Pub Date : 2021-01-12DOI: 10.19130/IIFL.AP.2021.1.888
David Saldaña
This work addresses the way geographical space is represented in Mapa dibujado por un espía (2013) by Guillermo Cabrera Infante. Taking into account the notions of Wayne C. Booth and Walter Benjamin regarding the narrator and the role of literature in society, we analyze this formal aspect of the text, the focalization of which proposes a “true” plot. The cartography of La Havana is based on the experience of the Cuban revolutionary reality that contrasts radically with the memories of the capital in the 50s. The historical data and the perception of the protagonist are combined in order to trace his identity, which is a form of the author’s insertion in the text: politics and daily life converge in order to re-map a space in which traditional culture and revolutionary cultural control are contrasted.
该作品探讨了Guillermo Cabrera Infante在《Mapa dibujado por un espía》(2013)中地理空间的表现方式。考虑到韦恩·c·布斯(Wayne C. Booth)和沃尔特·本雅明(Walter Benjamin)关于叙述者和文学在社会中的作用的观点，我们分析了文本的这一形式方面，其重点提出了一个“真实”的情节。《哈瓦那》的制图是基于古巴革命现实的经验，与50年代首都的记忆形成鲜明对比。将历史资料与主人公的感知相结合，以追溯主人公的身份，这是作者在文本中插入的一种形式:政治与日常生活交汇，以重新映射一个传统文化与革命文化控制对比的空间。
{"title":"Cartografías políticas del recuerdo: identidad y espacio en Mapa dibujado por un espía de Guillermo Cabrera Infante","authors":"David Saldaña","doi":"10.19130/IIFL.AP.2021.1.888","DOIUrl":"https://doi.org/10.19130/IIFL.AP.2021.1.888","url":null,"abstract":"This work addresses the way geographical space is represented in Mapa dibujado por un espía (2013) by Guillermo Cabrera Infante. Taking into account the notions of Wayne C. Booth and Walter Benjamin regarding the narrator and the role of literature in society, we analyze this formal aspect of the text, the focalization of which proposes a “true” plot. The cartography of La Havana is based on the experience of the Cuban revolutionary reality that contrasts radically with the memories of the capital in the 50s. The historical data and the perception of the protagonist are combined in order to trace his identity, which is a form of the author’s insertion in the text: politics and daily life converge in order to re-map a space in which traditional culture and revolutionary cultural control are contrasted.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46175077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-12DOI: 10.19130/IIFL.AP.2021.1.883
M. Gallardo, Karen Saban
Using a methodological framework based on cultural studies concerning transgenerational memory and trauma, on the one hand, and theoretical contributions on affection and emotions, on the other, this article analyzes and compares a series of novels and films written and made by Chilean and Argentine novelists and filmmakers in which they reflect on exile, forced disappearance and the violence perpetrated by the dictatorships of the Southern Cone. In particular, it investigates the way in which affection is encoded in the contemporary literary and audiovisual production of these sons and daughters of the disappeared and of former militants. For this purpose, the relationships of tension, resignification, dialogue and / or questioning about the role of fathers and mothers in the lives of these children and their configuration in some illustrative works are analyzed. We begin with a consideration of the compositional and formal resources of these stories in order to then, on an interpretive level, link these aesthetic decisions with different strategies that are used to deal with the complex situations experienced in childhood and with relationships with parents. Finally, the interpretation leads to identifying different aesthetic choices and possible resolutions related to the affective world that help to promote memory and build a present and an identity.
{"title":"Búsquedas estéticas para el afecto y la desafección. La memoria de hijos de sobrevivientes y desaparecidos en Chile y Argentina","authors":"M. Gallardo, Karen Saban","doi":"10.19130/IIFL.AP.2021.1.883","DOIUrl":"https://doi.org/10.19130/IIFL.AP.2021.1.883","url":null,"abstract":"Using a methodological framework based on cultural studies concerning transgenerational memory and trauma, on the one hand, and theoretical contributions on affection and emotions, on the other, this article analyzes and compares a series of novels and films written and made by Chilean and Argentine novelists and filmmakers in which they reflect on exile, forced disappearance and the violence perpetrated by the dictatorships of the Southern Cone. In particular, it investigates the way in which affection is encoded in the contemporary literary and audiovisual production of these sons and daughters of the disappeared and of former militants. For this purpose, the relationships of tension, resignification, dialogue and / or questioning about the role of fathers and mothers in the lives of these children and their configuration in some illustrative works are analyzed. We begin with a consideration of the compositional and formal resources of these stories in order to then, on an interpretive level, link these aesthetic decisions with different strategies that are used to deal with the complex situations experienced in childhood and with relationships with parents. Finally, the interpretation leads to identifying different aesthetic choices and possible resolutions related to the affective world that help to promote memory and build a present and an identity.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46641568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-12DOI: 10.19130/IIFL.AP.2021.1.890
F. Morábito
This essay explores the nature of light in terms of personal experience, but also its emotional, poetic, and philosophical implications. Even when Plato is not quoted, the myth of the cave is implicitly discussed, in terms of the meaning of light as that which literally illuminates and creates belonging and, at the same time, also produces shadows, which are not —in this essay— the pale reflection of reality, but rather the unique and ephemeral traces of a true exercise of memory.
