques, exégétiques et métriques sur les plus longues Olympiques de Pindare. 
关于品达最长奥林匹克的批判、训诂和韵律评论。
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引用次数: 0
Courtly Carnality: Consuming Flesh in the Lai d’Ignaure 宫廷的肉欲:在赖德的签名中消费肉体
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/10412573.2023.2186030
Anthony Revelle
ABSTRACT In the Lai d’Ignaure twelve ladies who share the same lover are tricked by their husbands into eating his heart and genitals, cooked as meat in a stew. When the jealous husbands declare that they have fulfilled the ladies’ desire for flesh, the ladies counter with the claim that they were already replete with Ignaure’s love, and they swear to die since they could never again have a meal of such worth. I argue that in Ignaure, as in other eaten heart stories, consuming the lover’s flesh underscores a core carnality of courtly love, but here it also opens up an alternative model of love, focusing on consummated pleasure rather than desire, and celebrating the dissolution of bodily boundaries against a heteronormative distribution of gender positions. By claiming sexual satisfaction and forming a female homosocial collective based on their unapologetic sharing of a lover’s flesh, the ladies invite a reconsideration of courtly love that values female pleasure over male desire, satiety over lack, and community over exclusivity. I demonstrate that circulations of flesh in Ignaure subvert the political, social, and gendered structures that define the court, for the lay calls on provocative ways of understanding—and enjoying—flesh.
摘要:在《赖德格纳尔》中,有12位拥有同一个情人的女士被她们的丈夫骗去吃了他的心脏和生殖器,然后在炖肉中煮熟。当嫉妒的丈夫们宣称他们已经满足了女士们对肉体的欲望时,女士们反驳说她们已经被伊格纳尔的爱填满了,她们发誓要去死,因为她们再也不能吃到如此有价值的一顿饭了。我认为,在《Ignaure》中,就像在其他吃心故事中一样,吃爱人的肉强调了宫廷之爱的核心肉欲,但在这里,它也开辟了另一种爱的模式,关注完满的快乐而不是欲望,庆祝身体界限的消失,反对异性恋的性别地位分布。通过声称性满足和形成一个基于她们毫无歉意地分享爱人的肉体的女性同性恋社会集体,女士们邀请重新考虑宫廷爱情,重视女性的快乐而不是男性的欲望,满足而不是缺乏,社区而不是排他。我证明了《签名》中肉体的循环颠覆了定义宫廷的政治、社会和性别结构,因为俗人呼吁以挑衅的方式理解和享受肉体。
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引用次数: 0
Flesh Side: Reading Bodies and Boethius in the Yale Girdle Book 肉体的一面:读耶鲁腰带书中的身体和波伊提乌
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/10412573.2023.2185378
Kayla Lunt
ABSTRACT How does the parchment codex inform a text’s meditations on what it is to be bound by and to one’s body? The Yale Girdle Book (New Haven, Beinecke MS 84) contains Boethius’s Consolation of Philosophy; it is bound with a soft leather wrapper that, shroud-like, envelops the codex and reveals that it was meant to be worn. Enabled by the material and affective turns and the field of skin studies, I argue that the binding and parchment alter the text in a synergistic, reciprocal relationship that speaks back to the Consolation’s explicit derision of the body. As a girdle book, the manuscript had the first and last word in the reader’s experience of its text. Every step with which it swung and pulled, every slap against its wearer’s thigh, every turn of the page between the reader’s fingers encouraged a process of cooperative unbinding of both the manuscript and the reader’s self, revealing the Consolation’s debt to embodied sensation. The marks left by MS 84’s medieval readers confirm that it exerted interpretive control over its text and that the affective power of the meeting and merging bodies of manuscript and reader is not a figment of modern theory’s imagination.
