This introduction to the Scottish Women’s Poetry special issue presents a brief overview of the current critical field, sets out the rationale behind the special issue as going some way to initiate a redressing of the critical neglect of twenty-first-century Scottish women poets, and addresses the significance of the terms of engagement before going on to introduce the essays. It argues for the special issue as a step toward encouraging greater critical engagement with Scottish women’s poetry and exploration of the diverse strands of practice in the field.
{"title":"Scottish Women’s Poetry: Introduction","authors":"C. Jones, Fiona Mcculloch","doi":"10.1093/cww/vpaa025","DOIUrl":"https://doi.org/10.1093/cww/vpaa025","url":null,"abstract":"This introduction to the Scottish Women’s Poetry special issue presents a brief overview of the current critical field, sets out the rationale behind the special issue as going some way to initiate a redressing of the critical neglect of twenty-first-century Scottish women poets, and addresses the significance of the terms of engagement before going on to introduce the essays. It argues for the special issue as a step toward encouraging greater critical engagement with Scottish women’s poetry and exploration of the diverse strands of practice in the field.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":"14 1","pages":"151-165"},"PeriodicalIF":0.2,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/cww/vpaa025","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42729945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay takes seriously Angela Carter’s playful treatment of race and imperialism across her late fiction. It argues that Carter’s representation of popular theatrical culture as a demotic variety of Englishness reveals a paradoxical tension at the heart of her politics: namely, the idea that one can sustain a serious antiracist or anti-imperialist politics while simultaneously taking pleasure in the popular forms that underwrite “Englishness” as a demographic category. In reading the comic monologue as a central feature of Carter’s narrative strategy across her last two novels, Nights at the Circus (1984) and Wise Children (1991), and her short story, “Black Venus” (1980), this essay suggests that Carter adopts the critical edge of comic performance to establish a dissenting, oppositional relationship to imperial culture and its legacies.
{"title":"“The Other Side of Imperialism”: The Comic Monologue in Angela Carter’s Late Fiction","authors":"S. Harris","doi":"10.1093/CWW/VPAA027","DOIUrl":"https://doi.org/10.1093/CWW/VPAA027","url":null,"abstract":"\u0000 This essay takes seriously Angela Carter’s playful treatment of race and imperialism across her late fiction. It argues that Carter’s representation of popular theatrical culture as a demotic variety of Englishness reveals a paradoxical tension at the heart of her politics: namely, the idea that one can sustain a serious antiracist or anti-imperialist politics while simultaneously taking pleasure in the popular forms that underwrite “Englishness” as a demographic category. In reading the comic monologue as a central feature of Carter’s narrative strategy across her last two novels, Nights at the Circus (1984) and Wise Children (1991), and her short story, “Black Venus” (1980), this essay suggests that Carter adopts the critical edge of comic performance to establish a dissenting, oppositional relationship to imperial culture and its legacies.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":"14 1","pages":"333-349"},"PeriodicalIF":0.2,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/CWW/VPAA027","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45868507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay discusses representations of migrant experiences of displacement by Russian women writers Liudmila Ulitskaya, Zinaida Lindén, and Marina Palei. The theoretical approach is guided by feminist geography and narrative studies, with attention to the conceptualization of space and place through embodied everyday experiences. The authors represent different writerly positions with which today’s Russophone writers engage, including multilingual and multilocal trends in and outside post-Soviet Russia. Although Lindén and Palei reside outside and Ulitskaya in Russia, their texts address (post-)Soviet migration and displacement, bringing critical perspectives both to their new home countries and to their homeland, Russia. In each text literary figures question and/or oppose the colonizing histories of their homeland and rewrite their personal stories in the form of narratives of displacement.
{"title":"Narratives of Displacement: On Embodied Experience of Migration in Ulitskaya, Lindén, and Palei","authors":"M. Sorvari","doi":"10.1093/CWW/VPAB002","DOIUrl":"https://doi.org/10.1093/CWW/VPAB002","url":null,"abstract":"\u0000 This essay discusses representations of migrant experiences of displacement by Russian women writers Liudmila Ulitskaya, Zinaida Lindén, and Marina Palei. The theoretical approach is guided by feminist geography and narrative studies, with attention to the conceptualization of space and place through embodied everyday experiences. The authors represent different writerly positions with which today’s Russophone writers engage, including multilingual and multilocal trends in and outside post-Soviet Russia. Although Lindén and Palei reside outside and Ulitskaya in Russia, their texts address (post-)Soviet migration and displacement, bringing critical perspectives both to their new home countries and to their homeland, Russia. In each text literary figures question and/or oppose the colonizing histories of their homeland and rewrite their personal stories in the form of narratives of displacement.","PeriodicalId":41852,"journal":{"name":"Contemporary Womens Writing","volume":"14 1","pages":"350-366"},"PeriodicalIF":0.2,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/CWW/VPAB002","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45024985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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