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Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean最新文献

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Beyond Human Grasp. The Funeral of the Virgin on the “Wirksworth Stone” (Derbyshire) 人类无法掌握。在“沃克斯沃斯石”上的圣母葬礼(德比郡)
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.convi.5.126196
F. Dell’Acqua
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引用次数: 0
Divine Anamorphosis. The Phenomenality of Gold and Chant in a Fourteenth-Century Antiphonary from Santa Maria sopra Porta 神圣的畸形。14世纪《圣玛利亚修女门》中黄金的现象性与圣歌
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/J.CONVI.5.126201
B. Pentcheva
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引用次数: 0
The Sense of Sight in the Prologues of Theophilus Presbyter’s De diversis artibus 西奥菲勒斯·长老会《论artibus的多样性》序言中的视觉
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.convi.5.126198
I. Adamkova
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引用次数: 0
A Convivium with Herbert L. Kessler. Sharing Objects, Sensory Experiences, and Medieval Art History 赫伯特·l·凯斯勒的聚会。分享物品、感官体验和中世纪艺术史
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.convi.5.126193
Ivan Foletti, Philippe Cordez
On the base of two examples - a late antique gold glass and a late medieval venetian painted glass - this introduction wishes to discuss how art was permitting, in pre modern cultures, to go beyond the senses.
在两个例子的基础上——一个晚期的古董金玻璃和一个中世纪晚期的威尼斯彩绘玻璃——本引言希望讨论在前现代文化中,艺术是如何允许超越感官的。
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引用次数: 1
Die Ausmalungen der Wiener Virgilkapelle. Die visuelle Kultur in Byzanz, im Kaukasus, in Syrien und Nordmesopotamien 维吉尔教堂的纪念碑他们亲眼目睹了拜占廷、高加索、叙利亚以及北美索不达米亚地区所表现的文化
Q3 Arts and Humanities Pub Date : 2020-12-23 DOI: 10.1484/j.convi.5.123118
A. Bergmeier
This case study of the aniconic wall paintings – red-colored, monumental crosses from the mid-thirteenth century – in Vienna’s subterranean Chapel of St. Virgil demonstrates that, in the absence of...
维也纳地下圣维吉尔教堂的标志性壁画——13世纪中期的红色纪念十字架——的案例研究表明,如果没有……
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引用次数: 0
Roundtable. Medieval Art Today, Why? 圆桌会议。今天的中世纪艺术,为什么?
Q3 Arts and Humanities Pub Date : 2020-12-23 DOI: 10.1484/j.convi.5.123124
Ivan Foletti, Adrien Palladino
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引用次数: 0
Exchanges and Interactions in a Time of Pandemic 大流行时期的交流与互动
Q3 Arts and Humanities Pub Date : 2020-12-23 DOI: 10.1484/j.convi.5.123116
Ivan Foletti, Zuzana Frantová
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引用次数: 0
Artistic Exchanges Across Afro-Eurasia. A Global Taste for Metal Artifacts from Mamluk Syria and Egypt in Italy, West Africa, and China in the Fourteenth and Fifteenth Centuries 非洲-欧亚大陆的艺术交流。全球对14世纪和15世纪意大利、西非和中国马穆鲁克-叙利亚和埃及金属制品的品味
Q3 Arts and Humanities Pub Date : 2020-12-23 DOI: 10.1484/j.convi.5.123123
Vera-Simone Schulz
Much is to be learned from the ongoing and invigorating dialogue among art historical subdisciplines as well as archaeology and anthropology. This article therefore focuses on artistic responses in...
从艺术历史分支学科以及考古学和人类学之间正在进行的令人振奋的对话中,我们可以学到很多东西。因此,本文着重探讨了中国当代艺术的回应。。。
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引用次数: 1
Francesca Dell’Acqua, Iconophilia. Politics, Religion, Preaching, and the Use of Images in Rome, c. 680–880, London / New York: Routledge 2020 Francesca Dell'Acqua,Iconophilia。《罗马的政治、宗教、传教和图像的使用》,约680–880年,伦敦/纽约:劳特利奇2020
Q3 Arts and Humanities Pub Date : 2020-12-23 DOI: 10.1484/j.convi.5.123126
Ivan Foletti
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引用次数: 0
Trame di storia. Il mosaico di Otranto, le cronache universali e l’immagine della regalità 历史的情节。奥特兰托的马赛克、世界编年史和皇室形象
Q3 Arts and Humanities Pub Date : 2020-12-23 DOI: 10.1484/j.convi.5.123122
Ilaria Molteni, Irene Quadri
This paper considers the mosaic floor of the cathedral of Otranto from the viewpoint of the relationship between the decorative program and the tradition of medieval historiography. Analysis of the...
本文从装饰方案与中世纪史学传统的关系的角度来考虑奥特朗托大教堂的马赛克地板。分析……
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引用次数: 0
期刊
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean
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