A review of Vassallo, Jesús. Epics in the Everyday: Photography, Architecture, and the Problem of Realism. Zürich: Park Books, 2019. 328 pages. ISBN 978-3-03860-162-3. Jesús Vassallo's Epics in the Everyday explores the question of realism in architecture as it has been mediated by photography's documentary tradition. Synthesizing an immense body of theory and practice, Vassallo argues that architects should address a world that is saturated with images and objects by embracing the banal ordinariness of these remnants.
瓦萨罗书评Jesús. 日常中的史诗:摄影,建筑和现实主义问题。 z里奇:公园图书,2019. 328页。 ISBN 978-3-03860-162-3。Jesús瓦萨罗的《日常中的史诗》探讨了建筑中的现实主义问题,因为它已经被摄影的纪实传统所调解。瓦萨罗综合了大量的理论和实践,认为建筑师应该通过拥抱这些残余物的平庸性来解决一个充满图像和物体的世界。
{"title":"Realist Ethics","authors":"Silvia Carlotta Balzan, Peter Sealy","doi":"10.16995/ah.10561","DOIUrl":"https://doi.org/10.16995/ah.10561","url":null,"abstract":"A review of Vassallo, Jesús. Epics in the Everyday: Photography, Architecture, and the Problem of Realism. Zürich: Park Books, 2019. 328 pages. ISBN 978-3-03860-162-3. Jesús Vassallo's Epics in the Everyday explores the question of realism in architecture as it has been mediated by photography's documentary tradition. Synthesizing an immense body of theory and practice, Vassallo argues that architects should address a world that is saturated with images and objects by embracing the banal ordinariness of these remnants.","PeriodicalId":41517,"journal":{"name":"Architectural Histories","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A review of: Pioneras de la Arquitectura Ecuatoriana, virtual exhibition at https://www. pionerasarquitecturaec.com/exposición-virtual, launched 20 November, 2020, curated by María José Freire and Verónica Rosero. The review examines the Ecuadorian exhibition, which recovers memories that have long remained in the personal and intimate sphere and exposes them to the social sphere, a fundamentally political act.
回顾:厄瓜多尔建筑先锋,虚拟展览https://www。pionerasarquitecturaec.com/exposición-virtual,于2020年11月20日推出,由María jos Freire和Verónica Rosero策划。这篇评论检视了厄瓜多尔的展览,它恢复了长期留在个人和亲密领域的记忆,并将它们暴露在社会领域,这是一种基本的政治行为。
{"title":"Ecuadorian Women Architects: A Gender Turn in the Collective Memory","authors":"Ortiz-Báez Paola, Manuel Torres","doi":"10.16995/ah.10174","DOIUrl":"https://doi.org/10.16995/ah.10174","url":null,"abstract":"A review of: Pioneras de la Arquitectura Ecuatoriana, virtual exhibition at https://www. pionerasarquitecturaec.com/exposición-virtual, launched 20 November, 2020, curated by María José Freire and Verónica Rosero. The review examines the Ecuadorian exhibition, which recovers memories that have long remained in the personal and intimate sphere and exposes them to the social sphere, a fundamentally political act.","PeriodicalId":41517,"journal":{"name":"Architectural Histories","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135165534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A review of Angela Vanhalen, The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths. Pittsburgh: Penn State Press, 2022, 236 pages, ISBN: 978-0-271-09160-0
Pub Date : 2023-07-18DOI: 10.3390/histories3030016
Camille Schneiter
While throughout modern history it has been shown how thoroughly biological discourses were shaped by conceptions originating in the theory and praxis of breeding, for the medieval period similar studies are mostly absent. This paper offers a symmetrical history of theory and praxis of breeding by asking to what extent they shaped medieval conceptions of human ‘race’ and ‘ancestry’ in Europe. For scholarly knowledge of breeding, the analysis relies on Albertus Magnus’ extensive Aristotelian work De animalibus. For the practical knowledge of the breeders, scattered indications from the secondary literature are compiled and promising primary sources are outlined for further research. The paper finds that various concepts and practices whose origins are commonly placed in the early modern period were already present in the Middle Ages, including the concept of reproductive heredity and the view that creation diversified over time through reproductive ancestry. Breeding practices, thus, existed before the rise of genetics in modern biology. The medieval conceptions of ‘race’ and ‘ancestry’ underwent conceptual transfers from the non-human into the human sphere, collapsing the qualitative distinction of the two spheres into one quantitively graded overarching image of nature.