{"title":"Luz de apoyo","authors":"F. Morábito","doi":"10.19130/IIFL.AP.2021.1.890","DOIUrl":"https://doi.org/10.19130/IIFL.AP.2021.1.890","url":null,"abstract":"This essay explores the nature of light in terms of personal experience, but also its emotional, poetic, and philosophical implications. Even when Plato is not quoted, the myth of the cave is implicitly discussed, in terms of the meaning of light as that which literally illuminates and creates belonging and, at the same time, also produces shadows, which are not —in this essay— the pale reflection of reality, but rather the unique and ephemeral traces of a true exercise of memory.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47485528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-12DOI: 10.19130/IIFL.AP.2021.1.0888
G. Silva
Este artículo parte de la problemática sociocultural de Venezuela, extendiéndola a América Hispánica, respecto al inacabado proceso histórico de construcción de sus identidades culturales más allá de los determinismos europeos, de las leyendas míticas, o de las utopias acerca del ser americano. Abordaremos la singularidad de la literatura latinoamericana, en su representatividad del lugar de habla americano, a partir de imbricaciones entre literatura e historia. Como aportes teórico-críticos, nos basaremos en Picón Salas, Fernández Retamar, Lezama Lima y Cornejo Polar.
{"title":"José Lezama Lima e Antonio Cornejo Polar Las imbricaciones entre historia y literatura en la lectura de Mariano Picón Salas, Roberto Fernández Retamar, José Lezama Lima y Antonio Cornejo Polar","authors":"G. Silva","doi":"10.19130/IIFL.AP.2021.1.0888","DOIUrl":"https://doi.org/10.19130/IIFL.AP.2021.1.0888","url":null,"abstract":"Este artículo parte de la problemática sociocultural de Venezuela, extendiéndola a América Hispánica, respecto al inacabado proceso histórico de construcción de sus identidades culturales más allá de los determinismos europeos, de las leyendas míticas, o de las utopias acerca del ser americano. Abordaremos la singularidad de la literatura latinoamericana, en su representatividad del lugar de habla americano, a partir de imbricaciones entre literatura e historia. Como aportes teórico-críticos, nos basaremos en Picón Salas, Fernández Retamar, Lezama Lima y Cornejo Polar.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43626201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-12DOI: 10.19130/IIFL.AP.2021.1.891
Karla D. Urbano Gómez
*
*
{"title":"Gabriel M. Enríquez Hernández e Ivonne Sánchez Becerril (eds.). Memoria y reverberaciones de los sesenta y ocho. México: Instituto de Investigaciones Filológicas, unam, 2019.","authors":"Karla D. Urbano Gómez","doi":"10.19130/IIFL.AP.2021.1.891","DOIUrl":"https://doi.org/10.19130/IIFL.AP.2021.1.891","url":null,"abstract":"<jats:p>*</jats:p>","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43939674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-12DOI: 10.19130/IIFL.AP.2021.1.884
Nathaly Bernal, Hugo Armando Arciniegas
This article aims to contribute to the theoretical systematization of constituent aspects of the essay, in order to consider them in the practice of translation of this genre: argumentative superstructure, essayist narrator, ethical responsibility, generic hybridity, cultural references, and figures of speech and thought. To this end, we introduce a critical conceptualization of the essay and we review the theoretical-critical field of literary translation, both of traditional genres and of the essay, on which there are considerably less studies. We conclude that the identification and translation of these features result in the preservation of the stylistic and argumentative intentions of the essayist narrator, via which the translation constitutes an instance of ethical responsibility, both towards the author of the source text and the reader of the target text.
{"title":"Ensayo literario: hacia una teoría de la traducción","authors":"Nathaly Bernal, Hugo Armando Arciniegas","doi":"10.19130/IIFL.AP.2021.1.884","DOIUrl":"https://doi.org/10.19130/IIFL.AP.2021.1.884","url":null,"abstract":"This article aims to contribute to the theoretical systematization of constituent aspects of the essay, in order to consider them in the practice of translation of this genre: argumentative superstructure, essayist narrator, ethical responsibility, generic hybridity, cultural references, and figures of speech and thought. To this end, we introduce a critical conceptualization of the essay and we review the theoretical-critical field of literary translation, both of traditional genres and of the essay, on which there are considerably less studies. We conclude that the identification and translation of these features result in the preservation of the stylistic and argumentative intentions of the essayist narrator, via which the translation constitutes an instance of ethical responsibility, both towards the author of the source text and the reader of the target text.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49061556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-18DOI: 10.19130/iifl.ap.2020.2.875
L. M. Carrizales
Este articulo explora los ensayos que Alfonso Reyes recopilo en el volumen Transito de Amado Nervo (1937). El eje del estudio radica en la critica y la reproduccion que Reyes llevo a cabo a proposito del discurso hegemonico sobre Nervo en el horizonte cultural afectado por la inusitada popularidad del poeta. Reyes se centro en la sustancia biografica que hizo posible el discurso alrededor de la “sinceridad” del poeta y la austeridad estilistica de su aparato verbal. Este texto plantea que la oscilacion del juicio de Reyes obedecia a la indole filologica de su mentalidad literaria, que no podia ofrecer continuidad historica a la doctrina abrazada por Nervo hacia el periodo definitivo de su trayectoria, consistente en la identificacion de vida humana y poesia.
