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The Wendell Smith Reader: Selected Writings on Sports, Civil Rights and Black History 温德尔·史密斯读者:体育、民权和黑人历史选集
IF 0.2 Q4 Social Sciences Pub Date : 2023-07-03 DOI: 10.1080/08821127.2023.2228664
Wayne Dawkins
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引用次数: 0
The Global Panoply of Propaganda-Press Cultures: Expanding International Journalism History 宣传新闻文化的全球视野:拓展国际新闻史
IF 0.2 Q4 Social Sciences Pub Date : 2023-07-03 DOI: 10.1080/08821127.2023.2237399
Elisabeth Fondren
More than two decades after journalism historians proposed an international or global turn in how to study the interconnected histories of journalism and information cultures, much has been achieved. This essay is an invitation to scrutinize the relationship between propaganda and journalism history more fully, specifically, by exploring the intellectual, cultural, and global dimensions of press-propaganda activities during wars and democratic crises. Building on ongoing work to internationalize the field of journalism history, future scholarship could analyze the multidirectional flows of global information; how journalists work as propagandists both willingly and unwillingly; how reporters expose lies, half-truths, or circumvent censorship; how communities engage in counterpropaganda via the press; and the role of visual narratives in modern media. This essay draws on findings from international and transnational press-propaganda scholarship and offers methodological considerations for researching and writing that history.
在新闻学历史学家提出如何研究新闻和信息文化相互关联的历史的国际或全球转向后的二十多年里,已经取得了很大成就。本文旨在通过探索战争和民主危机期间新闻宣传活动的知识、文化和全球层面,更全面地审视宣传与新闻史之间的关系。基于正在进行的新闻史领域国际化工作,未来的学者可以分析全球信息的多向流动;记者是如何心甘情愿或不心甘情愿地充当宣传人员的;记者如何揭露谎言、半真半假的事实或规避审查;社区如何通过媒体进行反宣传;以及视觉叙事在现代媒体中的作用。本文借鉴了国际和跨国新闻宣传学术的研究成果,并为研究和撰写这段历史提供了方法论上的考虑。
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引用次数: 1
Mr. Associated Press: Kent Cooper and the Twentieth-Century World of News 美联社先生:肯特·库珀和《二十世纪世界新闻报》
IF 0.2 Q4 Social Sciences Pub Date : 2023-07-03 DOI: 10.1080/08821127.2023.2228665
Will Mari
their journalists to deal with the situation. The book documents many changes in the US press corps in China over the years. Initially, the journalists shared very similar backgrounds— most were Ivy League–educated white males. Later, the educational backgrounds became more diverse; then more female journalists joined, and more Asian Americans. Being Asian American can be an asset for journalists in that it enables them to blend into the street, but it also became a liability in China in recent years since the government uses their ethnicity to attack and threaten them. They are considered national “traitors” and less respected by the Chinese authorities. Being an Asian American female journalist adds another layer of misogyny, with online bullying supported by the government and sexual harassment in the field. These are the issues worth exploring for journalism scholars.
他们的记者来处理这种情况。这本书记录了多年来美国驻华记者团的许多变化。最初,这些记者有着非常相似的背景——大多数是常春藤盟校毕业的白人男性。后来,教育背景变得更加多样化;随后,越来越多的女记者加入了进来,也有更多的亚裔美国人加入。身为亚裔美国人可能是记者的一笔财富,因为这使他们能够融入街头,但近年来,由于政府利用他们的种族攻击和威胁他们,这在中国也成为了一种负担。他们被认为是国家的“叛徒”,不太受中国当局的尊重。作为一名亚裔美国女记者,政府支持的网络欺凌和该领域的性骚扰又增加了一层厌女症。这些都是新闻学者值得探讨的问题。
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引用次数: 0
Reporting World War II, 报道第二次世界大战,
Q4 Social Sciences Pub Date : 2023-06-27 DOI: 10.1080/08821127.2023.2228661
John Maxwell Hamilton
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引用次数: 0
Assignment China: An Oral History of American Journalists in the People’s Republic 任务中国:美国记者在中华人民共和国的口述历史
IF 0.2 Q4 Social Sciences Pub Date : 2023-06-27 DOI: 10.1080/08821127.2023.2228667
Wei Rose Luqiu Lu
paragraph of this final chapter even seems to throw up its hands at the idea of ever pinning down what criticism is and does. The subtitle of Shame the Devil claims that the press critics profiled within “keep American journalism honest.” But Guglielmo has actually (intentionally or not) written a book that begins to explain how a series of thinkers and writers have shaped educated Americans’ understanding of what the press is and what it does. A book that made that argument explicitly and engaged with these writers and others would be very welcome. This is not quite that book.
