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Sexual Labor in the Athenian Courts 雅典宫廷中的性劳动
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-04-01 DOI: 10.5325/mediterraneanstu.31.1.0121
Ifigeneia Giannadaki
There has been a growing interest in books about the sex trade and prostitution in recent years, including Edward Cohen’s Athenian Prostitution: The Business of Sex (2015) and Konstantinos Kapparis’s Prostitution in the Ancient Greek World (2018). Allison Glazebrook contributes to this subject, approaching sex trade from a different angle. Specifically, her focus is on the “type” of the “sex laborer” in forensic orations and how the “sex laborer” was “problematized in relation to gender, the body, sexuality, the family, urban space, and the polis” (p. 5). Glazebrook situates her current work in modern literature, which relies on the study of Athenian forensic oratory as an invaluable source for the reconstruction of aspects of Athenian attitudes, popular views, and social realities. She focuses on five “key speeches in full” (p. 4) in order to explore “sexual labor” in the Athenian courts (see her introduction). The aim of the book is the in-depth analysis of these key speeches centering on “sex laborers/labor” and exploration of the relationship between sex labor and Athenian society. Her research includes both male and female “sex laborers,” and in this respect she offers a balanced approach to her subject.The introduction concludes with “A Note on Terminology” (pp. 19–20), where Glazebrook explains convincingly her choice of “sexual labor/laborer” as against the terms “sex work/worker.” Yet the terms “sex labor/sexual laborer” are still too broad to capture the rhetorical use of specific terms related to sex trade in the orators. The terms can also blur the legal status of the individuals engaged in the sex trade. Notable examples are the terms pornos-e/-e, hetaira/hetairein and their cognates. But the author is aware of the potential issues arising from her choice of terminology (p. 20) and applying the concept of “sex labor” in action. Inescapably, the precise “prostitute” and “companion” find their place in translating and interpreting the Greek terms (pornos-/e and hetaira/hetairein and their various verbal forms) in Glazebrook’s analysis (e.g., pp. 117, 125 “sexual companion” [hetairekos] and “having prostituted himself” [peporneumenos])—terminology coexisting with the broader terminology of “sex laborer.”1The book is divided into five chapters. Chapter 1 focuses on the study of the unnamed slave girl in Lysias 4, referred to as “female sex laborer” and “female sex slave” in Glazebrook’s