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WALT WHITMAN QUARTERLY REVIEW最新文献

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Morton Schoolman. A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics. 莫顿教授。民主启蒙:和解形象、美育、可能的政治。
IF 0.2 3区 文学 Q4 Arts and Humanities Pub Date : 2022-06-27 DOI: 10.17077/0737-0679.31460
J. Seery
A review of Morton Schoolman, A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics.
莫顿·斯库曼:《民主启蒙:和解形象、美育、可能的政治》述评。
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引用次数: 0
"The Indications" (1857) An Early Whitman Imitation 《迹象》(1857)早期对惠特曼的模仿
IF 0.2 3区 文学 Q4 Arts and Humanities Pub Date : 2022-06-24 DOI: 10.17077/0737-0679.31078
Zachary M Turpin
This note discusses a previously unknown non-parodic Whitman imitation that pre-dates Adah Isaac Menken's Infelicia (1868). Titled "The Indications," this poem appeared in the June 3, 1857, issue of Life Ilustrated magazine (New York: Fowler and Wells).
这篇笔记讨论了一个以前未知的非戏仿惠特曼的模仿,该模仿可以追溯到阿达·艾萨克·门肯的《传染病》(1868)。这首诗名为《迹象》,发表在1857年6月3日的《生活》杂志(纽约:Fowler and Wells)上。
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引用次数: 0
Walt Whitman, Editor* of the New-York Atlas 沃尔特·惠特曼,《纽约地图集》编辑*
IF 0.2 3区 文学 Q4 Arts and Humanities Pub Date : 2022-06-24 DOI: 10.17077/0737-0679.31076
Stefan Schöberlein, Stephanie M. Blalock, Kevin McMullen, Jason J. Stacy
A note by the WWA journalism grant team, introducing a few discovery (attached at end of document) and proposing a new theory of Whitman as an editor of the Atlas. In length, it could be a short article or a long note. In genre, it's probably closest to a note.
WWA新闻资助小组的注释,介绍了一些发现(附在文件末尾),并提出了惠特曼作为地图集编辑的新理论。在长度上,可以是一篇短文,也可以是一篇长篇笔记。在体裁上,它可能最接近音符。
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引用次数: 0
Review of Whitman in Washington 惠特曼在华盛顿的书评
IF 0.2 3区 文学 Q4 Arts and Humanities Pub Date : 2022-03-25 DOI: 10.17077/0737-0679.31399
Martin T. Buinicki
A review of Kenneth M. Price's Whitman in Washington: Becoming the National Poet in the Federal City (Oxford 2020).
肯尼斯·M·普莱斯(Kenneth M.Price)的《华盛顿的惠特曼:成为联邦城的国家诗人》(Oxford 2020)评论。
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引用次数: 0
David Grant. “The Disenthralled Hosts of Freedom”: Party Prophecy in the Antebellum Editions of Leaves of Grass. 大卫·格兰特。“迷醉的自由之主”:《草叶集》战前版本中的政党预言。
IF 0.2 3区 文学 Q4 Arts and Humanities Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31122
Andrew Butt
Review of David Grant, "The Disenthralled Hosts of Freedom": Party Prophecy in the Antebellum Editions of Leaves of Grass.
David Grant评论,《自由的迷醉宿主》:《草叶集》战前版本中的政党预言。
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引用次数: 0
Back Matter, Walt Whitman Quarterly Review, vol. 39, no. 2/3 《Back Matter》,《Walt Whitman季刊评论》,第39卷,第2/3期
IF 0.2 3区 文学 Q4 Arts and Humanities Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31137
W. Whitman
Back Matter, Walt Whitman Quarterly Review, vol. 39, no. 2/3
《惠特曼季刊评论》,第39卷,第39号。2/3
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引用次数: 0
Walt Whitman: A Current Bibliography, Fall 2021/Winter 2022 沃尔特·惠特曼:当前书目,2021年秋季/2022年冬季
IF 0.2 3区 文学 Q4 Arts and Humanities Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31129
Ed Folsom
Walt Whitman: A Current Bibliography, Fall 2021/Winter 2022.
沃尔特·惠特曼:当前书目,2021年秋季/ 2022年冬季。
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引用次数: 0
"I am more interested than you know, Bill": The Life and Times of William Henry Duckett, Jr. “我比你更感兴趣,比尔”:小威廉·亨利·达克特的生活和时代。
IF 0.2 3区 文学 Q4 Arts and Humanities Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31077
Stephanie M. Blalock, Brandon James O’Neil
Traces Whitman's carriage driver and "youthful companion" Bill Duckett's (1869-1904?) life, filling in details of his ancestry, his family, his childhood, and his peripatetic adult life—including his marriage, divorce, military service, occupation, and death, all previously unknown to Whitman scholars.
追溯惠特曼的马车司机和“年轻伴侣”比尔·达克特(1869-1904?)的生活,详细描述了他的祖先、家庭、童年和四处流浪的成年生活,包括他的婚姻、离婚、兵役、职业和死亡,这些都是惠特曼学者以前不知道的。
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引用次数: 0
Behnam M. Fomeshi. The Persian Whitman: Beyond a Literary Reception Behnam M. Fomeshi。波斯的惠特曼:超越文学的接待
IF 0.2 3区 文学 Q4 Arts and Humanities Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31079
M. Hosseini
Review of Behnam Fomeshi, The Persian Whitman: Beyond a Literary Reception.
《波斯惠特曼:超越文学接受》。
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引用次数: 0
Democratic Portraiture: The Political Aesthetics of the Individual and the Collective in Whitman's 'Song of Myself'" 民主肖像:惠特曼《自我之歌》中个人与集体的政治美学
IF 0.2 3区 文学 Q4 Arts and Humanities Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31102
P. M. Loonin
Examines "democratic portraiture" in "Song of Myself" in order to illuminate the ways that "aesthetics and politics" in the poem are not "two categories to be weighed against each other" but rather "one formational question about how to imagine and represent a democratic ideal" by "challeng[ing] readers with new understandings of representation (literary and political) and representativeness (who is the representative hero of the American epic?), which aim precisely to merge aesthetic-political projects"; demonstrates how such a reading of portraiture in the poem "brings all of these themes to life: Whitman's effort to represent and achieve equality, the relationship between literary and political representation, and the role played by photography and other visual arts in Whitman's poetry"; traces how, "by oscillating between the mass-portrait and the portrait-series, Whitman tried to imagine democracy in action while simultaneously enacting it in his poem" as he tried "to balance the mass-portrait and portrait-series in an overarching democratic portrait, with himself as its emblem."
考察《自我之歌》中的“民主肖像”,以阐明诗中的“美学和政治”不是“相互权衡的两个类别”,而是“一个关于如何想象和表现民主理想的形成问题”,通过“挑战读者对代表性(文学和政治)和代表性(谁是美国史诗中的代表性英雄?)的新理解”,其目的正是要融合美学-政治项目”;展示了这样一种对诗中肖像的解读是如何“将所有这些主题带入生活:惠特曼为表现和实现平等所做的努力,文学和政治代表之间的关系,以及摄影和其他视觉艺术在惠特曼诗歌中所扮演的角色”;“通过在大众肖像和肖像系列之间摇摆,惠特曼试图想象民主在行动,同时在他的诗中实现民主”,他试图“在一幅全面的民主肖像中平衡大众肖像和肖像系列,以他自己为象征”。
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引用次数: 1
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WALT WHITMAN QUARTERLY REVIEW
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