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A historical perspective on the composition of propositions Ip9 and Ip10 in Spinoza’s Ethics 史观斯宾诺莎《伦理学》中命题Ip9和Ip10的构成
0 PHILOSOPHY Pub Date : 2023-01-01 DOI: 10.5840/bjp202315215
Mark Malkovich
Spinoza’s Ethics is one of the most important works in Western philosophy. Unfortunately, aside from the Vatican manuscript, which is very close to the final printed version, no drafts have been preserved. In this article I shed some new light on the composition of the early draft of Ethics. I argue that there are significant reasons to believe that propositions Ip9 and Ip10 in Spinoza’s Ethics were added to the deductive argument later than the other first propositions: Ip1-Ip8 and Ip11.
斯宾诺莎的《伦理学》是西方哲学最重要的著作之一。不幸的是,除了梵蒂冈的手稿,它非常接近最终印刷版本,没有草稿被保存下来。在这篇文章中,我对《伦理学》初稿的构成有了一些新的认识。我认为有重要的理由相信斯宾诺莎的《伦理学》中的命题Ip9和Ip10比其他命题Ip1-Ip8和Ip11更晚被添加到演绎论证中。
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引用次数: 0
Authentic Expression and the Cyborg Relation 真实表达和半机械人关系
0 PHILOSOPHY Pub Date : 2023-01-01 DOI: 10.5840/bjp20231514
Chariklia Martalas
Obstructing our engagement with Computer-Generative art is an Authenticity Problem. This is where our engagement with Computer-Generative art is either seen through the prism of fantasy, such as romanticisation, or our engagement is defined by superficial inattentiveness. My aim is to show how a more fulfilling engagement is possible. This is my demonstration of the connection between Computer-Generative art and Authentic Expression. This is done by reorientating our focus away from artwork as primary and towards the artistic-process itself. I do this by conceptualising the CG-artistic-process as expressing a Cyborg Relation. My argument is that the Computer-Generative artistic-process, through the Cyborg Relation, authentically expresses our relationships with technology.
阻碍我们接触计算机生成艺术的是一个真实性问题。在这里,我们对计算机生成艺术的参与要么是通过幻想的棱镜来看待的,比如浪漫化,要么是我们的参与被肤浅的漫不经心所定义。我的目的是展示更令人满意的参与是如何可能的。这是我对计算机生成艺术和真实表达之间联系的展示。这是通过重新定位我们的焦点,从艺术作为主要的转向艺术过程本身来实现的。为此,我将cg美术过程概念化为表达一种电子人关系。我的观点是,计算机生成的艺术过程,通过电子人关系,真实地表达了我们与技术的关系。
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引用次数: 0
Creative and research segments of European humanism: Development of a single cultural space 欧洲人文主义的创意与研究部分:单一文化空间的发展
0 PHILOSOPHY Pub Date : 2023-01-01 DOI: 10.5840/bjp202315219
Olena Onishchenko, Svitlana Kholodynska, Iryna Muratova, Yevheniia Myropolska, Maryna Ternova
The relevance and theoretical weight of the mentioned topic of research consists in the definition of the phenomenon metamodernism, which, in modern humanitarian knowledge and in literary and artistic practice, determines the need to distinguish and analyse segments of European humanism as means of in-depth reproduction, nuance and personalisation of historical and cultural stages, in the context of the specified systematisation of the movement of segments from the middle of the 19th to the first two decades of the 21st century. The main goal of this study, considering the creative and research potential of segments that contributed to the gradual layering of specific features of European humanism, is the reconstruction of arguments for and against those processes that caused the development of a single cultural space. The basis of the methodological approach in this study is the principles of historicism with the assignment of analytical, comparative, and chronological approaches to the determination of a wide range of issues that are of significant importance in the context of the stated topic. In the course of carrying out this research, results were obtained that have significant theoretical and practical significance, because they contribute to the further scientific and theoretical understanding of the dynamics of the European humanistic movement from the second half of the 19th to the first two decades of the 21st century, and can be used in lectures on aesthetics, philosophy, cultural studies, history and the theory of art for students of humanitarian and artistic creative universities. The results obtained during the implementation of this research, and the conclusions formulated on their basis, are of significant importance in the context of determining the key trends in the recognition of the creative and searching tendencies of European humanism, which play an important role in the process of forming a single cultural space.