analysis (pp. 22, 23) and as “enslaved sex laborer,”2 the subject of a dispute and violent encounter between the two joint owners of the woman. There is an eloquent analysis of the characteristics of the “laborer” in that she is presented as having some agency over the quarrel between the two men and as being manipulative, despite her legal status as a slave. Glazebrook analyzes in detail the strategy of exploiting common social anxieties around the influence of women in men’s affairs, particularly women as “sex laborers.” Chapter 2 focuses on Isaios 6. T
近年来,人们对有关性交易和卖淫的书籍越来越感兴趣,包括爱德华·科恩的《雅典卖淫:性的生意》(2015)和康斯坦丁诺斯·卡帕利斯的《古希腊世界的卖淫》(2018)。Allison Glazebrook从不同的角度探讨性交易,对这一主题做出了贡献。具体来说,她关注的是法庭演讲中“性劳动者”的“类型”,以及“性劳动者”如何“与性别、身体、性、家庭、城市空间和城邦相关的问题”(第5页)。格拉泽布鲁克将她当前的工作置于现代文学中,这依赖于对雅典法庭演讲的研究,作为重建雅典态度、大众观点和社会现实方面的宝贵资源。为了探索雅典法庭中的“性劳动”(见她的引言),她专注于五个“关键演讲全文”(第4页)。本书的目的是对这些围绕“性劳动者/劳动”的重要演讲进行深入分析,探索性劳动与雅典社会的关系。她的研究包括男性和女性“性工作者”,在这方面,她提供了一个平衡的方法来研究她的主题。引言以“术语注释”(第19-20页)结尾,格拉泽布鲁克令人信服地解释了她选择“性劳动/劳动者”而不是“性工作/工作者”。然而,“性劳动/性劳动者”这一术语仍然过于宽泛,无法捕捉到演说家们对性交易相关的具体术语的修辞使用。这些条款还可能模糊从事性交易的个人的法律地位。值得注意的例子是术语porn -e/-e, hetaira/hetairein及其同源词。但是,作者意识到她所选择的术语(第20页)和实际应用“性劳动”概念所产生的潜在问题。不可避免地,在Glazebrook的分析中,准确的“妓女”和“伴侣”在翻译和解释希腊术语(pornos-/e和hetaira/hetairein及其各种口头形式)中找到了它们的位置(例如,第117页,125页)“性伴侣”[hetairekos]和“妓女自己”[peporneumenos]) -术语与更广泛的术语“性工作者”共存。这本书共分为五章。第一章重点研究《吕西亚斯》第四章中未命名的女奴,在格莱泽布鲁克的分析中被称为“女性性劳动者”和“女性性奴隶”(第22、23页),以及“被奴役的性劳动者”2,这是该女子的两个共同所有者之间争论和暴力遭遇的主题。书中对“劳动者”的特征进行了雄辩的分析,因为她在这两个男人之间的争吵中扮演着某种代理角色,尽管她的法律地位是奴隶,但她却善于操纵。格莱泽布鲁克详细分析了利用女性对男性事务的影响,特别是女性作为“性劳动者”的影响所带来的普遍社会焦虑的策略。第二章着重于以赛亚书第6章。这一争端涉及对欧盟遗产的合法主张。已故的Euktemon的亲属包括chaaireatos,可能是由他的叔叔Euktemon收养的,以及死者与Kallipe的第二次婚姻所生的两个儿子。但是Kallipe的孩子的法律地位是有争议的,因为这些孩子是Alke生的,Alke曾是一名奴隶和在妓院工作的“性工作者”。Glazebrook在这一章的主要重点是说明Alke作为“性工作者”的表现是如何与地形交织在一起的,地形突出了她对公民机构和空间以及oikos的侵犯。她对欧盟及其代理机构的影响在本章中得到了很好的强调。在第三章中,Glazebrook分析了Apollodoros的演讲《Against Neaira》。作者对这篇演讲的修辞分析工作进行了卓有成效的研究。她把分析的重点放在Neaira(在某种程度上也是Phano)的性格上,根据她的外国人身份,她是一名“性劳动者”,是一名在管理公民婚姻的法律下被起诉的女性。然而,格莱泽布鲁克把这个案例误读为一个葡萄品种;事实并非如此。Neaira被起诉的法律([59.]16)涉及公民和外国人之间的非法婚姻,显然是为了让他们的孩子成为公民和[59.][52] καθ <s:2> περ τ ο ς ξεν rain ας清楚地表明,这不是一个葡萄葡萄(见Konstantinos Kapparis, Apollodoros " Against Neaira " [Dem])。[c][中国科学:自然科学版,1999];Konstantinos Kapparis,“雅典法律中的移民和公民程序”,《国际古物权利评论》[2005],第78页。Neaira的身体,她的机动性(相对于雅典astai的“稳定”),她的奴隶血统(Glazebrook更喜欢“被奴役的”,例如,第78页,尽管见第344页)。 87,“奴隶”),她对伊科斯和其他制度(如婚姻和公民身份)边界的侵犯使Neaira成为对社会结构、伊科斯和城邦的威胁。第四章和第五章讨论了男性“性劳动”,并举例说明了演说家构建从事性交易的男性性格的案例。第4章致力于研究《吕西亚斯》第3章,从诉讼当事人的行为和性格的角度,描述他们与狄奥多托斯的关系,狄奥多托斯是一个“性工作者”,他的地位被描述为一个“被奴役”的人(第97页);然而,民族“柏拉图”(3.5)表明他是一个自由的个体。在本章中,基于欲望和“测绘欲望”对诉讼当事人的刻画的分析是有说服力的,而演讲(例如,3.12,3.18)并没有自信地支持双方争吵中的性暴力和杂交之间的联系。