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Jonathan A. Linebaugh. The Word of the Cross Jonathan A.Linebaugh。十字架的话语
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.3138/tjt-2022-0023
N. Karger
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引用次数: 0
Beyond the Greening of Faith: Contemplative Practice in the Anthropocene 超越信仰的绿色:人类世的沉思实践
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.3138/tjt-2022-0043
Jacob Holsinger Sherman
Part of a special section on Creation Care, this essay argues that Christian responses to the ecological crisis ought to move beyond a conversation organized around the demands of prevailing environmental philosophies before which religious tradition seeks to justify itself, and towards a more dialogical, theoretically rigorous, heuristic, and contemplatively transformative exploration of the way Christian communities might deploy their spiritual and intellectual traditions in order to participate in the continuing effort to construct an integral ecological theory, practice, and politics. Drawing on the contemporary ecological criticism of writers such as Amitav Ghosh, Jan Zwicky, and Robert Bringhurst, the essay proposes that the Christian contemplative practice of reading the book of nature (theoria physike) provides a powerful example of what such Christian contemplative formation might look like in the Anthropocene.
这篇文章是关于创造关怀的特别部分的一部分,它认为基督教对生态危机的反应应该超越围绕着主流环境哲学的要求组织起来的对话,在这种环境哲学面前,宗教传统试图为自己辩护,并朝着更对话、理论上严谨、启发式的方向发展。以及对基督教社区部署其精神和知识传统的方式进行沉思式的变革探索,以便参与构建一个完整的生态理论、实践和政治的持续努力。借鉴当代作家如阿米塔夫·高希、扬·兹威基和罗伯特·布林赫斯特的生态批评,这篇文章提出,基督教阅读自然之书的沉思实践(theoria physike)提供了一个强有力的例子,说明这种基督教沉思形成在人类世可能是什么样子。
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引用次数: 0
Scripture and Habits of Interpretation: A Model of Practical Reasoning 《圣经》与解释习惯:一种实践推理模式
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.3138/tjt-2022-0005
Justin M. Hagerman
Abstract:In his 1998 Engaging Scripture: A Model for Theological Interpretation, Stephen Fowl conceives of biblical interpretation as a skill that is learned over time. Fowl's perspective not only gives close attention to the habits that interpreters acquire in practice, but also clarifies the goals that readers recognize through their interaction with biblical texts. This paper builds upon Fowl's approach by providing a critical analysis of practical reasoning in a twofold analysis. In the first part, we will interact with Aristotle's Nicomachean Ethics and Elizabeth Anscombe's Intention. Engaging with these philosophers shines light on what is meant by reasoning practically towards particular goals. In the second part, we will focus on how scripture portrays love and knowledge as habits of interpretation. In this part, it is proposed that love and knowledge will refine interpreters' practical reasoning as they move towards particular ends. In conclusion, this article provides fresh angles for biblical interpretation by arguing that interpreters' practical reasoning is sustained by the habits of love and knowledge.
摘要:在1998年的《引人入胜的圣经:神学解释的典范》中,Stephen Fowl认为圣经解释是一种随着时间的推移而学习的技能。Fowl的视角不仅密切关注口译员在实践中养成的习惯,而且阐明了读者通过与圣经文本的互动而认识到的目标。本文以Fowl的方法为基础,在双重分析中对实践推理进行了批判性分析。在第一部分中,我们将与亚里士多德的《尼科马赫伦理学》和伊丽莎白·安斯科姆的《意向》进行互动。与这些哲学家的接触揭示了为特定目标进行实际推理的意义。在第二部分中,我们将关注圣经如何将爱和知识描绘成解释的习惯。在这一部分中,我们提出爱和知识将在口译员走向特定目的时完善他们的实践推理。最后,本文通过论证译者的实践推理是由爱和知识的习惯所支撑的,为圣经解读提供了新的视角。
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引用次数: 0
René Girard and the Coherence of the Redemptive Work: Example, Instruction, and the Sacrifice of the Cross 勒内·吉拉德与救赎工作的连贯性:十字架的例子、指示与牺牲
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-11-01 DOI: 10.3138/tjt-2022-0086
Nicholas G. Roumas
Abstract:René Girard's mimetic theory opens up a possibility of unifying the ethical and objective dimensions of Christ's redemptive work, harmonizing a problematic tension that arises from the redemptive act. To demonstrate this, I draw on Girard's writings on the Gospels to show how a Girardian reading of the cross leads to an understanding of the redemptive work of Christ as simultaneously exemplary, didactic, and sacrificial, with no real distance between any of these terms.
摘要:雷诺·吉拉德的模仿理论为统一基督救赎工作的伦理和客观维度开辟了一种可能性,协调了救赎行为产生的问题张力。为了证明这一点,我引用了吉拉德关于福音书的著作,以展示吉拉德式的解读如何将基督的救赎工作同时理解为典范、说教和牺牲,而这些术语之间没有任何真正的距离。
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引用次数: 0
Christ's Agony and Faith's Wakefulness—Reflections on a Remark of Pascal 基督的痛苦与信仰的觉醒——对帕斯卡名言的反思
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-10-20 DOI: 10.3138/tjt-2022-0022
P. Ziegler
Abstract:This essay reflects upon a remark of Blaise Pascal. His gloss upon the story of Christ in Gethsemane is punctuated with the arresting comment that "Jesus will be in agony even to the end of the world: during that time, we must not sleep" —"Jésus sera en agonie jusqu'à las fin du monde: Il ne faut pas dormir pendant ce temps-là". In close conversation with the work of Lev Shestov, I explore the unsettling suggestion that for Christian faith the time before the eschaton is fundamentally "gethesemanean" in quality, i.e., is marked by Christ's own saving agon and so also by faith's proper struggle to awaken to it and keep vigil with it. For Shestov, Pascal's disquieting vision demands that the Christian life "seeks with lamentation" to resist the false consolation of trading the travail of discipleship for the confidence of clear understanding. To the agony of Christ there corresponds the agon of faith: it is the labour of discipleship to shake off the sleep of reason in the time that remains.
