Gerard de Lairesse was born at liege and trained under Bertholet Flemal. At the age of twenty-five he settled in Amsterdam, where he soon became on the most prominent artists of the second half of the century. He introduced into the united provinces a new style steeped in the French classical tradition, breaking with the art of Rembrandt and Dutch naturalism. Essentially "pictor doctus", he upheld an art based on the academic doctrine of "ut pictura poesis". His work comprises numerous easel paintings commissioned by well-read connaisseurs, large-scale decorative schemes (including several ceiling decorations), and a hundred or so engravings and drawings. He went blind in 1690 and thereafter devoted his time to teaching. In 1707 he published his lectures under the title Het groot schilderboek (the great book of painters), which won great acclaim throughout Europe. Beginning with a study of the painter's career and art, this monograph establishes the "catalogue raisonne" of his work (more than four hundred items) and brings together all the material relating to this important artist.
Gerard de Lairesse生于列日，师从Bertholet Flemal。25岁时，他在阿姆斯特丹定居下来，在那里他很快成为20世纪下半叶最杰出的艺术家之一。他将一种沉浸在法国古典传统中的新风格引入了联合各省，打破了伦勃朗和荷兰自然主义的艺术。他本质上是“画师”(pictor doctus)，坚持一种基于“ut pictura poesis”学院派学说的艺术。他的作品包括许多受博学多才的画家委托的架上绘画，大型装饰方案(包括几个天花板装饰)，以及一百多幅版画和素描。他于1690年失明，此后一直致力于教学。1707年，他以《伟大的画家之书》为名出版了他的讲座，在整个欧洲赢得了极大的赞誉。从研究画家的职业生涯和艺术开始，这本专著建立了他的作品的“目录”(四百多件作品)，并汇集了与这位重要艺术家有关的所有材料。
{"title":"Gérard de Lairesse (1640-1711)","authors":"Alain Roy, Gérard de Lairesse","doi":"10.2307/3780829","DOIUrl":"https://doi.org/10.2307/3780829","url":null,"abstract":"Gerard de Lairesse was born at liege and trained under Bertholet Flemal. At the age of twenty-five he settled in Amsterdam, where he soon became on the most prominent artists of the second half of the century. He introduced into the united provinces a new style steeped in the French classical tradition, breaking with the art of Rembrandt and Dutch naturalism. Essentially \"pictor doctus\", he upheld an art based on the academic doctrine of \"ut pictura poesis\". His work comprises numerous easel paintings commissioned by well-read connaisseurs, large-scale decorative schemes (including several ceiling decorations), and a hundred or so engravings and drawings. He went blind in 1690 and thereafter devoted his time to teaching. In 1707 he published his lectures under the title Het groot schilderboek (the great book of painters), which won great acclaim throughout Europe. Beginning with a study of the painter's career and art, this monograph establishes the \"catalogue raisonne\" of his work (more than four hundred items) and brings together all the material relating to this important artist.","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780829","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Schilderachtig: Discussions of a Seventeenth-Century Term and Concept","authors":"Boudewijn Bakker","doi":"10.2307/3780826","DOIUrl":"https://doi.org/10.2307/3780826","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780826","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
P. V. Thiel, R. Falkenburg, J. D. Jong, H. Roodenburg, F. Scholten
{"title":"Beeld en zelfbeeld in de Nederlandse kunst, 1550-1750","authors":"P. V. Thiel, R. Falkenburg, J. D. Jong, H. Roodenburg, F. Scholten","doi":"10.2307/3780888","DOIUrl":"https://doi.org/10.2307/3780888","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780888","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Drawings by Rembrandt and his circle in the British Museum","authors":"Rembrandt Harmenszoon van Rijn, M. Royalton-Kisch","doi":"10.2307/3780784","DOIUrl":"https://doi.org/10.2307/3780784","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780784","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69014899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Reassessment of Arnold Houbraken's \"Groote schouburgh\"","authors":"B. Cornelis","doi":"10.2307/3780827","DOIUrl":"https://doi.org/10.2307/3780827","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780827","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Prints and the Politics of the Publisher: The Case of Hendrick Hondius","authors":"Nadine M. Orenstein","doi":"10.2307/3780797","DOIUrl":"https://doi.org/10.2307/3780797","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780797","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69014690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The sets of landscape etchings produced in the second decade of the 17th century by Claes Jansz Visscher, Esaias van den Velde, Willem Buytewech and Jan van de Velde drew on and contributed to a print culture that played a key role in defining "Dutch" landscape. Examination of these printed landscape series as part of a wide-ranging print culture underscores the consistent interrelationship of landscape, history and politics. To varying degrees, the contemporaneous descriptive geographies, histories, allegorical tableaux, didactic prints and poetic anthologies, considered in this study provide parallels for the prints' serial structure, journey theme, and commemorative motifs. Moreover, as part of a wider enterprise of Dutch self-definition, they provide cultural guidelines for the interpretation of landscape in prints and paintings. Levesque's study of the Dutch 17th-century experience of place is two-tiered. She addresses the journey through landscape as an interpretive framework, the spatial structure of knowledge, the benefits of travel from the point of view of humanists, and the growth of a Dutch national self-consciousness expressed through landscape. She also provides a close reading of the structure and motifs in the print series of Claes Jansz. Visscher, Esaias van den Velde, Willem Buytewech, and Jan van de Velde.
