Pub Date : 2024-04-28DOI: 10.1080/14682761.2024.2339013
Negar Tahsili
This is the text of a short provocation that was prepared for the roundtable discussion on ‘Decolonisation and Solidarity’ as part of the conference, Borderlines IX: Seeking Solidarity and Wonder T...
{"title":"‘Therapy with My Exotic Self’","authors":"Negar Tahsili","doi":"10.1080/14682761.2024.2339013","DOIUrl":"https://doi.org/10.1080/14682761.2024.2339013","url":null,"abstract":"This is the text of a short provocation that was prepared for the roundtable discussion on ‘Decolonisation and Solidarity’ as part of the conference, Borderlines IX: Seeking Solidarity and Wonder T...","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"31 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140910682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-25DOI: 10.1080/14682761.2024.2342716
Amira I. Ramírez Salgado
{"title":"The body as territory: a movement perspective","authors":"Amira I. Ramírez Salgado","doi":"10.1080/14682761.2024.2342716","DOIUrl":"https://doi.org/10.1080/14682761.2024.2342716","url":null,"abstract":"","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"22 7","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140658586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-10DOI: 10.1080/14682761.2024.2338974
Jason Benson, S. Sachsenmaier, Indu Jain, Kathryn Mederos Syssoyeva, Julia Listengarten
{"title":"Collective resistance roundtable discussion","authors":"Jason Benson, S. Sachsenmaier, Indu Jain, Kathryn Mederos Syssoyeva, Julia Listengarten","doi":"10.1080/14682761.2024.2338974","DOIUrl":"https://doi.org/10.1080/14682761.2024.2338974","url":null,"abstract":"","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"2018 10","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140718375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-09DOI: 10.1080/14682761.2024.2338968
Stefanie Gabriele Sachsenmaier
Published in Studies in Theatre and Performance (Ahead of Print, 2024)
发表于《戏剧与表演研究》（2024 年提前出版）
{"title":"Performance | Process | Politics","authors":"Stefanie Gabriele Sachsenmaier","doi":"10.1080/14682761.2024.2338968","DOIUrl":"https://doi.org/10.1080/14682761.2024.2338968","url":null,"abstract":"Published in Studies in Theatre and Performance (Ahead of Print, 2024)","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"12 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140542145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-07DOI: 10.1080/14682761.2024.2325305
Evelyn O’Malley
This article considers neoliberal feminism and environmental concerns in Irene Sankoff and David Hein’s musical Come from Away . While the musical is not directly concerned with anthropogenic climate change, many types of skies appear as thematic and meta-phorical preoccupations in the piece: feminist blue skies, stormy Newfoundland skies, the clear skies of the American Dream, skies of terror, and skies of war. I argue that Come from Away hides the tragedy of climate change in plain sight, in the sky. Undertaking a close analysis of the showstopping number ‘Me and the Sky,’ sung by the airline pilot Beverly Bass – based on the real-life woman of the same name – I observe the rift between neoliberal feminist success, acts of terror, and the slow-moving tempo of a changing climate. Come from Away’ s celebration of neoliberal feminism is cut short in the song, but it foreshadows the possibilities of a more successful recognition of the conjunction between feminist and environmental awareness.
