Pub Date : 2022-07-17DOI: 10.19130/iifl.ap.2022.2.178x270s4
Ute Seydel
The analysis establishes a relation between Anna Seghers’s story “Wiederbegegnung” and her aesthetic reflection on a literature written beyond the guidelines for the method of socialist realism. It is highlighted how the experiences of exile made by the couple Seghers-Radványi and the writer’s memory images regarding experiences emotionally strong undergone during the exile in France and Mexico served as point of departure for the creation of the fictional story about the Spanish republicans Celia and Alfonso Varela.
{"title":"Rememorar desde los afectos: exilio republicano y resistencia antifranquista en “Wiederbegegnung” de Anna Seghers","authors":"Ute Seydel","doi":"10.19130/iifl.ap.2022.2.178x270s4","DOIUrl":"https://doi.org/10.19130/iifl.ap.2022.2.178x270s4","url":null,"abstract":"The analysis establishes a relation between Anna Seghers’s story “Wiederbegegnung” and her aesthetic reflection on a literature written beyond the guidelines for the method of socialist realism. It is highlighted how the experiences of exile made by the couple Seghers-Radványi and the writer’s memory images regarding experiences emotionally strong undergone during the exile in France and Mexico served as point of departure for the creation of the fictional story about the Spanish republicans Celia and Alfonso Varela.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45151777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-17DOI: 10.19130/iifl.ap.2022.2.178x270s8
Noé Jitrik
This essay explores the thin boundaries of genres in Paul Verlaine’s poem “Colloque sentimental”, where the theatrical, the lyrical, and the narrative coexist. Of these three terms, the lyrical is the most elusive, which beyond its musical substratum, would be related to the expressive side, the accent placed on the poetic subject, the extreme subjectivation and the tendency to self-representation, the varied world of explicit feelings, a singular atmosphere, something similar to a “soft” world, traversed by the exaltation of the “other”, and all the expressive consequences that these considerations have in poetry.
{"title":"Lirismo-narratividad. Reflexiones a partir del poema “Colloque sentimental” de Paul Verlaine","authors":"Noé Jitrik","doi":"10.19130/iifl.ap.2022.2.178x270s8","DOIUrl":"https://doi.org/10.19130/iifl.ap.2022.2.178x270s8","url":null,"abstract":"This essay explores the thin boundaries of genres in Paul Verlaine’s poem “Colloque sentimental”, where the theatrical, the lyrical, and the narrative coexist. Of these three terms, the lyrical is the most elusive, which beyond its musical substratum, would be related to the expressive side, the accent placed on the poetic subject, the extreme subjectivation and the tendency to self-representation, the varied world of explicit feelings, a singular atmosphere, something similar to a “soft” world, traversed by the exaltation of the “other”, and all the expressive consequences that these considerations have in poetry.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43666691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-17DOI: 10.19130/iifl.ap.2022.2.178x270s1
Ricardo Pérez Martínez
{"title":"Presentación del Thema: Poética del ingenium","authors":"Ricardo Pérez Martínez","doi":"10.19130/iifl.ap.2022.2.178x270s1","DOIUrl":"https://doi.org/10.19130/iifl.ap.2022.2.178x270s1","url":null,"abstract":"","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41939815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-17DOI: 10.19130/iifl.ap.2022.2.178x270s9
Elsa R. Brondo
{"title":"Diego Sheinbaum, Poéticas en torno a Slaughterhouse Five. México: Instituto de Investigaciones Filológicas-UNAM, 2020.","authors":"Elsa R. Brondo","doi":"10.19130/iifl.ap.2022.2.178x270s9","DOIUrl":"https://doi.org/10.19130/iifl.ap.2022.2.178x270s9","url":null,"abstract":"","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47363209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-17DOI: 10.19130/iifl.ap.2022.2.178x270s5
José Inocencio Becerra Lagos, Witton Becerra Mayorga
Several works of contemporary indigenous literature from Latin America can be read as a scenario of lyrical and narrative proposal of a harmonious relationship between human beings and nature. Almost always in their own language, each poet criticizes, describes and proposes variants of this relationship, born from the way their people live with nature. In the collection of poems Bínÿbe oboyejuayëng (Dancers of the Wind), by Hugo Jamioy, we have found three thematic axes in which this relationship unfolds: the presence of plants, animals and roads. In this article, we will interpret these presences in some poems, complementing the analysis with the place they have in Camëntsá culture.
