Pub Date : 2021-09-01DOI: 10.5749/movingimage.20.1-2.0285
Brian J. Toth, Andy Uhrich, Casey Davis Kaufman, Clara Sánchez-Dehesa, E. Benoit, E. Gates, Jackie Jay, Jess Cayer, Karen Gracey, Kimberly Tarr, Laura Rooney, Melissa Dollman, Nicole Martin, Snowden Becker, Teague Schneiter
{"title":"Education, Like Preservation, Is a Process: 2020 Report from the Committee","authors":"Brian J. Toth, Andy Uhrich, Casey Davis Kaufman, Clara Sánchez-Dehesa, E. Benoit, E. Gates, Jackie Jay, Jess Cayer, Karen Gracey, Kimberly Tarr, Laura Rooney, Melissa Dollman, Nicole Martin, Snowden Becker, Teague Schneiter","doi":"10.5749/movingimage.20.1-2.0285","DOIUrl":"https://doi.org/10.5749/movingimage.20.1-2.0285","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"89 1","pages":"285 - 287"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80783887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.5749/movingimage.20.1-2.0280
Brenda Flora, Pamela Vadakan, Rachel E. Beattie
{"title":"Meeting Members' Needs: 2020 Report from the Committee","authors":"Brenda Flora, Pamela Vadakan, Rachel E. Beattie","doi":"10.5749/movingimage.20.1-2.0280","DOIUrl":"https://doi.org/10.5749/movingimage.20.1-2.0280","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"35 1","pages":"280 - 282"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77371442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.5749/movingimage.20.1-2.0287
C. Frick, Siobhan Hagan, Laura Treat, Amy Meaney, Sadie Roosa
{"title":"No Time for a Hiatus—Reinvigorating Local TV Preservation: 2020 Report from the Committee","authors":"C. Frick, Siobhan Hagan, Laura Treat, Amy Meaney, Sadie Roosa","doi":"10.5749/movingimage.20.1-2.0287","DOIUrl":"https://doi.org/10.5749/movingimage.20.1-2.0287","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"9 1","pages":"287 - 290"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77641965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.5749/movingimage.20.1-2.0231
Victoria Duckett
{"title":"Finding More than I Asked For: Discussing the Impact of COVID-19 on the Film Heritage Foundation, Mumbai, and Korean Film Archive, Seoul","authors":"Victoria Duckett","doi":"10.5749/movingimage.20.1-2.0231","DOIUrl":"https://doi.org/10.5749/movingimage.20.1-2.0231","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"63 1","pages":"231 - 234"},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80319751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contributors to Issue 15:1","authors":"","doi":"10.3828/msmi.2021.6","DOIUrl":"https://doi.org/10.3828/msmi.2021.6","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47292733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editorial","authors":"Liz Greene","doi":"10.3828/msmi.2021.1","DOIUrl":"https://doi.org/10.3828/msmi.2021.1","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46656827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-01DOI: 10.3828/msmi.2021.15.issue-1
{"title":"Music, Sound, and the Moving Image: Volume 15, Issue 1","authors":"","doi":"10.3828/msmi.2021.15.issue-1","DOIUrl":"https://doi.org/10.3828/msmi.2021.15.issue-1","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45663684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:A notable feature of the use of choral voices in cinema is the attenuation of language; singers hum, vocalise, and sing in invented or dead languages. Such an approach applies across genres and sees choruses used in two related ways: as evocations of human and inhuman collectives, and as celebrants of spectacle and narrative resolution. I argue that this approach is dictated by the particular implication of human agency that the voice, as opposed to the musical instrument, promotes. I sketch the ontological properties of choral voices in cinema and analyse Lady in the Lake (Robert Montgomery, 1947). As well as being a singular experiment in first-person camera, the film is significant for its a cappella score, the only one of its kind in classical cinema, motivated, I argue, by the film's distinct narrative strategy.
{"title":"Lady in the Lake, Choral Voices, and Narrative Agency","authors":"D. Greig","doi":"10.3828/MSMI.2021.3","DOIUrl":"https://doi.org/10.3828/MSMI.2021.3","url":null,"abstract":"Abstract:A notable feature of the use of choral voices in cinema is the attenuation of language; singers hum, vocalise, and sing in invented or dead languages. Such an approach applies across genres and sees choruses used in two related ways: as evocations of human and inhuman collectives, and as celebrants of spectacle and narrative resolution. I argue that this approach is dictated by the particular implication of human agency that the voice, as opposed to the musical instrument, promotes. I sketch the ontological properties of choral voices in cinema and analyse Lady in the Lake (Robert Montgomery, 1947). As well as being a singular experiment in first-person camera, the film is significant for its a cappella score, the only one of its kind in classical cinema, motivated, I argue, by the film's distinct narrative strategy.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"15 1","pages":"37 - 69"},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43006019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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