Pub Date : 2022-12-30DOI: 10.4995/vitruvioijats.2022.19041
Paola Ardizzola, Joanna Grądzka
Full Professor in Architectural Design at the Instituto Universitario di Architettura (IUAV) in Venice, he carries out an intense intellectual activity by connecting teaching, theory, research, and practice. Prize of the Italian Presidency of the Republic for architecture 2017, he has delivered seminars and lectures in some of the main universities including Harvard, UIC Chicago, ETH, etc. From 1984 to 1992 he collaborated with Peter Eisenman, New York, on the projects Romeo and Juliet, Verona (1986, Stone Lion, III Architecture Biennale of Venice), La Villette Park, Paris (1986), Monte Paschi, Siena (1988), etc. Among the main international projects: Great Egyptian Museum, Cairo (2002, third prize); MOMA Warsaw (2007, Honorable Mention); John Paul II Center, Krakow (2007, special mention); Torre della Ricerca, Padua (2008, fourth prize, in collaboration with Peter Eisenman); Museum of Judaism, Ferrara (2010, Special Mention). Main projects completed: Ghiaie Sports Area, Trento (1984-1998); Fortunato Depero Museum of Futurism, Rovereto (1992-2008); Gdańsk Shakespearean Theater (2004-2013). His projects are published in the main international magazines such as Casabella, Domus, Architectural Review, Detail, and have been exhibited at the Venice Biennale (1984, 1985, 1996, 2002, 2010 and 2016), Triennale di Milano, Accademia di San Luca, etc. Awards: Fritz Höger, Berlin, 2017; Architizer A, Belgium, 2016; Iconic Award, Monaco DB, 2015; Gold Medal, Milan, 2015, 2009; Golden Compass, Milan, 2015, 2011; Council of Europe, Landscape Award, 2009. Some significant publications: Il Cosmo della Bildung, Mimesis 2016; Unexpected Parma, MUP 2013; The Daìmon of Architecture, Mimesis 2014; John Hejduk, Incarnatio, Marsilio 2010; The Divine of the Landscape, Marsilio 2008; John Hejduk BRONX, Manual in verse, Mimesis 2020. He recently founded in Venice the Nuova Scuola Architettura, a free school that focuses on the urgency of a new (heretical) gaze at Architecture, a necessity which derives from the cultural abyss of our time. The Accademia Nazionale di San Luca in Rome is currently paying a tribute to his oeuvre in a grand exhibition of gypsum models and maquettes titled “eden-eden. Renato Rizzi”, which can be visited until March third, 2023.
他是威尼斯大学建筑设计学院(IUAV)的全职教授，通过将教学、理论、研究和实践联系起来，开展了激烈的智力活动。他曾获得2017年意大利共和国总统建筑奖，并在包括哈佛大学、芝加哥大学、ETH等在内的一些主要大学举办研讨会和讲座。从1984年到1992年，他与纽约的彼得·艾森曼合作了罗密欧与朱丽叶、维罗纳(1986年，石狮，第三届威尼斯建筑双年展)、巴黎拉维莱特公园(1986年)、蒙特帕斯基、锡耶纳(1988年)等项目。主要国际项目:开罗大埃及博物馆(2002年，三等奖);华沙现代艺术博物馆(2007年，荣誉奖);克拉科夫若望保禄二世中心(2007年，特别提及);帕多瓦的Torre della Ricerca(2008年，与彼得·艾森曼合作，获第四名);犹太教博物馆，费拉拉(2010年，特别提名)。完成的主要项目:特伦托Ghiaie体育区(1984-1998年);Fortunato Depero未来主义博物馆，Rovereto (1992-2008);Gdańsk莎士比亚戏剧(2004-2013)。他的项目发表在《Casabella》、《Domus》、《Architectural Review》、《Detail》等主要国际杂志上，并曾在威尼斯双年展(1984年、1985年、1996年、2002年、2010年和2016年)、米兰三年展、圣卢卡学院等展出。获奖:Fritz Höger，柏林，2017;Architizer A，比利时，2016;标志性奖，摩纳哥DB, 2015;金奖，米兰，2015年，2009年;金色罗盘，米兰，2015年，2011年;欧洲委员会，景观奖，2009。一些重要出版物:Il Cosmo della Bildung, Mimesis 2016;意想不到的帕尔马，MUP 2013;建筑Daìmon, Mimesis 2014;John Hejduk，《化身》，Marsilio 2010;《山水之神》，马西里奥2008;约翰·海杜克·布朗克斯，诗歌手册，模仿2020。他最近在威尼斯创立了Nuova Scuola Architettura，这是一所免费学校，专注于对建筑进行新的(异端)凝视的紧迫性，这是一种源于我们时代文化深渊的必要性。位于罗马的圣卢卡学院正在举办一场名为“伊甸园”的大型石膏模型和模型展览，向他的全部作品致敬。雷纳托里兹”，可以参观到2023年3月3日。
