{"title":"L’expérience partagée au café-concert du XIX siècle","authors":"Nathalie Coutelet","doi":"10.7202/1097189ar","DOIUrl":"https://doi.org/10.7202/1097189ar","url":null,"abstract":"","PeriodicalId":42253,"journal":{"name":"ETUDES LITTERAIRES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71261302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Franchir « le quatrième mur » par la parodie : le cas de Mathilde, drame de 1842","authors":"B. T. Cooper","doi":"10.7202/1097190ar","DOIUrl":"https://doi.org/10.7202/1097190ar","url":null,"abstract":"","PeriodicalId":42253,"journal":{"name":"ETUDES LITTERAIRES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71261351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Modalités énonciatives entre monologue intérieur et polyphonie dans La Lézarde et Le Quatrième Siècle d’Édouard Glissant","authors":"Dorsaf Keraani","doi":"10.7202/1097192ar","DOIUrl":"https://doi.org/10.7202/1097192ar","url":null,"abstract":"","PeriodicalId":42253,"journal":{"name":"ETUDES LITTERAIRES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71261402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Les comédies de moeurs d’Alexandre Dumas fils et d’Émile Augier sont-elles des « drames absolus » ?","authors":"Marianne Bouchardon","doi":"10.7202/1097191ar","DOIUrl":"https://doi.org/10.7202/1097191ar","url":null,"abstract":"","PeriodicalId":42253,"journal":{"name":"ETUDES LITTERAIRES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71261509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"En proie à son Nom","authors":"Aglaé Boivin","doi":"10.7202/1102660ar","DOIUrl":"https://doi.org/10.7202/1102660ar","url":null,"abstract":"","PeriodicalId":42253,"journal":{"name":"ETUDES LITTERAIRES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136298437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Hélène Cixous conçoit la littérature comme une embarcation périlleuse, ouvrant un espace par lequel elle exige, dynamiquement, de rompre les amarres et de passer quoi qu’il en coûte. En nous appuyant sur des récits récents de l’écrivaine (L’Amour du loup et autres remords, 2003 et Défions l’augure, 2018), il s’agira de déceler les principes d’une injonction à écrire. Pour cela, le corpus intertextuel choisi — via Michel de Certeau, Roland Barthes et Jacques Derrida notamment — tentera de déceler en quoi l’écriture relève d’une tempête évènementielle (tout autant que d’un élan mystique, d’un départ, d’un risque à prendre). En conférant à l’acte d’écrire toutes les caractéristiques d’une véritable effraction, on en élargira la puissance existentielle, en la mettant en perspective avec des philosophes contemporains de l’acte de création, tels que Patrice Loraux et Paul Audi.
helene Cixous认为文学是一艘危险的船，打开了一个空间，她动态地要求打破束缚，不惜一切代价通过它。根据作者最近的故事(l ' amour du loup et autres remords, 2003年和defions l ' augure, 2018年)，它将揭示写作禁令的原则。为此，选定的互文语料库——尤其是米歇尔·德·塞托、罗兰·巴特和雅克·德里达——将试图揭示写作是如何成为一场事件风暴的一部分(以及一种神秘的冲动、一种开始和一种要承担的风险)。通过赋予写作行为真正侵犯的所有特征，它的存在力量将被扩大，并将其与当代创作行为哲学家(如帕特里斯·洛罗和保罗·奥迪)进行比较。
{"title":"Écrire dans la bourrasque. À propos d’Hélène Cixous","authors":"Léa Bismuth","doi":"10.7202/1106617ar","DOIUrl":"https://doi.org/10.7202/1106617ar","url":null,"abstract":"Hélène Cixous conçoit la littérature comme une embarcation périlleuse, ouvrant un espace par lequel elle exige, dynamiquement, de rompre les amarres et de passer quoi qu’il en coûte. En nous appuyant sur des récits récents de l’écrivaine (L’Amour du loup et autres remords, 2003 et Défions l’augure, 2018), il s’agira de déceler les principes d’une injonction à écrire. Pour cela, le corpus intertextuel choisi — via Michel de Certeau, Roland Barthes et Jacques Derrida notamment — tentera de déceler en quoi l’écriture relève d’une tempête évènementielle (tout autant que d’un élan mystique, d’un départ, d’un risque à prendre). En conférant à l’acte d’écrire toutes les caractéristiques d’une véritable effraction, on en élargira la puissance existentielle, en la mettant en perspective avec des philosophes contemporains de l’acte de création, tels que Patrice Loraux et Paul Audi.","PeriodicalId":42253,"journal":{"name":"ETUDES LITTERAIRES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135319863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Guessing the Past. On a Footnote by Carlo Ginzburg","authors":"Muriel Pic","doi":"10.7202/1102657ar","DOIUrl":"https://doi.org/10.7202/1102657ar","url":null,"abstract":"","PeriodicalId":42253,"journal":{"name":"ETUDES LITTERAIRES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136298443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Practice From the Heart","authors":"Michaël Trahan","doi":"10.7202/1106614ar","DOIUrl":"https://doi.org/10.7202/1106614ar","url":null,"abstract":"","PeriodicalId":42253,"journal":{"name":"ETUDES LITTERAIRES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135318494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"« Le singe hors de sa cage » : Mazurier-Jocko au théâtre de la Porte Saint-Martin","authors":"Ignacio Ramos-Gay","doi":"10.7202/1097185ar","DOIUrl":"https://doi.org/10.7202/1097185ar","url":null,"abstract":"","PeriodicalId":42253,"journal":{"name":"ETUDES LITTERAIRES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71260645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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