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Very Important People: Status and Beauty in the Global Party Circuit, Ashley Mears (2020) 《重要人物:全球派对中的地位与美丽》,阿什利·米尔斯著(2020)
IF 0.4 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/infs_00090_5
Damon Reed
Review of: Very Important People: Status and Beauty in the Global Party Circuit, Ashley Mears (2020) Princeton, NJ and Oxford: Princeton University Press, 320 pp., ISBN 978-0-69122-705-4, p/bk, £12.99 ISBN 978-0-69116-865-4, h/bk, £25.00
评论:《非常重要的人:全球派对巡回赛中的地位和美丽》,Ashley Mears(2020),新泽西州普林斯顿和牛津:普林斯顿大学出版社,320页,ISBN 978-0-69122-705-4,p/bk,12.99英镑,ISBN 78-0-69116-865-4,h/bk,25.00英镑
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引用次数: 1
‘New ethics’ in Russian fashion magazines: Discussing ‘western-ness’, Russian-ness and values 俄罗斯时尚杂志中的“新伦理”——兼论“西方性”、俄罗斯性和价值观
IF 0.4 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/infs_00084_1
I. Solomatina
This article analyses the discourse around ‘new ethics’ in Russia’s two lifestyle and fashion publications – Vogue Russia and The Blueprint. The ‘new ethics’ is a vague term which, by the late 2010s in Russia, had come to refer to a whole spate of disparate initiatives, attitudes and ethical norms, including sustainability, diversity and inclusion, the #MeToo movement and anti-racist practices. Remarkably, the discourse around the ‘new ethics’ has gained currency at a time when the Russian state urges Russians to embrace ‘traditional values’ that are rooted in Orthodox Christianity. Employing qualitative analysis of texts and images this article demonstrates that, in Russian fashion and lifestyle magazines, the ‘new ethics’ discourse has emerged as a site for negotiating women’s and queer rights, ‘traditional’ and ‘western’ values, as well as Russian state politics, while simultaneously providing a way for the publications to disassociate themselves from the state-promoted values.
本文分析了俄罗斯两份生活时尚刊物《Vogue Russia》和《the Blueprint》围绕“新伦理”的论述。“新伦理”是一个模糊的术语,到2010年代末,它在俄罗斯已经被用来指代一系列不同的倡议、态度和道德规范,包括可持续性、多样性和包容性、#MeToo运动和反种族主义实践。值得注意的是,在俄罗斯政府敦促俄罗斯人接受根植于东正教的“传统价值观”之际,围绕“新伦理”的讨论开始流行起来。本文通过对文本和图像的定性分析表明,在俄罗斯时尚和生活方式杂志中,“新伦理”话语已经成为讨论女性和酷儿权利、“传统”和“西方”价值观以及俄罗斯国家政治的场所,同时也为出版物提供了一种与国家倡导的价值观分离的方式。
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引用次数: 0
Whose body is it anyway? Disguising a disabled self 这是谁的尸体?伪装残疾的自己
IF 0.4 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/infs_00087_7
N. Cornell
This article traces a year in which I moved from Cape Town, South Africa to the University of Oxford, England for my master’s in African studies. It presents a series of vignettes to explore the interplay of disability, dress and disguise during that time as trauma, alienation and my history of mental illness triggered a health crisis. The physical realities of living in my new body fundamentally changed not only how I dressed it, but my relationship with dress itself. Dressing became an obstacle to being able to be in the external world, a performance of invisibility to dissolve the selves that rendered me so abnormal, both politically and medically, and a touchstone of a prior and better existence.