{"title":"Renato Rizzi","authors":"Paola Ardizzola, Joanna Grądzka","doi":"10.4995/vitruvioijats.2022.19041","DOIUrl":"https://doi.org/10.4995/vitruvioijats.2022.19041","url":null,"abstract":"Full Professor in Architectural Design at the Instituto Universitario di Architettura (IUAV) in Venice, he carries out an intense intellectual activity by connecting teaching, theory, research, and practice. Prize of the Italian Presidency of the Republic for architecture 2017, he has delivered seminars and lectures in some of the main universities including Harvard, UIC Chicago, ETH, etc. From 1984 to 1992 he collaborated with Peter Eisenman, New York, on the projects Romeo and Juliet, Verona (1986, Stone Lion, III Architecture Biennale of Venice), La Villette Park, Paris (1986), Monte Paschi, Siena (1988), etc. Among the main international projects: Great Egyptian Museum, Cairo (2002, third prize); MOMA Warsaw (2007, Honorable Mention); John Paul II Center, Krakow (2007, special mention); Torre della Ricerca, Padua (2008, fourth prize, in collaboration with Peter Eisenman); Museum of Judaism, Ferrara (2010, Special Mention). Main projects completed: Ghiaie Sports Area, Trento (1984-1998); Fortunato Depero Museum of Futurism, Rovereto (1992-2008); Gdańsk Shakespearean Theater (2004-2013). His projects are published in the main international magazines such as Casabella, Domus, Architectural Review, Detail, and have been exhibited at the Venice Biennale (1984, 1985, 1996, 2002, 2010 and 2016), Triennale di Milano, Accademia di San Luca, etc. Awards: Fritz Höger, Berlin, 2017; Architizer A, Belgium, 2016; Iconic Award, Monaco DB, 2015; Gold Medal, Milan, 2015, 2009; Golden Compass, Milan, 2015, 2011; Council of Europe, Landscape Award, 2009. Some significant publications: Il Cosmo della Bildung, Mimesis 2016; Unexpected Parma, MUP 2013; The Daìmon of Architecture, Mimesis 2014; John Hejduk, Incarnatio, Marsilio 2010; The Divine of the Landscape, Marsilio 2008; John Hejduk BRONX, Manual in verse, Mimesis 2020. He recently founded in Venice the Nuova Scuola Architettura, a free school that focuses on the urgency of a new (heretical) gaze at Architecture, a necessity which derives from the cultural abyss of our time. The Accademia Nazionale di San Luca in Rome is currently paying a tribute to his oeuvre in a grand exhibition of gypsum models and maquettes titled “eden-eden. Renato Rizzi”, which can be visited until March third, 2023.","PeriodicalId":40999,"journal":{"name":"VITRUVIO-International Journal of Architectural Technology and Sustainability","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90713409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.4995/vitruvioijats.2022.18684
M. De Fino, V. Porcari, Albina Scioti, A. Guida, F. Fatiguso
The paper is focused on the historical-architectural evolution and material-technical qualification of polychrome majolica domes that were built between the 17th and 19th centuries in Apulian religious buildings. In particular, the cultural context in which this solution spread throughout the Mediterranean area is identified. Moreover, the case history of construction and decorative techniques that are distinctive of the regional territory is discussed in terms of underlying structure, installation of elements and surface colours. The study is then detailed on the Church of Santa Maria della Vetrana in Castellana Grotte (BA), for which the morpho-typological survey and mapping of the decay state are presented, based on the use of terrestrial and aerial digital photogrammetry. Finally, based on the identification of the main pathologies from both direct and indirect alteration factors, the most appropriate conservation and maintenance interventions are outlined, with specific focus on repair and integration of the majolica tiles, according to principles of high compatibility and low intrusiveness for a solution meeting artisan tradition and technical practice.