{"title":"Changing Natures: On Theory and Practice of Breeding in the European Middle Ages","authors":"Camille Schneiter","doi":"10.3390/histories3030016","DOIUrl":"https://doi.org/10.3390/histories3030016","url":null,"abstract":"While throughout modern history it has been shown how thoroughly biological discourses were shaped by conceptions originating in the theory and praxis of breeding, for the medieval period similar studies are mostly absent. This paper offers a symmetrical history of theory and praxis of breeding by asking to what extent they shaped medieval conceptions of human ‘race’ and ‘ancestry’ in Europe. For scholarly knowledge of breeding, the analysis relies on Albertus Magnus’ extensive Aristotelian work De animalibus. For the practical knowledge of the breeders, scattered indications from the secondary literature are compiled and promising primary sources are outlined for further research. The paper finds that various concepts and practices whose origins are commonly placed in the early modern period were already present in the Middle Ages, including the concept of reproductive heredity and the view that creation diversified over time through reproductive ancestry. Breeding practices, thus, existed before the rise of genetics in modern biology. The medieval conceptions of ‘race’ and ‘ancestry’ underwent conceptual transfers from the non-human into the human sphere, collapsing the qualitative distinction of the two spheres into one quantitively graded overarching image of nature.","PeriodicalId":41517,"journal":{"name":"Architectural Histories","volume":"75 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83778225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-05DOI: 10.3390/histories3030015
Stefano Vicari, Francesco Perono Cacciafoco
At the entrance of some churches in Tuscany (Italy), the reproduction of an apparently undecipherable inscription can be found. Beginning in the 18th century, this epigraphic puzzle has originated a debate on its interpretation. This study proposes a hypothesis based on the Latin alphabet used in texts contemporary to the churches where the inscription is reproduced and a possible interpretation of the message consistent with the official religious doctrine. The proposed deciphering is extended to the full text, including some signs that were previously considered geometric forms or a specific elaboration of letters not attested in other contemporary documents.
{"title":"A Puzzling Religious Inscription from Medieval Tuscany: Symbology and Interpretation","authors":"Stefano Vicari, Francesco Perono Cacciafoco","doi":"10.3390/histories3030015","DOIUrl":"https://doi.org/10.3390/histories3030015","url":null,"abstract":"At the entrance of some churches in Tuscany (Italy), the reproduction of an apparently undecipherable inscription can be found. Beginning in the 18th century, this epigraphic puzzle has originated a debate on its interpretation. This study proposes a hypothesis based on the Latin alphabet used in texts contemporary to the churches where the inscription is reproduced and a possible interpretation of the message consistent with the official religious doctrine. The proposed deciphering is extended to the full text, including some signs that were previously considered geometric forms or a specific elaboration of letters not attested in other contemporary documents.","PeriodicalId":41517,"journal":{"name":"Architectural Histories","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89856206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A review of: Daniela Mondini, Carola Jäggi, and Peter Cornelius Claussen (eds), Die Kirchen der Stadt Rom im Mittelalter 1050–1300. Band 4. M–O SS. Marcellino e Pietro bis S. Omobono, Forschungen zur Kunstgeschichte und Christlichen Archäologie Band 23; Corpus Cosmatorum II, 4, Stuttgart: Franz Steiner Verlag Wiesbaden GmbH, 2020, 744 pages, ISBN 9783515121118. This review covers the fourth volume (M–O SS. Marcellino e Pietro bis S. Omobono), published in 2020, of the multi-volume Die Kirchen der Stadt Rom im Mittelalter 1050–1300, edited by Daniela Mondini, Carola Jäggi, and Peter Cornelius Claussen. This 690 pages counting volume was published as part of the series Forschungen zur Kunstgeschichte und Christlichen Archäologie by Franz Steiner Verlag Wiesbaden in Stuttgart, and includes colour plates.
{"title":"Medieval Interiors of Roman Churches.","authors":"Lex Bosman","doi":"10.16995/ah.10062","DOIUrl":"https://doi.org/10.16995/ah.10062","url":null,"abstract":"A review of: Daniela Mondini, Carola Jäggi, and Peter Cornelius Claussen (eds), Die Kirchen der Stadt Rom im Mittelalter 1050–1300. Band 4. M–O SS. Marcellino e Pietro bis S. Omobono, Forschungen zur Kunstgeschichte und Christlichen Archäologie Band 23; Corpus Cosmatorum II, 4, Stuttgart: Franz Steiner Verlag Wiesbaden GmbH, 2020, 744 pages, ISBN 9783515121118. This review covers the fourth volume (M–O SS. Marcellino e Pietro bis S. Omobono), published in 2020, of the multi-volume Die Kirchen der Stadt Rom im Mittelalter 1050–1300, edited by Daniela Mondini, Carola Jäggi, and Peter Cornelius Claussen. This 690 pages counting volume was published as part of the series Forschungen zur Kunstgeschichte und Christlichen Archäologie by Franz Steiner Verlag Wiesbaden in Stuttgart, and includes colour plates.","PeriodicalId":41517,"journal":{"name":"Architectural Histories","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135857951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A review of: Kay Bea Jones and Stephanie Pilat (eds), The Routledge Companion to Italian Fascist Architecture: Reception and Legacy, London and New York: Routledge, 2020, 590 pages, ISBN 9780367348519. An ambitious project, it explores what has happened to buildings from the fascist period in Italy and examines the strategies used to both preserve and resignify them.
