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Alabe-Revista de Investigacion sobre Lectura y Escritura最新文献

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La alfabetización académica universitaria a examen: una propuesta para leer y dialogar con el mundo 大学学术素养考试:阅读和与世界对话的建议
IF 0.3 0 LITERATURE Pub Date : 2021-01-01 DOI: 10.15645/ALABE2021.23.7
C. Zafra, Marcín Kazmierczak, M. T. Signes
Contemporary literacy practices indicate that we face new challenges: reading and writing in the 21st century is far from what was understood about these activities in past centuries. This change also reverts to the competencies that, from the university level, are expected to be developed by students. In this research a pedagogical experience of promoting academic literacy is reported, and carried out at the Abat Oliba CEU University during the 2017-2018 academic year in the framework of a project of innovation and improvement of teaching quality. It consists of the creation of a student’s journal “Letras de Batalla: debate academico actual”: the motivations and objectives of the project, its methodology and implementation phases, are described. Finally, it the relationship between expected results and results obtained at the end of the edition of the first issue is detailed, published online and with its own ISSN. Thus, the journal allows us to verify that, through the production of academic articles, students improve their reading skills and naturally assume these literacy practices while also increasing their abilities to understand and engage with the world around them and master the skills necessary for integration into society.
当代识字实践表明,我们面临着新的挑战:21世纪的阅读和写作与过去几个世纪对这些活动的理解相去甚远。这一变化也回到了学生在大学阶段应该培养的能力。本研究报告了一项促进学术素养的教学经验,并于2017-2018学年在阿巴特奥利巴CEU大学在创新和提高教学质量项目的框架下进行。它包括创建一个学生期刊“Letras de Batalla:辩论学术实际”:项目的动机和目标,其方法和实施阶段,被描述。最后,如果将预期结果与第一期末获得的结果之间的关系进行详细说明,并在网上发表,并有自己的ISSN。因此,该期刊使我们能够验证,通过学术文章的生产,学生提高了他们的阅读技能,自然地承担这些读写实践,同时也提高了他们理解和参与周围世界的能力,掌握了融入社会所需的技能。
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引用次数: 2
Lectura(s): hacia una revisión del concepto 讲座:对概念的回顾
IF 0.3 0 LITERATURE Pub Date : 2021-01-01 DOI: 10.15645/ALABE2021.23.5
M. Maina, V. Papalini
The practice of reading has not had the same connotations throughout history. This study shows important changes in its conceptualization in the last decades. This article reflects on what reading is and how literary reading is related to comprehension. To account for that, some theoretical definitions present in the field are reviewed. This will allow us to put together a map of the different conceptions of this practice. The objective is to propose a definition based on six dimensions: aesthetics; playful; cognitive; sociocultural; subjective, and corporal-affective.
纵观历史,阅读的内涵并不相同。这项研究表明,在过去的几十年里,其概念发生了重大变化。本文就什么是阅读以及文学阅读与理解的关系进行了思考。为了说明这一点,本文回顾了该领域中存在的一些理论定义。这将使我们能够将这一实践的不同概念组合在一起。目标是提出一个基于六个维度的定义:美学;顽皮的;认知;社会文化;主观的和身体情感的。
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引用次数: 3
La lectura de la joya en el cuerpo de la mujer: La ajorca de oro de Bécquer y de Ilangô Adigal María Victoria Galloso Camacho 阅读女人身上的珠宝:becquer和Ilang o Adigal maria Victoria Galloso Camacho的黄金耳环
IF 0.3 0 LITERATURE Pub Date : 2021-01-01 DOI: 10.15645/ALABE2021.23.1
María Victoria Galloso Camacho
This article presents one of the approaches of multimodal discourse analysis (O’Halloran, 2014), on the basis of the presence of jewelry adorning the female body in two literary works sharing the same title, although belonging to two very different historical contexts. The first work was written by the Jain Prince Ilango Adigal towards the second century AD, and it is inspired by the splendid surroundings of Southern India. The second work was written by the Spanish poet Gustavo Adolfo Becquer in 1861, and it tells the love story of two young people in the city of Toledo. The function of the jewels and their visual design in Las ajorcas de oro are studied as a comparative semiotic analysis of ornamental samples.