本文的重点是历史建筑的演变和材料技术鉴定的多彩陶圆顶建于17世纪和19世纪之间的阿普利亚宗教建筑。特别是，确定了这种解决办法在整个地中海地区传播的文化背景。此外，从基础结构、元素安装和表面颜色方面讨论了建筑和装饰技术的案例历史。然后，对Castellana Grotte (BA)的Santa Maria della Vetrana教堂进行了详细的研究，基于地面和空中数字摄影测量的使用，对其进行了形态类型调查和衰败状态的测绘。最后，基于对直接和间接变化因素的主要病理的识别，概述了最适当的保护和维护干预措施，根据高兼容性和低侵入性的原则，为满足工匠传统和技术实践的解决方案提供了特别关注的修复和整合。
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Pub Date : 2022-12-30DOI: 10.4995/vitruvioijats.2022.18845
Marta Orszt, E. Raszeja
Vernacular forms which can be found in North Portugal and Galicia (region of Western Spain) can be traced down up until times, when this geographical area was bound together through Celtic influences. Wood, stone, and clay, used for local constructions, appear in many forms which are until now well preserved around the area. The main objective of research was to identify vernacular forms, focusing on granaries, commonly found in the study area, and creating the proposal of their reuse. Development and roots of those buildings is researched, showing their historical origin, locally sourced materials used in the region, as well as the state of the buildings nowadays and legal ways of their protection in Spain and Portugal. The base of the project was a village renewal concept which aims to adapt the ruins of unused agricultural settlements located in Porreiras for cultural tourism needs, with a proposal of reusing granaries as pilgrim units. Minimal intervention is made thanks to creating interior of a granary as a piece of furniture, filling, but not interfering with existing construction. Concept of safeguarding granaries through giving them new function is proposed to be implemented on Camino de Santiago tail, since the granaries are commonly found in rural landscape of North Portugal and Spanish Galicia.
{"title":"Historical rural architecture of North Portugal and Spanish Galicia: local vernacular forms and concept of adaptation, case study of Porreiras","authors":"Marta Orszt, E. Raszeja","doi":"10.4995/vitruvioijats.2022.18845","DOIUrl":"https://doi.org/10.4995/vitruvioijats.2022.18845","url":null,"abstract":"Vernacular forms which can be found in North Portugal and Galicia (region of Western Spain) can be traced down up until times, when this geographical area was bound together through Celtic influences. Wood, stone, and clay, used for local constructions, appear in many forms which are until now well preserved around the area. The main objective of research was to identify vernacular forms, focusing on granaries, commonly found in the study area, and creating the proposal of their reuse. Development and roots of those buildings is researched, showing their historical origin, locally sourced materials used in the region, as well as the state of the buildings nowadays and legal ways of their protection in Spain and Portugal. The base of the project was a village renewal concept which aims to adapt the ruins of unused agricultural settlements located in Porreiras for cultural tourism needs, with a proposal of reusing granaries as pilgrim units. Minimal intervention is made thanks to creating interior of a granary as a piece of furniture, filling, but not interfering with existing construction. Concept of safeguarding granaries through giving them new function is proposed to be implemented on Camino de Santiago tail, since the granaries are commonly found in rural landscape of North Portugal and Spanish Galicia.","PeriodicalId":40999,"journal":{"name":"VITRUVIO-International Journal of Architectural Technology and Sustainability","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78743674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.4995/vitruvioijats.2022.18821
O. Tikhonova
Bastion castle ensemble is a complex structure that belongs to defensive residences, which usually include the historic gardens and play an important role in the formation of the townscape. The two main structural components of such built complexes are palatial body and bastion fortifications. However, some bigger ensembles can also include other functional buildings. Due to the nature of the structure, namely the presence of defensive elements, which followed military development, many bastion castles underwent huge transformations. They were built and rebuilt because of the outdated design or destruction by the enemy. That is why studying such ensembles only from a historical perspective or analyzing only their fortification part is not enough to understand the whole complex, which is much more than a single-type building. In contrast, this paper proposes an interdisciplinary approach to studying bastion castles on the example of a bastion castle in Zheshov (Poland). Specifically, this paper uses a combined strategy that includes interpretative–historical and qualitative-computational strategies as a systematic and comprehensive approach to the research. This strategy consists of seven points of analysis: historical transformations, composition, situation, landscape, fortifications, typomorphology, and space syntax. This work represents a methodological framework that can be used for the analysis of any bastion castle ensemble in the world.
