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Scholars’ Roundtable Presentation 学者圆桌报告
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-02-25 DOI: 10.1080/03612112.2020.1715675
Kelly L. Reddy-Best, C. Keist, Tameka N. Ellington, Nancy Deihl, Michael Mamp
In 2019, four CSA Scholars’ Roundtable Honorees (Kelly Reddy-Best—Iowa State University, Carmen Keist—Bradley University, Tameka N. Ellington—Kent State University, and Nancy Deihl—New York University) discussed “do we study diversity in dress?” Dr. Michael Mamp (Central Michigan University), a 2018 honoree, moderated the 90-minute session. He started by asking the panelists questions such as “Do we study diversity in dress?” “How does your positionality influence your own research?” and “What suggestions would you provide to CSA members to incorporate diversity when studying dress?” Following these questions, individuals from the 200-person audience offered comments and questions to the panel. In this paper, we provide a verbatim transcription of the session, which took place in Seattle, Washington.
2019年,四名CSA学者圆桌会议获奖者(爱荷华州立大学凯利·雷迪·贝斯特、卡门·凯斯特-布拉德利大学、塔梅卡·n·埃灵顿-肯特州立大学和纽约大学南希·戴伊尔)讨论了“我们研究着装的多样性吗?”2018年的获奖者迈克尔·曼普博士(中密歇根大学)主持了90分钟的会议。他首先向小组成员提出了一些问题,比如“我们研究着装的多样性吗?””“你的立场如何影响你自己的研究?以及“你会给CSA会员提供什么建议,让他们在学习服装时融入多样性?”在这些问题之后,200名观众中的个人向小组提出了评论和问题。在本文中,我们提供了在华盛顿州西雅图举行的会议的逐字记录。
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引用次数: 0
Queer Fashion and Style 酷炫时尚
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-01-23 DOI: 10.1080/03612112.2019.1686875
Kelly L. Reddy-Best, Dana Goodin
Aspects of our identities such as sexuality and gender are negotiated through style-fashion-dress. We analyzed the recent history of style-fashion-dress through a queer lens by examining how queer identities have been negotiated on and around the body by women in the Midwest region of the United States from the late twentieth century to the present. Based on our research, we created an exhibition using community-participatory practices that allowed us to authentically tell the histories of ten queer-women’s styles. We told stories that reflect some of the long-standing stereotypes of queer woman and the butch-femme dichotomy, but when we unpacked these histories, they more closely aligned with Kaiser and McCullough’s “(k)notty model” metaphor. The women’s garments, styles, and fashions represent the “shifting queer styles” that capture the lived experiences of midwestern queer women in the latter part of the twentieth and early twenty-first centuries.
我们的身份方面,如性和性别,都是通过时尚服装来协商的。我们通过酷儿的视角分析了时尚服饰的近代史,研究了从20世纪末到现在,美国中西部地区的女性是如何在身体上和身体周围协商酷儿身份的。基于我们的研究,我们利用社区参与实践创建了一个展览,使我们能够真实地讲述十种酷儿女性风格的历史。我们讲述的故事反映了一些长期以来对酷儿女性和男女二分法的刻板印象,但当我们打开这些历史时,它们与凯撒和麦卡洛的“(k)notty模式”隐喻更为一致。女性的服装、风格和时尚代表了“不断变化的酷儿风格”,捕捉了20世纪后半叶和21世纪初中西部酷儿女性的生活经历。
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引用次数: 7
“Elegant, ferocious, witty”: The Professional Glamour of Journalist Barbara Moon (1926–2009) “优雅、凶猛、诙谐”:记者Barbara Moon的职业魅力(1926–2009)
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-01-20 DOI: 10.1080/03612112.2019.1683302
M. Couturier
This paper explores the writing and self-presentation practices of Barbara Moon, a respected journalist and magazine editor who worked in Toronto between the 1950s and 1990s. The entry point into this study was a selection of garments donated by Moon to Toronto’s Ryerson Fashion Research Collection in 1997. With a research approach combining material culture, textual, and discourse analyses, connections were drawn between the themes Moon explored in her work, the collection of clothing she chose to archive, and the public commentary around her elegant self-fashioning. Using Moon as a historical case study, this project provides insight into how glamour can be performed, including negotiating gender norms in a male-dominated workplace through fashion and personal appearance.
本文探讨了Barbara Moon的写作和自我展示实践,她是一位受人尊敬的记者和杂志编辑,曾于20世纪50年代至90年代在多伦多工作。这项研究的切入点是Moon于1997年捐赠给多伦多瑞尔森时尚研究收藏馆的精选服装。通过结合物质文化、文本和话语分析的研究方法,Moon在她的作品中探索的主题、她选择存档的服装收藏以及围绕她优雅的自我时尚的公众评论之间建立了联系。该项目以Moon为历史案例研究,深入了解魅力是如何发挥的,包括通过时尚和个人外表在男性主导的工作场所协商性别规范。
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引用次数: 0
Faith and Fashion in Turkey: Consumption, Politics and Islamic Identities 土耳其的信仰与时尚:消费、政治与伊斯兰身份
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-01-02 DOI: 10.1080/03612112.2019.1707998
Pravina Shukla
Faith and Fashion in Turkey is a study of three contemporary faith-based communities—Gulen, Suleymanli, and Menzil—and how their members communicate religious commitment through their bodies: throu...
