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„Das bewußte Überdecken dieses Raumes mit fremder Kultur und fremden Menschen“. Die Bedeutung des Südtirol-Konfliktes für den deutschen und österreichischen Rechtsextremismus "蓄意用外来文化和外来人口覆盖这一地区"。南蒂罗尔冲突对德国和奥地利右翼极端主义的意义
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2023-12-04 DOI: 10.14220/zsch.2023.50.4.493
Darius Muschiol
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引用次数: 0
Autoritär? Rechtsextrem? Populistisch? Die sozialwissenschaftliche und zeithistorische Forschung zum Rechtsextremismus in Österreich von den 1970er bis zu den 1990er Jahren 独裁者?右翼极端分子?民粹主义?20 世纪 70 年代至 90 年代奥地利右翼极端主义的社会科学和当代历史研究
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2023-12-04 DOI: 10.14220/zsch.2023.50.4.541
Constanze Jeitler
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引用次数: 0
Von A wie „Aula“ bis Z wie „Zines“: Österreichs rechtsextreme Publizistik von den 1950er Jahren bis heute 从 "Aula "的 "A "到 "Zines "的 "Z":20 世纪 50 年代至今的奥地利右翼极端主义新闻报道
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2023-12-04 DOI: 10.14220/zsch.2023.50.4.519
Bernhard Weidinger
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引用次数: 0
Vom Altnazi zum Europäer? Theodor Soucek und seine Rolle im österreichischen und europäischen Rechtsextremismus 从老纳粹到欧洲人?Theodor Soucek 及其在奥地利和欧洲右翼极端主义中的作用
IF 0.2 4区 历史学 Q2 Arts and Humanities Pub Date : 2023-12-04 DOI: 10.14220/zsch.2023.50.4.469
M. Reiter
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引用次数: 0
A “New Kind of Soldiering”. The Social Democratic Construction of Military Masculinity in the Austrian Volkswehr (1918–1920) 一种“新型士兵”。奥地利人民军队中军人男子气概的社会民主主义建构(1918-1920)
4区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-13 DOI: 10.14220/zsch.2023.50.3.417
Viktoria Wind
The years 1918/19 were frequently interpreted as a caesura and disruption in Austria’s history. But one can also understand them as a time of societal-political starting points, where the search for new meanings intensified and old senses were re-phrased or newly interpreted. The dissolution of the k.(u.)k. Army and the installation of Soldiers’ Councils created a scope of action to question the gendered military hierarchies between men. This article examines the discursive processes of negotiating military gender orders and conceptions of soldierly masculinities in times of societal and cultural transformation from war to peace, from monarchy to republic, and from a hierarchical to an at least imagined democratic society. The Volkswehr, which was established as a makeshift successor of the k.(u.)k. Army and dominated by the Austrian Sozialdemokratische Arbeiterpartei (SDAP), was discursively designed as an antimilitaristic, democratic, and republican army between 1918 and 1920. A gender theoretical analysis of the weekly journal Der Freie Soldat illustrates the position and role of the Volkswehr, the Soldiers’ Councils, and the Militärverband in postwar gender discourses. The social democratic discursive construction of military masculinity intertwined a male soldierly ideal with revolutionary, republican, and proletarianly charged meanings along with concepts of protective masculinity. How did this conception impact the understanding of categories of military discourses such as (male) comradeship and discipline? The differentiation of militarized gender orders during the ‘Austrian Revolution’ illustrates the complexity of negotiating gendered meanings and further complements the gender history of the First Austrian Republic. Also, it is necessary for a deeper understanding of processes of re/militarisation in the interwar period.