{"title":"Approach to comprehensive analysis of bastion castle ensemble with historic gardens: novel combined strategy","authors":"O. Tikhonova","doi":"10.4995/vitruvioijats.2022.18821","DOIUrl":"https://doi.org/10.4995/vitruvioijats.2022.18821","url":null,"abstract":"Bastion castle ensemble is a complex structure that belongs to defensive residences, which usually include the historic gardens and play an important role in the formation of the townscape. The two main structural components of such built complexes are palatial body and bastion fortifications. However, some bigger ensembles can also include other functional buildings. Due to the nature of the structure, namely the presence of defensive elements, which followed military development, many bastion castles underwent huge transformations. They were built and rebuilt because of the outdated design or destruction by the enemy. That is why studying such ensembles only from a historical perspective or analyzing only their fortification part is not enough to understand the whole complex, which is much more than a single-type building. In contrast, this paper proposes an interdisciplinary approach to studying bastion castles on the example of a bastion castle in Zheshov (Poland). Specifically, this paper uses a combined strategy that includes interpretative–historical and qualitative-computational strategies as a systematic and comprehensive approach to the research. This strategy consists of seven points of analysis: historical transformations, composition, situation, landscape, fortifications, typomorphology, and space syntax. This work represents a methodological framework that can be used for the analysis of any bastion castle ensemble in the world.","PeriodicalId":40999,"journal":{"name":"VITRUVIO-International Journal of Architectural Technology and Sustainability","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73468449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.4995/vitruvioijats.2022.18809
Stefania De Gregorio
The reuse of wooden elements is a sustainable operation, which makes the best use of the material’s grey energy. Currently, structural timber from selective demolition is mainly used for non-structural functions, with a lowering of its performance, due to the lack of standard and specific regulation. In fact, the visual grading used to define the structural characteristics of wood does not evaluate information deriving from the previous life cycles of the component. In the paper, taking samples of rectangular timber elements from selective demolitions made in the Valencian Community, the structural values that are assigned by visual strength grading legislation were compared with the real resistance values identified by experimental analysis to verify their compliance. The verification showed that the visual grading is not able to optimize the performance of the timber element in its reuse. Therefore, the purpose of the research, illustrated in the paper, is to find a reuse process for structural wooden elements to enhance residual performances. The identified process introduces additional steps compared in the current visual grading, that include a consideration of the effective modalities of reuse evaluated according to the worst defects and information arising from previous life cycles.
{"title":"Reuse process for timber elements to optimise residual performances in subsequent life cycles","authors":"Stefania De Gregorio","doi":"10.4995/vitruvioijats.2022.18809","DOIUrl":"https://doi.org/10.4995/vitruvioijats.2022.18809","url":null,"abstract":"The reuse of wooden elements is a sustainable operation, which makes the best use of the material’s grey energy. Currently, structural timber from selective demolition is mainly used for non-structural functions, with a lowering of its performance, due to the lack of standard and specific regulation. In fact, the visual grading used to define the structural characteristics of wood does not evaluate information deriving from the previous life cycles of the component. In the paper, taking samples of rectangular timber elements from selective demolitions made in the Valencian Community, the structural values that are assigned by visual strength grading legislation were compared with the real resistance values identified by experimental analysis to verify their compliance. The verification showed that the visual grading is not able to optimize the performance of the timber element in its reuse. Therefore, the purpose of the research, illustrated in the paper, is to find a reuse process for structural wooden elements to enhance residual performances. The identified process introduces additional steps compared in the current visual grading, that include a consideration of the effective modalities of reuse evaluated according to the worst defects and information arising from previous life cycles.","PeriodicalId":40999,"journal":{"name":"VITRUVIO-International Journal of Architectural Technology and Sustainability","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82362370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.4995/vitruvioijats.2022.18715
A. Violano, M. Cannaviello
The goal of optimizing material resources and the polyvalent use of space lead to the development of new technologies within a renewed architectural spatiality, which from the point of view of effectiveness of choices allow for low-carbon buildings. The climate emergency, in fact, asks us today to reinterpret Vitruvius’ concept of Firmitas according to the criteria of durability reliability and resilience associated with widespread usability functionality and circularity (Utilitas) traceable throughout the life cycle a building. The paper illustrates the results of a scientific research project that led to the construction of a prototype of a “minimal” residence, designed and built with the “total low” approach, characterized by regenerative design, economy, lightness, ease of assembly, recyclability, as well as excellent overall performance and high levels of comfort. The idea of a building, easily assembled and disassembled, is a strength of the “Petite-Cabane” design concept: a 3x3 m single-user minimum residential unit made with the Light Gauge Steel Building System (LGS) produced with controlled automatically roll forming machine, for which high technological and energy performance envelope packages. The design of a small house becomes the “mise en forme” of a space in which “essential” equipment, energy performance, architectural qualities, economic and environmental costs are linked to the ease and immediacy of construction but also to the flexibility and circularity of technological choices.