17世纪第二个十年，Claes Jansz Visscher、Esaias van den Velde、Willem Buytewech和Jan van de Velde制作的风景蚀刻版画借鉴并促进了一种印刷文化，这种文化在定义“荷兰”风景方面发挥了关键作用。作为广泛的印刷文化的一部分，这些印刷景观系列的检查强调了景观，历史和政治之间一致的相互关系。在不同程度上，本研究中所考虑的同时代的描述性地理、历史、寓言场景、说教版画和诗歌选集与版画的系列结构、旅行主题和纪念主题有相似之处。此外，作为荷兰人自我定义的更广泛事业的一部分，他们为版画和绘画中诠释风景提供了文化指导。莱韦斯克对17世纪荷兰人对地方的体验的研究分为两层。她将景观之旅作为一种解释性框架、知识的空间结构、从人文主义者的角度出发的旅行的好处，以及通过景观表达的荷兰民族自我意识的增长。她还提供了克拉斯·扬斯版画系列的结构和主题的仔细阅读。Visscher, Esaias van den Velde, Willem Buytewech和Jan van de Velde。
{"title":"Journey through Landscape in Seventeenth-Century Holland: The Haarlem Print Series and Dutch Identity","authors":"H. Leeflang, Catherine Lévesque","doi":"10.2307/3780800","DOIUrl":"https://doi.org/10.2307/3780800","url":null,"abstract":"The sets of landscape etchings produced in the second decade of the 17th century by Claes Jansz Visscher, Esaias van den Velde, Willem Buytewech and Jan van de Velde drew on and contributed to a print culture that played a key role in defining \"Dutch\" landscape. Examination of these printed landscape series as part of a wide-ranging print culture underscores the consistent interrelationship of landscape, history and politics. To varying degrees, the contemporaneous descriptive geographies, histories, allegorical tableaux, didactic prints and poetic anthologies, considered in this study provide parallels for the prints' serial structure, journey theme, and commemorative motifs. Moreover, as part of a wider enterprise of Dutch self-definition, they provide cultural guidelines for the interpretation of landscape in prints and paintings. Levesque's study of the Dutch 17th-century experience of place is two-tiered. She addresses the journey through landscape as an interpretive framework, the spatial structure of knowledge, the benefits of travel from the point of view of humanists, and the growth of a Dutch national self-consciousness expressed through landscape. She also provides a close reading of the structure and motifs in the print series of Claes Jansz. Visscher, Esaias van den Velde, Willem Buytewech, and Jan van de Velde.","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780800","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69014875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cornelis Bos: Where Did He Go? Some New Discoveries and Hypotheses about a Sixteenth-Century Engraver and Publisher","authors":"Peter van der Coelen","doi":"10.2307/3780825","DOIUrl":"https://doi.org/10.2307/3780825","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780825","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Old Testament as a Moral Code: Old Testament Stories as Exempla of the Ten Commandments","authors":"I. M. Veldman","doi":"10.2307/3780796","DOIUrl":"https://doi.org/10.2307/3780796","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780796","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69015149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Les jeux innocents\": French Rococo Birding and Fishing Scenes","authors":"E. Goodman","doi":"10.2307/3780798","DOIUrl":"https://doi.org/10.2307/3780798","url":null,"abstract":"","PeriodicalId":42239,"journal":{"name":"SIMIOLUS-NETHERLANDS QUARTERLY FOR THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1995-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3780798","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69014777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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