{"title":"Plantas, animales y caminos en la poesía de Hugo Jamioy","authors":"José Inocencio Becerra Lagos, Witton Becerra Mayorga","doi":"10.19130/iifl.ap.2022.2.178x270s5","DOIUrl":"https://doi.org/10.19130/iifl.ap.2022.2.178x270s5","url":null,"abstract":"Several works of contemporary indigenous literature from Latin America can be read as a scenario of lyrical and narrative proposal of a harmonious relationship between human beings and nature. Almost always in their own language, each poet criticizes, describes and proposes variants of this relationship, born from the way their people live with nature. In the collection of poems Bínÿbe oboyejuayëng (Dancers of the Wind), by Hugo Jamioy, we have found three thematic axes in which this relationship unfolds: the presence of plants, animals and roads. In this article, we will interpret these presences in some poems, complementing the analysis with the place they have in Camëntsá culture.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42958248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-17DOI: 10.19130/iifl.ap.2022.2.178x270s6
Giovanna Arias Carbone
Patsy, mi amor (1969) could seem like one more of the many films about young people thatwere shot in Mexico in the sixties or go unnoticed as an auteur extravaganza. A deeper look than the a-go-go irreverence and psychedelia, will find an aesthetic subtlety and an intertextual game that border on the excessive. This article does not intend to unfold that referential range, but rather to analyze one of the less obvious dialogues in the film, although with greater interpretative richness: the one established by the protagonist with the women of her own film tradition. To do this, we will analyze how the construction of the character of Patsy operates as a questioning of the classic saint/prostitute binarism, through a melancholic resistance to conventional femininity and eroticism.
{"title":"Patsy, mi amor, la melancólica evasión de la feminidad mexicana","authors":"Giovanna Arias Carbone","doi":"10.19130/iifl.ap.2022.2.178x270s6","DOIUrl":"https://doi.org/10.19130/iifl.ap.2022.2.178x270s6","url":null,"abstract":"Patsy, mi amor (1969) could seem like one more of the many films about young people thatwere shot in Mexico in the sixties or go unnoticed as an auteur extravaganza. A deeper look than the a-go-go irreverence and psychedelia, will find an aesthetic subtlety and an intertextual game that border on the excessive. This article does not intend to unfold that referential range, but rather to analyze one of the less obvious dialogues in the film, although with greater interpretative richness: the one established by the protagonist with the women of her own film tradition. To do this, we will analyze how the construction of the character of Patsy operates as a questioning of the classic saint/prostitute binarism, through a melancholic resistance to conventional femininity and eroticism.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49555234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-17DOI: 10.19130/iifl.ap.2022.2.178x270s2
Ricardo Pérez Martínez
Wit is one of the most important notions in European culture during the Renaissance and the Baroque. This article shows, with examples from Caramuel, Góngora and Cervantes, that there are three traditions of this notion in the European culture of the 16th and 17th centuries: wit as mental subtlety, related to Theology and Philosophy; wit as verbal acuity, related to Rhetoric and Poetry; and wit as a bodily temperament, related to physics, medicine, politics, and satire. Although the bibliography is extremely extensive, these three traditions can be emblematized with the following treatises: Examen de ingenios para las ciencias (1575) by Juan Huarte de San Juan; Agudeza y arte de ingenio (1648) by Baltasar Gracián; and Il cannocchiale aristotelico (1663) by Emanuele Tesauro.
