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Hans van de Ven, China at War: Triumph and Tragedy in the Emergence of the New China, 1937–1952 汉斯·范德文,《战争中的中国:新中国崛起中的胜利和悲剧》,1937-1952年
IF 0.1 4区 历史学 Pub Date : 2018-07-19 DOI: 10.3868/s020-007-018-0015-0
Chihyun Chang
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引用次数: 0
Singing Punishment and Redemption in the Taiping Civil War: Yu Zhi’s Plays 太平天国内战中的歌唱惩罚与救赎——郁植剧作
IF 0.1 4区 历史学 Pub Date : 2018-07-19 DOI: 10.3868/S020-007-018-0012-9
R. Huntington
Among the dramatists who depicted the Taiping Civil War, attempting to find meaning in the carnage and chaos, Yu Zhi (1809–74) is unique. He wrote plays during and after the war, so he considers the chaos from two historical vantage points. As one of the earliest literati to write plays in the newly popular pihuang form, he addressed different actual and imagined audiences compared to his peers. Although virtually all extant plays take an absolute anti-Taiping stance, his plays differ from his contemporaries’ in their focus on morality rather than sentiment, and on edification rather than commemoration. At the root of these differences is an understanding of the nature of evil, redemption, and belief.
在描写太平内战的戏剧家中,郁之(1809-74)是一个独特的人物,他试图在大屠杀和混乱中寻找意义。他在战争期间和战争结束后都写剧本,所以他从两个历史角度来看待这场混乱。作为最早以新流行的皮黄形式创作戏剧的文人之一,与同龄人相比,他面对的是不同的现实和想象中的观众。虽然几乎所有现存的戏剧都采取了绝对的反太平立场,但他的戏剧与同时代的戏剧不同之处在于注重道德而非情感,注重教化而非纪念。这些差异的根源是对邪恶、救赎和信仰本质的理解。
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引用次数: 0
Wang, Di, Violence and Order on the Chengdu Plain: The Story of a Secret Brotherhood in Rural China 成都平原上的暴力与秩序:中国农村一个秘密兄弟会的故事
IF 0.1 4区 历史学 Pub Date : 2018-07-19 DOI: 10.3868/S020-007-018-0017-4
Shaofan An
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引用次数: 2
The Literary Turn: An Introduction of the Special Issue on Ways of Writing the Taiping Civil War 文学转向:《太平内战》写作方法特刊介绍
IF 0.1 4区 历史学 Pub Date : 2018-07-19 DOI: 10.3868/s020-007-018-0009-1
Xiao-dong Zheng
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引用次数: 0
Wars as Dividing Lines? Rethinking the Significance of the Sino-Japanese War in Twentieth Century China 战争是分界线?重新思考20世纪中国的甲午战争意义
IF 0.1 4区 历史学 Pub Date : 2018-06-13 DOI: 10.3868/S020-007-018-0005-3
J. Greene
Historical periodization frequently takes wars as turning points—as ruptures that signify the end or beginning of an era. At the same time, front lines have often been taken as boundaries that contain the activities of one side or the other. Thus, discontinuity and disjuncture rather than continuity and fluidity have often been the points of emphasis among historians who have taken war events as turning points, or who have seen lines of combat as impermeable. A new focus on the Sino-Japanese War period has begun to reveal ways in which that moment served not as an interruption but as a part of longer term processes of change and development that characterized China’s mid-twentieth century. It also permits us to gain a deeper understanding of the fluidity of human movement and socio-economic interaction that frequently crossed both political and military boundaries and to think about similarities, linkages, and differences between various Chinese spaces. The aim of this paper is to consider ways in which the new generation of scholarship on the Sino-Japanese War period offers new ways of thinking about continuity, change, similarity and difference across both temporal and physical boundaries that have served as the parameters for much of the earlier scholarship on the period. To this end, the paper examines recent literature on the Sino-Japanese War period, as well as literature that crosses that period, to examine ways in which this historiography has challenged conventional periodizations and political and geographical delineations.
