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Hacia un concepto de narratividad: cruces (posibles) entre su dimensión literaria, antropológica y cognitiva 走向叙事的概念:文学、人类学和认知维度之间(可能)的交叉
Q4 Arts and Humanities Pub Date : 2021-06-22 DOI: 10.19130/iifl.ap.2021.2.18124
A. Perdigón
This article suggests a conceptual reflection on narrativity and its role in different cultural spheres. Therefore, a dialogue between three traditions is proposed: literary, anthropological and cognitive, to bring some elements of the cognitive paradigm closer to the tradition of literary studies, literary theory and some authors that could be identified with philosophical anthropology. This approach pretends to critically examine some contemporary debates on narratives, post-classical narratology and bring these debates in the context of Latin American literary studies.
本文建议对叙事性及其在不同文化领域中的作用进行概念性反思。因此,提出了文学、人类学和认知三种传统之间的对话,以使认知范式的一些元素更接近文学研究、文学理论和一些可以与哲学人类学相认同的作者的传统。这种方法试图批判性地审视当代关于叙事、后古典叙事学的一些争论,并将这些争论放在拉丁美洲文学研究的背景下。
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引用次数: 0
Parodia e ironía como subversión de la tradición en el “Viaje a la oscura ciudad de Cacodelphia” 在《卡科德尔菲亚黑暗之城之旅》中,模仿和讽刺是对传统的颠覆
Q4 Arts and Humanities Pub Date : 2021-06-22 DOI: 10.19130/iifl.ap.2021.2.18127
Eridania González Treviño
This research presents an analysis of the dialog between parody and irony, as a gender and a literary modality respectively, through its subversion function in the “Seventh book (Journey the dark city of Cacodelphia)” of the novel Adán Buenosayres by the argentinean writer Leopoldo Marechal. This study starts with an introductory approach to the general context of the novel, where narrative structure, the positioning of the modern man as the hero of the 20th century are discussed, along with the implicit parody in the “Journey to the dark city of Cacodelphia” and its predominant irony, both as subversive elements of transgression of the represented literary canon, in this case by the “Hell” of the Divine comedy by Dante Alighieri.
本研究通过阿根廷作家Leopoldo Marechal的小说《Adán Buenosayres》的“第七本书(Cacodelphia的黑暗城市之旅)”中戏仿与讽刺之间的对话,分别作为一种性别和一种文学形态,对其进行了颠覆性的分析。本研究首先对小说的一般背景进行了介绍,其中讨论了叙事结构、现代人作为20世纪英雄的定位,以及《卡科德菲亚黑暗之城之旅》中隐含的戏仿及其主要的讽刺,这两者都是违反所代表的文学经典的颠覆性元素,在这种情况下,由但丁Alighieri的神圣喜剧“地狱”。
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引用次数: 0
Margarita León Vega (ed.). Mística y lenguaje poético: discursos sobre experiencias de lo Absoluto. México: Instituto de Investigaciones Filológicas, UNAM, 2020. 玛格丽塔leon维加(编)。神秘主义与诗意的语言:关于绝对经验的话语。墨西哥:语言学研究所,UNAM, 2020。
Q4 Arts and Humanities Pub Date : 2021-06-22 DOI: 10.19130/iifl.ap.2021.2.18129
Rafael Mondragón Velázquez
Margarita Leon Vega (ed.). Mistica y lenguaje poetico: discursos sobre experiencias de lo Absoluto. Mexico: Instituto de Investigaciones Filologicas, UNAM, 2020.
玛格丽塔·莱昂·维加(编辑)。神秘主义和诗歌语言:关于绝对体验的演讲。墨西哥:联阿援助团语言学研究所,2020年。
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引用次数: 0
Entrevista a Michael Löwy, galardonado con el Premio europeo Walter Benjamin 2020 采访Michael lowy, 2020年沃尔特·本杰明欧洲奖得主
Q4 Arts and Humanities Pub Date : 2021-06-22 DOI: 10.19130/iifl.ap.2021.2.18128
Marc Berdet
Professor Marc Berdet gets into a dialogue with the brasilian-french thinker Michael Löwy, to establish the origin of his career; authors who have influenced his theoretical work such as Walter Benjamin and Max Weber, Karl Marx, Gersom Scholem, Georges Sorel, André Breton, Auguste Blanqui, Anna Zeghers, José Carlos Mariátegui, Charles Fourier, among others; and the evolution of a reflection that touches both European and Latin American critical thought.
Marc Berdet教授与巴西裔法国思想家Michael Löwy进行了对话,以确定他职业生涯的起源;影响他理论工作的作家,如沃尔特·本雅明和马克斯·韦伯、卡尔·马克思、格索姆·肖勒姆、乔治·索雷尔、安德烈·布列东、奥古斯特·布朗基、安娜·泽格斯、约瑟·卡洛斯Mariátegui、查尔斯·傅立叶等;以及触及欧洲和拉丁美洲批判思想的反思的演变。
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引用次数: 0
Aura de amor sobrenatural (de Apolonio de Tiana a Carlos Fuentes) 超自然的爱的光环(从阿波罗尼奥·德·蒂亚到卡洛斯·富恩特斯)
Q4 Arts and Humanities Pub Date : 2021-06-22 DOI: 10.19130/iifl.ap.2021.2.18125
José Ricardo Chaves
In this essay the comparative follow-up of the motive of the dis / encounter of lovers belonging to different ontological fields (life / death, wakefulness / sleep), expressed in fantastic figures such as empusas, ghosts and vampires is carried out. The starting point is a story of Apollonius of Tiana according to the text of Philostratus, which was recovered by Goethe in The Bride of Corinth, taken up by 19th century authors such as Théophile Gautier and Amado Nervo, and reworked by Carlos Fuentes in the 20th century, in his novel Aura, with the addition of an 18th century Japanese author, Ueda Akinari, who wrote stories along these lines.