【摘要】羊皮纸手抄本是如何传达一篇文章关于什么是被一个人的身体所束缚的冥想的?耶鲁腰带书(纽黑文,拜内克MS 84)包含波伊提乌的哲学安慰;它被一个柔软的皮革包裹着,像裹尸布一样,包裹着手抄本,表明它是用来穿的。在物质和情感的转变以及皮肤研究领域的推动下,我认为,装订和羊皮纸以一种协同的、互惠的关系改变了文本,这种关系反映了《安慰》对身体的明确嘲笑。作为一本腰带书,手稿在读者对其文本的体验中拥有第一和最后的发言权。它摆动和拉动的每一步,它在佩戴者大腿上的每一次拍打,它在读者手指间的每一页翻动,都促进了一种对手稿和读者自我的合作解绑的过程,揭示了《安慰》对具体感觉的贡献。MS 84的中世纪读者留下的痕迹证实了它对其文本施加了解释性控制,手稿和读者主体的相遇和合并的情感力量不是现代理论想象的虚构。
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引用次数: 0
Cosmography and/in the Academy: Authorizing the Ideological Pathways of Empire 宇宙学和/在学院:授权帝国的意识形态路径
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/10412573.2023.2186029
Nedda Mehdizadeh
ABSTRACT This article examines how the study of premodern cosmographical knowledge in the modern classroom can educate students about how knowledge is made. Through my discussion of a course unit that considers Richard Hakluyt’s Principall Navigations (1589) in conversation with Sebastian Münster’s Cosmographia (1544), I demonstrate how these premodern visions of the world created ideological pathways toward imperial and racial violence. White, European cosmographers developed a genre of knowledge production about the world, and these generic conventions both authorized their perspectives and established a conceptual mapping toward empire that early modern cartographers and travel writers would reproduce and expand. These cosmographers, cartographers, and travel writers utilized these conventions to legitimize their visions of the world. I argue that these ideological pathways extend the theoretical and empirical work of these writings into course curricula, and continue to inform how knowledge is produced.
本文探讨了在现代课堂上对前现代宇宙论知识的学习如何教育学生认识到知识是如何产生的。通过我对一个课程单元的讨论,我考虑了理查德·哈克卢伊特的《主要航海》(1589)与塞巴斯蒂安·米斯特的《世界》(1544)的对话,我展示了这些前现代的世界观如何创造了通往帝国和种族暴力的意识形态途径。然而,欧洲的宇宙学家发展了一种关于世界的知识生产类型,这些通用的惯例既授权了他们的观点,又建立了一个关于帝国的概念地图,早期的现代制图师和旅行作家将复制和扩展。这些宇宙学家、地图学家和旅行作家利用这些惯例使他们对世界的看法合法化。我认为,这些意识形态途径将这些著作的理论和实证工作扩展到课程课程中,并继续告知知识是如何产生的。
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引用次数: 1
The Anchorite as Analysand: Depression and the Uses of Analogy 《被分析的隐士:抑郁与类比的运用》
IF 0.1 Q4 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/10412573.2022.2148153
Spencer Strub
ABSTRACT Contemporary scholars sometimes analogize premodern acedia to modern depression, finding promise in ancient therapies for acedia—chiefly forms of bodily activity and mental discipline. This article identifies an alternative model of medieval ascetic therapy in a brief passage in Ancrene Wisse in which a mother playfully hides from her child, who is left to cry alone until she returns and embraces him. The scene, later dubbed “the play of love,” is presented as a similitude illustrating God’s withdrawal from the anchorite, which is experienced as the depressive state known to medieval thinkers as sterilitas mentis. Although it belongs to a long tradition on the benefits of temptation, the play of love also serves an immediate therapeutic end, allowing the anchorite to conceptualize her solitary suffering as part of an ongoing relation with a complex God. The form of the similitude, which facilitates identification across difference, is crucial to this process. Though the play of love operates differently from the therapeutic modes that emerge from other work comparing acedia and depression, it underlines the value of the analogy in the first place, whatever the risks of anachronism.
当代学者有时将前现代的抑郁比作现代的抑郁,在古代治疗抑郁的方法中发现了希望——主要是身体活动和精神训练的形式。这篇文章通过安妮·怀斯的一段简短的文章,确定了中世纪禁欲疗法的另一种模式,其中一位母亲开玩笑地躲着她的孩子,让她的孩子独自哭泣,直到她回来拥抱他。这一幕后来被称为“爱的戏剧”,以一种类似的方式呈现,说明上帝从隐士中解脱出来,这是一种被中世纪思想家称为“绝育症”的抑郁状态。虽然它属于一个关于诱惑的好处的悠久传统,但爱的游戏也提供了一个直接的治疗目的,允许隐士将她的孤独痛苦概念化为与复杂的上帝持续关系的一部分。相似性的形式有助于跨越差异的识别,对这一过程至关重要。尽管爱的游戏与其他比较绝望和抑郁的工作中出现的治疗模式不同,但它首先强调了类比的价值,无论时代错误的风险如何。
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引用次数: 0
Nicomaque flavien senior et la vie d´Apollonios de Tyane: essai de résolution du témoignage de Sidoine Apollinaire 老尼各马可·弗拉维恩和泰恩的阿波罗尼奥斯的生活:解决西多尼亚·阿波利奈尔证词的文章
IF 0.1 Q4 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.33776/ec.v26.7367
J. Nardelli
La traduction et le commentaire proposés de Sidoine, Lettres 8.3.1 début par Alan Cameron approchent à grands pas du statut d’orthodoxie, en partie grâce à leur adoption chez Van Hoof et Van Nuffelen. Pour autant, un nouvel examen de l’original enrichi de ce qui manque chez tous les trois, à savoir un commerce prolongé avec Sidoine, offre d’ample motifs de désaccord. D’autre part, leur exégèse ne défend guère le verbiage débridé dont on accable l’évêque. Il y a donc motif de soupçonner le texte d’être gâté. Pour la première fois, un effort vigoureux est produit pour en clarifier à la fois les idées et la phraséologie conformément à l’usus sidonien. 