历史分期常常把战争作为转折点——作为标志一个时代结束或开始的断裂。与此同时,前线经常被视为包含一方或另一方活动的边界。因此,对于那些把战争事件视为转折点的历史学家,或者那些把战斗路线视为不可渗透的历史学家来说,不连续性和断裂性,而不是连续性和流动性,往往是他们强调的重点。对甲午战争时期的新关注已经开始揭示,那一刻不是中断,而是作为中国20世纪中期特征的长期变革和发展过程的一部分。它也让我们对经常跨越政治和军事边界的人类运动和社会经济互动的流动性有了更深的理解,并思考中国不同空间之间的相似、联系和差异。本文的目的是考虑新一代关于甲午战争时期的学术研究如何提供新的方法来思考跨越时间和物理边界的连续性、变化、相似性和差异,这些界限曾是早期关于该时期的许多学术研究的参数。为此,本文考察了最近关于中日战争时期的文献,以及跨越这一时期的文献,以考察这一史学如何挑战传统的时期划分以及政治和地理划分。
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引用次数: 2
Rethinking the Histories of War in Modern China 中国近代战争史的再思考
IF 0.1 4区 历史学 Pub Date : 2018-06-13 DOI: 10.3868/S020-007-018-0002-2
K. Pomeranz
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引用次数: 0
Warfare, Imperialism, and the Making of Modern Chinese History: A Review Essay 战争、帝国主义与中国近代史的形成:一篇评论文章
IF 0.1 4区 历史学 Pub Date : 2018-06-01 DOI: 10.3868/S020-007-018-0004-6
Stephen R. Halsey
This historiographic essay contends that warfare made and unmade the Qing dynasty between 1644 and 1911, and its study has helped to create the field of modern Chinese history during the past seventy years. It advances three principal claims. First, the literature on war, especially interstate conflict, can serve as a synecdoche for the development of the modern China field as a whole since the 1950s. The research interests of late Qing specialists have oscillated along an “external-internal-external” axis that corresponds with three distinct periods of intellectual inquiry, scholarly production, and generational dominance. Second, historians have reached inaccurate conclusions about the state capacity of the Qing Empire after 1840 through a crude analysis of the First Sino-Japanese War, a mistake they can rectify by adopting a longer-term perspective on the state-making process. Third, scholars have deftly traced the changing role of military power in modern Chinese politics but have also adopted the interpretive categories of wen and wu from literati discourse without sufficient critical reflection. In the future, researchers may seek to explore the intersection of warfare and the environment, technology, and ethnic identity, approaches that will continue to move the field in comparative, global, and Inner Asian directions.
这篇史学文章认为,1644年至1911年间的战争造就了清朝,并对其进行了研究,这有助于开创中国近现代史的领域。它提出了三项主要主张。首先,关于战争,特别是国家间冲突的文学,可以作为20世纪50年代以来整个现代中国领域发展的一种象征。晚清专家的研究兴趣沿着一条“内外”轴振荡,这条轴对应着三个不同的时期,即智力探索、学术生产和世代统治。其次,历史学家通过对第一次中日战争的粗略分析,对1840年后清帝国的国家能力得出了不准确的结论,他们可以通过对国家形成过程的长期视角来纠正这一错误。第三,学者们巧妙地追踪了军事力量在中国现代政治中不断变化的作用,但也在没有充分批判性反思的情况下,从文人话语中采用了文和吴的解释范畴。未来,研究人员可能会寻求探索战争与环境、技术和种族认同的交叉点,这些方法将继续推动该领域朝着比较、全球和内亚的方向发展。
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引用次数: 1
New Chinese Military History, 1839–1951: What’s the Story? 新中国军事史,1839-1951:故事是怎样的?
IF 0.1 4区 历史学 Pub Date : 2018-06-01 DOI: 10.3868/S020-007-018-0006-0
C. W. Hayford
Since 1990, New Chinese Military History in the West has remedied scholarly neglect of Chinese warfare and changed the usual stories of modern China. These studies disproved Orientalist assumptions of a unique “Chinese way of war” or a strategic culture that avoided aggressive confrontation. Scholars also challenge the assumption that Confucian immobility led to a clash of civilizations and decisive defeat in the Opium Wars, First Sino-Japanese War, and Boxer War of 1900. In fact, Qing officials were quick and successful in creating a new military regime. New military histories of the warlords, the Sino-Japanese Wars, and the Chinese Civil War show that developing new types of warfare was central in creating the new nation. All these wars split the country into factions that were supported by outside powers: they were internationalized civil wars. The article also asks how the choice of terms, labels, and categories shapes interpretations and political messages.
