Pub Date : 2024-04-05DOI: 10.17077/0737-0679.33786
Ed Folsom
Walt Whitman: A Current Bibliography, Summer/Fall 2023
沃尔特-惠特曼：最新书目》，2023 年夏/秋季刊
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Pub Date : 2024-04-05DOI: 10.17077/0737-0679.32146
Maire Mullins
In letters and conversations with friends and acquaintances, Whitman's ideas about his "burial house" gradually took shape over the four years prior to his death in March 1892. The completion of Whitman's tomb represented the culmination of a complicated series of decisions. While the location of Whitman's tomb, its design, and its cost are topics that have received various critical and biographical interpretations, this essay includes recently uncovered materials that provide a clearer understanding of the process that unfolded in the years prior to Whitman's death regarding his tomb.
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Pub Date : 2024-04-05DOI: 10.17077/0737-0679.33782
S. Schöberlein
Walt Whitman. Leaves of Grass / Grashalme: Zweisprachige Fassung der Erstausgabe von 1855. Translated by Walter Grünzweig and a team of translators at TU Dortmund University. Aachen: Rimbaud, 2022. 226 pp.
沃尔特-惠特曼草叶集 / Grashalme》：1855 年初版的双语版，由 Walter Grünzweig 和多特蒙德工业大学的译者团队翻译。亚琛：亚琛：兰波，2022 年。226 页。
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Pub Date : 2023-09-22DOI: 10.17077/0737-0679.32136
Ed Folsom
Walt Whitman: A Current Bibliography, Winter/Spring 2023
沃尔特·惠特曼:当前参考书目，2023年冬/春
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Pub Date : 2023-09-22DOI: 10.17077/0737-0679.31863
Nathan Tye
Drawing on a previously unrecorded letter by a Brooklyn carpenter, William C. Booth, which describes his assessment of Walter and Walt Whitman, his business and personal relationships with both, and willingness to disclose more about Walt in person, this essay excavates the contexts and contents of this letter, its writer and recipient, and its contributions to the biographies of Walter and Walt Whitman. It connects the Whitman family to the Booths, prominent Brooklyn homebuilders who employed Walter when the Whitman family returned from Long Island. It also highlights the previously undocumented friendship between William Booth and Walt Whitman prior to the publication of Leaves of Grass.
布鲁克林木匠威廉·c·布斯(William C. Booth)写了一封以前没有记录的信，信中描述了他对沃尔特和沃尔特·惠特曼的评价，他与两人的商业和个人关系，以及他愿意亲自透露更多关于沃尔特的信息。本文利用这封信的背景和内容，它的作者和收件人，以及它对沃尔特和沃尔特·惠特曼传记的贡献。它将惠特曼家族与布斯家族联系在一起，布斯家族是布鲁克林著名的住宅建筑商，惠特曼家族从长岛回来后，布斯家族雇佣了沃尔特。它还突出了在《草叶集》出版之前，威廉·布斯和沃尔特·惠特曼之间未被记载的友谊。
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Pub Date : 2023-09-22DOI: 10.17077/0737-0679.32137
Brandon James O'Neil
Susan Jaffe Tane and Karen Karbiener. Poet of the Body: New York’s Walt Whitman—An exhibition based on the Walt Whitman Collection of Susan Jaffe Tane on the occasion of the Bicentennial Anniversary of Whitman’s Birthday. New York: The Grolier Club, 2019. 218 pp.
Susan Jaffe Tane和Karen Karbiener。身体的诗人:纽约的沃尔特·惠特曼——在惠特曼诞辰200周年之际，以苏珊·杰夫·塔尼的沃尔特·惠特曼作品集为基础的展览。纽约:The Grolier Club, 2019。218页。
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Pub Date : 2023-04-21DOI: 10.17077/0737-0679.31914
Ed Folsom
Walt Whitman: A Current Bibliography, Summer/Fall 2022.
沃尔特·惠特曼:当前书目，2022年夏/秋。
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Pub Date : 2022-07-07DOI: 10.17077/0737-0679.31103
Roger Sedarat
While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his explicit foreign references, aside from observations of specific Persian signifiers in “A Persian Lesson,” his engagement with the poetry of Iran has remained especially speculative and therefore analogical, with studies like J. R. LeMaster and Sabahat Jahan’s Walt Whitman and the Persian Poets showing how his mystical relation to his own religious influences tends to resemble the Sufism of Rumi and Hafez. A new discovery emerging from an examination of his personal copy of William Alger’s The Poetry of the East along with his reading of Emerson’s essay “Persian Poetry,” however, reveal a rather subtle yet sustained attempt to directly imitate the foreign verse throughout much of Drum-Taps. That his reliance upon identifiable foreign models to depict what he deemed his nation’s most significant historical moment further coincides with a dramatic shift in style of writing calls for closer comparative analysis of how and why he came to mimic translations of this poetry. Such a reading suggests that compared with previous Orientalist studies, Whitman appears even more personally invested in Persian verse, using it to surrender the distinct Romantic individuality of his earlier poems for the greater spiritual preservation of his conflicted nation.
尽管沃尔特·惠特曼对东方的主题使用继续受到批评，这是基于他明确的外国参考，除了在《波斯课》中对特定波斯能指的观察之外，他对伊朗诗歌的参与仍然特别具有推测性，因此是类比性的，比如J.R。勒马斯特和萨巴赫·贾汉的《沃尔特·惠特曼与波斯诗人》展示了他与自己的宗教影响之间的神秘关系如何类似于鲁米和哈菲兹的苏菲主义。然而，在对威廉·阿尔杰的《东方诗歌》（The Poetry of The East）的个人副本以及对爱默生的散文《波斯诗歌》（Persian Poetry）的阅读中，一项新发现揭示了一种相当微妙但持续的尝试，即在《鼓点》（Drum Taps）的大部分作品中直接模仿外国诗歌。他依赖可识别的外国模型来描绘他认为自己国家最重要的历史时刻，这与写作风格的戏剧性转变相吻合，这需要对他如何以及为什么模仿这首诗的翻译进行更深入的比较分析。这样的解读表明，与之前的东方主义研究相比，惠特曼似乎对波斯诗歌更加投入，用它来放弃他早期诗歌中独特的浪漫主义个性，以更好地维护他矛盾的国家的精神。
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