{"title":"Design process innovation through flexible and circular technological solutions","authors":"A. Violano, M. Cannaviello","doi":"10.4995/vitruvioijats.2022.18715","DOIUrl":"https://doi.org/10.4995/vitruvioijats.2022.18715","url":null,"abstract":"The goal of optimizing material resources and the polyvalent use of space lead to the development of new technologies within a renewed architectural spatiality, which from the point of view of effectiveness of choices allow for low-carbon buildings. The climate emergency, in fact, asks us today to reinterpret Vitruvius’ concept of Firmitas according to the criteria of durability reliability and resilience associated with widespread usability functionality and circularity (Utilitas) traceable throughout the life cycle a building. The paper illustrates the results of a scientific research project that led to the construction of a prototype of a “minimal” residence, designed and built with the “total low” approach, characterized by regenerative design, economy, lightness, ease of assembly, recyclability, as well as excellent overall performance and high levels of comfort. The idea of a building, easily assembled and disassembled, is a strength of the “Petite-Cabane” design concept: a 3x3 m single-user minimum residential unit made with the Light Gauge Steel Building System (LGS) produced with controlled automatically roll forming machine, for which high technological and energy performance envelope packages. The design of a small house becomes the “mise en forme” of a space in which “essential” equipment, energy performance, architectural qualities, economic and environmental costs are linked to the ease and immediacy of construction but also to the flexibility and circularity of technological choices.","PeriodicalId":40999,"journal":{"name":"VITRUVIO-International Journal of Architectural Technology and Sustainability","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80860255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.4995/vitruvio-ijats.2022.17972
Luis Manuel Palmero Iglesias
He has been an architect since 1978, settling himself as an independent professional with the firm that bears his name. He has carried out professional works for the public administration, in the City Council of Valencia, within the Urban Projects Office, and for the Regional Government of Valencia, as a heritage advisor in Valencia and Castellón regions. Since 1989 he has been an associate lecturer in the Department of Architectural Projects within the School of Architecture (ETSAV) at the Polytechnic University of Valencia. He has participated as a speaker in several seminars and symposiums on architecture and architectural rehabilitation and has been invited to international workshops on heritage preservation. He has published his work and some of his activities in several architecture journals and conference proceedings. He is a person who feels comfortable in architecture, whether heritage architecture, residential, educational or other types of architecture. He is a Full Member of the Royal Academy of Fine Arts of San Carlos in Valencia. His work includes the refurbishment of the old Slaughterhouse in Valencia, the Church of San Martín in Valencia, the Church of Sant Jaume in Vila-real, the Circus Theatre in Albacete, the Sanctuary of La Balma in Castellón, the Boïl d’Arenós Palace, the Church of El Carmen in Valencia, as well as the refurbishment and technical supervisor of the Church of San Nicolás, the Regional Administration School in Toledo, etc. As a member of the Urban Projects Office of Valencia City Council from 1986-1988, he has participated in and directed various important urban planning projects.
