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IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-27 DOI: 10.1109/sustech57309.2023.10129603
Drita Tutunović
Abstract:Drita Tutunović’s story “Home” is an autobiographical narrative on Sephardic life in the period before and after World War II, printed here in both English and the original Djudezmo. The protagonist is Drita’s mother, Matilda. The history of Drita’s Sephardic family, the tragedy of the Holocaust and a pathway to a new life in Belgrade are described through the metaphor of keys to one’s home, which Sephardic Jews have carried with them for centuries when forced to leave one place of residence for another.
摘要:德里塔·图图诺维奇的小说《家》是一部讲述二战前后西班牙系犹太人生活的自传体小说,在这里以英文和Djudezmo原版同时出版。主人公是德里塔的母亲玛蒂尔达。德里塔的西班牙系家庭的历史,大屠杀的悲剧,以及通往贝尔格莱德新生活的道路,通过一个人的家的钥匙的比喻来描述。几个世纪以来,当西班牙系犹太人被迫离开一个居住地前往另一个居住地时,他们一直带着钥匙。
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引用次数: 0
Summoning Spirits in Egypt: Jewish Women and Spiritualism in Early Twentieth-Century Cairo 埃及的招魂:二十世纪初开罗的犹太妇女和招魂术
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-19 DOI: 10.2979/nashim.38.1.02
Samuel Glauber-Zimra
Abstract:A rare account of Jewish women’s spiritualist activity is preserved in R. Aaron Mendel Hakohen’s Haneshamah vehakadish (1921), an early-twentieth-century Hebrew religious treatise on the soul and the afterlife. The anonymous women depicted in it held regular séances in the company of their families in their Cairo home, in which they utilized a planchette, a popular spirit communication device, in order to contact the departed. This article presents and analyzes Hakohen’s account, considering his role as a literary intermediary relating the women’s communication with the dead, the activities of the Cairo circle in comparison to broader spiritualist practice, and the place of spiritualist doctrine within Hakohen’s theology of the afterlife. A full translation of the account into English is presented in the .
摘要:在R. Aaron Mendel Hakohen的《Haneshamah vehakadish》(1921)中,保存了一份罕见的关于犹太妇女的通灵活动的记录,这是一本20世纪早期关于灵魂和来世的希伯来宗教论文。画中描绘的匿名妇女在开罗的家中,在家人的陪伴下定期举行精神交流,她们利用一种流行的精神交流工具——小写字板,与死者取得联系。本文呈现并分析了哈科恩的叙述,考虑到他作为一个文学媒介的角色,涉及妇女与死者的交流,开罗圈子的活动与更广泛的唯心主义实践的比较,以及唯心主义教义在哈科恩的来世神学中的地位。该报告的完整英文译本载于。
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引用次数: 0
Cross-Dressing in Jewish Law and the Construction of Gender Identity 犹太法中的变装与性别认同的建构
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-19 DOI: 10.2979/nashim.38.1.03
Ronit Irshai
Abstract:This article reassesses certain assumptions concerning the conception of gender as a rigid binary structure within Jewish tradition, through the analysis of the scriptural ban on cross-dressing (Deut. 22:5), and its development within past and contemporary Jewish legal discourse. It proposes that the prohibition on cross-dressing has traditionally been interpreted in two opposing manners—an essentialist approach and a functionalist approach. Both options, from the early rabbinic literature down to the contemporary responsa literature, were seen as halakhically valid. Thus, the standard contemporary theology affirming a rigid gender binary as the sole halakhic truth represents just one hermeneutic option. This halakhic “truth” has served as a political device wielded against Jewish religious feminism.
