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Erik Werenskiold in Munich 1875–1881
IF 0.3 2区 艺术学 Pub Date : 1999-01-01 DOI: 10.1080/00233609908604484
Marit Werenskiold
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引用次数: 0
Measuring the temper of her time 衡量她那个时代的脾气
IF 0.3 2区 艺术学 Pub Date : 1999-01-01 DOI: 10.1080/00233609908604486
C. Igra
(1999). Measuring the temper of her time. Konsthistorisk tidskrift/Journal of Art History: Vol. 68, No. 2, pp. 117-125.
(1999)。衡量她那个时代的脾气。Konsthistorisk tidskrift/Journal of Art History: Vol. 68, No. 2, pp. 117-125
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引用次数: 1
Piero's de prospectiv pingendi
IF 0.3 2区 艺术学 Pub Date : 1999-01-01 DOI: 10.1080/00233609908604475
Sölve Olsson
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引用次数: 0
Roberto Longhi (1890–1970) and his method Roberto Longhi(1890-1970)和他的方法
IF 0.3 2区 艺术学 Pub Date : 1999-01-01 DOI: 10.1080/00233609908604485
Jonas Nordhagen
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引用次数: 0
Luca Signorellis Pan : Kunst als Sublimierung von Liebe 《小公主》《艺术与爱情的升华
IF 0.3 2区 艺术学 Pub Date : 1999-01-01 DOI: 10.1080/00233609908604499
A. Hauser
Summary Research has established that Luca Signorelli's puzzling depiction of Pan can be interpreted as a visual programme of the (Neo)Platonic academy in Careggi and a tribute to Marsilio Ficino and Lorenzo de’ Medici. The picture portrays the nature god in his Orphic‐Pythagorean guise—as an exemplification of the human condition (firmly rooted in the sensual world while aspiring to the divine). Our thesis is that Signorelli's mythological “Sacra Conversazione” also contains a representative of what the Neoplatonists considered the motor of the apperception of God—Love. The youth lying on the ground at the front is, in our opinion, Eros. Initially he had triumphed over Pan, afflicting him with an unrequited passion for the nymph Syrinx, but now it is the nature god that triumphs: by substituting a divine musical instrument (the panpipes) for the woman, he has “sublimated” physical love. The motif used to express the idea of sublimation is curious: with her pipe, Syrinx, symbol of the reed (left, in the a...
研究表明,卢卡·西格诺雷利对潘的令人费解的描绘可以被解释为卡雷吉(新)柏拉图学院的视觉节目,也是对马西利奥·菲西诺和洛伦佐·德·美第奇的致敬。这幅画描绘了自然之神在他的奥尔甫斯-毕达哥拉斯的伪装下,作为人类状况的一个例子(坚定地植根于感官世界,同时渴望神圣)。我们的论点是,西诺雷利的神话“Sacra Conversazione”也包含了新柏拉图主义者所认为的上帝之爱统悟动力的代表。在我们看来,在前线躺在地上的青年是厄洛斯。最初,他战胜了潘,用对女神西瑞克斯单相思的激情折磨着潘,但现在是自然之神取得了胜利:他用一种神圣的乐器(排箫)代替了女人,他“升华”了肉体之爱。用来表达升华的主题是奇怪的:用她的烟斗,Syrinx,芦苇的象征(左,在a…
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引用次数: 0
Adriaen de Vries (1556–1626) Imperial Sculptor Nationalmuseum, Stockholm 16 April 1999–1999 August 29
IF 0.3 2区 艺术学 Pub Date : 1999-01-01 DOI: 10.1080/00233609908604494
P. Gillgren
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引用次数: 0
A portrait of King Christian the second of Denmark in the Chrysler museum in Norfolk, Virginia 弗吉尼亚州诺福克的克莱斯勒博物馆里的丹麦国王克里斯蒂安二世的肖像
IF 0.3 2区 艺术学 Pub Date : 1999-01-01 DOI: 10.1080/00233609908604479
M. R. D. Vrij
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引用次数: 0
Pilo—efter 100 års forskning
IF 0.3 2区 艺术学 Pub Date : 1999-01-01 DOI: 10.1080/00233609908604491
Bo Wennberg
Summary Carl Gustav Pilo is renowned as the most outstanding painter of Scandinavia in the 18th century, creator of an original version of the rococo‐style. This article deals with and solves some problems concerning his life and work, which have until now obscured the understanding of his development as artist. The actual survey of his oeuvre opens up for the possibility of a new evaluation of his oeuvre. It seems that he may originally have wished to work, not only as a painter of portrait but also in the field of religious and classical, “historical” themes. Circumstances however allowed for only few paintings of this kind, until he received the command of Gustaf III, the Swedish king, who ordered a representation of his coronation in Stockholm. In this great work, which occupied over ten years, until his death, he caught the opportunity, combining his mastership in composition, light and colour, to give a vivid, imaginative picture, where a multitude of portrait figures together form a monument over t...
卡尔·古斯塔夫·皮罗是18世纪斯堪的纳维亚最杰出的画家,是洛可可风格的原创创造者。本文处理和解决了一些关于他的生活和工作的问题,这些问题至今仍模糊了对他作为艺术家的发展的理解。对其作品的实际考察,为重新评价其作品提供了可能。看来,他最初可能希望工作,不仅作为一个画家的肖像,而且在宗教和古典,“历史”的主题领域。然而,当时的环境只允许他画几幅这样的画,直到他接到瑞典国王古斯塔夫三世的命令,后者下令在斯德哥尔摩为他的加冕典礼画一幅画。在这幅伟大的作品中,他抓住了机会,结合了他在构图、光线和色彩方面的精湛技艺,描绘了一幅生动而富有想象力的画面,其中许多肖像人物一起形成了一座纪念碑。
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引用次数: 0
Än en gång Edward Hopper
IF 0.3 2区 艺术学 Pub Date : 1999-01-01 DOI: 10.1080/00233609908604500
Patrik Reuterswärd
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引用次数: 0
Addenda to left and right in Raphael 拉斐尔左边和右边的附录
IF 0.3 2区 艺术学 Pub Date : 1999-01-01 DOI: 10.1080/00233609908604476
Avigdor W. G. Poséq
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引用次数: 1
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KONSTHISTORISK TIDSKRIFT
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