自1978年以来，他一直是一名建筑师，在以他的名字命名的公司里，他成为了一名独立的专业人士。他在瓦伦西亚市议会、城市项目办公室以及瓦伦西亚地区政府担任瓦伦西亚和Castellón地区的遗产顾问，为公共行政部门开展了专业工作。自1989年以来，他一直担任瓦伦西亚理工大学建筑学院(ETSAV)建筑项目系的副讲师。他曾在多个关于建筑和建筑修复的研讨会和专题讨论会中担任演讲嘉宾，并受邀参加有关文物保护的国际研讨会。他在一些建筑期刊和会议论文集上发表了他的作品和一些活动。他是一个对建筑感到舒适的人，无论是遗产建筑、住宅、教育还是其他类型的建筑。他是瓦伦西亚圣卡洛斯皇家美术学院的正式成员。他的工作包括翻新瓦伦西亚的旧屠宰场，瓦伦西亚的圣教堂Martín，维拉雷亚尔的圣豪梅教堂，阿尔巴塞特的马戏团剧院，Castellón的拉巴尔马圣殿，Boïl d 'Arenós宫殿，瓦伦西亚的埃尔卡门教堂，以及圣教堂Nicolás的翻新和技术主管，托莱多地区管理学校等。1986年至1988年，他作为巴伦西亚市议会城市项目办公室的成员，参与并指导了许多重要的城市规划项目。
{"title":"Carlos Campos","authors":"Luis Manuel Palmero Iglesias","doi":"10.4995/vitruvio-ijats.2022.17972","DOIUrl":"https://doi.org/10.4995/vitruvio-ijats.2022.17972","url":null,"abstract":"He has been an architect since 1978, settling himself as an independent professional with the firm that bears his name. He has carried out professional works for the public administration, in the City Council of Valencia, within the Urban Projects Office, and for the Regional Government of Valencia, as a heritage advisor in Valencia and Castellón regions. Since 1989 he has been an associate lecturer in the Department of Architectural Projects within the School of Architecture (ETSAV) at the Polytechnic University of Valencia. He has participated as a speaker in several seminars and symposiums on architecture and architectural rehabilitation and has been invited to international workshops on heritage preservation. He has published his work and some of his activities in several architecture journals and conference proceedings. He is a person who feels comfortable in architecture, whether heritage architecture, residential, educational or other types of architecture. He is a Full Member of the Royal Academy of Fine Arts of San Carlos in Valencia. His work includes the refurbishment of the old Slaughterhouse in Valencia, the Church of San Martín in Valencia, the Church of Sant Jaume in Vila-real, the Circus Theatre in Albacete, the Sanctuary of La Balma in Castellón, the Boïl d’Arenós Palace, the Church of El Carmen in Valencia, as well as the refurbishment and technical supervisor of the Church of San Nicolás, the Regional Administration School in Toledo, etc. As a member of the Urban Projects Office of Valencia City Council from 1986-1988, he has participated in and directed various important urban planning projects.","PeriodicalId":40999,"journal":{"name":"VITRUVIO-International Journal of Architectural Technology and Sustainability","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73324897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.4995/vitruvioijats.2022.17489
C. Sicignano, L. Diana, R. Marmo, F. Polverino
Even before Covid-19 although in the very center of the old town and historic center of Naples there were abandoned buildings and complexes, uninhabited and unused for decades. The cause is attributed to multiple reasons such as functional obsolescence, failure to adapt to intervening European standards in terms of hospital construction, technological facilities to standards, etc. The health crisis which strongly affected European societies revealed the fragilities of our healthcare systems. In Italy, a large number of COVID-19 patients congested hospitals while the continuity of essential services was interrupted at the expense of other needs. At the same time, the process of abandonment of historic buildings affects different monumental hospitals, such as the “San Giacomo degli Incurabili” and the “Carlo Forlanini” in Rome, or the “Gesù e Maria” Hospital, “San Gennaro dei Poveri” and the “Santa Maria del Popolo degli Incurabili” in Naples. This paper reports three case studies of Neapolitan historical hospitals regeneration proposals with the goal of strengthening the existing community healthcare system and developing energy efficiency and seismic improvement strategies in the spirit of sustainable development. Leveraging the flexibility of monumental hospitals, the proposed light retrofit interventions restore the historial healthcare functional destination ensuring also the reuse of such an heritage. The current research delineates an approach to the recovery and enhancement for social and cultural purposes of unused and abandoned historical hospitals. This approach can positively affect the quality of life of citizens and the use of health services, while recovering historical cultural heritage buildings.