上述研究主题的相关性和理论重要性在于对元现代主义现象的定义,在现代人道主义知识和文学艺术实践中,元现代主义决定了需要区分和分析欧洲人文主义的各个部分,作为深入再现、细微差别和个性化历史和文化阶段的手段。在从19世纪中期到21世纪头二十年的特定系统运动的背景下。考虑到对欧洲人文主义具体特征的逐步分层做出贡献的部分的创造性和研究潜力,本研究的主要目标是重建支持和反对导致单一文化空间发展的那些过程的论点。本研究的方法论基础是历史决定论的原则,通过分析、比较和时间顺序的方法来确定在所述主题的背景下具有重要意义的广泛问题。在进行这项研究的过程中,所获得的结果具有重要的理论和实践意义,因为它们有助于进一步从科学和理论上理解从19世纪下半叶到21世纪头二十年的欧洲人文主义运动的动态,并且可以用于美学,哲学,文化研究,人文与艺术创意类高校学生的历史与艺术理论。本研究在实施过程中获得的结果,以及在此基础上得出的结论,对于确定认识欧洲人文主义的创造性和探索性倾向的关键趋势具有重要意义,这在形成单一文化空间的过程中起着重要作用。
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引用次数: 0
The normativity question in Quine’s naturalism: The context of the language learning situation 奎因自然主义中的规范性问题:语言学习情境的语境
0 PHILOSOPHY Pub Date : 2023-01-01 DOI: 10.5840/bjp202315221
Shonkholen Mate
Quine has been charged with eliminating the normative dimension from his naturalized epistemology. The aim of the paper is to look at the role of empathy in Quine’s language learning situation, which in its simplest form is constituted by the parent-child relation. We will explore the normativity of the role of empathy thereof by exploiting the sociality of the language learning situation. Since the sociality of Quine’s notion of empathy is implicit, to explore the normativity expression thereof, we will examine the explicit sociality of Wittgenstein’s language learning situation–also constituted in its simplest form by the master-novice relation–and the normative character of it. By explicating the normativity of the calibrating role of the master and of rule following generally, we will parse the moral dimensions of the empathizing role of the linguist in Quine’s language learning situation. Finally, by examining the nature of normativity in empathizing, we will establish that the normativity of empathizing involved in Quine’s language learning situation is socially grounded without denying its individual dimension. We will conclude that the normativity objection against Quine’s naturalism thus stands refuted.
奎因被指责从他的自然认识论中消除了规范维度。本文的目的是探讨移情在奎因语言学习情境中的作用,这种情境最简单的形式是由亲子关系构成。我们将利用语言学习情境的社会性来探讨移情作用的规范性。由于奎因的共情概念的社会性是内隐的,为了探索其规范性表达,我们将研究维特根斯坦的语言学习情境的外显社会性——也以其最简单的形式由大师-新手关系构成——及其规范性特征。通过阐明主人的校准角色和一般规则遵循角色的规范性,我们将解析语言学家在奎因的语言学习情境中的共情角色的道德维度。最后,通过对共情规范性本质的考察,我们将确定,涉及奎因语言学习情境的共情规范性是基于社会的,而不否认其个体维度。我们将得出结论,反对奎因自然主义的规范性反对因此被反驳。
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引用次数: 0
The art of education: Creative thinking and video games 教育的艺术:创造性思维和电子游戏
0 PHILOSOPHY Pub Date : 2023-01-01 DOI: 10.5840/bjp202315222
Lina Georgieva, Alexander Nikulin
The COVID-19 pandemic has shed new light on some significant problems that have been present in the education systems for decades. Тhe lack of various educational methods is becoming more and more evident, leading to a decreasing interest in learning and critical thinking. Оn the other hand, more and more research shows that different types of digital games can enhance creative and critical thinking in students. А closer look at the requirements of the educational programs shows how strict they are in their demands on students. Digital games like role playing games can be a bridge between students’ imaginations and complex educational material. Video games feature a variety of game mechanics that stimulate creative thinking and spark interest in otherwise difficult to understand topics. Motivation and engagement in digital games can be used in a specific way for educational purposes. If we think of teaching as an art in itself, what better method of teaching than through interactive arts.
