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Queerly Represent Me. https://representme.charity/ 酷儿代表我。https://representme.charity/
IF 0.2 Q4 COMMUNICATION Pub Date : 2023-07-03 DOI: 10.1080/08821127.2023.2231330
Hayley McCullough
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引用次数: 0
Shame the Devil: How Critics Keep American Journalism Honest 让魔鬼蒙羞:评论家如何保持美国新闻业的诚实
IF 0.2 Q4 COMMUNICATION Pub Date : 2023-07-03 DOI: 10.1080/08821127.2023.2230443
Kevin M. Lerner
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引用次数: 0
The Value of Community and Understanding History in Troubling Times 艰难时代的共同体价值与理解历史
IF 0.2 Q4 COMMUNICATION Pub Date : 2023-07-03 DOI: 10.1080/08821127.2023.2231327
Aimee Edmondson
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引用次数: 0
“Too Soon to Tell”: The Hundred-Year Odyssey of the Famous Quip on the French Revolution 《言之过早》:关于法国大革命的著名妙语的百年奥德赛
IF 0.2 Q4 COMMUNICATION Pub Date : 2023-07-03 DOI: 10.1080/08821127.2023.2232753
A. Park
The popular anecdote that Chinese Premier Zhou Enlai once declared it “too soon to tell” the significance of the French Revolution of 1789 is clearly recognizable as a meme and has followed a winding path through media history. While the story was seemingly debunked in 2011, when it was revealed that Zhou had meant the 1968 unrest in Paris—rather than the French Revolution—it is argued this was merely another stage in its hundred-year evolution. Regardless of whether the quip had an actual Chinese author or not, its early spread in mainstream media was the result of an educated and globally minded Western audience shaped by orientalism and rhetoric surrounding the dangers of radical revolution. This study examines how, when China began opening to the world in the 1970s, the people involved in this process began to be written into the meme, with the Zhou Enlai variant only becoming consolidated in the 1990s. In tracing the story’s development, this article examines how quips—or memes—propagate and evolve over time, particularly in pre-digital environments, where texts benefit from the interplay of different formats and genres.
中国总理周恩来曾宣称1789年法国大革命的意义“现在说还为时过早”,这则广受欢迎的轶事显然是一个迷因,在媒体史上走了一条曲折的道路。虽然这个故事在2011年似乎被揭穿了,当时周指的是1968年巴黎动乱,而不是法国大革命,但有人认为这只是其百年演变的另一个阶段。不管这句俏皮话是否有真正的中国作家,它在主流媒体上的早期传播都是受过教育、具有全球意识的西方观众的结果,他们受到东方主义和围绕激进革命危险的言论的影响。这项研究考察了当中国在20世纪70年代开始向世界开放时,参与这一过程的人是如何开始被写入模因的,周恩来的变体在20世纪90年代才得到巩固。在追踪故事的发展过程中,本文考察了俏皮话或模因是如何随着时间的推移而传播和演变的,特别是在前数字环境中,文本从不同格式和流派的相互作用中受益。
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引用次数: 0
Indian Ideology in The Warpath: Lehman Brightman’s Red Power Journalism 战争道路上的印第安人意识形态:雷曼·布莱曼的红色力量新闻
IF 0.2 Q4 COMMUNICATION Pub Date : 2023-07-03 DOI: 10.1080/08821127.2023.2231884
J. Coward
The Warpath, the “angry Indian” newsletter founded by the militant but oft overlooked journalist Lehman Brightman, was one of several Red Power publications founded in the late 1960s as part of the social and cultural upheavals of that era. Brightman’s publication deployed several major themes as he argued for Native American rights and against the federal Indian bureaucracy, especially “America’s colonial office,” the Bureau of Indian Affairs. In The Warpath, Brightman demanded Indian liberation and self-determination, calling for direct political action at places like Alcatraz and Mount Rushmore, a place Brightman and other activists occupied in 1970. Brightman also celebrated Indian history and culture, criticized Indian stereotypes, excoriated moderate Indian leaders and, perhaps most significantly, investigated the appalling conditions at underfunded and understaffed Indian schools. His principal achievement was the articulation of a strident anti-racist and anti-colonial ideology that continues to resonate in Indian Country.
由激进但经常被忽视的记者Lehman Brightman创办的“愤怒的印度人”时事通讯《Warpath》是20世纪60年代末创办的几家红色力量出版物之一,是那个时代社会和文化动荡的一部分。Brightman的出版物阐述了几个主要主题,他主张美洲原住民的权利,反对联邦印第安人官僚机构,特别是“美国的殖民办公室”印第安人事务局。在《战路》中,布莱曼要求印第安人解放和自决,呼吁在Alcatraz和Mount Rushmore等地采取直接政治行动,1970年布莱曼和其他活动家占领了这些地方。Brightman还赞扬了印度的历史和文化,批评了印度的刻板印象,严厉批评了温和的印度领导人,也许最重要的是,他调查了资金不足和人手不足的印度学校的恶劣条件。他的主要成就是表达了一种强烈的反种族主义和反殖民意识形态,这种意识形态在印度继续引起共鸣。
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引用次数: 0
The Global Panoply of Propaganda-Press Cultures: Expanding International Journalism History 宣传新闻文化的全球视野:拓展国际新闻史
IF 0.2 Q4 COMMUNICATION Pub Date : 2023-07-03 DOI: 10.1080/08821127.2023.2237399
Elisabeth Fondren
More than two decades after journalism historians proposed an international or global turn in how to study the interconnected histories of journalism and information cultures, much has been achieved. This essay is an invitation to scrutinize the relationship between propaganda and journalism history more fully, specifically, by exploring the intellectual, cultural, and global dimensions of press-propaganda activities during wars and democratic crises. Building on ongoing work to internationalize the field of journalism history, future scholarship could analyze the multidirectional flows of global information; how journalists work as propagandists both willingly and unwillingly; how reporters expose lies, half-truths, or circumvent censorship; how communities engage in counterpropaganda via the press; and the role of visual narratives in modern media. This essay draws on findings from international and transnational press-propaganda scholarship and offers methodological considerations for researching and writing that history.