1918/ 1919年经常被解释为奥地利历史上的停顿和中断。但人们也可以把它们理解为一个社会政治起点的时代,在这个时代,对新意义的探索加强了,旧的意义被重新措辞或重新解释。k (u)k的溶解。军队和士兵委员会的设立创造了一个行动范围,以质疑男性之间的性别军事等级制度。本文考察了在从战争到和平、从君主制到共和国、从等级制到至少想象中的民主社会的社会和文化转型时期,谈判军事性别秩序和士兵男子气概概念的话语过程。作为k (u)k的临时继承者而建立的人民卫队。1918年至1920年间,由奥地利社会民主工人党(SDAP)控制的奥地利国防军被设计成一支反军国主义、民主和共和的军队。对《自由战士》周刊的性别理论分析说明了人民卫队、士兵委员会和Militärverband在战后性别话语中的地位和作用。社会民主主义对军事男子气概的话语建构将男性士兵的理想与革命、共和和无产阶级的意义以及保护性男子气概的概念交织在一起。这个概念如何影响对诸如(男性)同志关系和纪律等军事话语类别的理解?“奥地利革命”期间军事化性别秩序的分化说明了协商性别意义的复杂性,并进一步补充了奥地利第一共和国的性别历史。此外,有必要更深入地了解两次世界大战期间的再军事化进程。
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引用次数: 0
Nachruf auf Heidemarie Uhl (1956–2023) (1955 - 2023)
4区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-13 DOI: 10.14220/zsch.2023.50.3.315
Michaela Raggam-Blesch
Free AccessNachruf auf Heidemarie Uhl (1956–2023)Mag.a Dr.in Michaela Raggam-BleschMag.a Dr.in Michaela Raggam-BleschAuthors email:[email protected] Universität Wien Austria Senior Research Fellow am Institut für Zeitgeschichte der Universität WienSearch for more papers by this authorPublished Online:Nov 2023https://doi.org/10.14220/zsch.2023.50.3.315SectionsPDF/EPUB ToolsAdd to favoritesDownload CitationsTrack Citations ShareShare onFacebookTwitterLinkedInRedditEmail About Next article FiguresReferencesRelatedDetails Download book coverVolume 50Issue 3November 2023 ISSN: 0256-5250eISSN: 2569-5304HistoryPublished online:November 2023 PDF download
自由存取:德国文学杂志(1956-2023)Michaela Raggam-BleschMag的博士。a Dr.in Michaela raggam - blesch作者邮箱:[email protected] Universität维也纳奥地利维也纳研究所高级研究员 r zeitgeschicte der Universität维也纳搜索作者更多论文出版在线:2023年11月https://doi.org/10.14220/zsch.2023.50.3.315SectionsPDF/EPUB ToolsAdd to favoritesDownload CitationsTrack references ShareShare onFacebookTwitterLinkedInRedditEmail关于下一篇文章FiguresReferencesRelatedDetails下载图书封面第50卷第3期2023年11月ISSN:0256-5250eISSN: 2569- 5304history2023年11月在线出版PDF下载
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引用次数: 0
Authors 作者
4区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-13 DOI: 10.14220/zsch.2023.50.3.455
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引用次数: 0
Video as a Weapon, Extension, Mirror, Catalyst, and Virus: Transnational Metaphors and Concepts in Video Movements in the 1970s and 1980s 录像作为武器、延伸、镜子、催化剂和病毒:1970年代和1980年代录像运动中的跨国隐喻和概念
4区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-13 DOI: 10.14220/zsch.2023.50.3.325
Renée Winter
This article explores metaphors used in video movements of the 1970s and 1980s to refer to the medium of video. It traces both local adaptions and the transnational traveling of concepts and media practices between the Black Panther Party, French and Austrian video groups, West German media centers and US video activists. The metaphors weapon, extension, mirror, catalyst, and virus indicate various understandings of the functions of the medium of video which differ with regard to questions of agency and reception and are linked to the specific political struggles of the actors.