即使在新冠肺炎疫情之前，尽管在那不勒斯老城区和历史中心的正中心有废弃的建筑和建筑群，几十年来无人居住和闲置。造成这一现象的原因是多方面的，如功能过时、医院建设不适应欧洲标准、技术设施不符合标准等。严重影响欧洲社会的健康危机暴露了我们医疗保健系统的脆弱性。在意大利，大量COVID-19患者挤满了医院，基本服务的连续性中断，损害了其他需求。与此同时，历史建筑的废弃过程影响了不同的纪念医院，如罗马的“圣贾科莫医院”和“Carlo Forlanini”，或那不勒斯的“Gesù e Maria”医院、“San Gennaro dei Poveri”和“Santa Maria del Popolo degli Incurabili”。本文报告了三个那不勒斯历史医院再生方案的案例研究，其目标是加强现有的社区医疗保健系统，并在可持续发展的精神下开发能源效率和抗震改进策略。利用纪念医院的灵活性，提出的轻型改造干预措施恢复历史医疗保健功能目的地，同时确保这些遗产的再利用。目前的研究描绘了一种方法来恢复和加强未使用和废弃的历史医院的社会和文化目的。这种做法可以对公民的生活质量和卫生服务的使用产生积极影响，同时恢复历史文化遗产建筑。
{"title":"Abandoned places, complexes and parts of cities. Regeneration and enhancement of monumental hospitals in the historic centre of Naples","authors":"C. Sicignano, L. Diana, R. Marmo, F. Polverino","doi":"10.4995/vitruvioijats.2022.17489","DOIUrl":"https://doi.org/10.4995/vitruvioijats.2022.17489","url":null,"abstract":"Even before Covid-19 although in the very center of the old town and historic center of Naples there were abandoned buildings and complexes, uninhabited and unused for decades. The cause is attributed to multiple reasons such as functional obsolescence, failure to adapt to intervening European standards in terms of hospital construction, technological facilities to standards, etc. The health crisis which strongly affected European societies revealed the fragilities of our healthcare systems. In Italy, a large number of COVID-19 patients congested hospitals while the continuity of essential services was interrupted at the expense of other needs. At the same time, the process of abandonment of historic buildings affects different monumental hospitals, such as the “San Giacomo degli Incurabili” and the “Carlo Forlanini” in Rome, or the “Gesù e Maria” Hospital, “San Gennaro dei Poveri” and the “Santa Maria del Popolo degli Incurabili” in Naples. This paper reports three case studies of Neapolitan historical hospitals regeneration proposals with the goal of strengthening the existing community healthcare system and developing energy efficiency and seismic improvement strategies in the spirit of sustainable development. Leveraging the flexibility of monumental hospitals, the proposed light retrofit interventions restore the historial healthcare functional destination ensuring also the reuse of such an heritage. The current research delineates an approach to the recovery and enhancement for social and cultural purposes of unused and abandoned historical hospitals. This approach can positively affect the quality of life of citizens and the use of health services, while recovering historical cultural heritage buildings.","PeriodicalId":40999,"journal":{"name":"VITRUVIO-International Journal of Architectural Technology and Sustainability","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75661644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.4995/vitruvio-ijats.2022.17456
Elsa Turkusic Juric, Haris Bradić
This paper examines the questions of time (transience) and space (persistence) in architecture and culture. The endurance and relevance of these topics are best seen in the integration of architectural heritage into contemporary life. The paper elaborates this by applying a methodological-applicative model to the renovation of the modernist Corn-Markesic villa in Sarajevo’s Crni Vrh housing estate, which has been designated a national monument of Bosnia and Herzegovina. The model seeks to achieve a practical and architecturally creative solution for the villa’s adaptations. Although changing the Crni Vrh urban context might change the appearance and values of the villa, the opposite is also true: the adaptation of the villa to meet contemporary requirements may change its current context. This paper examines the character of the villa’s renovation though field research and the development of an architectural design, to reflect present and future needs, but still faithfully represent the past. The suggested adaptation model follows the lifecycle of a family, and questions the possibilities of transformation at the point at which certain spatial structures and content are no longer needed. The design and research process adheres to guidelines in the European Cultural Heritage Green Paper.
