{"title":"Framing Southern Rhetoric: Lillian Smith's Narrative Persona in \"Killers of the Dream\"","authors":"S. Romine","doi":"10.2307/3200799","DOIUrl":"https://doi.org/10.2307/3200799","url":null,"abstract":"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126774363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Part 1 Introduction - The Loves of the Arts, Diane F. Gillespie. Part 2 Painting Invocations and Confrontations: Through Formalism - Feminism and Virginia Woolf's Relation to Bloomsbury Aesthetics, Christopher Reed The Blasphemy of Art - Fry's Aesthetics and Woolf's Non-"Literary" Stories, Panthea Reid Broughton Reading Proust - Woolf and the Painter's Perspective, Cheryl Mares "Silent as the Grave" - Painting, Narrative and the Reader in "Night and Day" and "To the Lighthouse", Jane Fisher. Part 3 More Muses and Amusements: "Her Kodak Pointed at His Head" - Virginia Woolf and Photography, Diane F. Gillespie "Across the Screen of My Brain" - Virginia Woolf's "The Cinema" and Film Forums of the Twenties, Leslie Kathleen Hankins Her Quill Drawn from the Firebird - Virginia Woolf and the Russian Dancers, Evelyn Haller "The Second Violin Tuning in the Ante-room" - Virginia Woolf and Music, Peter Jacobs.
{"title":"The Multiple Muses of Virginia Woolf","authors":"W. Harrison, D. Gillespie","doi":"10.2307/3200819","DOIUrl":"https://doi.org/10.2307/3200819","url":null,"abstract":"Part 1 Introduction - The Loves of the Arts, Diane F. Gillespie. Part 2 Painting Invocations and Confrontations: Through Formalism - Feminism and Virginia Woolf's Relation to Bloomsbury Aesthetics, Christopher Reed The Blasphemy of Art - Fry's Aesthetics and Woolf's Non-\"Literary\" Stories, Panthea Reid Broughton Reading Proust - Woolf and the Painter's Perspective, Cheryl Mares \"Silent as the Grave\" - Painting, Narrative and the Reader in \"Night and Day\" and \"To the Lighthouse\", Jane Fisher. Part 3 More Muses and Amusements: \"Her Kodak Pointed at His Head\" - Virginia Woolf and Photography, Diane F. Gillespie \"Across the Screen of My Brain\" - Virginia Woolf's \"The Cinema\" and Film Forums of the Twenties, Leslie Kathleen Hankins Her Quill Drawn from the Firebird - Virginia Woolf and the Russian Dancers, Evelyn Haller \"The Second Violin Tuning in the Ante-room\" - Virginia Woolf and Music, Peter Jacobs.","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132663683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A. Singer, Charles C. Russell, Beatrix Muller-Kampel
{"title":"The Don Juan Legend before Mozart","authors":"A. Singer, Charles C. Russell, Beatrix Muller-Kampel","doi":"10.2307/3200801","DOIUrl":"https://doi.org/10.2307/3200801","url":null,"abstract":"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"58 3-4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114336632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In recent years Nietzsche has emerged as a presiding genius of our intellectual epoch. Although scholars have noted the influence of Nietzsche's thought on Wallace Stevens, the publication of Early Stevens establishes, for the first time, the extent to which Nietzsche pervades Steven's early work. Concentrating on poems published between 1915 and 1935-but moving occasionally into later poems, as well as letters and essays-B. J. Leggett draws together texts of Stevens and Nietzsche to produce new and surprising readings of the poet's early work. This intertextual critique reveals previously undisclosed ideologies operating at the margins of Stevens's work, enabling Leggett to read aspects of the poetry that have until now been unreadable. Leggett's analysis demonstrates that the Nietzschean presence in Stevens brings with it certain assumptions that need to be made explicit if the form of the poetry is to be understood. Though many critics have discussed the concept of intertextuality, few have attempted a truly intertextual reading of a particular poet. Early Stevens not only develops an exemplary model of such a reading; it also provides crucial insights into Stevens's notions of femininity, virility, and poetry and elucidates the notions of art, untruth, fiction, and interpretation in both Stevens and Nietzsche.
{"title":"Early Stevens: The Nietzschean Intertext","authors":"D. Rader, B. J. Leggett","doi":"10.2307/3200821","DOIUrl":"https://doi.org/10.2307/3200821","url":null,"abstract":"In recent years Nietzsche has emerged as a presiding genius of our intellectual epoch. Although scholars have noted the influence of Nietzsche's thought on Wallace Stevens, the publication of Early Stevens establishes, for the first time, the extent to which Nietzsche pervades Steven's early work. Concentrating on poems published between 1915 and 1935-but moving occasionally into later poems, as well as letters and essays-B. J. Leggett draws together texts of Stevens and Nietzsche to produce new and surprising readings of the poet's early work. This intertextual critique reveals previously undisclosed ideologies operating at the margins of Stevens's work, enabling Leggett to read aspects of the poetry that have until now been unreadable. Leggett's analysis demonstrates that the Nietzschean presence in Stevens brings with it certain assumptions that need to be made explicit if the form of the poetry is to be understood. Though many critics have discussed the concept of intertextuality, few have attempted a truly intertextual reading of a particular poet. Early Stevens not only develops an exemplary model of such a reading; it also provides crucial insights into Stevens's notions of femininity, virility, and poetry and elucidates the notions of art, untruth, fiction, and interpretation in both Stevens and Nietzsche.","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122185425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Wallace Stevens and the Feminine","authors":"David R. Jarraway, Melita Schaum","doi":"10.2307/3200820","DOIUrl":"https://doi.org/10.2307/3200820","url":null,"abstract":"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126314573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Making History: Early English Women Writers and the Conception of National Literary Histories","authors":"Margaret J. M. Ezell","doi":"10.2307/3200795","DOIUrl":"https://doi.org/10.2307/3200795","url":null,"abstract":"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115162357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Female tradition in southern literature","authors":"J. Hall, Carol S. Manning","doi":"10.2307/3200803","DOIUrl":"https://doi.org/10.2307/3200803","url":null,"abstract":"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"252 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129146798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Transcendence and Return: T. S. Eliot and the Dialectic of Modernism","authors":"J. Brooker","doi":"10.2307/3200797","DOIUrl":"https://doi.org/10.2307/3200797","url":null,"abstract":"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"121 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123213253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Future of the Past: Teaching Older Texts in a Postmodern World","authors":"J. Hunter","doi":"10.2307/3200794","DOIUrl":"https://doi.org/10.2307/3200794","url":null,"abstract":"","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1994-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121734945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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