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Journal of Popular Television最新文献

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Looking through the upside down: Hyper-postmodernism and trans-mediality in the Duffer Brothers’ Stranger Things 透视颠倒:达菲兄弟的《怪奇物语》中的超后现代主义和跨媒介性
IF 0.3 0 FILM, RADIO, TELEVISION Pub Date : 2019-03-01 DOI: 10.1386/JPTV.7.1.57_1
T. Mollet
This article puts forward the argument that Stranger Things and Stranger Things 2 are not only excellent examples of postmodern TV drama, but they take on what Valerie Wee has termed a ‘hyper-postmodernism’ through their heightened level of intertextual referencing that emerges ‘as text.’ Both series also extensively break down the boundaries between film, television, literature and ‘geek’ culture. This is done both within the text itself, and through the audience’s invited interaction with the text, as the show demonstrates significant awareness of the trans-medial, Easter-egg hunting tendencies of its binge-watching followers.
本文提出的论点是,《怪奇物语》和《怪奇物语2》不仅是后现代电视剧的优秀典范,而且通过“作为文本”出现的互文引用的提高水平,它们采取了Valerie Wee所称的“超后现代主义”。这两部剧还广泛地打破了电影、电视、文学和“极客”文化之间的界限。这既体现在文本本身,也体现在观众受邀与文本的互动中,因为这部剧展示了其狂热粉丝的跨媒体、寻找复活节彩蛋倾向的显著意识。
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引用次数: 14
‘They were extraordinary circumstances’: Biopolitics, medicine and the state of exception in NBC’s The West Wing “这是非同寻常的情况”:生物政治、医学和NBC《白宫风云》的例外状态
IF 0.3 0 FILM, RADIO, TELEVISION Pub Date : 2019-03-01 DOI: 10.1386/JPTV.7.1.25_1
D. Kasper
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引用次数: 0
Identifying systemic creativity in Vince Gilligan’s Breaking Bad 在Vince Gilligan的《绝命毒师》中识别系统创造力
IF 0.3 0 FILM, RADIO, TELEVISION Pub Date : 2019-03-01 DOI: 10.1386/JPTV.7.1.93_1
Rama Venkatasawmy
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引用次数: 0
‘The King’s shilling’: How Peaky Blinders uses the experience of war to justify and celebrate toxic masculinity 《国王的先令》:剃刀党如何用战争的经历来证明和颂扬有毒的男子气概
IF 0.3 0 FILM, RADIO, TELEVISION Pub Date : 2019-03-01 DOI: 10.1386/JPTV.7.1.39_1
George S. Larke-Walsh
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引用次数: 3
Finding yourself in Lost: Viewer interpretation of the series through reader response 在《迷失》中寻找自我:观众通过读者的反应解读该系列
IF 0.3 0 FILM, RADIO, TELEVISION Pub Date : 2019-03-01 DOI: 10.1386/JPTV.7.1.79_1
Meagan Standridge, K. Barton
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引用次数: 0
The road to Negan: Governance and power in The Walking Dead 通往尼根之路:《行尸走肉》中的统治和权力
IF 0.3 0 FILM, RADIO, TELEVISION Pub Date : 2018-10-01 DOI: 10.1386/JPTV.6.3.323_1
A. Howe, S. Evans
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引用次数: 0
Transgression – identification – interaction: Blu-ray bonus features and Supernatural’s cult status 越轨-识别-互动:蓝光奖励功能和Supernatural的狂热地位
IF 0.3 0 FILM, RADIO, TELEVISION Pub Date : 2018-10-01 DOI: 10.1386/JPTV.6.3.303_1
Michael Fuchs
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引用次数: 0
From ‘pop’ nostalgia to millennial modernity: Bugs as an ‘Avengers for the 1990s’ 从“流行”怀旧到千禧一代的现代性:虫子是“20世纪90年代的复仇者”
IF 0.3 0 FILM, RADIO, TELEVISION Pub Date : 2018-10-01 DOI: 10.1386/JPTV.6.3.361_1
Joseph Oldham
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引用次数: 1
In flag-rante: Julia Gillard and the infamous ‘flag scene’ in ABC’s At Home with Julia 在国旗咆哮中:朱莉娅·吉拉德和美国广播公司《与朱莉娅在家》中臭名昭著的“国旗场景”
IF 0.3 0 FILM, RADIO, TELEVISION Pub Date : 2018-10-01 DOI: 10.1386/JPTV.6.3.381_1
A. Stevenson
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引用次数: 0
From ambivalence to acceptance: Representations of trans embodiment on American television 从矛盾心理到接受:美国电视中的跨性别体现
IF 0.3 0 FILM, RADIO, TELEVISION Pub Date : 2018-10-01 DOI: 10.1386/JPTV.6.3.339_1
M. Lafrance, Jay Manicom, Geoff Bardwell
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引用次数: 3
期刊
Journal of Popular Television
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