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Review of Whitman in Washington 惠特曼在华盛顿的书评
IF 0.2 3区 文学 0 POETRY Pub Date : 2022-03-25 DOI: 10.17077/0737-0679.31399
Martin T. Buinicki
A review of Kenneth M. Price's Whitman in Washington: Becoming the National Poet in the Federal City (Oxford 2020).
肯尼斯·M·普莱斯(Kenneth M.Price)的《华盛顿的惠特曼:成为联邦城的国家诗人》(Oxford 2020)评论。
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引用次数: 0
David Grant. “The Disenthralled Hosts of Freedom”: Party Prophecy in the Antebellum Editions of Leaves of Grass. 大卫·格兰特。“迷醉的自由之主”:《草叶集》战前版本中的政党预言。
IF 0.2 3区 文学 0 POETRY Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31122
Andrew Butt
Review of David Grant, "The Disenthralled Hosts of Freedom": Party Prophecy in the Antebellum Editions of Leaves of Grass.
David Grant评论,《自由的迷醉宿主》:《草叶集》战前版本中的政党预言。
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引用次数: 0
Back Matter, Walt Whitman Quarterly Review, vol. 39, no. 2/3 《Back Matter》,《Walt Whitman季刊评论》,第39卷,第2/3期
IF 0.2 3区 文学 0 POETRY Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31137
W. Whitman
Back Matter, Walt Whitman Quarterly Review, vol. 39, no. 2/3
《惠特曼季刊评论》,第39卷,第39号。2/3
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引用次数: 0
Walt Whitman: A Current Bibliography, Fall 2021/Winter 2022 沃尔特·惠特曼:当前书目,2021年秋季/2022年冬季
IF 0.2 3区 文学 0 POETRY Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31129
Ed Folsom
Walt Whitman: A Current Bibliography, Fall 2021/Winter 2022.
沃尔特·惠特曼:当前书目,2021年秋季/ 2022年冬季。
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引用次数: 0
"I am more interested than you know, Bill": The Life and Times of William Henry Duckett, Jr. “我比你更感兴趣,比尔”:小威廉·亨利·达克特的生活和时代。
IF 0.2 3区 文学 0 POETRY Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31077
Stephanie M. Blalock, Brandon James O’Neil
Traces Whitman's carriage driver and "youthful companion" Bill Duckett's (1869-1904?) life, filling in details of his ancestry, his family, his childhood, and his peripatetic adult life—including his marriage, divorce, military service, occupation, and death, all previously unknown to Whitman scholars.
追溯惠特曼的马车司机和“年轻伴侣”比尔·达克特(1869-1904?)的生活,详细描述了他的祖先、家庭、童年和四处流浪的成年生活,包括他的婚姻、离婚、兵役、职业和死亡,这些都是惠特曼学者以前不知道的。
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引用次数: 0
Behnam M. Fomeshi. The Persian Whitman: Beyond a Literary Reception Behnam M. Fomeshi。波斯的惠特曼:超越文学的接待
IF 0.2 3区 文学 0 POETRY Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31079
M. Hosseini
Review of Behnam Fomeshi, The Persian Whitman: Beyond a Literary Reception.
《波斯惠特曼:超越文学接受》。
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引用次数: 0
Democratic Portraiture: The Political Aesthetics of the Individual and the Collective in Whitman's 'Song of Myself'" 民主肖像:惠特曼《自我之歌》中个人与集体的政治美学
IF 0.2 3区 文学 0 POETRY Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31102
P. M. Loonin
Examines "democratic portraiture" in "Song of Myself" in order to illuminate the ways that "aesthetics and politics" in the poem are not "two categories to be weighed against each other" but rather "one formational question about how to imagine and represent a democratic ideal" by "challeng[ing] readers with new understandings of representation (literary and political) and representativeness (who is the representative hero of the American epic?), which aim precisely to merge aesthetic-political projects"; demonstrates how such a reading of portraiture in the poem "brings all of these themes to life: Whitman's effort to represent and achieve equality, the relationship between literary and political representation, and the role played by photography and other visual arts in Whitman's poetry"; traces how, "by oscillating between the mass-portrait and the portrait-series, Whitman tried to imagine democracy in action while simultaneously enacting it in his poem" as he tried "to balance the mass-portrait and portrait-series in an overarching democratic portrait, with himself as its emblem."