艾伦·卡梅伦(Alan Cameron)以8.3.1开头的《西多尼亚》(Sidoine)的拟议翻译和评论正迅速接近正统的地位,部分原因是它们被Van Hoof和Van Nuffelen采用。然而,重新审视原作,加上这三个国家所缺乏的东西,即与西多尼亚的长期贸易,就有充分的理由产生分歧。另一方面,他们的注释并没有为主教所受的肆无忌惮的废话辩护。因此,有理由怀疑这篇文章被篡改了。这是第一次,一个强有力的努力,以澄清思想和措辞,以符合西多尼亚的惯例。
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引用次数: 0
La colección inédita de remedios bizantinos en el códice de Galeno Urb. gr. 67 盖伦·乌尔布法典中未出版的拜占庭疗法集。喷洒67
IF 0.1 Q4 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.33776/ec.v26.5657
Mónica Durán Mañas, Inmaculada Pérez Martín
Se presenta en este artículo la primera edición de una breve colección de recetas recogidas en el manuscrito Città del Vaticano, Biblioteca Apostolica Vaticana, Urb. gr. 67, un códice dedicado enteramente a Galeno y compuesto de dos partes bien diferenciadas. En su parte más antigua (ff. 53-275), datable hacia 1300, aparece esta colección de remedios de tradición galénica, que el copista ha añadido (ff. 186v-187v) para completar el cuaderno numerado ??’ (17) al final de la copia de Galeno, De compositione medicamentorum secundum locos.
本文介绍了从citta del Vaticano手稿中收集的简短食谱集的第一版,梵蒂冈使徒图书馆,Urb。格67,完全献给盖伦的抄本,由两个截然不同的部分组成。在它最古老的部分(ff。53-275),可以追溯到1300年,出现了这个盖伦传统疗法的集合,抄写者添加了(ff。186v-187v)完成编号笔记本??(17)盖伦的《药物组合》第二版末尾。
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引用次数: 0
Sul rapporto fra ds e la tradizione manoscritta serviamo (con note sul commento a Georg. 1.1-278) 关于ds和服务传统之间的关系(以及乔治1.1-278评论的说明)
IF 0.1 Q4 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.33776/ec.v26.7365
F. Stok, G. Ramires
Nell’articolo è esaminata l’unica parte del commento serviano alle Georgiche per la quale è disponibile DS. Il confronto fra i manoscritti serviani e l’unico testimone di DS, il codice di Leida Voss. lat. Oct. 80, suggerisce che la divisione della tradizione serviana nei rami  e  sia posteriore all’epoca della compilazione di DS. Sono proposte nell’articolo anche diverse modifiche del testo pubblicato da Thilo. 
在这篇文章中,我们研究了评论中唯一可用的格鲁吉亚语部分。奴才手稿与DS唯一的证人——莱顿·沃斯代码的对比。此。10月80日,它建议将奴性传统划分为分支,并在DS汇编之后。本文还对Thilo发布的文本提出了一些修改。
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引用次数: 0
EXEGI MONUMENTUM: A new commentary on Horace, ODES III EXEGI纪念碑:贺拉斯的新评注,俄得三
IF 0.1 Q4 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.33776/ec.v26.7417
R. Tarrant
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引用次数: 0
Un nuovo commento a Stazio, TEBAIDE 4 对Stazio, TEBAIDE 4的新评论
IF 0.1 Q4 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.33776/ec.v26.7433
Baruch Martínez Zepeda
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引用次数: 0
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Exemplaria Classica
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