摘要:本文对帕斯卡尔的一句话进行了反思。他在描述基督在克西马尼园的故事时,不时地引用一句引人注目的话:“耶稣将痛苦不堪,直到世界的末了;在那段时间里,我们不能睡觉”——“jsamsus sera en agonie jusqu' las fin du monde: Il ne faut pas dormir pendant ce temps- lous”。在与列夫·舍斯托夫(Lev Shestov)的作品的密切交谈中,我探讨了一个令人不安的建议,即对于基督教信仰来说,末世之前的时间基本上是“客西马尼”的性质,也就是说,以基督自己的拯救为标志,因此也以信仰的适当斗争为标志,以唤醒它并保持警惕。对舍斯托夫来说,帕斯卡令人不安的愿景要求基督徒的生活“带着哀叹”去抵制用门徒的痛苦换取清晰理解的信心的虚假安慰。与基督的痛苦相对应的是信心的紧张;在剩下的时间里,要把理智的睡眠唤醒,这是门徒的工作。
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引用次数: 0
Living Dialogical Conversation: Reading John 4:1–42 through the Lens of Post-colonial Indonesian Christianity 活的对话对话:透过后殖民印尼基督教的镜头阅读约翰福音4:1-42
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-09-06 DOI: 10.3138/tjt-2022-0002
Steve Gerardo Christoffel Gaspersz, Nancy Novitra Souisa
Abstract:This article is an analytical description that aims to scrutinize John 4:1–42 to understand how the Gospel of John describes a theological perspective within a certain socio-political context and, conversely, how the socio-political context determines the theological meaning through John's storytelling model. By using post-colonial imagination as its framework for text analysis, this article aims to construct a dialogue bridge between the text and the context of multicultural Indonesian society. The imaginary bridge as such functions to provide a critical biblical interpretation such as this text, which is often read as the representation of conflictual socio-cultural and religious identities such as in Indonesian society. This article is a biblical-based theological contribution to interpretive biblical studies in countries such as Indonesia with a majority Muslim population, which exposes the construction of socio-religious identity vis-à-vis othering tendencies based on different representations of identity.
摘要:本文是一篇分析性描述,旨在仔细审视约翰福音4:1-42,以了解《约翰福音》如何在特定的社会政治背景下描述神学视角,以及反过来,社会政治背景如何通过约翰的讲故事模式来确定神学意义。本文以后殖民想象作为文本分析的框架,旨在构建文本与多元文化印尼社会语境之间的对话桥梁。想象中的桥梁起到了提供批判性圣经解释的作用,比如这篇文本,它经常被解读为印尼社会中冲突的社会文化和宗教身份的代表。这篇文章是对印尼等穆斯林人口占多数的国家的解释性圣经研究的基于圣经的神学贡献,它揭示了社会宗教身份的构建与基于不同身份表征的其他倾向的对比。
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引用次数: 1
Aesthetic Experience in Self-identifying Perspective 自我认同视角下的审美体验
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-07-20 DOI: 10.3138/tjt-2022-0014
N. Gonotskaya
Abstract:This article reveals the relationship between individual self-awareness, an aesthetic attitude to reality, and art. The basis of the study of their relationship is the analysis of empirical self-consciousness or everyday consciousness, which differs from the pure self-consciousness presented in the classical philosophical tradition. Consideration of features of worldview construction in everyday life and aesthetic orientation of everyday consciousness allows, on the one hand, the reconsideration of the role of art in the formation of personality, and on the other hand, the revelation of the illusory nature of the classical view of the "I" as a monolithic, substantial unity. Contemporary art in particular stimulates us to play with images of the "I," but at the same time it teaches us to keep distance between game situations and what is constitutive in relation to the "I," allowing us to consolidate an integral image of ourselves in personality. Art goes beyond museums, actively invades the world of everyday life, and elicits the question of how much we have mastered the "art of being ourselves."
摘要:本文揭示了个体的自我意识、对现实的审美态度与艺术之间的关系。研究二者关系的基础是对经验自我意识或日常意识的分析,这不同于古典哲学传统所呈现的纯粹自我意识。对日常生活中的世界观建构特征和日常意识的审美取向的思考,一方面让我们重新思考艺术在人格形成中的作用,另一方面,也让我们揭示了“我”作为一个整体的、实体的统一体的古典观点的虚幻本质。当代艺术尤其刺激我们与“我”的形象玩耍,但同时也教会我们在游戏情境和与“我”相关的构成要素之间保持距离,让我们在个性中巩固自己的整体形象。艺术超越了博物馆,积极地侵入了日常生活的世界,并引出了我们对“做自己的艺术”掌握了多少的问题。
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引用次数: 0
HyeRan Kim-Cragg. Postcolonial Preaching: Creating a Ripple Effect HyeRan Kim-Cragg。后殖民说教:创造连锁反应
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3138/tjt-2021-0077
Jerusha Matsen Neal
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引用次数: 0
Les Miller. Northern Light: A Canadian Prayer Book 莱斯·米勒。北极光:加拿大祈祷书
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3138/tjt-2021-0021
Eliana Ah Rum Ku
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引用次数: 0
Paul Dafydd Jones and Paul Nimmo, eds., The Oxford Handbook of Karl Barth 保罗·达菲德·琼斯和保罗·尼莫编。,《卡尔·巴特牛津手册》
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-04-01 DOI: 10.3138/tjt-2021-0027
Don Schweitzer
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引用次数: 0
期刊
Toronto Journal of Theology
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