本文介绍了多模态话语分析的一种方法(O’halloran, 2014),在两部文学作品中出现了装饰女性身体的珠宝,尽管两部文学作品属于两个非常不同的历史语境,但标题相同。第一部作品是由耆那教王子Ilango Adigal在公元二世纪创作的,灵感来自印度南部的壮丽环境。第二部作品是由西班牙诗人古斯塔沃·阿道夫·贝克于1861年创作的,它讲述了托莱多市两个年轻人的爱情故事。通过对装饰样品的符号学比较分析,研究了Las ajjorcas de oro中珠宝的功能及其视觉设计。
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引用次数: 0
La devoradora de libros 吃书的人
IF 0.3 0 LITERATURE Pub Date : 2021-01-01 DOI: 10.15645/ALABE2021.23.16
María Antonia Peña Guerrero
Sir Francis Bacon is credited with the famous phrase: "Some books are tried, others eaten, very few chewed and digested." Put it in your web browser and you will see that it refers you to at least ten thousand pages. The phrase is so resounding, so visual and so powerful that it has been used as a slogan or claim for book fairs, bookstores, publishers and marketers of all kinds. There are countless times that it has rolled through social networks, adding to that endless collection of evocative sayings and quotes that seek to move and have someone be moved. There is not even complete assurance that Bacon actually pronounced the phrase at some point, and it certainly does not seem that he left it in writing. However, I have to admit that I like it, probably because it establishes a fairly direct connection with the act of eating and, in turn, with the feeling of hunger and, at the same time, with the different ways we have to satiate it. I recognize myself in it, in short, because I too, throughout my reading life, have tried books, I have compulsively devoured them or I have savored and enjoyed them as if they were the last delicacy that I had to eat.
弗兰西斯·培根爵士说过一句名言:“有些书是试过的,有些书是吃过的,很少有书是咀嚼和消化的。”把它放在你的网络浏览器中,你会看到它指向你至少一万个页面。这句话是如此响亮,如此直观,如此有力,以至于它被用作书展,书店,出版商和各种营销人员的口号或主张。有无数次它在社交网络上滚动,增加了无穷无尽的令人回味的谚语和引语,试图感动和让人感动。甚至不能完全确定培根是否真的在某个时候说过这个短语,而且他似乎也没有把它写下来。然而,我不得不承认我喜欢它,可能是因为它与吃的行为建立了一种相当直接的联系,反过来,与饥饿感,同时,与我们必须满足它的不同方式。简而言之,我在书中认出了自己,因为在我的阅读生涯中,我也试过书,我曾强迫性地吞食它们,或者细细品味它们,仿佛它们是我必须吃的最后一道美味佳肴。
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引用次数: 0
La concepción romántica del arte literario: "El Miserere" de Bécquer 文学艺术的浪漫主义概念:becquer的《悲惨世界》
IF 0.3 0 LITERATURE Pub Date : 2021-01-01 DOI: 10.15645/ALABE2021.23.6
Gabriel Núñez Molina
In this article, Becquer’s El Miserere is studied as an example of what was, at that time, the ‘romantic’ conception of literature. With this aim, the writing of Gustavo Adolfo Becquer is first contextualized within its historical time: From 1854, when Becquer, like many other students with intellectual aspirations, moved to Madrid, until the arrival of the Glorious Revolution and subsequent Sexenio Democratico. These historical facts create the cultural environment and the social effervescence that made possible the writing of the Rhymes and Legends. This is also the time period in which the “capital awareness” is developed around the city of Madrid; as well as the period in which Krausist professors of the Central University of Madrid —such as Sanz, Salmeron, Giner or Castro— together with the agitation of the bourgeoisie draw a political line which clearly differs from that of Becquer mentored by Gonzalez Bravo. This paper ends with an explanation of the legend entitled “El Miserere”, which is examined interwoven in the ideological coordinates of Spanish Romanticism, such as the image of Adam’s Dream, the ideology of music in Spanish Romanticism and finally, the way in which —due to aesthetical reasons— this artistic movement reframes our past to then build upon it different present.