{"title":"Between persistence and change-methodological aspects of the Corn-Markezic Villa reuse, Sarajevo","authors":"Elsa Turkusic Juric, Haris Bradić","doi":"10.4995/vitruvio-ijats.2022.17456","DOIUrl":"https://doi.org/10.4995/vitruvio-ijats.2022.17456","url":null,"abstract":"This paper examines the questions of time (transience) and space (persistence) in architecture and culture. The endurance and relevance of these topics are best seen in the integration of architectural heritage into contemporary life. The paper elaborates this by applying a methodological-applicative model to the renovation of the modernist Corn-Markesic villa in Sarajevo’s Crni Vrh housing estate, which has been designated a national monument of Bosnia and Herzegovina. The model seeks to achieve a practical and architecturally creative solution for the villa’s adaptations. Although changing the Crni Vrh urban context might change the appearance and values of the villa, the opposite is also true: the adaptation of the villa to meet contemporary requirements may change its current context. This paper examines the character of the villa’s renovation though field research and the development of an architectural design, to reflect present and future needs, but still faithfully represent the past. The suggested adaptation model follows the lifecycle of a family, and questions the possibilities of transformation at the point at which certain spatial structures and content are no longer needed. The design and research process adheres to guidelines in the European Cultural Heritage Green Paper.","PeriodicalId":40999,"journal":{"name":"VITRUVIO-International Journal of Architectural Technology and Sustainability","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83858141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.4995/vitruvio-ijats.2022.17331
J. García-Esparza
This paper critically explores the evaluation of Historic Centres (HC) to establish new perspectives for the management of their values and attributes. The unconventional interpretation of these HC relies on therevision of the UNESCO Operational Guidelines to achieve new approaches to the cultural diversity of these spaces. A methodological approach based on interviews and open data cross-referencing aims to integrate the social and cultural aspects of the World Heritage cities (WH) in Spain. The research analyses the eventual cultural, architectural and social stratification as elements that need updating to manage HC. Therefore, this research addresses narrative interpretations, both of inhabitants and visitors, as forms of behaviour, expressions and adaptations that result in idiosyncratic innovation and experimentation in the urban fabric. The research steams from a series of scientific contributions to the research projects Writing Urban Places, COST Action 18126, and Dynamics of placemaking, COST Action 18204, (2019-2023). Through a mixed methodology of qualitative and quantitative data analysis, the research aims to analyse the interdependenciesbetween physical conservation, social awareness and sustainable development of some WH areas in Spain.Data is analysed by means of Geographic Information Systems (GIS) to spatially comprehend the engineeredspace in medium-sized heritage cities.
{"title":"Abandon and reuse - The engineered space at a time of pandemics","authors":"J. García-Esparza","doi":"10.4995/vitruvio-ijats.2022.17331","DOIUrl":"https://doi.org/10.4995/vitruvio-ijats.2022.17331","url":null,"abstract":"This paper critically explores the evaluation of Historic Centres (HC) to establish new perspectives for the management of their values and attributes. The unconventional interpretation of these HC relies on therevision of the UNESCO Operational Guidelines to achieve new approaches to the cultural diversity of these spaces. A methodological approach based on interviews and open data cross-referencing aims to integrate the social and cultural aspects of the World Heritage cities (WH) in Spain. The research analyses the eventual cultural, architectural and social stratification as elements that need updating to manage HC. Therefore, this research addresses narrative interpretations, both of inhabitants and visitors, as forms of behaviour, expressions and adaptations that result in idiosyncratic innovation and experimentation in the urban fabric. The research steams from a series of scientific contributions to the research projects Writing Urban Places, COST Action 18126, and Dynamics of placemaking, COST Action 18204, (2019-2023). Through a mixed methodology of qualitative and quantitative data analysis, the research aims to analyse the interdependenciesbetween physical conservation, social awareness and sustainable development of some WH areas in Spain.Data is analysed by means of Geographic Information Systems (GIS) to spatially comprehend the engineeredspace in medium-sized heritage cities.","PeriodicalId":40999,"journal":{"name":"VITRUVIO-International Journal of Architectural Technology and Sustainability","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76928609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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