本文探讨了20世纪70年代和80年代视频运动中使用的隐喻,以指代视频媒介。它追溯了黑豹党、法国和奥地利视频团体、西德媒体中心和美国视频活动家之间的概念和媒体实践的本地改编和跨国旅行。隐喻武器、延伸、镜子、催化剂和病毒表明了对视频媒介功能的不同理解,这些理解在代理和接受问题上有所不同,并与演员的具体政治斗争有关。
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引用次数: 0
Heroes from the Past and Harbingers of the Future: Yugoslav History Politics in and through Amateur Film Practices 过去的英雄与未来的先兆:业余电影实践中的南斯拉夫历史政治
4区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-13 DOI: 10.14220/zsch.2023.50.3.395
Hanna Stein
In socialist systems like the Socialist Federation of Yugoslavia, amateur ciné clubs were institutionalized after the Second World War as a means of technical education for the people which was crucial for the creation of the new socialist (hu)man. At the same time, amateur film was a useful political tool to document social developments, specific events, and educative contents, which made it a useful instrument for Yugoslav history politics and a collective memory of the National Liberation War which was as important as the belief in progress. In this article, I examine organized amateur film practices at the intersection of political ideologies of past and future and amateur films as partakers in the process of doing collective memory. To this end, I illustrate the institutional overlapping of amateurism and history politics, and subsequently investigate the filmic strategies with which amateur filmmakers tackled history politics, placed them in the present and shared a vision of the future through the embodiment of the past. My analysis is based on amateur films that were produced in Yugoslav ciné clubs between the 1960s and 1970s with a specific focus on their intermediality.
在像南斯拉夫社会主义联邦这样的社会主义制度中,业余网球俱乐部在第二次世界大战后被制度化,作为对人民进行技术教育的一种手段,这对创造新的社会主义(hu)人至关重要。同时,业余电影是记录社会发展、特定事件和教育内容的有用的政治工具,这使它成为南斯拉夫历史政治的有用工具,也是民族解放战争的集体记忆,这与对进步的信念一样重要。在这篇文章中,我考察了在过去和未来的政治意识形态交叉点上有组织的业余电影实践,以及业余电影作为集体记忆过程的参与者。为此,我阐述了业余主义和历史政治在制度上的重叠,并随后研究了业余电影人处理历史政治的电影策略,将它们置于现在,并通过对过去的体现来分享对未来的愿景。我的分析是基于20世纪60年代至70年代在南斯拉夫电影俱乐部制作的业余电影,并特别关注它们的中间性。
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引用次数: 0
In/Dependent Activity of the Amateur Film Clubs Movement during the Period of the Polish People’s Republic 波兰人民共和国时期业余电影俱乐部运动的相关活动
4区 历史学 Q2 Arts and Humanities Pub Date : 2023-11-13 DOI: 10.14220/zsch.2023.50.3.347
Paulina Haratyk
The Amateur Film Clubs movement was a collective and institutionalized form of nonprofessional cinema during the period of the Polish People’s Republic and emerged during the 1950s. The movement was propelled by the Thaw era of political and cultural liberalization and declined as a result of the political transformation in the 1990s. It existed within the broader framework of the Amateur Art Movement and at the same time as a part of the institutionalized film culture. Both of these structures influenced and shaped the activities of amateur filmmakers, who maneuvered between them to gain independence on several levels – in defining amateur cinema, in managing the clubs in which they operated, and in the production of films, including practical films commissioned by the authorities in return for financing their activities.
业余电影俱乐部运动是波兰人民共和国时期非专业电影的集体和制度化形式,出现于20世纪50年代。该运动在政治和文化自由化的解冻时期受到推动,但在20世纪90年代的政治转型中衰落。它存在于业余艺术运动的更广泛框架内,同时也是制度化电影文化的一部分。这两种结构都影响和塑造了业余电影人的活动,业余电影人在这两种结构之间进行操纵,以便在几个层面上获得独立——定义业余电影,管理他们经营的俱乐部,以及制作电影,包括由当局委托制作的实用电影,以换取资助他们的活动。
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引用次数: 0
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