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Language and Dialogue最新文献

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Frank van Splunder. 2020. Language is Politics. Exploring an ecological approach to language 弗兰克·范·斯普林德2020年当选。语言就是政治。探索语言的生态方法
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2020-12-04 DOI: 10.1075/ld.00079.avr
A. Avram
This article reviews Language is Politics. Exploring an ecological approach to language 97803673654319780367654249780429346880
这篇文章评论了《语言就是政治》。探索语言的生态学方法97803673654319780367654249780429346880
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引用次数: 2
Preface 前言
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2020-12-04 DOI: 10.1075/ld.00080.pre
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引用次数: 0
Animation and myth of the hero as discursive device in Mexican political campaigns 墨西哥政治运动中作为话语工具的英雄动画和神话
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2020-12-04 DOI: 10.1075/ld.00073.agu
Citlaly Aguilar Campos
Abstract A political campaign is a dialogical game that will always make a deployment of discursive resources that manage to generate empathy and in that way, obtain the vote of the people. Animation and myth are resources that politicians use in their favor to construct their messages. The reason? These elements are exceptional dialogical units thanks to their power of meaning and cohesion on a personal and social level. This research focus in two Mexican politicians Alfredo del Mazo and Andres Manuel Lopez Obrador, who during their elections – 2017 and 2018, respectively – used digital animation to create a striking propaganda. The critical frame is based on Joseph Campbell, Rollo May, Carlos A. Scolari, Clifford Geertz and Edna Becerril.
摘要政治竞选是一场对话游戏,它总是会部署话语资源,设法产生同理心,并通过这种方式获得人民的投票。动画和神话是政客们用来构建信息的有利资源。原因是什么?这些元素是特殊的对话单元,这要归功于它们在个人和社会层面上的意义和凝聚力。这项研究的重点是两位墨西哥政治家阿尔弗雷多·德尔·马佐和安德烈斯·曼努埃尔·洛佩斯·奥夫拉多尔,他们分别在2017年和2018年的选举中使用数字动画进行了引人注目的宣传。关键框架基于Joseph Campbell、Rollo May、Carlos A.Scolari、Clifford Geertz和Edna Beceril。
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引用次数: 0
“That’s not my understanding” “这不是我的理解”
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2020-12-04 DOI: 10.1075/ld.00076.amu
E. Amuzu, A. Campbell, S. Ofori
Abstract This study investigates the extent to which mostly untrained interpreters render accurately the voices of participants in Ghanaian district courts, and how the participants orient to shortcomings in the interpretations. Based on 7.5 hours of audio-recordings, we found that 91% of interpretations were accurate. The 9% of interpretations that were inaccurate were of five types: non-equivalence in propositional content, omissions, elaborations, incorrect grammatical forms and literal translations. We also found that on some occasions, inaccurate interpretations are corrected by other court participants, making the interpreting activity a collaborative effort. Judges were the most likely to intervene when an interpretation went wrong, perhaps a reflection of the sense of responsibility felt by them for anything that happens in their courtroom.
摘要:本研究调查了大多数未经训练的口译员在加纳地方法院准确表达参与者声音的程度,以及参与者如何适应口译中的缺点。根据7.5小时的录音,我们发现91%的口译是准确的。9%不准确的解释有五种类型:命题内容不对等、遗漏、阐述、语法形式不正确和直译。我们还发现,在某些情况下,不准确的解释由其他法庭参与者纠正,使口译活动成为一种协作努力。当口译出错时,法官最有可能进行干预,这也许反映了他们对法庭上发生的任何事情的责任感。
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引用次数: 1
Bill Cope and Mary Kalantzis. 2020. Making Sense. Reference, agency, and structure in a grammar of multimodal meaning 比尔·柯普和玛丽·卡兰齐斯2020年。使有意义。多模态意义语法中的指称、作用和结构
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2020-12-04 DOI: 10.1075/ld.00078.zol
Sole Alba Zollo
This article reviews Making Sense. Reference, agency, and structure in a grammar of multimodal meaning 9781107133303
本文回顾Making Sense。多情态意义语法中的指称、作用和结构9781107133303
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引用次数: 3
Cross-linguistic influence and the MGM 跨语言影响与米高梅
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2020-12-04 DOI: 10.1075/ld.00075.gre
Marion Grein
Abstract Language learning is an interactive, social effort and the role of grammar is no longer focused. Nowadays we consider most language learners to be pluricultural beings aiming at communicative language competence (cf. CEFR 2018) in another language. The role of grammar, thus, plays a subordinate role. Authentic language usage requires the analysis of authentic dialogues (via the Mixed Game Model, MGM) and awareness-raising regarding the phenomenon of language transfer (via Crosslinguistic-influence approaches). These two approaches will be merged within the article – addressed to linguists as well as language teachers.