这篇文章追溯了我从南非开普敦搬到英国牛津大学攻读非洲研究硕士的一年。它呈现了一系列小插曲,探讨了在创伤、疏离感和我的精神病史引发健康危机的那段时间里,残疾、着装和伪装之间的相互作用。生活在我新身体里的物理现实从根本上改变了我的穿着方式,也改变了我与衣服本身的关系。穿着成了融入外部世界的障碍,是一种隐形的表现,它使我在政治和医学上都变得如此反常,也是一块先前更好的存在的试金石。
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引用次数: 0
Garmenting: Costume as Contemporary Art, curated by Alexandra Schwartz, Museum of Arts and Design, New York, 12 March–14 August 2022 服装:作为当代艺术的服装,由Alexandra Schwartz策划,艺术与设计博物馆,纽约,2022年3月12日至8月14日
IF 0.4 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/infs_00088_5
Doris Domoszlai-Lantner
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引用次数: 0
On the paratextual thresholds of fashion: The creation and early analysis of a dataset of fashion magazine captions 论时尚的副文本阈值:时尚杂志标题数据集的创建和早期分析
IF 0.4 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/infs_00085_1
Laura Gardner, Femke de Vries, Rowan McNaught
This article focuses on fashion ‘paratexts’ – text snippets such as titles, introductions and captions – as connotative and denotative forces within the ecosystem of the fashion magazine. Building on current research on fashion text and writing, we introduce the ‘Fashion Paratext Dataset’: a research project that explores the technical and aesthetic dimensions of fashion captions and their strategic role in the reading of fashion images. The project employs a methodology from data science to produce a substantial dataset of modern fashion captions that can be analysed and interpreted by the researchers. This article outlines the context, methodology and reports on initial findings of this research project which aims to further understand the way language, via paratexts, functions in the cyclical production of fashion and throughout its history as a modern industry. Further to this, we show how these liminal texts actively mediate editorial content within contemporary fashion media (a hybrid of digital and analogue platforms) and thus define how we relate to garments, and fashion.
本文关注时尚“准文本”——标题、介绍和标题等文本片段——作为时尚杂志生态系统中的内涵和外延力量。基于当前对时尚文本和写作的研究,我们介绍了“时尚文本数据集”:一个研究项目,探索时尚标题的技术和美学维度及其在时尚图像阅读中的战略作用。该项目采用了数据科学的方法,生成了大量的现代时尚标题数据集,研究人员可以对这些数据集进行分析和解释。本文概述了该研究项目的背景、方法和初步研究结果,旨在通过文本进一步了解语言在时尚循环生产中的作用,以及作为现代产业的整个历史。除此之外,我们还展示了这些阈值文本如何在当代时尚媒体(数字和模拟平台的混合体)中积极地调解编辑内容,从而定义了我们如何与服装和时尚联系起来。
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引用次数: 0
The Fashion Show Goes Live: Exclusive and Mediatized Performance, Rebecca Halliday (2022) 时装秀现场直播:独家和中介表演,Rebecca Halliday(2022)
IF 0.4 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/infs_00091_5
Marco Pecorari
Review of: The Fashion Show Goes Live: Exclusive and Mediatized Performance, Rebecca Halliday (2022) London, New York and Dublin: Bloomsbury, 234 pp., ISBN 978-1-35022-634-0, h/bk, $143.95
评论:The Fashion Show Goes Live:Exclusive and Mediated Performance,Rebecca Halliday(2022)伦敦、纽约和都柏林:Bloomsbury,234页,ISBN 978-1-35022-634-0,h/bk,143.95美元
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引用次数: 0
Contemporary changes and challenges in the practice of trend forecasting 趋势预测实践的当代变化和挑战
IF 0.4 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/infs_00086_1
C. C. Garcia
This article examines the evolution of trend forecasting and its challenges in complex and fast-paced changing times. This qualitative and exploratory study consisted of nine in-depth interviews with trend forecasting experts and a supportive literature review that contextualizes this research and illuminates the gaps that could benefit from primary qualitative data. The research question that guides this work is: what are the current challenges and changes in fashion forecasting? The findings show that trend forecasting is facing crucial challenges regarding three main areas: (1) the acceleration of change and the chaotic pulverization of information, (2) the complexity of cultural information versus the elitist and exclusive approach to the practice, (3) the intersection between technology and human skills in trend analysis. It concludes that trend forecasting is faulty in dealing with the complexity of more diverse, multidirectional and nonconformist contemporary societies since it works as a tool to conform, compress, flatten and simplify information to guide the industry rather than to communicate the complexity of cultural shifts in all their possibilities, nuances and details.