摘要:本文通过对《圣经》中禁止异性扮装(申命记22:5)的分析,以及其在过去和当代犹太法律话语中的发展,重新评估了犹太传统中关于性别概念是一种僵化的二元结构的某些假设。它提出,禁止异性扮装传统上被解释为两种相反的方式——本质主义的方法和功能主义的方法。这两种选择,从早期的拉比文学到当代的回应文学,都被认为是合法的。因此,标准的当代神学肯定一个严格的性别二元作为唯一的哈拉基真理代表只是一个解释学的选择。这种伊斯兰教的“真相”被用作反对犹太宗教女权主义的政治手段。
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引用次数: 0
“A Never Ending Source of Wonder”: The Women of Hadassah Create a Modern Medical Center in Jerusalem “永无止境的奇迹之源”:哈达萨妇女在耶路撒冷创建了一个现代医疗中心
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-19 DOI: 10.2979/nashim.38.1.07
S. Rotem
Abstract:The inauguration of the Hadassah University Medical Center in 1939 was a milestone in the activities of the Hadassah Women’s Zionist Organization of America in Eretz Israel. Until that point, the organization had focused on developing and providing curative and preventative health and social care in Palestine. The establishment of a modern medical center, incorporating nursing and medical schools, changed the organization’s objectives to include medical and scientific research. The building was designed by renowned architect Erich Mendelsohn and became not only one of his most celebrated successes but also an outstanding example of pre-state Israeli architecture. This article examines the influence of Hadassah’s mission and vision on the outcome of the building. What cultural and ideological values were manifested in the architecture of this hospital, built in pre-state Israel by a group of American Jewish Zionist women?
摘要:1939年哈达萨大学医学中心的落成是美国哈达萨妇女犹太复国主义组织在以色列土地上活动的一个里程碑。在此之前,本组织的重点是在巴勒斯坦发展和提供治疗性和预防性保健和社会保健。现代医疗中心的建立,包括护理学校和医学院,改变了该组织的目标,包括医学和科学研究。该建筑由著名建筑师埃里希·门德尔松(Erich Mendelsohn)设计,不仅是他最著名的成功之一,也是以色列建国前建筑的杰出典范。本文探讨了哈达萨的使命和愿景对建筑结果的影响。这座由一群美国犹太复国主义妇女在建国前的以色列建造的医院的建筑体现了什么样的文化和意识形态价值?
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引用次数: 0
“If Both are Equally Good”: An Unusual Depiction of Marriage and Women in a Midrash from the Cairo Genizah “如果两者都一样好”:来自开罗吉尼撒的米德拉什对婚姻和女性的不寻常描述
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-19 DOI: 10.2979/nashim.38.1.04
Moshe Lavee, Shana Strauch Schick
Abstract:This article offers a critical analysis of one section of a previously lost midrashic text found in the Cairo Genizah, termed Midrash ḥad-shenati (MḤS) by Louis Ginzberg and Jacob Mann. We examine the section on the parashah of Toledot and demonstrate how various traditions have been brought together in it to form a composition with its own literary and thematic concerns relating to marriage, procreation and lineage. MḤS: Toledot is distinct in centering on an active female protagonist, portraying her in an exclusively positive light, and idealizing a mutual (and monogamous) marriage relationship between Isaac and Rebecca. Aside from uncovering forgotten perspectives that diverge from what is generally found in the rabbinic canon, the textual and thematic analyses offered here enable us to identify the literary placement of this unique midrashic collection in the history of midrashic activity and its larger geographical and cultural context.