考察《自我之歌》中的“民主肖像”,以阐明诗中的“美学和政治”不是“相互权衡的两个类别”,而是“一个关于如何想象和表现民主理想的形成问题”,通过“挑战读者对代表性(文学和政治)和代表性(谁是美国史诗中的代表性英雄?)的新理解”,其目的正是要融合美学-政治项目”;展示了这样一种对诗中肖像的解读是如何“将所有这些主题带入生活:惠特曼为表现和实现平等所做的努力,文学和政治代表之间的关系,以及摄影和其他视觉艺术在惠特曼诗歌中所扮演的角色”;“通过在大众肖像和肖像系列之间摇摆,惠特曼试图想象民主在行动,同时在他的诗中实现民主”,他试图“在一幅全面的民主肖像中平衡大众肖像和肖像系列,以他自己为象征”。
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引用次数: 1
Walt Whitman. Lebenseiche, moosbehangen. Live Oak, with Moss, translated and edited by Heinrich Detering. 沃尔特·惠特曼。Lebenseiche moosbehangen。《活橡树》,由海因里希·迪特尔翻译和编辑。
IF 0.2 3区 文学 0 POETRY Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31121
Walter Grünzweig
Review of Walt Whitman, Lebenseiche, moosbehangen. Live Oak, with Moss, translated and edited by Heinrich Detering.
惠特曼的评论,Lebenseiche, moosbehangen。《活橡树》,由海因里希·迪特尔翻译和编辑。
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引用次数: 0
Front Matter, Walt Whitman Quarterly Review, vol. 39, no. 2/3 《惠特曼季刊评论》,第39卷,第39号。2/3
IF 0.2 3区 文学 0 POETRY Pub Date : 2022-02-10 DOI: 10.17077/0737-0679.31136
W. Whitman, W. Whitman, Kathryn Brigger Kruger
Front Matter, Walt Whitman Quarterly Review, vol. 39, no. 2/3
《惠特曼季刊评论》,第39卷,第39号。2/3
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引用次数: 0
“Glorious Times for Newspaper Editors and Correspondents”: Whitman at the New Orleans Daily Crescent, 1848-1849 “报纸编辑和记者的光荣时代”:惠特曼在新奥尔良新月报,1848-1849
IF 0.2 3区 文学 0 POETRY Pub Date : 2021-09-07 DOI: 10.13008/0737-0679.2414
Stefan Schöberlein, Zachary M Turpin
We announce with true pleasure the arrival of the Steyermarkische (so called from the Austrian dependency whence they come) corps of musicians, already mentioned, some days past, in our columns. This fine band consists of eighteen performers; each a perfect master of the instrument on which he plays. . . . When you visit the performances of the members of this band, you are struck, at the very beginning, with the signs they show of superior taste—even before you discover, as you will when the first three or four notes are played, their surpassing genius. You see enter some eighteen gentlemen , quiet and at ease in their manners, dressed in plain black; no airs, no clap-trap, none of the little arts so usual in most public performers. The leader steps forward quietly and modestly with an obeisance, not that of the dancing master. He is extremely youthful, and in his beauty you see the intellectual mingling of genius. No flourishing of a wand by the white-gloved hand, no pretension, no melo-dramatic waiting and coquetting, offends you, as in so many other cases. You are saved even the discordant tuning of instru-ments. 33 There are some people in this world of inhabited creation that supposed—vainly suppose— that if children—little immortals in jackets and trowsers—only have a plenty of bread and meat wherewith to cram their stomachs, and a trifle of clothing withal, that the grand totality of parental duty, in all its length and breadth and importance, is abundantly fulfilled. As for the rest—why, the streets and the highways can open wide their arms and receive them. 73
我们非常高兴地宣布,Steyermarkische(来自奥地利属地)音乐家团的到来,几天前,我们的专栏中已经提到了这一点。这支优秀的乐队由十八名演奏家组成;每个人都是他演奏的乐器的完美大师。当你参观这支乐队成员的表演时,你会在一开始就被他们表现出的超凡品味所打动——甚至在你发现他们的天才之前,就像你在演奏前三四个音符时会发现的那样。你看,进来的是十八位绅士,他们穿着一身纯黑色的衣服,举止安静而自在;没有架子,没有掌声陷阱,没有大多数公共表演者常见的小艺术。领队安静而谦逊地向前走去,毕恭毕敬,而不是舞蹈大师。他非常年轻,从他的美丽中你可以看到天才的智慧交融。没有戴着白手套的手挥动魔杖,没有故作姿态,没有夸张的等待和风骚,会冒犯你,就像在许多其他情况下一样。即使是不和谐的乐器调音,你也可以省去。33在这个有人居住的世界里,有些人认为——徒劳地认为——如果孩子们——穿着夹克和抹子的小神仙——只有足够的面包和肉来填饱肚子,只有少量的衣服,那么父母的全部责任,无论其长度、广度和重要性,都会得到充分的履行。至于其他的——为什么,街道和高速公路可以张开双臂迎接他们。73
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引用次数: 0
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WALT WHITMAN QUARTERLY REVIEW
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