2019冠状病毒病大流行使人们对几十年来教育系统中存在的一些重大问题有了新的认识。Тhe各种教育方法的缺乏变得越来越明显,导致学习和批判性思维的兴趣下降。Оn另一方面,越来越多的研究表明,不同类型的数字游戏可以提高学生的创造性和批判性思维。А仔细看看教育项目的要求,就会发现他们对学生的要求是多么严格。像角色扮演游戏这样的数字游戏可以成为学生想象力和复杂教育材料之间的桥梁。电子游戏以各种游戏机制为特色,激发创造性思维,激发人们对其他难以理解的主题的兴趣。数字游戏中的动机和粘性可以用于特定的教育目的。如果我们认为教学本身就是一门艺术,那么还有什么比互动艺术更好的教学方法呢?
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引用次数: 0
Thinking as a form of political life, or “How can one think politically in a post-political world”? 思考是政治生活的一种形式,还是“一个人如何在后政治世界中进行政治思考”?
0 PHILOSOPHY Pub Date : 2023-01-01 DOI: 10.5840/bjp202315218
Irina Zhurbina
What makes the paper relevant is modern strategies of neoliberal politics, according to which the political life of citizens is replaced by everyday politics of individuals. It has been established that the modern concepts of everyday politics of homo sacer and homo sucker contain the limit of ideas about the political life of citizens. The paper considers an ontological model of the political life of citizens built on the basis of thinking as form-of-life (Agamben). The return to the ontological level of research can be explained by the fact that in modern conditions, the survival of a person depends directly on the person’s ability to think. Thinking as the form-of-life of a community is seen as a force that allows citizens to resist not only the inertia of social existence, but also the life watched carefully by the authorities. The paper presents two interpretations of political life based on the following statements: ‘I think, therefore I resist’ (Badiou) and ‘I resist, therefore I think’ (Arendt).
使这篇论文具有相关性的是新自由主义政治的现代战略,根据这种战略,公民的政治生活被个人的日常政治所取代。近代的日常政治概念,即“神人”和“笨蛋”,包含了对公民政治生活的观念局限。本文考虑建立在思维作为生命形式的基础上的公民政治生活的本体论模型(阿甘本)。回到本体论层面的研究可以用这样一个事实来解释:在现代条件下,一个人的生存直接取决于这个人的思考能力。思想作为一种社会的生活形式,被看作是一种力量,不仅可以让公民抵制社会存在的惯性,也可以让公民抵制被当局严密监视的生活。本文提出了基于以下陈述的政治生活的两种解释:“我思考,因此我反抗”(巴迪欧)和“我反抗,因此我思考”(阿伦特)。
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引用次数: 0
The Grand Economy: Nietzsche and the virtual political economy of life 大经济:尼采与生命的虚拟政治经济
0 PHILOSOPHY Pub Date : 2023-01-01 DOI: 10.5840/bjp202315217
Sercan Çalcı
Tracing the themes of political economy in Nietzsche’s thought, this article has two main purposes. The first of these is to problematize some narratives such as eternal return, will to power, and revaluation of values, which are the crucial concepts of Nietzsche’s thought, in the critique of political economy. The second is to re-read Nietzsche’s themes of political economy in conjunction with the concept of the virtual political economy of life, to link Nietzsche’s ‘grand politics’ with the overshadowed concept of ‘grand economy’ by making the move that put Nietzsche’s hammer on the idols of the established grammar of political economy. All of these themes are part of an economy of power that goes against the grasp of economics and political economy by grammatical thought. I call this political economy the virtual political economy of life.