摘要:本文对路易斯·金兹伯格(Louis Ginzberg)和雅各布·曼(Jacob Mann)在《开罗创世纪》(Cairo Genizah)中发现的一段先前丢失的米德拉希语文本进行了批判性分析,该文本被称为米德拉希ḥad-shenati (MḤS)。我们研究了托莱多的帕拉沙部分,并展示了各种传统如何汇集在一起,形成了一个具有自己的文学和主题的作品,涉及到婚姻、生育和血统。MḤS:托莱多的独特之处在于以一个活跃的女性主人公为中心,以一种完全积极的方式描绘她,并理想化了艾萨克和丽贝卡之间的相互(一夫一妻制)婚姻关系。除了揭示与拉比正典中普遍发现的内容不同的被遗忘的观点之外,本文提供的文本和主题分析使我们能够确定这一独特的米德拉西文集在米德拉西活动历史中的文学地位及其更大的地理和文化背景。
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引用次数: 0
Sarah Our Rebbe: R. Kalonymus Kalman Shapira’s Feminine Spiritual Leadership in the Warsaw Ghetto 萨拉我们的牧师:R. Kalonymus Kalman Shapira在华沙犹太人区的女性精神领袖
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-19 DOI: 10.2979/nashim.38.1.01
Daniel Reiser
Abstract:Theological argument with and protest against God has deep roots in Jewish tradition. Usually the role models for such protests are male biblical figures, such as Abraham, Moses, Jeremiah, Jonah and Job. In this article, I will present an exceptional hasidic interpretation of Sarah’s death as an act of “protest within faith.” According to Rabbi Kalonymus Kalman Shapira, a hasidic rebbe in the Warsaw ghetto, Sarah “our matriarch” committed “suicide” for the sake of the people of Israel. Sarah died in order to demonstrate to God that her excessive suffering in the wake of Isaac’s near sacrifice was absolutely unbearable. R. Shapira found himself at a time of utter collapse and extreme personal crisis at the beginning of World War II. I argue that, in his biblical exegesis, R. Shapira took Sarah’s mode of besieged protestation upon himself as a spiritual leader of the Jewish people, a mantle he carried until his tragic death.
摘要:对上帝的神学争论和对上帝的抗议深深植根于犹太传统。通常这种抗议的榜样是圣经中的男性人物,如亚伯拉罕、摩西、耶利米、约拿和约伯。在这篇文章中,我将提出一种特殊的哈西德派对莎拉之死的解释,认为这是一种“信仰内的抗议”行为。根据华沙犹太人区的哈西德派拉比Kalonymus Kalman Shapira的说法,“我们的女族长”Sarah为了以色列人民而“自杀”。撒拉的死是为了向上帝表明,她在以撒几乎牺牲之后所遭受的过度痛苦是绝对无法忍受的。第二次世界大战开始时,夏皮拉发现自己处于彻底崩溃和极度个人危机的时期。我认为,夏皮拉在他的《圣经》注释中,采用了萨拉的方式,把自己作为犹太人民的精神领袖进行包围式的抗议,直到他悲惨地去世。
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引用次数: 0
“A Bubble of Happiness and Visionary Beauty”: The Mystical Feminist Art of Barbara Mendes “幸福与梦幻之美的泡沫”:芭芭拉·门德斯的神秘女权主义艺术
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-19 DOI: 10.2979/nashim.38.1.0149
Judith Margolis
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引用次数: 0
Looking and Listening Differently: Crimes and Misdemeanors, II Samuel 11–12 and #Metoo 看和听的不同:犯罪和轻罪,撒母耳记下11-12和#Metoo
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-19 DOI: 10.2979/nashim.38.1.05
Wendy Zierler
Abstract:This article sets out to look back at and “rehear” a film, Woody Allen’s Crimes and Misdemeanors, and a biblical text, the story of David and Bathsheba in II Samuel 11–12, in the aftermath of the Trump presidency and in light of the #MeToo movement. Employing the interpretive method used in my book, Movies and Midrash, as well as the feminist epistemological insights of Evelyn Fox Keller and Miranda Fricker, the article concentrates on and critiques the would-be throwaway, comic, #Metoo-relevant moments of the Woody Allen film, those not typically addressed in critical and Jewish interpretations of the film, including my own book. It then offers a contemporary, #MeToo, feminist, midrashic close reading of the David and Bathsheba story. Throughout the David and Bathsheba narrative, men and a masculine God are depicted as seeing, often broadly and from a distance, but only Bathsheba actually hears. The aim of the article is to engage in an exercise in self-observation, re-listening and constructive re-interpretation that also speaks to the kind of broader historical, epistemological and hermeneutical shifts that allow us as a culture to read differently.
