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Book Review 书评
IF 0.4 0 ART Pub Date : 2018-09-01 DOI: 10.1386/crre.9.2.333_5
Patricia Dillon
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引用次数: 0
Towards making sense of self through emotional experiences in craft-art 通过工艺美术中的情感体验来理解自我
IF 0.4 0 ART Pub Date : 2018-09-01 DOI: 10.1386/CRRE.9.2.201_1
Milla Ojala, Seija Karppinen, Erja Syrjäläinen
The goal of this article and the research questions are to present how young craft students make sense of themselves through emotional experiences in craft-art. The study is based on the grounded theory method. The theoretical key concepts, self, emotional experiences and engagement in craft making are chosen based on how they support or resonate with the data and analysis. The data consists of several types of material that was collected in three schools: portfolios, participant observation, ethnographic interviews and students’ diaries. The data showed that students’ emotions were strongly present in the craft activity. Emotions were related to the students’ management of the stages of the craft process, the expectations towards the outcome, the students’ holistic bodily and mental feeling during the making and their engagement throughout the entire process. All these elements, reflected against pre-existing theories, indicate that while studying craft-art, the participants were able to make sense of themselves in many ways. The analysis led to the result: Through somatic experience and the emotional ownership of the craft process in which their own interests are materialized in a meaningful product, realisation of students’ own potential and a better sense of self becomes possible. This article is a part of the larger study that focuses on students’ craft making experiences in the context of Finnish Basic Education in the Arts (BEA).
本文的目的和研究问题是展示年轻的工艺学生如何通过工艺艺术的情感体验来理解自己。本研究采用扎根理论方法。理论关键概念,自我,情感体验和参与工艺制作是基于它们如何支持或与数据和分析产生共鸣。数据包括从三所学校收集的几种类型的材料:作品集、参与者观察、民族志访谈和学生日记。数据显示,学生的情绪在手工活动中表现强烈。情绪与学生对工艺过程各阶段的管理、对结果的期望、制作过程中学生的整体身心感受以及整个过程的参与有关。所有这些与已有理论相悖的元素都表明,在学习工艺艺术的过程中,参与者能够从许多方面理解自己。分析得出的结果是:通过身体体验和对工艺过程的情感所有权,他们自己的兴趣在一个有意义的产品中具体化,实现学生自己的潜力和更好的自我意识成为可能。本文是芬兰艺术基础教育(BEA)背景下的学生工艺制作经验研究的一部分。
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引用次数: 4
The ostrich eggshell beads craft of the Ju/’hoansi: A reflection on modern craft theories 莒县鸵鸟壳珠工艺:对现代工艺理论的反思
IF 0.4 0 ART Pub Date : 2018-09-01 DOI: 10.1386/CRRE.9.2.229_1
Amit Zoran
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引用次数: 1
Mem...or...y 内存。。。或y
IF 0.4 0 ART Pub Date : 2018-09-01 DOI: 10.1386/CRRE.9.2.311_7
M. Little
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引用次数: 0
Crafting environmental policies into action: Energy consulting practices of craftspeople 将环境政策付诸行动:手工艺者的能源咨询实践
IF 0.4 0 ART Pub Date : 2018-09-01 DOI: 10.1386/CRRE.9.2.255_1
R. Søraa
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引用次数: 3
Paitker painting on paper made by Bijoy Chitrakar depicting ‘daily life of local community’. Photograph: Gaitri Kumari and Abhaya Ranjan Shrivastava Bijoy Chitrakar在纸上画的一幅画,描绘了“当地社区的日常生活”。摄影:盖特里·库马里和阿巴亚·兰詹·施里瓦斯塔瓦
IF 0.4 0 ART Pub Date : 1900-01-01 DOI: 10.1386/crre_00047_7
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引用次数: 0
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Craft Research
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