{"title":"Title Pending 10067","authors":"Laura Moure Cecchini","doi":"10.16995/ah.10067","DOIUrl":"https://doi.org/10.16995/ah.10067","url":null,"abstract":"A review of: Kay Bea Jones and Stephanie Pilat (eds), The Routledge Companion to Italian Fascist Architecture: Reception and Legacy, London and New York: Routledge, 2020, 590 pages, ISBN 9780367348519. An ambitious project, it explores what has happened to buildings from the fascist period in Italy and examines the strategies used to both preserve and resignify them.","PeriodicalId":41517,"journal":{"name":"Architectural Histories","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135421448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A review of: Matthew Wells, Survey — Architecture Iconographies, Zurich: Drawing Matter and Park Books, 2021, 176 pages, ISBN 978-3-03860-250-7. This first volume in the Architecture Iconographies series by Drawing Matter and Park Books presents a history of survey drawings that record and recreate extant buildings, cities, and environments.
{"title":"Surveying Desire","authors":"Paul Emmons","doi":"10.16995/ah.10070","DOIUrl":"https://doi.org/10.16995/ah.10070","url":null,"abstract":"A review of: Matthew Wells, Survey — Architecture Iconographies, Zurich: Drawing Matter and Park Books, 2021, 176 pages, ISBN 978-3-03860-250-7. This first volume in the Architecture Iconographies series by Drawing Matter and Park Books presents a history of survey drawings that record and recreate extant buildings, cities, and environments.","PeriodicalId":41517,"journal":{"name":"Architectural Histories","volume":"134 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135672195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A review of: Laura Fernández-González, Philip II of Spain and the Architecture of Empire, Pittsburgh: Penn State Press, 2021, 176 pages, ISBN 978-0-271-08724-5. This is a review of the publication by Laura Fernández-González, Philip II of Spain and the Architecture of Empire (2021). Through a detailed analysis of buildings and building regulation, the architecture of archives, festivals and celebratory frescoes, the author shows the complexity and diversity of the architecture of the Spanish empire. The book is a refreshing study on the self-fashioning of Philip II and the role of architecture in the construction of the Spanish Empire.
{"title":"Title Pending 10063","authors":"Maria Elisa Navarro Morales","doi":"10.16995/ah.10063","DOIUrl":"https://doi.org/10.16995/ah.10063","url":null,"abstract":"A review of: Laura Fernández-González, Philip II of Spain and the Architecture of Empire, Pittsburgh: Penn State Press, 2021, 176 pages, ISBN 978-0-271-08724-5. This is a review of the publication by Laura Fernández-González, Philip II of Spain and the Architecture of Empire (2021). Through a detailed analysis of buildings and building regulation, the architecture of archives, festivals and celebratory frescoes, the author shows the complexity and diversity of the architecture of the Spanish empire. The book is a refreshing study on the self-fashioning of Philip II and the role of architecture in the construction of the Spanish Empire.","PeriodicalId":41517,"journal":{"name":"Architectural Histories","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135672196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-09DOI: 10.3390/histories3020014
T. Shallat
Deserts confuse, fogging memory and electrifying the imagination. In 1853, on Utah’s Sevier River, a ritualized killing spawned a folklore of deserts that lives on to this day. Captain John W. Gunnison, an engineer, had detoured into an ambush. Dismembered, decapitated, his heart torn from his chest, he had died, it was said, by order of the Mormon prophet and Utah’s Latter-day Saints. Fabulized over the decades, the tale was contorted with an evil king in a desert kingdom, with ghoulish assassins and restless corpses undead. Folklore saw what historians have been slow to perceive about hauntings in desolation. Memories of trauma run deep in disquieting strangeness. Places presumed to be empty set dark expectations for horror.
沙漠令人困惑,模糊记忆,激发想象力。1853年,在犹他州的塞维尔河(Sevier River)上,一场仪式化的杀戮催生了一种关于沙漠的民间传说,这种传说一直流传至今。工程师约翰·w·甘尼森(John W. Gunnison)上尉绕道进入了埋伏区。据说,他被肢解,被斩首,心脏被扯出胸膛,死于摩门教先知和犹他州后期圣徒的命令。几十年来,这个故事被歪曲成一个沙漠王国的邪恶国王,有可怕的刺客和不安的尸体不死。民间传说见证了历史学家对荒凉中幽灵的缓慢认识。创伤的记忆在令人不安的陌生感中深深扎根。被认为是空无一人的地方让人对恐怖产生了黑暗的预期。
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