追溯尼采思想中的政治经济学主题,本文有两个主要目的。首先是对尼采在《政治经济学批判》中提出的永恒回归、权力意志、价值重估等重要思想进行质疑。第二种是重新阅读尼采的政治经济学主题,结合虚拟生活政治经济学的概念,将尼采的“大政治”与被遮蔽的“大经济”概念联系起来,通过将尼采的锤子放在政治经济学既定语法的偶像上。所有这些主题都是权力经济的一部分,与语法思想对经济学和政治经济学的理解背道而驰。我把这种政治经济学称为生活的虚拟政治经济学。
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引用次数: 0
The Interrelation between Philosophy for Children (P4C) and Creative Thinking 儿童哲学(P4C)与创造性思维的关系
0 PHILOSOPHY Pub Date : 2023-01-01 DOI: 10.5840/bjp20231515
Ramazan Akan, A. Çüçen
The aim of teaching philosophy to children ultimately is not to teach them the history of philosophy, but rather to teach them to think, starting from philosophical concepts. This will help to develop high-level skills in children such as questioning, research, understanding and interpreting knowledge, establishing meaningful relationships between knowledge, creating original ideas, and problem-solving. Models of philosophizing with children have been developed, and systematic application attempts have been made, producing successful results in many countries of the world. According to Matthew Lipman, these skills should be developed at a very young age with use of the model of philosophy for children (P4C). Our aim is to show and explore how to develop and sustain creative thinking, which is one of the achievements of P4C. If Lipman is right, children participating in these activities will start to gain creative thinking skills from an early age and will apply this foundation in other knowledge acquisition processes at more advanced developmental stages. This presentation aims to reveal the interrelation between P4C and creative thinking activity. First P4C will be explained, and then creative thinking and the interrelation between the two will be expanded upon in the conclusion.
教孩子哲学的最终目的不是教他们哲学史,而是教他们从哲学概念出发思考。这将有助于培养儿童的高级技能,如提问、研究、理解和解释知识、在知识之间建立有意义的关系、创造原创想法和解决问题。与儿童进行哲学思考的模式在世界上许多国家都得到了发展,并进行了系统的应用尝试,取得了成功。根据马修·利普曼的观点,这些技能应该在很小的时候就开始发展,使用儿童哲学模型(P4C)。我们的目的是展示和探索如何发展和维持创造性思维,这是P4C的成就之一。如果Lipman是对的,参与这些活动的孩子将在很小的时候就开始获得创造性思维技能,并在更高级的发展阶段将这一基础应用于其他知识获取过程。本演讲旨在揭示P4C与创造性思维活动之间的相互关系。首先将解释P4C,然后在结论中扩展创造性思维和两者之间的相互关系。
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引用次数: 0
Elucidating the ontological potential of Care Ethics: Towards a revised narrative of morality 阐明关怀伦理的本体论潜力:朝向道德的修正叙述
0 PHILOSOPHY Pub Date : 2023-01-01 DOI: 10.5840/bjp202315220
Aastha Mishra
The following paper aims to re-examine the nature of the moral self as expounded by the Care Ethicists with the prime objective of understanding its ontological potential. It will be argued that this philosophical endeavor of examining the nature of the moral self in light of the Care Ethics theory echoes ontological thoughts and ideas that orbit around themes such as relationality, emotionality, and contextuality. The paper seeks to exhaustively explore the moral significance of these detected ontological standards of the Ethics of Care project. Through this engagement, an affinity between the moral and the ontological aspects of Care Ethics shall be identified. Discussing the proposed ontological significance and implication of the care theory, we shall determine if there is a possibility for developing a dialogue between the domain of ethics and ontology, and if so, then consider what the ontological roots of feminist Care Ethics are. Consequently, through this project, we shall present a revised narrative of morality altogether.
下面的文章旨在重新审视由关怀伦理学家所阐述的道德自我的本质,其主要目标是理解其本体论潜力。有人会说,在关怀伦理理论的指导下,这种审视道德自我本质的哲学努力与围绕关系、情感和情境等主题的本体论思想和观点相呼应。本文试图详尽地探讨这些检测到的关怀伦理项目的本体论标准的道德意义。通过这种参与,应确定关怀伦理的道德方面和本体论方面之间的亲和力。讨论提出的关怀理论的本体论意义和含义,我们将确定是否有可能在伦理学领域和本体论之间发展对话,如果有的话,那么考虑女权主义关怀伦理学的本体论根源是什么。因此,通过这个项目,我们将提出一个修订后的道德叙事。
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引用次数: 0
Creativity after Automation 自动化后的创造力
0 PHILOSOPHY Pub Date : 2023-01-01 DOI: 10.5840/bjp20231511
N. Ivanova
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引用次数: 0
期刊
Balkan Journal of Philosophy
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