在这篇文章中,贝克的《悲惨世界》作为一个在当时被称为“浪漫主义”的文学概念的例子来研究。出于这个目的,古斯塔沃·阿道夫·贝克的写作首先被置于其历史时期:从1854年,当贝克像许多其他有知识抱负的学生一样搬到马德里,直到光荣革命和随后的Sexenio Democratico的到来。这些历史事实创造了文化环境和社会活力,使《押韵与传奇》的创作成为可能。这也是马德里周围“资本意识”发展的时期;同时,马德里中央大学的克劳斯派教授——如桑兹、萨梅隆、吉纳或卡斯特罗——与资产阶级的激进派一起,划出了一条明显不同于冈萨雷斯·布拉沃指导下的贝克的政治路线。本文以对“悲惨世界”传奇的解释结束,这是在西班牙浪漫主义的意识形态坐标中交织的,比如亚当之梦的形象,西班牙浪漫主义的音乐意识形态,最后,由于审美原因,这种艺术运动重塑了我们的过去,然后在此基础上建立不同的现在。
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引用次数: 0
O papel da leitura na (re)construção da identidade da criança migrante: o exemplo de Pássaro que voa, de Claudio Hochman 阅读在(重新)构建移民儿童身份中的作用:克劳迪奥·霍克曼的《飞鸟的例子》
IF 0.3 0 LITERATURE Pub Date : 2021-01-01 DOI: 10.15645/ALABE2021.23.9
Juliana Garbayo dos Santos
This paper proposes a reflection on the role of reading as a tool for resilience and identity reconstruction when facing the psychological challenges raised by migration. After a qualitative investigation into the opinion of a small group of child psychiatrists and psychologists regarding the contribution of reading to the grief process inherent to migration, in the light of their responses, the children’s book Passaro que voa was analyzed. This title was chosen based on two criteria: being a recent publication in Portugal and being available in public libraries local to the area where the study took place — and, therefore, being available to the regional population free of charge and in an equal manner. Almost all of the themes identified by the professionals as relevant to the migrant child — such as identity issues, respect for differences, social exclusion, losses, longing, grief, and hope — are present in this literary work. We believe that this and other similar books, by approaching disruptive topics and validating feelings of loss, fear, and unfamiliarity — may contribute to the creation of a more empathetic and truly intercultural society.
在面对移民带来的心理挑战时,阅读作为一种恢复力和身份重建的工具所起的作用。在对一小群儿童精神病学家和心理学家关于阅读对移民固有的悲伤过程的贡献的意见进行定性调查之后,根据他们的反应,对儿童书籍Passaro que voa进行了分析。选择这本书的依据是两个标准:在葡萄牙最近出版,在进行研究的地区当地的公共图书馆可以得到,因此,该地区的居民可以免费和平等地得到。几乎所有被专业人士认为与流动儿童相关的主题——如身份问题、尊重差异、社会排斥、失去、渴望、悲伤和希望——都出现在这部文学作品中。我们相信,这本书和其他类似的书,通过探讨破坏性的话题,确认失落、恐惧和不熟悉的感觉,可能有助于创造一个更有同情心和真正的跨文化社会。
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引用次数: 0
El guardagujas de Juan José Arreola, visto a través del Principio de incertidumbre 胡安·jose·阿雷奥拉(Juan jose Arreola)的针线盒,通过不确定性原理观察
IF 0.3 0 LITERATURE Pub Date : 2021-01-01 DOI: 10.15645/ALABE2021.23.2
Iram Isaí Evangelista Ávila, César Guillermo García Gonzáles, J. Negrete
The following paper formulates an interpretation of the story “The Switchman” by Juan Jose Arreola, as seen through the “uncertainty principle” used in Economics. The uncertainty is shown in the plot of the story as a kind of antagonist that places the main character in a state of alert in the face of life. Juan Jose Arreola uses the arrangement of his text in a symbolic way, reflecting at the same time the distinctive traits of his writing. Despite the evident distance between the fields involved, the uncertainty principle in Economics proves adequate in this discussion since it enables an interpretation that, rather than contradicting previous interpretations, enriches their contribution. The principle derived from Economics (Nieto de Alba, 1989) will be, then, transferred into literary analysis following the guidelines suggested by the narrative metaphor (Garayalde, 2018). Thus, the uncertainty state, besides being the plot trigger, works as a positive catalyst when making decisions.
