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Rememorar desde los afectos: exilio republicano y resistencia antifranquista en “Wiederbegegnung” de Anna Seghers 从情感中回忆:安娜·塞格斯的《维德贝格农》中的共和党流亡和反法西斯抵抗
Q4 Arts and Humanities Pub Date : 2022-07-17 DOI: 10.19130/iifl.ap.2022.2.178x270s4
Ute Seydel
The analysis establishes a relation between Anna Seghers’s story “Wiederbegegnung” and her aesthetic reflection on a literature written beyond the guidelines for the method of socialist realism. It is highlighted how the experiences of exile made by the couple Seghers-Radványi and the writer’s memory images regarding experiences emotionally strong undergone during the exile in France and Mexico served as point of departure for the creation of the fictional story about the Spanish republicans Celia and Alfonso Varela.
分析安娜·西格斯的小说《孤独》与她对超越社会主义现实主义方法指导的文学作品的审美反思之间的关系。这对夫妇的流亡经历Seghers-Radványi和作家在法国和墨西哥流亡期间所经历的情感强烈的记忆形象,是西班牙共和派西莉亚和阿方索·瓦雷拉的虚构故事创作的出发点。
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引用次数: 0
Lirismo-narratividad. Reflexiones a partir del poema “Colloque sentimental” de Paul Verlaine Lirismo-narratividad。对保罗·魏尔伦诗歌《Colloque sentimental》的反思
Q4 Arts and Humanities Pub Date : 2022-07-17 DOI: 10.19130/iifl.ap.2022.2.178x270s8
Noé Jitrik
This essay explores the thin boundaries of genres in Paul Verlaine’s poem “Colloque sentimental”, where the theatrical, the lyrical, and the narrative coexist. Of these three terms, the lyrical is the most elusive, which beyond its musical substratum, would be related to the expressive side, the accent placed on the poetic subject, the extreme subjectivation and the tendency to self-representation, the varied world of explicit feelings, a singular atmosphere, something similar to a “soft” world, traversed by the exaltation of the “other”, and all the expressive consequences that these considerations have in poetry.
本文探讨了保罗·维莱恩的诗歌《伤感的座谈会》中戏剧、抒情和叙事并存的流派界限。在这三个术语中,抒情是最难以捉摸的,除了它的音乐基础之外,它还与表达的一面、对诗歌主题的强调、极端的主观主义和自我表征的倾向、明确情感的变化世界、独特的氛围、类似于“软”世界的东西、,以及这些考虑因素在诗歌中产生的所有表现性后果。
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引用次数: 0
Presentación del Thema: Poética del ingenium 主题介绍:工程诗学
Q4 Arts and Humanities Pub Date : 2022-07-17 DOI: 10.19130/iifl.ap.2022.2.178x270s1
Ricardo Pérez Martínez
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引用次数: 0
Diego Sheinbaum, Poéticas en torno a Slaughterhouse Five. México: Instituto de Investigaciones Filológicas-UNAM, 2020. 迭戈·辛鲍姆,《屠宰场五》的诗学。墨西哥:研究所filologicas - unam, 2020。
Q4 Arts and Humanities Pub Date : 2022-07-17 DOI: 10.19130/iifl.ap.2022.2.178x270s9
Elsa R. Brondo
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引用次数: 0
Plantas, animales y caminos en la poesía de Hugo Jamioy 雨果·贾迈伊诗歌中的植物、动物和道路
Q4 Arts and Humanities Pub Date : 2022-07-17 DOI: 10.19130/iifl.ap.2022.2.178x270s5
José Inocencio Becerra Lagos, Witton Becerra Mayorga
Several works of contemporary indigenous literature from Latin America can be read as a scenario of lyrical and narrative proposal of a harmonious relationship between human beings and nature. Almost always in their own language, each poet criticizes, describes and proposes variants of this relationship, born from the way their people live with nature. In the collection of poems Bínÿbe oboyejuayëng (Dancers of the Wind), by Hugo Jamioy, we have found three thematic axes in which this relationship unfolds: the presence of plants, animals and roads. In this article, we will interpret these presences in some poems, complementing the analysis with the place they have in Camëntsá culture.
拉丁美洲当代土著文学的几部作品可以被解读为一种关于人与自然和谐关系的抒情和叙事方案。每位诗人几乎都是用自己的语言来批评、描述和提出这种关系的变体,这种关系源于他们的人民与自然相处的方式。在Hugo Jamioy的诗集Bínÿbe oboyejuayëng(风的舞者)中,我们发现了这一关系展开的三个主题轴:植物、动物和道路的存在。在这篇文章中,我们将在一些诗歌中解释这些存在,并用它们在Camëntsá文化中的位置来补充分析。
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引用次数: 0
Patsy, mi amor, la melancólica evasión de la feminidad mexicana 帕西,我的爱,对墨西哥女性气质的忧郁逃避
Q4 Arts and Humanities Pub Date : 2022-07-17 DOI: 10.19130/iifl.ap.2022.2.178x270s6
Giovanna Arias Carbone
Patsy, mi amor (1969) could seem like one more of the many films about young people thatwere shot in Mexico in the sixties or go unnoticed as an auteur extravaganza. A deeper look than the a-go-go irreverence and psychedelia, will find an aesthetic subtlety and an intertextual game that border on the excessive. This article does not intend to unfold that referential range, but rather to analyze one of the less obvious dialogues in the film, although with greater interpretative richness: the one established by the protagonist with the women of her own film tradition. To do this, we will analyze how the construction of the character of Patsy operates as a questioning of the classic saint/prostitute binarism, through a melancholic resistance to conventional femininity and eroticism.
