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Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean最新文献

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The Movement and the Experience of "Iconic Presence". An Introduction “标志性存在”的运动与体验。引言
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1484/J.CONVI.4.2019021
H. Belting, Ivan Foletti, Martin F. Lešák
Although the notion of “iconic presence” had previously appeared in several various fields, in Medieval Art History, it started to be discussed mainly after the publication in 1990 of Bild und Kult, and further developed in Bildantropologie . Consequently, it became a quite widely diffused concept. The notion of “iconic presence” was re-discussed in 2016, introducing its explicit definition: “Iconic presence is presence in and as a picture. The physical presence of a picture in our world refers to the symbolic presence which it depicts” . The image is in this sense understood as a threshold between the tangible and imaginary world.
尽管“标志性存在”的概念以前曾出现在几个不同的领域,但在中世纪艺术史中,它主要在1990年《图片报》出版后开始被讨论,并在《Bildantologie》中得到进一步发展。因此,它成为一个相当广泛的概念。2016年,人们重新讨论了“标志性存在”的概念,引入了其明确的定义:“标志性的存在是指图片中的存在。图片在我们世界中的物理存在指的是它所描绘的象征性存在”。在这个意义上,图像被理解为有形世界和想象世界之间的一个门槛。
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引用次数: 1
Sacred Architecture and the Voice of Bells in the Medieval Landscape. With the Case Study of Mont-Saint-Michel 神圣建筑与中世纪景观中的钟声。以圣米歇尔山为例
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1484/J.CONVI.4.2019023
Martin F. Lešák
Shifting attention away from the direct experience of the divinity's anthropomorphic representation deemed essential to the concept of "iconic presence", this article focuses instead on medieval wo...
本文将注意力从被认为对“标志性存在”概念至关重要的神性拟人化表征的直接体验转移开,转而关注中世纪的世界。。。
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引用次数: 0
Back Matter ("Photographic credits") 封底(“图片来源”)
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1484/j.convi.4.2019029
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引用次数: 0
Site-Worship and the Iconopoietic Power of Kinetic Devotions 场地崇拜与动力崇拜的象征力
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1484/J.CONVI.4.2019022
M. Bacci
In what ways might medieval believers' physical experience of holy sites have contributed to and altered or reshaped those sites' cultic physiognomy? This paper offers three case studies: the Hodeg...
中世纪信徒对圣地的亲身体验在哪些方面促成、改变或重塑了这些地方的宗教面貌?本文提供了三个案例研究:霍德格…
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引用次数: 2
Virtues and Vices Reformed? Visual Pastoralia in Fourteenth-Century Bohemian Art 美德与罪恶归正?14世纪波西米亚艺术中的视觉田园
Q3 Arts and Humanities Pub Date : 2018-11-01 DOI: 10.1484/J.CONVI.4.2019005
Daniela Rywiková
Depictions of didactic-dogmatic images in the mural paintings in two Bohemian parish churches are unique in the Czech environment, and their possible meaning, function, and use in pastoral practice...
两座波希米亚教区教堂壁画中对教条主义图像的描绘在捷克环境中是独特的,其可能的意义、功能和在田园实践中的使用。。。
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引用次数: 0
Vivre le pèlerinage (médieval). Une expérience corporelle (中世纪)朝圣生活。身体体验
Q3 Arts and Humanities Pub Date : 2018-11-01 DOI: 10.1484/j.convi.4.2019011
Ivan Foletti
The project Migrating Art Historians, conducted during the spring semester 2017, consisted of an experimental academic seminar that took the form of a pilgrimage, on foot, from Lausanne in Switzerl...
移民艺术历史学家项目于2017年春季学期进行,包括一场实验性学术研讨会,以徒步从瑞士洛桑朝圣的形式。。。
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引用次数: 0
Una cosmografia Cristiana? Le radici astronomiche della cupola del perduto edificio martiriale di San Prisco presso Capua (v sec.) 基督教世界?卡普阿附近失去的圣普里斯科大理石建筑圆顶的天文根(五秒)。
Q3 Arts and Humanities Pub Date : 2018-11-01 DOI: 10.1484/j.convi.4.2019009
C. Croci
Known only through modern copies and descriptions, the iconography of the lost mosaics of the fifth-century building in the San Prisco cemetery on the Appian Way outside Capua remains unique in Ear...
只有通过现代的复制和描述才知道,在卡普阿外的阿壁古道上的圣普里斯科墓地中,失落的五世纪建筑的马赛克图像在耳中仍然是独一无二的……
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引用次数: 0
Countenances as Lightning. The Materiality of the Noli me tangere Fresco in Assisi 脸色如闪电。在阿西西的诺里我的橘子壁画的物质性
Q3 Arts and Humanities Pub Date : 2018-11-01 DOI: 10.1484/J.CONVI.4.2019007
S. Wilkins
The materiality of Assisi's early trecento Noli me tangere fresco in the lower basilica's Magdalen Chapel warrants reconsideration. In this painting, of the Magdalen reaching toward the resurrected...
阿西西早期在大教堂下部的抹大伦礼拜堂里创作的《我是橘子》壁画的重要性值得重新考虑。在这幅画中,抹大拉向复活的人伸出手……
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引用次数: 0
The Virgin Blachernitissa of Barghoun (Lebanon). Image of the Altar or the Priest Exposing the Host 巴古尔恩(黎巴嫩)的处女Blachernitissa。圣坛或祭司暴露圣体的形象
Q3 Arts and Humanities Pub Date : 2018-11-01 DOI: 10.1484/J.CONVI.4.2019008
R. Y. Nasr
The thirteenth-century Blachernitissa of Barghoun, symbolizing the Incarnation and the Church, has often been interpreted as a privileged mediator and, by extension, as Ecclesia interceding in beha...
13世纪巴格霍恩的Blachernitissa,象征着化身和教会,经常被解释为一个特权的调解人,引申为教会在行为上的调解……
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引用次数: 0
A Newly Discovered Church in Cyprus. Remarks on New Architectural Forms' Modes of Transmission in Sixteenth-Century Mediterranean 塞浦路斯一座新发现的教堂。论16世纪地中海新建筑形式的传播方式
Q3 Arts and Humanities Pub Date : 2018-11-01 DOI: 10.1484/j.convi.4.2019010
Thomas Kaffenberger
Unpublished until now, the possibly monastic church of Saint Paraskevi (or Saint Perpyros), situated on the northern slope of the Pentadaktylos mountain range in the Cypriot district of Akanthou, i...
圣帕拉斯凯维(或圣佩皮罗斯)可能是一座修道院教堂,位于塞浦路斯阿坎图区Pentadaktylos山脉的北坡,至今尚未出版。。。
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引用次数: 0
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Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean
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