自1990年以来,西方的《新中国军事史》弥补了学术界对中国战争的忽视,改变了现代中国通常的故事。这些研究推翻了东方主义者关于独特的“中国战争方式”或避免侵略性对抗的战略文化的假设。学者们还对儒家的不动导致文明冲突和在鸦片战争、第一次中日战争和1900年义和团战争中的决定性失败的假设提出了质疑。事实上,清朝官员在建立一个新的军事政权方面迅速而成功。军阀、中日战争和中国内战的新军事史表明,发展新型战争是建立新国家的核心。所有这些战争都将国家分裂成了得到外部势力支持的派系:它们是国际化的内战。文章还询问了术语、标签和类别的选择如何影响解释和政治信息。
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引用次数: 0
Changing Conceptions of the Opium War as History and Experience 鸦片战争的历史与经验观念的变迁
IF 0.1 4区 历史学 Pub Date : 2018-06-01 DOI: 10.3868/S020-007-018-0003-9
Xin Zhang
Academic and popular accounts of the Opium War have gone through nearly two centuries of change in focus, view, and scope. My study probes this extensive historiography by tracing the evolvement of our understanding of the war through various phases among which we saw the rise of the “China-centered approach” and the beginning of a new trend towards combining government archives with personal records such as memoirs, personal correspondence, and private journals in research. Based on the observation, I will indicate, despite their undeniable achievements, most of the existing scholarships have paid little attention to the ordinary people in China whose lives were deeply affected by the war. It is high time that we pay more attention to human experience of the Chinese people in order to understand not only the war itself but also the history it helped shape.
学术和大众对鸦片战争的描述经历了近两个世纪的焦点、观点和范围的变化。我的研究通过追踪我们对战争的理解在不同阶段的演变来探索这一广泛的历史编纂,在这些阶段中,我们看到了“以中国为中心的方法”的兴起,以及一种将政府档案与个人记录(如回忆录、私人信件和私人日记)相结合的新趋势的开始。根据我的观察,我想指出的是,尽管他们取得了不可否认的成就,但大多数现有的奖学金都很少关注那些生活深受战争影响的中国普通人。现在是我们更加关注中国人的人类经验的时候了,不仅要了解战争本身,还要了解它帮助塑造的历史。
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引用次数: 1
Chinese Objects in Eurasian Empire: On the Cultural Meaning of Chinese Art in Russia in the Late 17th–Early 18th Centuries 欧亚帝国的中国物件——论17世纪末18世纪初中国艺术在俄罗斯的文化意义
IF 0.1 4区 历史学 Pub Date : 2018-06-01 DOI: 10.3868/S020-007-018-0007-7
Berezkin Rostislav
This article examines special features of “Chinoiserie” or “Chinese fashion” (“Kitaischina”) in Russia from the late 17th to the early 18th century: The reign of Peter the First. It discusses this cultural phenomenon’s historical origins, demonstrates the role of Chinese luxury goods and art objects in the era’s Russo-Chinese cultural exchange, and illustrates how Chinese decorative arts were used in Russian palaces. While Chinoiserie in Russia was influenced by similar trends in Western Europe, it was rooted in the unique history of regular contacts between Russia and the Qing Empire. Chinese objects not only appeared as commodities in the higher levels of Russian society, they also contributed to the prestige of the Russian state. Peter the First had a political purpose behind the collection, display and imitation of Chinese art objects in Russian palaces, as these practices demonstrated the growing wealth and power of newly established Russian Empire, which enjoyed trade connections with the Qing Empire. While contemporary perceptions of China in Russia were derived mostly by the exotic images of export art, ethnographic collections of genuine Chinese utensils, which were founded during that period, also contributed to Russian views of China. This research uses a comprehensive methodology, combining studies of material objects preserved in Russian museums and written sources, including archival records.
本文考察了17世纪末至18世纪初俄罗斯“中国风”或“中国时尚”(“Kitaischina”)的特点:彼得一世统治时期。它讨论了这种文化现象的历史渊源,展示了中国奢侈品和艺术品在那个时代的俄中文化交流中的作用,并说明了中国装饰艺术是如何在俄罗斯宫殿中使用的。虽然俄罗斯的中国风受到西欧类似趋势的影响,但它植根于俄罗斯与清帝国定期接触的独特历史。中国的物品不仅作为商品出现在俄罗斯社会的高层,还为俄罗斯国家的声望做出了贡献。彼得一世在俄罗斯宫殿收藏、展示和模仿中国艺术品背后有一个政治目的,因为这些做法表明了新成立的俄罗斯帝国日益增长的财富和权力,该帝国与清帝国有着贸易联系。虽然俄罗斯当代对中国的看法主要源于出口艺术的异国情调,但在这一时期建立的真正中国器皿的民族志收藏也有助于俄罗斯对中国的观点。这项研究采用了一种全面的方法,结合了对俄罗斯博物馆中保存的实物和包括档案记录在内的书面资料的研究。
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Frontiers of History in China
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