《Patsy,mi amor》(1969)似乎是60年代在墨西哥拍摄的众多关于年轻人的电影中的又一部,或者作为一部导演盛宴而被忽视。比A-go-go的不敬和迷幻更深入地观察,会发现一种美学上的微妙之处和一种近乎过度的互文游戏。本文并不打算展开这一参照范围,而是分析电影中一个不太明显的对话,尽管有更丰富的解释:主角与她自己电影传统中的女性建立的对话。为了做到这一点,我们将分析Patsy角色的构建是如何通过对传统女性气质和情色的忧郁抵抗,作为对经典圣女二元主义的质疑。
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引用次数: 0
Tres poéticas del ingenium en los siglos áureos: la sutileza, la agudeza y el temperamento 黄金时代的三首诗歌:微妙、敏锐和气质
Q4 Arts and Humanities Pub Date : 2022-07-17 DOI: 10.19130/iifl.ap.2022.2.178x270s2
Ricardo Pérez Martínez
Wit is one of the most important notions in European culture during the Renaissance and the Baroque. This article shows, with examples from Caramuel, Góngora and Cervantes, that there are three traditions of this notion in the European culture of the 16th and 17th centuries: wit as mental subtlety, related to Theology and Philosophy; wit as verbal acuity, related to Rhetoric and Poetry; and wit as a bodily temperament, related to physics, medicine, politics, and satire. Although the bibliography is extremely extensive, these three traditions can be emblematized with the following treatises: Examen de ingenios para las ciencias (1575) by Juan Huarte de San Juan; Agudeza y arte de ingenio (1648) by Baltasar Gracián; and Il cannocchiale aristotelico (1663) by Emanuele Tesauro.
智慧是文艺复兴和巴洛克时期欧洲文化中最重要的概念之一。本文以Caramuel、Góngora和Cervantes的例子表明,在16世纪和17世纪的欧洲文化中,这一概念有三个传统:智慧是与神学和哲学有关的心理微妙之处;机智作为语言的敏锐性,与修辞学和诗歌有关;智慧是一种身体气质,与物理学、医学、政治和讽刺有关。尽管参考书目极其广泛,但这三个传统可以用以下论文来体现:胡安·华尔特·德·圣胡安的《科学考试》(1575);巴尔塔萨·格拉西安的《Agudeza y arte de ingenio》(1648年);以及埃马努埃勒·特萨罗的《亚里士多德哲学》(1663)。
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引用次数: 0
Emulación pictórica y experiencia ilusoria: pictorialismo en El biombo y los frutos de Jesús Gardea 绘画仿真和幻觉体验:Biombo和Jesus Gardea果实中的绘画主义
Q4 Arts and Humanities Pub Date : 2021-12-11 DOI: 10.19130/iifl.ap.2022.43.1.458725
Daniel Samperio Jiménez
Belonging to the last stage of Jesús Gardea, El biombo y los frutos is one of his most enigmatic and perplexing novels. This article examines the relationship with painting in this work under the notion of pictorialism as a textual phenomenon that creates pictorial effects in the narrative. In particular, the dialogue between painting and gaze is analyzed, where the narration plays with both the vivid and illusory experience of representation in the story. With this, it sets out to elucidate one of the most suggestive elements of Gardea’s writing, especially manifested in this novel, not without seeking to contribute to a greater understanding of the author’s latest creative stage and aesthetic proposal.
《El biombo y los frutos》属于《Jesús Gardea》的最后一个阶段,是他最神秘、最令人困惑的小说之一。本文在画论的概念下考察了这幅作品中与绘画的关系,画论是一种在叙事中创造绘画效果的文本现象。特别是分析了绘画和凝视之间的对话,在对话中,叙事既发挥了故事中生动又虚幻的再现体验。借此,它试图阐明加迪亚写作中最具暗示性的元素之一,尤其是在这部小说中表现出来的元素,这也有助于更好地理解作者最新的创作阶段和美学建议。
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引用次数: 0
Presentación del Thema: Medios audiovisuales: formas de ver la historia 主题介绍:视听媒体:看待历史的方式
Q4 Arts and Humanities Pub Date : 2021-12-11 DOI: 10.19130/iifl.ap.2022.43.1.458721
Ilanan Feldman
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引用次数: 0
Esther Cohen Dabbah (ed.). Imágenes de resistencia. México: Instituto de Investigaciones Filológicas, UNAM, 2020. 埃丝特·科恩·达巴(编辑)。抵抗的图像。墨西哥:联阿援助团语言学研究所,2020年。
Q4 Arts and Humanities Pub Date : 2021-12-11 DOI: 10.19130/iifl.ap.2022.43.1.458729
Carmen Paczka
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引用次数: 0
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