本文通过经济学中的“不确定性原理”对胡安·何塞·阿雷奥拉的故事《开路人》进行了阐释。这种不确定性在故事情节中表现为一种对抗,使主人公在面对生活时处于警觉状态。胡安·何塞·阿雷奥拉以一种象征性的方式使用他的文本安排,同时反映了他的写作的鲜明特征。尽管所涉及的领域之间存在明显的距离,但经济学中的不确定性原则在本次讨论中被证明是足够的,因为它能够提供一种解释,而不是与先前的解释相矛盾,从而丰富了他们的贡献。然后,根据叙事隐喻(Garayalde, 2018)提出的指导方针,从经济学(Nieto de Alba, 1989)中得出的原则将被转移到文学分析中。因此,不确定性状态除了是情节触发器外,还可以作为决策的积极催化剂。
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引用次数: 0
Ante la ley y la experiencia del sentido en F. Kafka 面对卡夫卡的法律和意义的经验
IF 0.3 0 LITERATURE Pub Date : 2021-01-01 DOI: 10.15645/ALABE2021.23.4
Santiago Martín Arnedo
espanolMe propongo en este articulo analizar la estructura y el sentido del relato breve Ante la ley de F. Kafka. No solo el autor lo considero especialmente relevante, a juzgar por las veces que lo publico, sino que condensa ejemplarmente su estrategia narrativa, pues muchos de sus rasgos se reflejan de nuevo por extenso en la novela donde se inscribe, El proceso. Las circunstancias de su gestacion y la radicalidad de su planteamiento lo situan en una tesitura de caracter teologico, frente a otros enfoques interpretativos de perfil mas sociologico o antropologico. Esta hipotesis queda reforzada cuando surgen sin dificultad paralelismos con otros relatos biblicos. Ademas, las propias opiniones del autor, en quien vida y literatura aparecen tan inexorablemente unidas, apuntan mas bien a una problematizacion de la existencia en su conjunto, y no concretamente a alguno de sus aspectos, de ahi la angustia y la incertidumbre que envuelve tanto al protagonista de sus escritos como al lector, que en vano desea encontrar una ultima pieza que de sentido al conjunto. EnglishThis article analyses the structureand the meaning of the short story “Beforethe Law” by F. Kafka. It was not only veryimportant for him, judging by how manytimes he published it, but it also condenseshis narrative strategy: many of its featuresare reflected widely in the novel where itis inscribed, The Trial. The circumstances ofits gestation and the radical nature of hisapproach give it a theological character,compared to other more sociological oranthropological approaches. This hypothesisis reinforced when parallels with otherbiblical stories are easily found. Furthermore,the author’s own opinions, in whomlife and literature appear so inexorablylinked, point rather to a problematizationof existence as a whole, and not specificallyto any of its aspects, hence the anguish anduncertainty that surrounds both the protagonistof his writings as well as the reader,who in vain wants to find a last piecethat gives meaning to the whole.