本文探讨了趋势预测的演变及其在复杂快节奏变化时代面临的挑战。这项定性和探索性研究包括对趋势预测专家的九次深入访谈和一篇支持性文献综述,该综述将这项研究置于背景中,并阐明了可以从初级定性数据中受益的差距。指导这项工作的研究问题是:时尚预测目前面临的挑战和变化是什么?研究结果表明,趋势预测在三个主要领域面临着至关重要的挑战:(1)变革的加速和信息的混乱粉碎,(2)文化信息与精英和排他性实践方法的复杂性,(3)趋势分析中技术和人类技能的交叉。它得出的结论是,趋势预测在处理更多样、多方向和不墨守成规的当代社会的复杂性方面是错误的,因为它是一种整合、压缩、扁平化和简化信息的工具,以指导行业,而不是传达文化转变的所有可能性、细微差别和细节的复杂性。
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引用次数: 1
Frans Hals: The Male Portrait, Lelia Packer and Ashok Roy (2021) 弗兰斯·哈尔斯:《男性肖像》,莱利亚·帕克和阿肖克·罗伊(2021)
IF 0.4 Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/infs_00089_5
Paul Bench
Review of: Frans Hals: The Male Portrait, Lelia Packer and Ashok Roy (2021) London: Philip Wilson Publishers and Bloomsbury, 130 pp., ISBN 978-1-78130-110-4, p/bk, £20
评论:Frans Hals:The Male Portrait,Lelia Packer and Ashok Roy(2021)伦敦:Philip Wilson出版社和Bloomsbury出版社,130页,ISBN 978-1-78130-110-4,p/bk,20英镑
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引用次数: 0
State of play in Australian sustainable fashion research: Current and future directions 澳大利亚可持续时尚研究现状:当前和未来方向
IF 0.4 Q1 Arts and Humanities Pub Date : 2023-01-23 DOI: 10.1386/infs_00083_1
M. Retamal, T. Brydges, S. Sharpe, T. Ferrero-Regis, Deborah Fisher, A. Gwilt, Lisa Lake, Monika Holgar, Rimi Khan, Zoe Nay, A. Payne, Katie Roberts
Australian fashion is emblematic of Global North countries with high levels of consumption and waste, dominated by high street fast fashion brands. It also has some unique characteristics as it is located in the Asia-Pacific region – the central production hub of garments – and is a leading producer of quality natural fibres such as cotton and wool. Despite this, Australia has a hollowed-out manufacturing sector that can provide minimal value add to these fibres, and little reuse, remanufacturing or recycling infrastructure for post-consumption garment waste. Ambition for change in the Australian fashion sector is rapidly accelerating with product stewardship initiatives, a modern slavery act and textile waste being designated a priority by the Commonwealth government. Both the policy and industry landscape is evolving. This article reflects on the research landscape of Australian sustainable fashion. The authors of this article draw on multi- and interdisciplinary perspectives and the UN Sustainable Development Goals (SDGs) to survey and consider the trajectory of fashion sustainability research in Australia over the past decade and to identify key strengths and gaps. This survey culminates in the development of a research agenda for the next decade to 2030.
澳大利亚时尚是全球北方国家的象征,这些国家的消费和浪费水平很高,主要由商业街快时尚品牌主导。它也有一些独特的特点,因为它位于亚太地区——服装的中心生产中心——并且是棉花和羊毛等优质天然纤维的领先生产商。尽管如此,澳大利亚的制造业空心化,可以为这些纤维提供最小的附加值,消费后服装废物的再利用、再制造或回收基础设施很少。随着产品管理举措、现代奴隶制法案和纺织垃圾被英联邦政府列为优先事项,澳大利亚时尚行业的变革雄心正在迅速加快。政策和行业格局都在演变。本文对澳大利亚可持续时尚的研究现状进行了反思。本文作者利用多学科和跨学科的视角以及联合国可持续发展目标(SDG),调查和考虑了澳大利亚过去十年时尚可持续性研究的轨迹,并确定了关键的优势和差距。这项调查的高潮是制定了到2030年的下一个十年的研究议程。
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引用次数: 0
The Battle of the Hemlines: Clothing and Illness in the Early Twentieth Century 《裙摆之战:二十世纪早期的服装与疾病
IF 0.4 Q1 Arts and Humanities Pub Date : 2023-01-01 DOI: 10.38055/sof010104
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International Journal of Fashion Studies
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