摘要:本文旨在回顾并“重听”伍迪·艾伦的电影《罪与轻罪》,以及圣经文本《撒母耳记下》11-12章中大卫和拔示巴的故事,这是在特朗普当选总统之后,并考虑到#MeToo运动。本文采用了我的书《电影与米德拉什》(Movies and Midrash)中使用的解释方法,以及伊夫林·福克斯·凯勒(Evelyn Fox Keller)和米兰达·弗里克(Miranda Fricker)的女权主义认识论见解,重点关注并批评了伍迪·艾伦电影中那些可能被抛弃的、喜剧的、与# metoo相关的时刻,这些时刻通常不会在评论界和犹太人对这部电影的解读中被提及,包括我自己的书。然后,它为大卫和拔示巴的故事提供了一个当代的、#MeToo的、女权主义的、米德拉什式的细读。在大卫和拔示巴的故事中,男人和阳刚的上帝都被描绘成远眺,但实际上只有拔示巴能听到。这篇文章的目的是参与自我观察,重新倾听和建设性的重新解释的练习,这也说明了更广泛的历史,认识论和解释学的转变,使我们作为一种文化以不同的方式阅读。
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引用次数: 0
The "Vulnerable Hero" and His Wife: PTSD and Shifting Dynamics of Gender and Care in Contemporary Israel “脆弱的英雄”和他的妻子:创伤后应激障碍和当代以色列性别和关怀的变化动态
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-01-12 DOI: 10.2979/nashim.37.1.03
K. Friedman-Peleg
Abstract:This article seeks to contribute to the growing discussion on the shifting dynamics of gender and care. Based on participant observations in a support group for Jewish-Israeli women married to men diagnosed with security-related Post-Traumatic Stress Disorder (PTSD), the article explores what happens when the application of professional recommendations regarding the treatment of PTSD simultaneously resonates with and challenges collective gendered expectations of care. In the face of the men's new status as "vulnerable heroes" in the context of the Israeli-Palestinian conflict, the twofold role of the emotional language of therapy is exposed and discussed. While the group's therapists operated as mediators between the participants' marital relations and the broader social context, offering the language of therapy as a means to help the women help their husbands by extending their care responsibilities, the participants themselves turned the group into an "accelerator" for exploring their daily lives beyond their traditional roles as caregivers. Utilizing their new familiarity with the linguistic register of therapy as a "Trojan horse" within the intervention framework of a highly nationalized disorder, the participants paved an unforeseen pathway toward expressing, recognizing and challenging collective gendered expectations.
摘要:本文旨在对性别和护理的变化动态的日益增长的讨论作出贡献。本文基于对以色列犹太妇女与被诊断为安全相关的创伤后应激障碍(PTSD)的男性结婚的支持小组的参与者观察,探讨了当PTSD治疗的专业建议的应用同时与集体的性别期望产生共鸣并挑战时会发生什么。在巴以冲突背景下,面对男性作为“弱势英雄”的新地位,情感语言治疗的双重作用被暴露和讨论。当小组的治疗师在参与者的婚姻关系和更广泛的社会背景之间扮演调解人的角色时,提供治疗的语言作为一种手段,帮助女性通过延长照顾丈夫的责任来帮助丈夫,参与者自己把小组变成了一个“加速器”,让她们超越传统的照顾者角色,探索自己的日常生活。在高度国家化的障碍的干预框架内,参与者利用他们对治疗的语言域的新熟悉作为“特洛伊木马”,为表达、认识和挑战集体性别期望铺平了一条不可预见的道路。
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引用次数: 1
A Mother's Prayer 母亲的祈祷
IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-01-12 DOI: 10.2979/nashim.37.1.08
S. Adelman
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引用次数: 0
期刊
Nashim-A Journal of Jewish Womens Studies & Gender Issues
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