在这篇文章中,我将分析卡夫卡的短篇小说的结构和意义。从我发表它的次数来看,作者不仅认为它特别相关,而且以典范的方式浓缩了他的叙事策略,因为它的许多特征在小说中再次广泛地反映出来,在小说中,过程被记录下来。它的孕育环境和激进的方法使它处于神学特征的背景下,而不是其他更社会学或人类学的解释方法。当与其他圣经故事的相似之处很容易出现时,这一假设就得到了加强。此外,提交人的意见,谁生活和文学出现那么无情,更表明problematizacion联合国存在的,而且没有任何具体的方面,在痛苦和不确定性既包络作品主角作为读者,徒然希望找到一个感觉最后一块集。本文分析了卡夫卡的短篇小说《先验法则》的结构和意义。这对他来说不仅是非常重要的,因为他出版了多少次,但它也浓缩了叙事策略:它的许多特点都反映在它所写的小说中,审判。激进的情况ofits gestation and The nature of hisapproach给it theological查阅算不上to other more sociological oranthropological approaches。= =地理= =根据美国人口普查,这个县的面积为。此外,提交人own意见,whomlife和文学的人so inexorablylinked, point to a problematizationof当日整个and not specificallyto any of its aspects, hence the anguish anduncertainty that both the protagonistof surrounds the end of as well as the reader, who in vain希望to find a最后piecethat补救意义to the全食超市。
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引用次数: 0
Quino: la risa y el plumín al servicio de desentrañar esa madeja que es el ser humano 基诺:笑声和羽毛服务于解开人类的编织
IF 0.3 0 LITERATURE Pub Date : 2021-01-01 DOI: 10.15645/ALABE2021.23.17
M. Burkart
On September 30, Quino, one of the Argentine graphic humorists with the greatest worldwide recognition, passed away. He left the day after his emblematic strip, “Mafalda”, turned 56 since its first publication in the Argentine magazine Primera Plana. In a matter of hours, they went from celebrating the birthday of the “rebellious” girl to firing her creator. And many, if not most, of the tributes remembered Quino exclusively for "Mafalda" which constitutes a huge injustice as others, in the minority, warned. Indeed, Quino's work does not begin or end with “Mafalda”, and in these pages I would like to refer to his entire production ˗including, of course, “Mafalda” ˗ with the purpose of paying homage to this humorist who made us laugh at himself time to reflect on the human condition and life in modern society.
9月30日,享誉世界的阿根廷幽默漫画家基诺逝世。他的标志性连环画《玛法尔达》(Mafalda)首次在阿根廷杂志《Primera Plana》上发表后,已经56岁了。在几个小时内,他们从庆祝“叛逆”女孩的生日变成了解雇她的创造者。许多人(如果不是大多数的话)只记得基诺的“玛法尔达”,正如少数人警告的那样,这构成了巨大的不公正。的确,基诺的作品并非以“马法尔达”开始,也不是以“马法尔达”结束,在这里,我想提及他的全部作品——当然也包括“马法尔达”——以向这位让我们自嘲、反思现代社会人类状况和生活的幽默大师致敬。
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引用次数: 0
El Monasterio de Yuste y el retiro de Carlos V en las guías de viajes de Volkmann y Baedeker 尤斯特修道院和查理五世的撤退在Volkmann和Baedeker的旅游指南
IF 0.3 0 LITERATURE Pub Date : 2021-01-01 DOI: 10.15645/ALABE2021.23.10
Alfonso Corbacho Sánchez
espanolNeueste Reisen durch Spanien de Johann Jacob Volkmann y Spanien und Portugal de Karl Baedeker dan fe, paradojicamente, de la relevancia de la informacion proporcionada por los escritores viajeros de la generacion anterior que visitaron el Monasterio de Yuste, movidos, sobre todo, por el interes y la fascinacion que suscito este lugar como retiro de Carlos V. En efecto, aunque ninguno de estos dos autores parece haber pisado tierra espanola ambos incorporaron en sus guias para viajeros por Espana informacion detallada y precisa, facilitada por esos visitantes ilustrados de la generacion precedente. Prueba de ello es el cumulo de datos que Volkmann debe a las Travels through Spain de John Talbot Dillon. Volkmann y