Pub Date : 1998-01-01DOI: 10.1080/00233609808604466
R. Zeitler
{"title":"Das Ende der Epoche, in der die Kunstwerke ausdrucksvoll waren","authors":"R. Zeitler","doi":"10.1080/00233609808604466","DOIUrl":"https://doi.org/10.1080/00233609808604466","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":"4 1","pages":"217-219"},"PeriodicalIF":0.3,"publicationDate":"1998-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73065203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1998-01-01DOI: 10.1080/00233609808604447
Avigdor W. G. Poséq
{"title":"Soutine's Paintings of Sad Children","authors":"Avigdor W. G. Poséq","doi":"10.1080/00233609808604447","DOIUrl":"https://doi.org/10.1080/00233609808604447","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":"20 1","pages":"7-18"},"PeriodicalIF":0.3,"publicationDate":"1998-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84014555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1998-01-01DOI: 10.1080/00233609808604449
Patrik Reuterswärd
Albert Châfatelet. Robert Campin. Le Maitre de Flemalle. Fonds Mercator Paribas. Antwerp 1996. 379 pp., ill. ISBN 90 6153 3643.
{"title":"New light on Robert Campin","authors":"Patrik Reuterswärd","doi":"10.1080/00233609808604449","DOIUrl":"https://doi.org/10.1080/00233609808604449","url":null,"abstract":"Albert Châfatelet. Robert Campin. Le Maitre de Flemalle. Fonds Mercator Paribas. Antwerp 1996. 379 pp., ill. ISBN 90 6153 3643.","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":"1 1","pages":"43-54"},"PeriodicalIF":0.3,"publicationDate":"1998-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91345278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1998-01-01DOI: 10.1080/00233609808604446
Stig Strömholm
{"title":"En glömd relation ‐ norden och tyskland vid sekelskiftet 1","authors":"Stig Strömholm","doi":"10.1080/00233609808604446","DOIUrl":"https://doi.org/10.1080/00233609808604446","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":"117 1","pages":"1-5"},"PeriodicalIF":0.3,"publicationDate":"1998-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76552530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1997-01-01DOI: 10.1080/00233609708604441
Bo Vahlne
{"title":"Exemplets makt: Några anteckningar om Nicodemus Tessin dy:s traktat om inredningskonsten och om hans eget palats","authors":"Bo Vahlne","doi":"10.1080/00233609708604441","DOIUrl":"https://doi.org/10.1080/00233609708604441","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":"60 1","pages":"241-245"},"PeriodicalIF":0.3,"publicationDate":"1997-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89413414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1997-01-01DOI: 10.1080/00233609708604418
R. Stefaniak
{"title":"On Looking into the Abyss: Leonardo's Virgin of the Rocks","authors":"R. Stefaniak","doi":"10.1080/00233609708604418","DOIUrl":"https://doi.org/10.1080/00233609708604418","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":"19 1","pages":"1-36"},"PeriodicalIF":0.3,"publicationDate":"1997-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78591453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1997-01-01DOI: 10.1080/00233609708604443
Avigdor W. G. Poséq
{"title":"Soutine's Dead Fowl as Metaphors of Sexuality","authors":"Avigdor W. G. Poséq","doi":"10.1080/00233609708604443","DOIUrl":"https://doi.org/10.1080/00233609708604443","url":null,"abstract":"","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":"35 1","pages":"251-260"},"PeriodicalIF":0.3,"publicationDate":"1997-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77666230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1997-01-01DOI: 10.1080/00233609708604427
Magne Malmanger
English summary The main purpose of the essay is to call attention to a change in attitude taking place among some leading painters of the Baroque, all of them closely connected with Rome. Several different considerations would seem relevant to the theme. One concerns the relation between the arts, particularly between painting and poetry. This was a consideration of some urgency from the High Renaissance onwards. In spite of changing attitudes this question remained for quite some time important to the understanding of the pictorial arts and their purpose. It is argued that the idea of painting and poetry as closely related, although not new in itself, took on a different character in the 17th century. Now some painters, not content to borrow their themes from written texts, would appear more like poets, developing their own visual metaphors. They attempted to approach a public directly, with a message of their own, thus becoming free agents in the public space. Guido Reni, Nicolas Poussin, and Salvator ...
这篇文章的主要目的是引起人们对巴洛克时期一些主要画家的态度变化的关注，他们都与罗马有着密切的联系。若干不同的考虑似乎与这个主题有关。一个是关于艺术之间的关系，特别是绘画和诗歌之间的关系。这是从文艺复兴盛期开始的紧急考虑。尽管人们的态度发生了变化，但在相当长的一段时间里，这个问题对理解绘画艺术及其目的仍然很重要。有人认为，绘画和诗歌密切相关的想法，虽然本身并不新鲜，但在17世纪呈现出不同的特征。现在有些画家不满足于从文字中借用主题，他们更像诗人，发展自己的视觉隐喻。他们试图直接接近公众，传达自己的信息，从而成为公共空间中的自由行动者。Guido Reni, Nicolas Poussin和Salvator…
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