Pub Date : 2020-01-01DOI: 10.1484/j.convi.5.121170
{"title":"Front Matter (“Contents”, “Xenia Muratova - unvergesslich”)","authors":"","doi":"10.1484/j.convi.5.121170","DOIUrl":"https://doi.org/10.1484/j.convi.5.121170","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45974836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.1484/j.convi.5.121175
Andrea Missagia
{"title":"Oreficerie veneziane a smalto traslucido (secoli xiv-xv). Immissioni, importazioni e produzioni locali, novità, continuità e abbandoni","authors":"Andrea Missagia","doi":"10.1484/j.convi.5.121175","DOIUrl":"https://doi.org/10.1484/j.convi.5.121175","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66675643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.1484/j.convi.5.121173
L. Geymonat, L. Lazzarini
{"title":"A Nativity Cycle for the Choir Screen of San Marco, Venice","authors":"L. Geymonat, L. Lazzarini","doi":"10.1484/j.convi.5.121173","DOIUrl":"https://doi.org/10.1484/j.convi.5.121173","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66676079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-17DOI: 10.1484/j.convi.4.2019036
Andrew Griebeler
A Late Byzantine nature study in a fifteenth-century manuscript now in the library of London's Natural History Museum is here identified as Sedum rupestre L. or Sedum sediforme (Jacq.) Pau. But the...
{"title":"Aeizōon to amaranton. Intercultural Collaboration in a Late Byzantine Nature Study","authors":"Andrew Griebeler","doi":"10.1484/j.convi.4.2019036","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019036","url":null,"abstract":"A Late Byzantine nature study in a fifteenth-century manuscript now in the library of London's Natural History Museum is here identified as Sedum rupestre L. or Sedum sediforme (Jacq.) Pau. But the...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45379412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-17DOI: 10.1484/j.convi.4.2019040
Sarah K. Kozlowski
Taking as its point of departure Simone Martini's panel painting of Saint Ladislaus of Hungary (ca 1330s or early 1304s), held since the fourteenth century in Altomonte, and a panel painting of Chr...
{"title":"Trecento Panel Painting Between the Courts of Naples and Hungary. A Hypothesis for Simone Martini's Saint Ladislaus and a Painting of Christ on the Cross","authors":"Sarah K. Kozlowski","doi":"10.1484/j.convi.4.2019040","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019040","url":null,"abstract":"Taking as its point of departure Simone Martini's panel painting of Saint Ladislaus of Hungary (ca 1330s or early 1304s), held since the fourteenth century in Altomonte, and a panel painting of Chr...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43130492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-17DOI: 10.1484/j.convi.4.2019039
C. Bordino
In the so-called Letter of Eusebius of Cesarea to Constantina, the section devoted to the Transfiguration of Christ lends itself particularly to comparison with other Early Christian texts that use...
{"title":"The Transfiguration and the Eikon of Christ. From Eusebius' Letter to Constantina to the Iconoclast Era","authors":"C. Bordino","doi":"10.1484/j.convi.4.2019039","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019039","url":null,"abstract":"In the so-called Letter of Eusebius of Cesarea to Constantina, the section devoted to the Transfiguration of Christ lends itself particularly to comparison with other Early Christian texts that use...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43807374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-17DOI: 10.1484/j.convi.4.2019037
Ute Dercks
The various practices and uses of photographs and their effects in the nineteenth century are more clearly reflected in Sicily than in other parts of Italy and the rest of Europe. Photographs and t...
{"title":"\"… dove l'epidemia fotografica si è diffusa\". Architectural Photographs in Nineteenth-Century Sicily","authors":"Ute Dercks","doi":"10.1484/j.convi.4.2019037","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019037","url":null,"abstract":"The various practices and uses of photographs and their effects in the nineteenth century are more clearly reflected in Sicily than in other parts of Italy and the rest of Europe. Photographs and t...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42103822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-17DOI: 10.1484/j.convi.4.2019045
Adrian S. Hoch
{"title":"The Art of Medieval Hungary, edited by Xavier Barral i Altet, Pál Lövei, Vinni Lucherini and Imre Takács, Rome: Viella 2018","authors":"Adrian S. Hoch","doi":"10.1484/j.convi.4.2019045","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019045","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42482844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-17DOI: 10.1484/j.convi.4.2019044
Chiara Croci
{"title":"M. Wegener-Rieckesmann, Bischof Gaudiosus, die heilige Restituta und die ecclesia Neapolitana. Zu den Zeugnissen vandalenzeitlicher Exilanten und dem kulturellen nordafrikanischen Einfluss in Neapel sowie zur Entwicklungsgeschichte der örtlichen Bischofskirche zwischen dem 4. und 9. Jahrhundert, Obe","authors":"Chiara Croci","doi":"10.1484/j.convi.4.2019044","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019044","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44450850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-17DOI: 10.1484/j.convi.4.2019043
Adrien Palladino
Between 1931 and 1934, German artist and art historian Wolfgang Born exchanged several letters with the Kondakov Institute in Prague. Written during the troubled years of rising nationalism in Euro...
{"title":"The Wolfgang Born - Kondakov Institute Correspondence. Art History, Freedom, and the Rising Fear in the 1930s","authors":"Adrien Palladino","doi":"10.1484/j.convi.4.2019043","DOIUrl":"https://doi.org/10.1484/j.convi.4.2019043","url":null,"abstract":"Between 1931 and 1934, German artist and art historian Wolfgang Born exchanged several letters with the Kondakov Institute in Prague. Written during the troubled years of rising nationalism in Euro...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44506755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：