摘要语言学习是一种互动的、社会性的努力,语法的作用不再集中。如今,我们认为大多数语言学习者都是以另一种语言的交际语言能力为目标的多元文化人(参见CEFR 2018)。因此,语法的作用起着从属的作用。真实语言的使用需要对真实对话进行分析(通过混合游戏模型,MGM),并提高对语言迁移现象的认识(通过跨语言影响方法)。这两种方法将在本文中合并——针对语言学家和语言教师。
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引用次数: 0
Dialogic construction of authority in Hebrew women’s writing from the 19th century 19世纪以来希伯来女性写作中权威的对话建构
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2020-12-04 DOI: 10.1075/ld.00077.coh
Miri Cohen-Achdut
Abstract The article discusses quotations as linguistic means for constructing authority. It seeks to attenuate two accepted premises regarding quotations and authority in linguistic research: firstly, that the source of quotation is the (single) source of authority, and secondly, the writer’s dichotomic attitude toward it: reliance or refutation. Two opinion essays in Hebrew were examined, authored by a woman and published in a Maskilic periodical during the 19th century – a time when women were denied the social license to write in Hebrew. The pragmatic micro-analysis shows that the writer uses various linguistic means to construct her authority by means of dialogical conflicts between several external sources: the Jewish canonical texts, her educated peers or prevailing viewpoints of the time.
摘要本文论述了引语作为建构权威的语言手段。它试图削弱语言学研究中关于引文和权威的两个公认前提:首先,引文的来源是权威的(单一)来源;其次,作者对引文的二分态度:依赖或反驳。19世纪,一名妇女撰写了两篇希伯来文的评论文章,发表在一份Maskilic期刊上,当时女性被剥夺了用希伯来文写作的社会许可。语用微观分析表明,作者运用了多种语言手段,通过几个外部来源之间的对话冲突来构建自己的权威:犹太经典文本、她受过教育的同龄人或当时的主流观点。
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引用次数: 0
Review of Nilsen & Nilsen (2019): The Language of Humor. An Introduction 回顾尼尔森和尼尔森(2019):幽默的语言。介绍
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2020-09-04 DOI: 10.1075/ld.00071.brz
D. Brzozowska
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引用次数: 1
Review of Tsakona & Chovanec (2018): The Dynamics of Interactional Humor. Creating and negotiating humor in everyday encounters Tsakona & Chovanec(2018):互动幽默的动力学。在日常生活中创造和协商幽默
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2020-09-04 DOI: 10.1075/ld.00070.con
M. Constantinescu
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引用次数: 0
Amos Oz in A Tale of Love and Darkness 《爱与黑暗的故事》中的阿莫斯·奥兹
IF 0.4 0 LANGUAGE & LINGUISTICS Pub Date : 2020-09-04 DOI: 10.1075/ld.00069.elh
Ibrahim A. El-Hussari
Abstract This paper looks at the call for a dialogue underlying Amos Oz’s autobiographical novel A Tale of Love and Darkness.1 As a peace activist,2 Oz depicts the Arab Palestinian under Israeli military occupation as a victim and reintroduces himself as a new, unorthodox Jew. In this context, the paper approaches the author-narrator’s message calling for a dialogue with the Palestinian other, albeit through a Chekhovian solution to an existentialist conflict entangling both the Arabs and the Jews over the Question of Palestine. Thanks to the complicity between the Western Colonial Project3 and the Zionist plan to create a Jewish homeland in Palestine, most of the Palestinian population was expelled and dispossessed. Oz condemns that complicity and stands out as a Jewish voice for peace. His narrative discourse implies that he is crossing a minefield while trying to help resuscitate the current stale-mate peace process in the Middle East.
摘要本文探讨了阿莫斯·奥兹自传体小说《爱与黑暗的故事》背后的对话呼吁。1作为一名和平活动家,2奥兹将以色列军事占领下的阿拉伯裔巴勒斯坦人描绘成受害者,并将自己重新塑造成一个新的、非正统的犹太人。在这种背景下,本文探讨了作者-叙述者呼吁与巴勒斯坦另一方对话的信息,尽管是通过契诃夫式的解决方案来解决阿拉伯人和犹太人在巴勒斯坦问题上的存在主义冲突。由于西方殖民项目3和犹太复国主义者在巴勒斯坦建立犹太人家园的计划之间的共谋,大多数巴勒斯坦人口被驱逐和剥夺了财产。奥兹谴责这种共谋行为,并作为犹太人争取和平的声音站出来。他的叙述话语暗示,他正在跨越雷区,同时试图帮助重振中东当前的坚定国家和平进程。
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引用次数: 4
期刊
Language and Dialogue
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