例如,“拖拽”年轻的狄奥多托斯或试图拖拽他(3.12 - 18)并不一定意味着性暴力行为,狄奥多托斯“扔掉斗篷跑开”以逃离斗殴(3.12)也不一定意味着性暴力行为。格莱泽布鲁克对杂交的解读很有吸引力,但并不令人信服。第五章的标题是“公民性奴隶”,从表面上看,这是一个大胆的,甚至矛盾的标题,因为这一章讨论了艾斯钦人1,关于蒂马乔斯,一个雅典公民和政治人物。这段话在现代文学中也被广泛研究过。格莱泽布鲁克通过与“性劳动”相交的各种主题,“包括身体、鸡奸、公民特权和公民社区”,对蒂马乔斯的性格进行了彻底的分析(第149页)。这一章对蒂马乔斯这个“性奴隶”的性格进行了详尽的解读,他的精神、身体、道德和行为都是通过他(所谓的)性“劳动”的镜头来观察的,他经常频繁地拜访别人的家庭。蒂马乔斯与空间和地点的关系的描绘很好地安排和说明了两个原始的数字(第128,130页)。在她的结论中,Glazebrook对演讲者所构建的形象和我们从演讲文本中得出关于“性工作者”的实际生活和经历的可靠结论的能力做出了关键的区分(第160-61页)。人们自然会问,我们是否可以想象蒂马乔斯(公民)和西奥多托斯(“奴隶”)的生活在行动上有任何相似之处?此外,并非所有的“性工作者”都必须被理解为同一“类型”:社会和经济地位以及社会流动性使他们的生活非常不同和多样化。这些演说家是了解雅典社会和意识形态不可或缺的信息来源,但他们的修辞策略和法律案件的性质无疑影响了每个案件中“性劳动者”的形象。格莱泽布鲁克在这本组织和呈现都非常出色的书中,对这些人物进行了雄辩而透彻的分析,并对这一主题提出了许多见解,重点是“性工作者”的呈现,以阐明雅典人对性交易及其参与者的复杂意识形态。格莱泽布鲁克的专著是对现代文学的宝贵贡献,尤其是对研究阿提卡的学者、演说家和研究古典雅典性交易、性别和性行为的研究人员。
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引用次数: 0
Home and Abroad: Crossing the Mediterranean in Shakespeare's The Comedy of Errors 国内外:在莎士比亚的《错误喜剧》中穿越地中海
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2018-12-06 DOI: 10.5325/MEDITERRANEANSTU.26.2.0145
Geraldo U. de Sousa
abstract:This article examines Shakespeare's The Comedy of Errors from an oceanic perspective, and explores how the play juxtaposes and interrogates home and the sea. Such an oceanic perspective requires not only a critical reassessment but also new approaches. Shakespeare gives his Mediterranean Sea a contemporary feel and raises questions about the extent to which the sea erases boundaries and shapes or challenges our sense of identity. Syracuse and Ephesus, rival merchant city-states, retaliate against each other in the play, and attempt to demarcate boundaries of influence and control. The members of Egeon's family, separated and set adrift by shipwreck, become migrants and refugees in a hostile world. In its own way, the play raises the matter of human stewardship of and impact on a maritime environment. In contested space of the Mediterranean, Shakespeare interrogates the place of home and identity.
本文从海洋的视角来审视莎士比亚的《错误喜剧》,探讨戏剧是如何将家与海并置并问的。这样的海洋视角不仅需要批判性的重新评估,而且需要新的方法。莎士比亚给他的地中海赋予了一种当代的感觉,并提出了关于海洋在多大程度上消除了界限,塑造或挑战了我们的认同感的问题。锡拉库扎和以弗所,互为竞争对手的商业城邦,在剧中互相报复,并试图划定影响和控制的边界。Egeon的家庭成员因海难而分离并漂流,在一个充满敌意的世界中成为移民和难民。该剧以自己的方式提出了人类对海洋环境的管理和影响的问题。在地中海这片充满争议的空间里,莎士比亚拷问着家和身份的所在。
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引用次数: 1
History, genre and sexuality in the sixteenth century: the Zoppino dialogue attributed to Pietro Aretino. 16世纪的历史、体裁和性:由彼得罗·阿雷蒂诺创作的佐皮诺对话。
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2001-01-01
D Salkeld
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引用次数: 0
期刊
Mediterranean Studies
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