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Journal of Dance & Somatic Practices最新文献

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Butoh’s subversive somatics 布托颠覆性的躯体主义
IF 0.1 0 DANCE Pub Date : 2018-06-01 DOI: 10.1386/JDSP.10.1.111_1
Megan V. Nicely
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引用次数: 1
The Porous Body: Cultivating malleability in traditional dance training 多孔体:在传统舞蹈训练中培养延展性
IF 0.1 0 DANCE Pub Date : 2018-06-01 DOI: 10.1386/JDSP.10.1.65_1
Louis Laberge-Côté
Contemporary dance is constantly evolving. Its landscape has transformed and developed significantly over the past thirty years, slowly shifting from a repertoire company scene to a diverse freelance environment. In this idiosyncratic milieu, the breadth of skills that dancers need to master is constantly becoming more complex. Given that emerging contemporary dancers will be encountering the new reality of an increasingly heterogeneous freelance environment, how should training institutions best prepare students for this paradigm shift? To address this challenge, I began developing ‘The Porous Body’, a structure of feeling that promotes the practice of heightened physical and mental malleability by following four fundamental guiding principles: flow, playfulness, metaphor and paradox. Sourcing from my own performative, choreographic and pedagogical practices, and the work of dance artists, movement practitioners, philosophers and psychologists from the twentieth and twenty-first centuries, I will formulate this method while sharing anecdotal feedback collected from dancers with whom I have recently experimented with this concept of physical and mental malleability. ARTICLE A changing world
当代舞蹈在不断发展。在过去的三十年里,它的格局发生了重大变化和发展,从一个剧目公司慢慢转变为一个多样化的自由职业环境。在这种特殊的环境中,舞者需要掌握的技能的广度不断变得更加复杂。鉴于新兴的当代舞者将面临日益多样化的自由职业环境的新现实,培训机构应该如何为学生做好应对这种范式转变的最佳准备?为了应对这一挑战,我开始开发“多孔体”,这是一种感觉结构,通过遵循四个基本指导原则:流动、游戏性、隐喻和悖论,促进身体和心理可塑性的提高。根据我自己的表演、舞蹈和教学实践,以及二十世纪和二十一世纪舞蹈艺术家、动作练习者、哲学家和心理学家的工作,我将制定这种方法,同时分享从舞者那里收集的轶事反馈,我最近与他们一起试验了这种身心延展性的概念。文章不断变化的世界
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引用次数: 3
A contemporary dance practice generating ad hoc dances: Inspired by and in conversation with Rosalind Crisp 产生即兴舞蹈的当代舞蹈实践:灵感来自罗莎琳德·克里斯普,并与她交谈
IF 0.1 0 DANCE Pub Date : 2018-06-01 DOI: 10.1386/JDSP.10.1.23_1
Laura S. Glaser
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引用次数: 0
Editorial 社论
IF 0.1 0 DANCE Pub Date : 2018-06-01 DOI: 10.1386/jdsp.10.1.3_2
F. Bannon, N. G. Brown, A. Voris
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引用次数: 2
Reviews 评论
IF 0.1 0 DANCE Pub Date : 2018-06-01 DOI: 10.1386/jdsp.10.1.127_5
B. Surgenor, M. Sarco-Thomas, R. Weber
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引用次数: 0
How visual and kinaesthetic imagery shape movement improvisation: A pilot study 视觉和动觉意象如何塑造即兴动作:一项初步研究
IF 0.1 0 DANCE Pub Date : 2017-09-01 DOI: 10.1386/JDSP.9.2.195_1
G. Batson, Susan Sentler
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引用次数: 4
A conversation between Jonah Westerman, AHRC postdoctoral researcher, Tate 2015–2016 and Florence Peake, visual artist, dancer and choreographer, held on 26 June 2015 as part of Florence Peake’s exhibition Hall of the Swell at Gallery Lejeune 2015年6月26日,作为Florence Peake在Lejeune画廊的Swell展厅的一部分,一场由AHRC博士后研究员Jonah Westerman与视觉艺术家、舞蹈家和编舞Florence Peake之间的对话
IF 0.1 0 DANCE Pub Date : 2017-09-01 DOI: 10.1386/JDSP.9.2.295_7
Florence Peake, J. Westerman
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引用次数: 0
An action of orientation – Skinner Releasing Technique in reflective practice 定向动作——反思练习中的Skinner放松技术
IF 0.1 0 DANCE Pub Date : 2017-09-01 DOI: 10.1386/JDSP.9.2.179_1
S. Dean, Julie Nathanielsz
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引用次数: 2
The development of Somatic Acting Process in UK-based actor training 英国演员培训中身体动作过程的发展
IF 0.1 0 DANCE Pub Date : 2017-09-01 DOI: 10.1386/JDSP.9.2.213_1
Christina Kapadocha
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引用次数: 1
Looking for blind spots in somatics’ evolving pathways 寻找体细胞进化路径中的盲点
IF 0.1 0 DANCE Pub Date : 2017-09-01 DOI: 10.1386/JDSP.9.2.145_1
S. Fortin
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引用次数: 11
期刊
Journal of Dance & Somatic Practices
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