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〈Séverine〉: A Female’s Masochistic Fantasies and Love < ssamverine >:一个女性的受虐幻想与爱
Pub Date : 2021-06-30 DOI: 10.17947/fs.2021.6.88.139
Chulkwon Kim, Jinsoo Lim
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引用次数: 0
The Eco-Slow Aesthetics of Slow Cinema and Its Nonconscious Experience 慢电影的生态慢美学及其无意识体验
Pub Date : 2021-06-30 DOI: 10.17947/fs.2021.6.88.459
Jecheol Park
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引用次数: 0
Influence and Significance Of International Co-production at the Regional Level in the European Film Market 区域层面国际合作对欧洲电影市场的影响与意义
Pub Date : 2021-06-30 DOI: 10.17947/fs.2021.6.88.399
Sukchang Lee
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引用次数: 0
Adap tation as a Critical Creation: Greta Gerwig’s Little Women(2019) for a ‘Perfect Happy Ending’ 作为批判性创作的改编:格蕾塔·葛韦格(Greta Gerwig)的《小妇人》(2019)“完美幸福结局”
Pub Date : 2021-06-30 DOI: 10.17947/fs.2021.6.88.363
Eun Choi
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引用次数: 0
Changes and New Possibilities of the Film Festival in the ‘Untact Era’: Focusing on the Relationship with Visual Technology “非接触时代”电影节的变化与新可能——以与视觉技术的关系为中心
Pub Date : 2021-06-30 DOI: 10.17947/fs.2021.6.88.337
C. Ham
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引用次数: 0
Prospects for Online Film Education: A Shift from Uncomfortable Perception to Adaptation 网络电影教育的前景:从不舒服的感知到适应的转变
Pub Date : 2021-06-30 DOI: 10.17947/fs.2021.6.88.305
S. Oh
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引用次数: 0
The Discussion with Related to Similarity between Image Ontology of Andre Bazin and Long Take Film of Hou Hsiao-Hsien: Based on Representative Works of Hou within Different Times 安德烈·巴赞影像本体与侯孝贤长镜头的相关相似性探讨——以不同时期侯的代表作为例
Pub Date : 2021-06-30 DOI: 10.17947/fs.2021.6.88.107
Bin Xu, J. Yang, Sang Eun Lee
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引用次数: 0
Ghetto Film and Gangster: Italian Immigrants in Early American Silent Cinema 贫民窟电影与黑帮:早期美国无声电影中的意大利移民
Pub Date : 2021-06-30 DOI: 10.17947/fs.2021.6.88.5
Y. Jung
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引用次数: 0
A Style Analysis of A Female Boss, a Film in the Korean Cinemascope Transition Era 韩国电影转型时代电影《女老板》的风格分析
Pub Date : 2021-06-30 DOI: 10.17947/fs.2021.6.88.245
Jinhyuk Hong
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引用次数: 0
Multilayer of Revenge and the Justification of Private Revenge: Focusing on the Film Nightingale 复仇的多层次与私人复仇的正当性——以电影《南丁格尔》为中心
Pub Date : 2021-06-30 DOI: 10.17947/fs.2021.6.88.431
Koksuk Seo
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引用次数: 0
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Film Studies
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