Baedeker saben como seleccionar y divulgar lo que el publico lector y los visitantes potenciales de su propia generacion mas valorarian del legado de esos escritores ilustrados. Tambien saben como anadir material de su propia cosecha cuando estiman que seria del gusto de sus lectores. Asi, basandose unicamente en descripciones geograficas de La Vera, a menudo hacen valoraciones y emiten juicios sobre sus paisajes y entorno que responden mucho mas a los gustos que han traido el movimiento literario del Sturm und Drang y las tendencias romanticas y prerromanticas que a los principios esteticos y al credo estetico de la Ilustracion. EnglishJohann Jacob Volkmann’s Neueste Reisen durch Spanien and Karl Baedeker’s Spanienund Portugal paradoxically give credence to the relevance of the information provided bythe travel writers of the previous generation. They visited the Monastery of Yuste, moved bytheir interest in the place of the Emperor’s retreat. As a matter of fact, although neither ofthese two authors seems to have set foot on Spanish soil they both incorporated detailedinformation provided by enlightened visitors of the previous generation into their travelguides for Spain’s visitors. The amount of data that Volkmann drew from John Talbot Dillon’sTravels through Spain is a telling example of this. Volkmann and Baedeker both knew how toselect and disseminate what a reading audience and potential visitors of their own generationwould most appreciate from the legacy of those enlightened writers. They also knew how toadd things of their own making when they deemed them to be to the liking of their readers.Thus, basing themselves merely on geographic descriptions of La Vera, they often made assessmentsabout its landscapes that were much more in keeping with the new tastes broughtabout by the Sturm und Drung and the pre- and romantic trends than with the aesthetic ofthe Enlightenment.
espanolNeueste Reisen durch Spanien Spanien und葡萄牙和约翰·雅各Volkmann卡尔Baedeker见证着paradojicamente,提供的信息的重要作家之前的一代旅行者访问Yuste寺庙,本着,尤其是,兴趣和fascinacion suscito这个地方作为退休Carlos v .事实上,尽管这两位作者似乎都没有踏上西班牙的土地,但他们都在他们的西班牙旅游指南中加入了详细而准确的信息,这些信息是由上一代的开明游客提供的。沃克曼从约翰·塔尔博特·狄龙(John Talbot Dillon)的《穿越西班牙》(Travels through Spain)中获得的大量数据证明了这一点。Volkmann和Baedeker知道如何选择和传播他们这一代的读者和潜在游客最看重的这些开明作家的遗产。他们也知道如何添加自己的材料,当他们认为这将符合他们的读者的口味。所以,basandose只是在描述geograficas维拉,通常使评价和发射试验的风景和响应环境带来味道已远远超过Sturm und Drang文学运动和趋势romanticas prerromanticas esteticos原则和Ilustracion estetico信仰时。约翰·雅各布·沃克曼(johann Jacob Volkmann)的《新西班牙人》(Neueste Reisen durch Spanien)和卡尔·贝德克(Karl Baedeker)的《西班牙人和葡萄牙人》(Spanienund Portugal)矛盾地承认了上一代旅行作家提供的信息的重要性。他们参观了尤斯特修道院,因为他们的兴趣在皇帝的撤退。作为一个事实,尽管两者ofthese two authors似乎to have set脚提供西班牙土壤they both incorporated detailedinformation enlightened visitors of the previous generation into their travelguides Spain - visitors。= =地理= =根据美国人口普查,这个县的面积为。Volkmann和Baedeker都知道如何选择和传播他们这一代的读者和潜在的读者将最欣赏这些作家的遗产。他们也知道他们在做什么,他们在做什么,他们在做什么,他们在做什么,他们在做什么,他们在做什么。因此,仅仅基于对La Vera的地理描述,他们经常对景观进行评估,这些景观更多的是关于新口味的broughtabout,以及前和浪漫的趋势,而不是启蒙的美学。
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引用次数: 0
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