本文探讨了艾琳-桑科夫（Irene Sankoff）和大卫-海恩（David Hein）的音乐剧《远方来》中的新自由主义女权主义和环境问题。虽然这部音乐剧并不直接涉及人为气候变化，但作品中出现了多种类型的天空，作为主题和元语法的关注点：女权主义的蓝天、纽芬兰暴风雨的天空、美国梦的晴空、恐怖的天空和战争的天空。我认为，《从远方来》将气候变化的悲剧隐藏在众目睽睽之下，隐藏在天空之中。我仔细分析了由航空公司飞行员贝弗利-巴斯（Beverly Bass）演唱的震撼人心的歌曲《我和天空》--该歌曲以现实生活中的同名女性为原型--我观察到了新自由主义女权主义者的成功、恐怖行动和气候变化的缓慢节奏之间的裂痕。Come from Away》对新自由主义女权主义的颂扬在歌声中戛然而止，但它预示着女权主义与环境意识之间的结合可能会得到更成功的认可。
{"title":"‘Me and the Sky’: smashing the glass ceiling in\u0000 Come from Away\u0000 , neoliberal feminism, and climate change","authors":"Evelyn O’Malley","doi":"10.1080/14682761.2024.2325305","DOIUrl":"https://doi.org/10.1080/14682761.2024.2325305","url":null,"abstract":"This article considers neoliberal feminism and environmental concerns in Irene Sankoff and David Hein’s musical Come from Away . While the musical is not directly concerned with anthropogenic climate change, many types of skies appear as thematic and meta-phorical preoccupations in the piece: feminist blue skies, stormy Newfoundland skies, the clear skies of the American Dream, skies of terror, and skies of war. I argue that Come from Away hides the tragedy of climate change in plain sight, in the sky. Undertaking a close analysis of the showstopping number ‘Me and the Sky,’ sung by the airline pilot Beverly Bass – based on the real-life woman of the same name – I observe the rift between neoliberal feminist success, acts of terror, and the slow-moving tempo of a changing climate. Come from Away’ s celebration of neoliberal feminism is cut short in the song, but it foreshadows the possibilities of a more successful recognition of the conjunction between feminist and environmental awareness.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"56 17","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140258653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-18DOI: 10.1080/14682761.2024.2319116
Naseem A. Alotaibi
This article considers the relevance of Shakespeare’s works to foreign students when taught in a non-native context, specifically, in Saudi Arabia. It argues that a student-centred approach could s...
{"title":"Performance and race: teaching Shakespeare to Saudi students using current events and popular culture","authors":"Naseem A. Alotaibi","doi":"10.1080/14682761.2024.2319116","DOIUrl":"https://doi.org/10.1080/14682761.2024.2319116","url":null,"abstract":"This article considers the relevance of Shakespeare’s works to foreign students when taught in a non-native context, specifically, in Saudi Arabia. It argues that a student-centred approach could s...","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"2 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139922938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-05DOI: 10.1080/14682761.2024.2303920
Anna Bendrat
{"title":"“The messenger has arrived”: the Angel of America as a prophet of intra-action on stage","authors":"Anna Bendrat","doi":"10.1080/14682761.2024.2303920","DOIUrl":"https://doi.org/10.1080/14682761.2024.2303920","url":null,"abstract":"","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"33 7","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139805009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-05DOI: 10.1080/14682761.2024.2303920
Anna Bendrat
{"title":"“The messenger has arrived”: the Angel of America as a prophet of intra-action on stage","authors":"Anna Bendrat","doi":"10.1080/14682761.2024.2303920","DOIUrl":"https://doi.org/10.1080/14682761.2024.2303920","url":null,"abstract":"","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"22 5","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139864592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-08DOI: 10.1080/14682761.2023.2301215
Veronika Veselková
This article examines the use of reality theatre and its seemingly distinct categories, ethnotheatre and documentary theatre, within the social sciences. Reality theatre employs qualitative methodo...
{"title":"Reality theatre as a method for social science research: the Vietnamese diaspora in central europe","authors":"Veronika Veselková","doi":"10.1080/14682761.2023.2301215","DOIUrl":"https://doi.org/10.1080/14682761.2023.2301215","url":null,"abstract":"This article examines the use of reality theatre and its seemingly distinct categories, ethnotheatre and documentary theatre, within the social sciences. Reality theatre employs qualitative methodo...","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"5 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139407347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-17DOI: 10.1080/14682761.2023.2266205
Rebecca Benzie, Benjamin Poore
New plays set in the past continue to make up a significant proportion of theatre productions in England. This article argues that there is much to gain by recognising such works as ‘history plays’...
以过去为背景的新剧继续在英国戏剧作品中占很大比例。本文认为，将这类作品视为“历史剧”将大有裨益。
{"title":"History plays in the twenty-first century: new tools for interpreting the contemporary performance of the past","authors":"Rebecca Benzie, Benjamin Poore","doi":"10.1080/14682761.2023.2266205","DOIUrl":"https://doi.org/10.1080/14682761.2023.2266205","url":null,"abstract":"New plays set in the past continue to make up a significant proportion of theatre productions in England. This article argues that there is much to gain by recognising such works as ‘history plays’...","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"109 14","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138292884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：