《土耳其的信仰与时尚》研究了三个以信仰为基础的当代社区——gulen、Suleymanli和menzil,以及他们的成员如何通过他们的身体传达宗教信仰:
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引用次数: 0
“A woman with a hundred faces” “有一百张脸的女人”
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-01-02 DOI: 10.1080/03612112.2019.1641994
G. Michel
Author and diarist Anaïs Nin was an important figure in feminist literary circles in the 1960s and 1970s. Her diaries, first published in the 1960s, began with her life in France in the early 1930s. The wife of a banker, she lived a comfortable life, free to pursue her writing and bohemian living, including writing extensively on her use of dress to distinguish herself. This report presents the first in-depth examination of Nin’s 1930s diaries and related primary sources from the perspective of dress history and calls for further research into the dress practices of this important literary figure of the twentieth century.
作家、日记作家Anaïs宁是六七十年代女性主义文坛的重要人物。她的日记于20世纪60年代首次出版,从20世纪30年代初她在法国的生活开始。作为一个银行家的妻子,她过着舒适的生活,可以自由地追求她的写作和放荡不羁的生活,包括广泛地写她使用服装来区分自己。本报告首次从服装历史的角度对宁30年代的日记和相关的主要资料进行了深入的研究,并呼吁对这位20世纪重要文学人物的服装实践进行进一步的研究。
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引用次数: 1
In Memoriam, Karen Eve Augusta 纪念卡伦·伊芙·奥古斯塔
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-01-02 DOI: 10.1080/03612112.2020.1716543
E. Maeder, J. Borden
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引用次数: 0
Welcome to Vol. 46, No. 1 欢迎来到第46卷第1期
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-01-02 DOI: 10.1080/03612112.2020.1716544
Tina Bates
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引用次数: 0
“Ach, Gott, yes, I wish I was back in Russia” “啊,是的,我希望我能回到俄罗斯”
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-01-02 DOI: 10.1080/03612112.2019.1649352
N. Martin, Connie Ulasewicz
Early nineteenth-century Germans—emigrating first to Russia and then in the late nineteenth century to America—expressed a cultural contradiction in their dress, affirming pride in their ancestral home but also a willingness to selectively adopt items from the surrounding environment. Evidence suggests that while in Russia, their communities had been segregated both by choice and by dictate within an ethnically diverse population. Six garments, located in North Dakota—the final stop in their double diaspora, were studied to define their apparel choices and whether they had remained unchanged or affected by surrounding cultures while in Russia. The items revealed a gendered mixture that both retained traditional German dress practices but also adopted convenient choices from the cultures around them. All the items affirmed the German-Russian experience of Heimat—an intense pride in their Germanic heritage coupled with a unique affection and homesickness for their adopted Russian fatherland.
19世纪早期的德国人首先移民到俄罗斯,然后在19世纪晚期移民到美国,他们在着装上表达了一种文化矛盾,既肯定了他们对祖籍的自豪感,也愿意有选择地从周围环境中吸收一些东西。有证据表明,在俄罗斯,他们的社区在一个种族多样化的人口中,由于选择和命令而被隔离。研究人员研究了北达科他州的六件服装,这是他们双重移民的最后一站,研究了他们的服装选择,以及他们在俄罗斯时是否保持不变或受到周围文化的影响。这些物品显示了一种性别混合,既保留了传统的德国服装习俗,又采用了周围文化的方便选择。所有的物品都肯定了德国和俄罗斯在海马特的经历——对他们的日耳曼遗产的强烈自豪感,以及对他们收养的俄罗斯祖国的独特情感和思乡之情。
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引用次数: 0
Fierce: The History of Leopard Print 凶猛:豹纹的历史
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-01-02 DOI: 10.1080/03612112.2019.1707988
Laurie Kurutz
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引用次数: 0
The Anthropology of Dress and Fashion: A Reader 服装与时尚人类学:读本
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-01-02 DOI: 10.1080/03612112.2019.1707990
E. Davenport
“We are a small and scattered group, with no identity cards, and no journal to call our own” (3).And thus, editors Joanne B. Eicher and Brent Luvaas describe anthropologists with an interest in dre...
“我们是一个小而分散的群体,没有身份证,也没有可以称之为我们自己的期刊”(3)。因此,编辑Joanne B.Eicher和Brent Luvaas描述了对dre。。。
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引用次数: 0
期刊
Dress-The Journal of the Costume Society of America
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