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Studies in Theatre and Performance最新文献

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Hyper-femininity as radical resistance: re-envisaging the starlet through a feminist practice of solidarity in It’s Sophie! (2018) 作为激进抵抗的超女性化:通过《是苏菲》中的女权主义团结实践重新审视女明星!(2018)
IF 0.3 3区 艺术学 Q2 Arts and Humanities Pub Date : 2024-06-16 DOI: 10.1080/14682761.2024.2342654
Sophie Swoffer
This article challenges the often-derided role of the young and apparently naive ‘starlet’ figure in film and stage performance. My engagement with the concept of the starlet originates from Laura ...
这篇文章对电影和舞台表演中年轻、天真的 "女明星 "角色提出了质疑。我对 "女明星 "这一概念的理解源于劳拉 ...
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引用次数: 0
Am I really the only one dancing? Seeking solidarity in wit(h)ness 真的只有我在跳舞吗?在机智中寻求团结
IF 0.3 3区 艺术学 Q2 Arts and Humanities Pub Date : 2024-06-16 DOI: 10.1080/14682761.2024.2342705
Marguerite Galizia
This performative paper interweaves contextual and theoretical discourse alongside the poetic, reflective text, to capture what Gherardi et al describe as the ‘sociomaterial traces’ of a practice o...
这篇表演性论文将背景和理论论述与诗歌、反思性文本交织在一起,以捕捉 Gherardi 等人所描述的实践的 "社会物质痕迹"。
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引用次数: 0
Divorced, beheaded, defied: solidarity in individual and collective herstories in SIX the Musical (2017) 离婚、斩首、反抗:音乐剧《SIX》中个人和集体故事中的团结(2017 年)
IF 0.3 3区 艺术学 Q2 Arts and Humanities Pub Date : 2024-06-16 DOI: 10.1080/14682761.2024.2341371
Leah Everquill
Recent television shows and specials, films, and biographical musicals such as SIX the Musical (2017), signal an ongoing preoccupation with the British monarchy, particularly as it intersects with ...
最近的电视节目和特别节目、电影以及传记音乐剧(如音乐剧《SIX》(2017 年))都表明了人们对英国君主制的持续关注,特别是当它与......
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引用次数: 0
‘Therapy with My Exotic Self’ 我的异域自我疗法
IF 0.3 3区 艺术学 Q2 Arts and Humanities Pub Date : 2024-04-28 DOI: 10.1080/14682761.2024.2339013
Negar Tahsili
This is the text of a short provocation that was prepared for the roundtable discussion on ‘Decolonisation and Solidarity’ as part of the conference, Borderlines IX: Seeking Solidarity and Wonder T...
这是一篇为 "非殖民化与团结 "圆桌讨论会准备的短文,是 "边界线 IX:寻求团结与奇迹 "会议的一部分。
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引用次数: 0
The body as territory: a movement perspective 作为领地的身体:运动视角
IF 0.3 3区 艺术学 Q2 Arts and Humanities Pub Date : 2024-04-25 DOI: 10.1080/14682761.2024.2342716
Amira I. Ramírez Salgado
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引用次数: 0
Collective resistance roundtable discussion 集体抵抗圆桌讨论会
IF 0.3 3区 艺术学 Q2 Arts and Humanities Pub Date : 2024-04-10 DOI: 10.1080/14682761.2024.2338974
Jason Benson, S. Sachsenmaier, Indu Jain, Kathryn Mederos Syssoyeva, Julia Listengarten
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引用次数: 0
Performance | Process | Politics 绩效 | 流程 | 政治
IF 0.3 3区 艺术学 Q2 Arts and Humanities Pub Date : 2024-04-09 DOI: 10.1080/14682761.2024.2338968
Stefanie Gabriele Sachsenmaier
Published in Studies in Theatre and Performance (Ahead of Print, 2024)
发表于《戏剧与表演研究》(2024 年提前出版)
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引用次数: 0
‘Me and the Sky’: smashing the glass ceiling in Come from Away , neoliberal feminism, and climate change 我与天空》:打破《从远方来》中的玻璃天花板、新自由主义女权主义和气候变化
IF 0.3 3区 艺术学 Q2 Arts and Humanities Pub Date : 2024-03-07 DOI: 10.1080/14682761.2024.2325305
Evelyn O’Malley
This article considers neoliberal feminism and environmental concerns in Irene Sankoff and David Hein’s musical Come from Away . While the musical is not directly concerned with anthropogenic climate change, many types of skies appear as thematic and meta-phorical preoccupations in the piece: feminist blue skies, stormy Newfoundland skies, the clear skies of the American Dream, skies of terror, and skies of war. I argue that Come from Away hides the tragedy of climate change in plain sight, in the sky. Undertaking a close analysis of the showstopping number ‘Me and the Sky,’ sung by the airline pilot Beverly Bass – based on the real-life woman of the same name – I observe the rift between neoliberal feminist success, acts of terror, and the slow-moving tempo of a changing climate. Come from Away’ s celebration of neoliberal feminism is cut short in the song, but it foreshadows the possibilities of a more successful recognition of the conjunction between feminist and environmental awareness.
本文探讨了艾琳-桑科夫(Irene Sankoff)和大卫-海恩(David Hein)的音乐剧《远方来》中的新自由主义女权主义和环境问题。虽然这部音乐剧并不直接涉及人为气候变化,但作品中出现了多种类型的天空,作为主题和元语法的关注点:女权主义的蓝天、纽芬兰暴风雨的天空、美国梦的晴空、恐怖的天空和战争的天空。我认为,《从远方来》将气候变化的悲剧隐藏在众目睽睽之下,隐藏在天空之中。我仔细分析了由航空公司飞行员贝弗利-巴斯(Beverly Bass)演唱的震撼人心的歌曲《我和天空》--该歌曲以现实生活中的同名女性为原型--我观察到了新自由主义女权主义者的成功、恐怖行动和气候变化的缓慢节奏之间的裂痕。Come from Away》对新自由主义女权主义的颂扬在歌声中戛然而止,但它预示着女权主义与环境意识之间的结合可能会得到更成功的认可。
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引用次数: 0
Performance and race: teaching Shakespeare to Saudi students using current events and popular culture 表演与种族:利用时事和流行文化向沙特学生教授莎士比亚戏剧
IF 0.3 3区 艺术学 Q2 Arts and Humanities Pub Date : 2024-02-18 DOI: 10.1080/14682761.2024.2319116
Naseem A. Alotaibi
This article considers the relevance of Shakespeare’s works to foreign students when taught in a non-native context, specifically, in Saudi Arabia. It argues that a student-centred approach could s...
本文探讨了在非母语环境下,特别是在沙特阿拉伯,莎士比亚作品与外国学生的相关性。文章认为,以学生为中心的教学方法可以帮助学生更好地理解莎士比亚的作品。
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引用次数: 0
“The messenger has arrived”: the Angel of America as a prophet of intra-action on stage "使者已到":美国天使作为舞台上的内部行动先知
IF 0.3 3区 艺术学 Q2 Arts and Humanities Pub Date : 2024-02-05 DOI: 10.1080/14682761.2024.2303920
Anna Bendrat
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引用次数: 0
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Studies in Theatre and Performance
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