智慧是文艺复兴和巴洛克时期欧洲文化中最重要的概念之一。本文以Caramuel、Góngora和Cervantes的例子表明,在16世纪和17世纪的欧洲文化中,这一概念有三个传统:智慧是与神学和哲学有关的心理微妙之处;机智作为语言的敏锐性,与修辞学和诗歌有关;智慧是一种身体气质,与物理学、医学、政治和讽刺有关。尽管参考书目极其广泛,但这三个传统可以用以下论文来体现:胡安·华尔特·德·圣胡安的《科学考试》(1575);巴尔塔萨·格拉西安的《Agudeza y arte de ingenio》(1648年);以及埃马努埃勒·特萨罗的《亚里士多德哲学》(1663)。
{"title":"Tres poéticas del ingenium en los siglos áureos: la sutileza, la agudeza y el temperamento","authors":"Ricardo Pérez Martínez","doi":"10.19130/iifl.ap.2022.2.178x270s2","DOIUrl":"https://doi.org/10.19130/iifl.ap.2022.2.178x270s2","url":null,"abstract":"Wit is one of the most important notions in European culture during the Renaissance and the Baroque. This article shows, with examples from Caramuel, Góngora and Cervantes, that there are three traditions of this notion in the European culture of the 16th and 17th centuries: wit as mental subtlety, related to Theology and Philosophy; wit as verbal acuity, related to Rhetoric and Poetry; and wit as a bodily temperament, related to physics, medicine, politics, and satire. Although the bibliography is extremely extensive, these three traditions can be emblematized with the following treatises: Examen de ingenios para las ciencias (1575) by Juan Huarte de San Juan; Agudeza y arte de ingenio (1648) by Baltasar Gracián; and Il cannocchiale aristotelico (1663) by Emanuele Tesauro.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49337442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-11DOI: 10.19130/iifl.ap.2022.43.1.458725
Daniel Samperio Jiménez
Belonging to the last stage of Jesús Gardea, El biombo y los frutos is one of his most enigmatic and perplexing novels. This article examines the relationship with painting in this work under the notion of pictorialism as a textual phenomenon that creates pictorial effects in the narrative. In particular, the dialogue between painting and gaze is analyzed, where the narration plays with both the vivid and illusory experience of representation in the story. With this, it sets out to elucidate one of the most suggestive elements of Gardea’s writing, especially manifested in this novel, not without seeking to contribute to a greater understanding of the author’s latest creative stage and aesthetic proposal.
《El biombo y los frutos》属于《Jesús Gardea》的最后一个阶段,是他最神秘、最令人困惑的小说之一。本文在画论的概念下考察了这幅作品中与绘画的关系,画论是一种在叙事中创造绘画效果的文本现象。特别是分析了绘画和凝视之间的对话,在对话中,叙事既发挥了故事中生动又虚幻的再现体验。借此,它试图阐明加迪亚写作中最具暗示性的元素之一,尤其是在这部小说中表现出来的元素,这也有助于更好地理解作者最新的创作阶段和美学建议。
{"title":"Emulación pictórica y experiencia ilusoria: pictorialismo en El biombo y los frutos de Jesús Gardea","authors":"Daniel Samperio Jiménez","doi":"10.19130/iifl.ap.2022.43.1.458725","DOIUrl":"https://doi.org/10.19130/iifl.ap.2022.43.1.458725","url":null,"abstract":"Belonging to the last stage of Jesús Gardea, El biombo y los frutos is one of his most enigmatic and perplexing novels. This article examines the relationship with painting in this work under the notion of pictorialism as a textual phenomenon that creates pictorial effects in the narrative. In particular, the dialogue between painting and gaze is analyzed, where the narration plays with both the vivid and illusory experience of representation in the story. With this, it sets out to elucidate one of the most suggestive elements of Gardea’s writing, especially manifested in this novel, not without seeking to contribute to a greater understanding of the author’s latest creative stage and aesthetic proposal.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46179589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-11DOI: 10.19130/iifl.ap.2022.43.1.458721
Ilanan Feldman
{"title":"Presentación del Thema: Medios audiovisuales: formas de ver la historia","authors":"Ilanan Feldman","doi":"10.19130/iifl.ap.2022.43.1.458721","DOIUrl":"https://doi.org/10.19130/iifl.ap.2022.43.1.458721","url":null,"abstract":"","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43789809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}