在新闻学历史学家提出如何研究新闻和信息文化相互关联的历史的国际或全球转向后的二十多年里,已经取得了很大成就。本文旨在通过探索战争和民主危机期间新闻宣传活动的知识、文化和全球层面,更全面地审视宣传与新闻史之间的关系。基于正在进行的新闻史领域国际化工作,未来的学者可以分析全球信息的多向流动;记者是如何心甘情愿或不心甘情愿地充当宣传人员的;记者如何揭露谎言、半真半假的事实或规避审查;社区如何通过媒体进行反宣传;以及视觉叙事在现代媒体中的作用。本文借鉴了国际和跨国新闻宣传学术的研究成果,并为研究和撰写这段历史提供了方法论上的考虑。
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引用次数: 1
The Wendell Smith Reader: Selected Writings on Sports, Civil Rights and Black History 温德尔·史密斯读者:体育、民权和黑人历史选集
IF 0.2 Q4 COMMUNICATION Pub Date : 2023-07-03 DOI: 10.1080/08821127.2023.2228664
Wayne Dawkins
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引用次数: 0
Mr. Associated Press: Kent Cooper and the Twentieth-Century World of News 美联社先生:肯特·库珀和《二十世纪世界新闻报》
IF 0.2 Q4 COMMUNICATION Pub Date : 2023-07-03 DOI: 10.1080/08821127.2023.2228665
Will Mari
their journalists to deal with the situation. The book documents many changes in the US press corps in China over the years. Initially, the journalists shared very similar backgrounds— most were Ivy League–educated white males. Later, the educational backgrounds became more diverse; then more female journalists joined, and more Asian Americans. Being Asian American can be an asset for journalists in that it enables them to blend into the street, but it also became a liability in China in recent years since the government uses their ethnicity to attack and threaten them. They are considered national “traitors” and less respected by the Chinese authorities. Being an Asian American female journalist adds another layer of misogyny, with online bullying supported by the government and sexual harassment in the field. These are the issues worth exploring for journalism scholars.
他们的记者来处理这种情况。这本书记录了多年来美国驻华记者团的许多变化。最初,这些记者有着非常相似的背景——大多数是常春藤盟校毕业的白人男性。后来,教育背景变得更加多样化;随后,越来越多的女记者加入了进来,也有更多的亚裔美国人加入。身为亚裔美国人可能是记者的一笔财富,因为这使他们能够融入街头,但近年来,由于政府利用他们的种族攻击和威胁他们,这在中国也成为了一种负担。他们被认为是国家的“叛徒”,不太受中国当局的尊重。作为一名亚裔美国女记者,政府支持的网络欺凌和该领域的性骚扰又增加了一层厌女症。这些都是新闻学者值得探讨的问题。
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引用次数: 0
Reporting World War II, 报道第二次世界大战,
Q4 COMMUNICATION Pub Date : 2023-06-27 DOI: 10.1080/08821127.2023.2228661
John Maxwell Hamilton
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引用次数: 0
Assignment China: An Oral History of American Journalists in the People’s Republic 任务中国:美国记者在中华人民共和国的口述历史
IF 0.2 Q4 COMMUNICATION Pub Date : 2023-06-27 DOI: 10.1080/08821127.2023.2228667
Wei Rose Luqiu Lu
paragraph of this final chapter even seems to throw up its hands at the idea of ever pinning down what criticism is and does. The subtitle of Shame the Devil claims that the press critics profiled within “keep American journalism honest.” But Guglielmo has actually (intentionally or not) written a book that begins to explain how a series of thinkers and writers have shaped educated Americans’ understanding of what the press is and what it does. A book that made that argument explicitly and engaged with these writers and others would be very welcome. This is not quite that book.
这最后一章的段落甚至似乎对永远固定批评是什么和做什么的想法表示不屑。《让魔鬼蒙羞》的副标题声称,媒体评论家在其中描述的是“保持美国新闻业的诚实”。但古列尔莫实际上(有意或无意)写了一本书,开始解释一系列思想家和作家是如何塑造受过教育的美国人对媒体是什么和它做什么的理解的。一本明确提出这一论点并与这些作家和其他人接触的书将非常受欢迎。这不完全是那本书。
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引用次数: 0
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American Journalism
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