本文对属于不同本体场域(生/死、醒/睡)的恋人的分离/相遇的动机进行了比较跟踪,这些本体场域表现为幻想人物,如empusas、ghosts和vampires。故事的起点是根据菲洛斯特拉图斯(Philostratus)的文本讲述的提亚那的阿波罗尼乌斯的故事,歌德在《科林斯的新娘》(The Bride of Corinth)中找到了这个故事,19世纪的作家如thacomophile Gautier和Amado Nervo采用了这个故事,20世纪的卡洛斯·富恩特斯(Carlos Fuentes)在他的小说《光环》(Aura)中进行了改编,并加入了一位18世纪的日本作家上田秋成(Ueda Akinari),他写了类似的故事。
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引用次数: 1
Gabriel M. Enríquez Hernández e Ivonne Sánchez Becerril (eds.). Memoria y reverberaciones de los sesenta y ocho. México: Instituto de Investigaciones Filológicas, unam, 2019. 加布里埃尔M。恩里克斯·埃尔南德斯和伊冯·桑切斯·贝塞里尔(编辑)。68年代的记忆和混响。墨西哥:联阿援助团语言学研究所,2019年。
Q4 Arts and Humanities Pub Date : 2021-01-13 DOI: 10.19130/iifl.ap.2021.1.0890
Karla D. Urbano Gómez
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引用次数: 0
Amor y la inspiración poética 爱情与诗歌灵感
Q4 Arts and Humanities Pub Date : 2021-01-13 DOI: 10.19130/iifl.ap.2021.1.0886
David Galicia Lechuga
Love’s personification has modeled the conception of love poetry since Antiquity. This article focuses on a little-known aspect of this personified figure. It will show that the process of poetic creation focused on the lyrical self is based on a profound relationship of the self with Love in its role as the inspiration of passion and writing. It will be observed how this idea begins with Greek poetics and how it was developed in three literary moments: the Latin elegy, Medieval lyric and Petrarchan poetry.
爱情的人格化塑造了自古以来爱情诗的意境。这篇文章关注的是这个人格化人物鲜为人知的一面,它将表明,以抒情自我为中心的诗歌创作过程是建立在自我与爱的深刻关系之上的,爱是激情和写作的灵感来源。我们将观察这一思想是如何从希腊诗学开始的,以及它是如何在三个文学时刻发展起来的:拉丁挽歌、中世纪抒情诗和佩特拉坎诗歌。
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引用次数: 0
Literatura sin palabras: el caso de los libros-álbum sin texto 没有文字的文学:没有文字的画册的例子
Q4 Arts and Humanities Pub Date : 2021-01-12 DOI: 10.19130/IIFL.AP.2021.1.886
Inês Costa, Ana Margarida Ramos
Picturebooks were considered the most original and relevant contribution made by children’s literature to canonical literature. This typology promotes creativity and experimentation, combining playfulness with artistic sophistication. For their part, wordless picturebooks, whose narrativity is found exclusively in the sequence of illustrations, bring forth questions as to whether they can be considered literature. Wordless picturebooks challenge traditional theoretical approaches and demand a complementary approach that encompasses all of the book’s elements. The scarce verbal component reinforces the meaning of the content and requires a more detailed reading of the illustrations. Using relevant examples, this paper aims to debate the inclusion of wordless picturebooks in the literary domain, through a reading that encompasses aesthetic criteria, with emphasis on narrativity.
绘本被认为是儿童文学对经典文学最具原创性和相关性的贡献。这种类型促进了创造力和实验,将游戏性与艺术复杂性相结合。对于没有文字的绘本来说,它们的叙述完全是在一系列插图中发现的,这就提出了它们是否可以被视为文学的问题。无字绘本挑战传统的理论方法,并要求一个互补的方法,包括所有的书的元素。稀少的语言成分加强了内容的意义,需要更详细地阅读插图。通过相关的例子,本文旨在通过一种包含审美标准的阅读,重点是叙事性,来讨论在文学领域中包含无字绘本。
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引用次数: 1
Presentación del Thema: Porque el silencio no es olvido 主题介绍:因为沉默不是遗忘
Q4 Arts and Humanities Pub Date : 2021-01-12 DOI: 10.19130/IIFL.AP.2021.1.882
Katia Olalde
*
*
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引用次数: 0
Amor y la inspiración poética 爱与诗意的灵感
Q4 Arts and Humanities Pub Date : 2021-01-12 DOI: 10.19130/IIFL.AP.2021.1.887
David Galicia Lechuga
Es sabido que la personificación de Amor ha modelado la concepción de la poesía amorosa desde la Antigüedad. La presente propuesta se enfoca en un aspecto de esta figura poco discutido por la crítica: la inspiración poética. Se mostrará que la conformación de la creación poética fundamentada en el yo lírico se basa en una profunda relación de éste con el personaje Amor, en tanto que inspirador de la pasión y de la escritura. Se observará cómo esta idea surgió en la poética griega y cómo se desarrolló en tres momentos literarios: la elegía latina, la lírica medieval y la poesía petrarquista.
众所周知,自古以来,爱情的拟人化就塑造了爱情诗歌的概念。这一建议的重点是这个很少受到批评的人物的一个方面:诗歌灵感。将表明,以抒情自我为基础的诗歌创作的形成是基于抒情自我与爱情角色的深刻关系,同时也是激情和写作的灵感来源。我们将观察这一思想是如何在希腊诗歌中产生的,以及它是如何在三个文学时刻发展起来的:拉丁挽歌、中世纪抒情和彼得拉奎斯特诗歌。
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引用次数: 0
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Acta Poetica
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