{"title":"El “magisterio negativo del arte”. Alfonso Reyes, exégeta de Amado Nervo (1913-1941)","authors":"L. M. Carrizales","doi":"10.19130/iifl.ap.2020.2.875","DOIUrl":"https://doi.org/10.19130/iifl.ap.2020.2.875","url":null,"abstract":"Este articulo explora los ensayos que Alfonso Reyes recopilo en el volumen Transito de Amado Nervo (1937). El eje del estudio radica en la critica y la reproduccion que Reyes llevo a cabo a proposito del discurso hegemonico sobre Nervo en el horizonte cultural afectado por la inusitada popularidad del poeta. Reyes se centro en la sustancia biografica que hizo posible el discurso alrededor de la “sinceridad” del poeta y la austeridad estilistica de su aparato verbal. Este texto plantea que la oscilacion del juicio de Reyes obedecia a la indole filologica de su mentalidad literaria, que no podia ofrecer continuidad historica a la doctrina abrazada por Nervo hacia el periodo definitivo de su trayectoria, consistente en la identificacion de vida humana y poesia.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43108683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-18DOI: 10.19130/iifl.ap.2020.41.2.0002
Bruno Grossi
Faced with the impossibility of imagining the future, humanity projects in the images of the disaster the reasons, ideologies, fears and utopias that lives at in each period. That’s why the historical impotence to transform the world has become, in many authors, strangely literal: impossibility or reluctance to breed. This provision not only concerns the survival of the species, but it carries within itself the rebellion against the systematic coercion of desire. This work aims to follow these images (present in philosophical, literary and cinematographic texts) in order to unravel the dichotomy between the rational project of the State and the individual ecstasy self-dissolving.
{"title":"El extasis y el proyecto. Notas sobre el fin del mundo","authors":"Bruno Grossi","doi":"10.19130/iifl.ap.2020.41.2.0002","DOIUrl":"https://doi.org/10.19130/iifl.ap.2020.41.2.0002","url":null,"abstract":"Faced with the impossibility of imagining the future, humanity projects in the images of the disaster the reasons, ideologies, fears and utopias that lives at in each period. That’s why the historical impotence to transform the world has become, in many authors, strangely literal: impossibility or reluctance to breed. This provision not only concerns the survival of the species, but it carries within itself the rebellion against the systematic coercion of desire. This work aims to follow these images (present in philosophical, literary and cinematographic texts) in order to unravel the dichotomy between the rational project of the State and the individual ecstasy self-dissolving.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43416845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-18DOI: 10.19130/iifl.ap.2020.2.872
E. R. Brondo
{"title":"Presentación del Thema: Narrativas del futuro y la sobrevivencia","authors":"E. R. Brondo","doi":"10.19130/iifl.ap.2020.2.872","DOIUrl":"https://doi.org/10.19130/iifl.ap.2020.2.872","url":null,"abstract":"","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47774835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-18DOI: 10.19130/iifl.ap.2020.2.873
Bruno Grossi
Ante la imposibilidad de imaginar el futuro, la humanidad proyecta en las imágenes del desastre las razones, las ideologías, los miedos y las utopías que laten en cada época. De allí que la impotencia histórica para transformar el mundo ha devenido, en muchos autores, extrañamente literal: la imposibilidad o la renuencia a engendrar. Disposición que no sólo atañe la supervivencia misma de la especie, sino que lleva en sí la rebelión frente a la coerción sistemática del deseo. Este trabajo pretende seguir esas imágenes (presentes en textos filosóficos, literarios y fílmicos) a fin de desentrañar la dicotomía entre el racional proyecto del Estado y el autodisolutorio éxtasis individual.
{"title":"El éxtasis y el proyecto. Notas sobre el fin del mundo","authors":"Bruno Grossi","doi":"10.19130/iifl.ap.2020.2.873","DOIUrl":"https://doi.org/10.19130/iifl.ap.2020.2.873","url":null,"abstract":"Ante la imposibilidad de imaginar el futuro, la humanidad proyecta en las imágenes del desastre las razones, las ideologías, los miedos y las utopías que laten en cada época. De allí que la impotencia histórica para transformar el mundo ha devenido, en muchos autores, extrañamente literal: la imposibilidad o la renuencia a engendrar. Disposición que no sólo atañe la supervivencia misma de la especie, sino que lleva en sí la rebelión frente a la coerción sistemática del deseo. Este trabajo pretende seguir esas imágenes (presentes en textos filosóficos, literarios y fílmicos) a fin de desentrañar la dicotomía entre el racional proyecto del Estado y el autodisolutorio éxtasis individual.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45729060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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