这最后一章的段落甚至似乎对永远固定批评是什么和做什么的想法表示不屑。《让魔鬼蒙羞》的副标题声称,媒体评论家在其中描述的是“保持美国新闻业的诚实”。但古列尔莫实际上(有意或无意)写了一本书,开始解释一系列思想家和作家是如何塑造受过教育的美国人对媒体是什么和它做什么的理解的。一本明确提出这一论点并与这些作家和其他人接触的书将非常受欢迎。这不完全是那本书。
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引用次数: 0
Reporting World War II 报道第二次世界大战
IF 0.2 Q4 Social Sciences Pub Date : 2023-04-25 DOI: 10.2307/jj.1011736
J. Hamilton
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引用次数: 0
Eliza Scidmore: The Trailblazing Journalist Behind Washington’s Cherry Trees Eliza Scidmore:华盛顿樱桃树背后的开拓性记者
IF 0.2 Q4 Social Sciences Pub Date : 2023-04-03 DOI: 10.1080/08821127.2023.2198470
Ken J. Ward
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引用次数: 1
Shifting the Archival Gaze: A Case for Leveraging Computational Methods to Uncover Media History Narratives 转移档案凝视:利用计算方法揭示媒体历史叙事的案例
IF 0.2 Q4 Social Sciences Pub Date : 2023-04-03 DOI: 10.1080/08821127.2023.2199254
Mary V. Heckman, Giulia Taurino
Abstract Through an interdisciplinary examination of a bourgeoning technology, this essay grapples with the opportunities and challenges of using a type of artificial intelligence called machine learning to catalog and make sense of the unpreceded number of digital materials now available to media historians. The authors—a journalism professor and an AI researcher—describe their recent interdisciplinary efforts to use machine learning to explore a collection of roughly 5.7 million photographic negatives donated to their institution by the Boston Globe. Their work illuminates the tremendous power of emerging computational methods to uncover more complete histories, but it also serves as a reminder that such tools should be used with caution.
摘要通过对一项新兴技术的跨学科研究,本文努力应对使用一种名为机器学习的人工智能来编目和理解媒体历史学家现在可以获得的数字材料数量的机遇和挑战。作者是一名新闻学教授和人工智能研究人员,他们描述了他们最近的跨学科努力,利用机器学习来探索《波士顿环球报》捐赠给他们机构的大约570万张摄影底片。他们的工作阐明了新兴计算方法在揭示更完整历史方面的巨大力量,但也提醒人们应该谨慎使用这些工具。
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引用次数: 0
“Our Reporter Is Just Come From The Ruins”: Reporting Practices and the 1860 Pemberton Mill Disaster “我们的记者只是从废墟中走出来的”:报道实践与1860年彭伯顿磨坊灾难
IF 0.2 Q4 Social Sciences Pub Date : 2023-04-03 DOI: 10.1080/08821127.2023.2200325
K. Quinn, Mary M. Cronin
The largest industrial disaster ever to have occurred on American soil at the time, the gruesome January 10, 1860, collapse of the Pemberton Mill in Lawrence, Massachusetts, provides an opportunity to study early breaking news reporting in the nineteenth century narrative and illustrated press. Using newspapers at the local, regional, and national level, the study examines reporting strategies, story structures, and the journalistic standards undergirding this content. This research finds that by 1860 newspapers had adopted a scope of reporting strategies and editorial practices that fulfilled complex, evolving roles for the press. It also reveals that, despite the scope and sensational nature of the calamity, the story quickly transitioned from news, to myth, to forgotten in national memory.
1860年1月10日,马萨诸塞州劳伦斯市彭伯顿工厂倒塌,这是当时美国土地上发生的最大的工业灾难,为研究19世纪叙事和插图媒体中的早期突发新闻报道提供了机会。该研究利用地方、地区和国家层面的报纸,考察了报道策略、故事结构和支撑这些内容的新闻标准。这项研究发现,到1860年,报纸已经采用了一系列的报道策略和编辑实践,为新闻界履行了复杂而不断演变的角色。它还揭示了,尽管这场灾难的范围和耸人听闻的性质,但故事很快从新闻转变为神话,并在国民记忆中被遗忘。
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引用次数: 0
Race Films and the Black Press: Representation and Resistance 种族电影与黑人媒体:再现与反抗
IF 0.2 Q4 Social Sciences Pub Date : 2023-04-03 DOI: 10.1080/08821127.2023.2200391
Carolina Velloso
Beginning with the release of The Birth of a Nation through the mid-twentieth century, the film industry began featuring African Americans on the silver screen. The emergence of race films—major film productions made by African Americans and featuring Black artists—were frequently reported and reviewed in the Black press. This examination of the coverage of race films in three major Black newspapers, the Chicago Defender, Pittsburgh Courier, and Baltimore Afro-American, traces coverage of race films by the Black press between 1915 and 1950. This study builds on literature from journalism and communication studies, as well as film studies to illustrate how the Black press fulfilled its role as an advocacy press and served its mission of racial uplift through its race film coverage. It argues that Black newspapers achieved this by giving positive coverage to race films, their actors, producers, and crew members, and by unreservedly criticizing Black members of the entertainment industry if the Black press perceived that they were acting in ways detrimental to the greater cause of improving attitudes toward the Black community.
从《一个国家的诞生》到二十世纪中叶的上映,电影业开始在银幕上以非裔美国人为主角。种族电影的出现——由非裔美国人制作的以黑人艺术家为主角的主要电影——经常被黑人媒体报道和评论。这项对三家主要黑人报纸《芝加哥捍卫者报》、《匹兹堡信使报》和《巴尔的摩非裔美国人报》种族电影报道的调查,追溯了1915年至1950年间黑人媒体对种族电影的报道。这项研究建立在新闻和传播研究以及电影研究的文献基础上,以说明黑人媒体如何履行其倡导媒体的角色,并通过种族电影报道履行其种族提升的使命。它认为,黑人报纸通过积极报道种族电影、演员、制片人和工作人员,以及如果黑人媒体认为娱乐业的黑人成员的行为不利于改善对黑人社区的态度,则毫无保留地批评他们,从而实现了这一点。
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引用次数: 0
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