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Tydskrif vir letterkunde最新文献

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Narreskip (Johan Myburgh) Narreship(Johan Myburgh)
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2023-07-13 DOI: 10.17159/tl.v60i1.15774
M. Crous
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引用次数: 0
Doolhof (Rudie van Rensburg) 迷宫(伦斯堡废墟)
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2023-07-13 DOI: 10.17159/tl.v60i1.15772
S. Meiring
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引用次数: 0
Eugene (Kirby van der Merwe) 尤金(柯比·范德默韦)
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2023-07-13 DOI: 10.17159/tl.v60i1.15736
Dewald Koen
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引用次数: 0
Hou jou oë oop (Brian Fredericks)
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2023-07-13 DOI: 10.17159/tl.v60i1.15559
Frederick Botha
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引用次数: 0
Lesser Violence: Volume 1 (Amie Soudien, ed.) 小暴力:第1卷(Amie Soudien编辑)
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2023-07-12 DOI: 10.17159/tl.v60i1.15598
Gorata Chengeta
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引用次数: 0
Bot (Carien Smith) Bot(Carien Smith)
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2023-07-12 DOI: 10.17159/tl.v60i1.15668
C. Britz
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引用次数: 0
African(a) Queer Presence: Ethics and Politics of Negotiation (S.N. Nyeck) 非洲(a)酷儿存在:谈判的伦理与政治(S.N.奈克)
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2023-07-12 DOI: 10.17159/tl.v60i1.15464
W. Macheso
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引用次数: 0
Foundational African Writers: Peter Abrahams, Noni Jabavu, Sibusiso Nyembezi & Es’kia Mphahlele (Bhekizizwe Peterson, Khwezi Mkhize & Makhosazana Xaba, reds.) 非洲基础作家:Peter Abrahams、Noni Jabavu、Siberia British和Es’kia Mphahlele(Bhekizizwe Peterson、Khwezi Mkhize和Makhosazana Xaba,红色)
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2023-07-12 DOI: 10.17159/tl.v60i1.16413
H. Willemse
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引用次数: 0
Can Themba: The Making and Breaking of the Intellectual Tsotsi, a Biography (Siphiwo Mahala) Can Themba:知识分子Tsotsi的形成与破碎传记(Siphiwo Mahala)
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2023-07-12 DOI: 10.17159/tl.v60i1.15788
Luan Staphorst
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引用次数: 0
“It’s easy to just be normal”: Performative masculinities in Die stropers “正常很容易”:Die stropers中的表演男子气概
IF 0.3 3区 文学 0 LITERATURE Pub Date : 2023-05-23 DOI: 10.17159/tl.v60i1.14099
Danel Boshoff, Annemi Conradie
In post-apartheid South Africa, the representation of queer identities in Afrikaans-language films have become increasingly prominent. However, many such films focus on past contexts or serve as comedic depictions, failing to confront the complex issues faced by individuals in contemporary Afrikaner communities. Etienne Kallos’s 2018 coming-of-age film Die stropers (The Harvesters) candidly depicts the challenges faced by adoptive brothers Janno and Pieter, who must negotiate desire and gender in a conservative, Afrikaans farming community. Drawing on Judith Butler’s notion of gender performativity and recent reformulations of Raewyn Connell’s notion of hegemonic masculinity, we examine the discursive (re)production of hegemonic Afrikaner masculinity within the boys’ adoptive family and community. We investigate how the protagonists strategically deploy performative masculinities to achieve belonging and acceptance as heirs, even if the ideals they emulate oppress and restrict them. We propose that the protagonists’ strategic deployment of performative masculinities represents their claiming of agency in contexts where gender and desire are aggressively policed. Furthermore, their navigation of hegemony in this white, Afrikaner community through resistance and consent might point to a claiming of space for queer identities and the continued transmutation of hegemonic masculinity.
在后种族隔离时代的南非,南非荷兰语电影中酷儿身份的表现越来越突出。然而,许多这样的电影侧重于过去的背景或作为喜剧的描述,未能面对当代阿非利卡人社区中个人所面临的复杂问题。艾蒂安·卡洛斯(Etienne Kallos) 2018年的成人电影《收割机》(Die stropers)坦率地描述了收养兄弟詹诺(Janno)和彼得(Pieter)所面临的挑战,他们必须在一个保守的南非荷兰语农业社区中处理欲望和性别问题。借鉴朱迪思·巴特勒的性别表演性概念和最近对雷文·康奈尔的霸权男子气概概念的重新表述,我们研究了在男孩的收养家庭和社区中,霸权阿非利卡人男子气概的话语(再)生产。我们研究了主人公们是如何策略性地运用表演性的男性气质来获得作为继承人的归属感和接受度的,即使他们所模仿的理想压迫和限制了他们。我们提出,主人公对表演性男性气质的战略部署代表了他们在性别和欲望受到积极监管的背景下对代理的主张。此外,他们在这个白人、阿非利卡人社区中通过抵抗和同意的霸权导航,可能指向酷儿身份的空间要求,以及霸权男性气质的持续嬗变。
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引用次数: 0
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Tydskrif vir letterkunde
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