Pub Date : 2022-12-31DOI: 10.15291/libellarium.3640
Marijana Špoljarić Kizivat, Damir Hasenay
Cilj. Cilj je rada razrada teorijskog okvira očuvanja legata s posebnim osvrtom na specifičnosti koje nalazimo u knjižnicama. Svrha je rada stvaranje teorijsko-metodološkog polazišta za daljnja istraživanja kojima će biti moguće dobiti sveobuhvatniji uvid u stanje očuvanja legata u knjižnicama u Republici Hrvatskoj. Pristup/metodologija/dizajn. U radu je razrađen teorijski pregled najvažnijih tema u okviru problematike očuvanja legata u knjižnicama. Prikazan je pregled relevantne literature pri čemu je poseban fokus stavljen na razmatranja terminoloških i pravnih pitanja te problematiku očuvanja, obrade, organizacije i smještaja legata u knjižnicama kao i pitanja njihova vrednovanja i uporabe. Rezultati. Na temelju teorijskih razmatranja dobiven je uvid u percepciju legata kao vrijednosti i za knjižnicu i za širu lokalnu zajednicu. Sveobuhvatno je definiran pojam legata u knjižnicama s čitavoga niza gledišta, a poseban naglasak stavljen je na moguće prepreke i probleme s kojima se susreću knjižničari u radu s ovim posebnim zbirkama. Razmatrana je problematika legata kroz različite aspekte upravljanja zaštitom što je rezultiralo definiranjem sveobuhvatnog teorijskog okvira očuvanja legata u knjižnicama. Ograničenja. Problematika legata, njihove organizacije i očuvanja u RH nije do sada sustavno istraživana. Prepreke u radu s legatima najčešće su vidljive kroz raspršene podatke o zbirkama i/ili nepostojanje evidencije baštinskih zbirki na nacionalnoj razini. Također je u velikoj mjeri prisutna i neobrađenost zbirki zbog nedostatka osoblja, financijskih i prostornih ograničenja, a što za rezultat ima nedostupnost građe za korisnike, te neprepoznatost legata kao vrijednosti na institucionalnoj, regionalnoj i nacionalnoj razini. Praktična primjena. Rad treba promatrati kao temeljni doprinos sustavnom promišljanju legata u knjižnicama, njihovoj organizaciji te očuvanju i prezentaciji u kontekstu kulturne baštine kao jednog osobito značajnog dijela kulturne baštine. Originalnost/vrijednost. Mogući su različiti pristupi obradi, organizaciji, pohrani i dostupnosti legata u knjižnicama. U radu je prikazan teorijski okvir očuvanja legata i najvažniji podaci o njihovu upravljanju i organizaciji. Razrada teorijskog okvira očuvanja legata u knjižnicama predstavlja polazište za daljnje sveobuhvatno i sustavno istraživanje legata kao vrlo važnog dijela cjelokupnog korpusa naše kulturne baštine. Pri tome se valja osobito usmjeriti na pitanja implementacije učinkovitih rješenja u knjižničnoj praksi.
目的。目的是建立一个研究遗产的理论框架，特别关注图书馆的特殊性。Svrha je rada creanje teorijsko-metodologškog polazišta za daljnja istraživanja kojima će biti moguće dobiti sveobuhvatniji uvid u stanje očuvanja legata u knjižnicama u Republici Hrvatskoj.Approach/metodologija/design.本研究从理论上探讨了克罗地亚的法律问题。本研究将重点放在术语和实践问题的研究上，以解决社会问题，并对社会问题进行研究和分析。从理论上讲，我们可以从对社会、对国家、对地方的认识中获得启发。Sveobuhvatno je definiran pojam legata u biblioteknicama s čitavoga niza gledišta, a poseban naglasak stavljen je na moguće prepreke i probleme s kojima se susreću knjižničari u radu s ovim posebnim zbirkama.通过安全管理的各个方面讨论了法定托存问题，从而为图书馆的法定托存管理确定了一个全面的理论框架。Probleatika legata, ich organizacji i očuvanja u RH nije do sada sustavno istraživana.Prepreke u radu s legatima najčeše su vidljive kroz raspršhene podatke o kolekirkama i/ili nepostojanje registencije baštinskih kolekki na nacionalnoj razini.由于人员、资金和空间方面的限制，藏品匮乏也是一个重要因素，这导致藏品无法被用户获取，以及在机构、地区和国家层面缺乏对遗产的认可。作为文化遗产最重要的组成部分之一，这套丛书应被视为对图书馆遗产的持续反思、组织及其在文化遗产背景下的展示做出了根本性的贡献。图书馆中法律文件的设计、组织、存储和可用性的不同方法是可能的。U radu je prikazan teorijski okvir očuvanja legata i najvažniji podaci o ichu upravljanju i organizaciji.图书馆遗产管理理论框架的制定为进一步持续发展作为我们文化遗产总体重要组成部分的遗产奠定了基础。Pri tome se valja osobja usmjeriti na pitanja implementacije učinkovitih rješenja u knjižničnoj praxi.
{"title":"Osnovne teorijsko-metodološke pretpostavke očuvanja legata u knjižnicama","authors":"Marijana Špoljarić Kizivat, Damir Hasenay","doi":"10.15291/libellarium.3640","DOIUrl":"https://doi.org/10.15291/libellarium.3640","url":null,"abstract":"Cilj. Cilj je rada razrada teorijskog okvira očuvanja legata s posebnim osvrtom na specifičnosti koje nalazimo u knjižnicama. Svrha je rada stvaranje teorijsko-metodološkog polazišta za daljnja istraživanja kojima će biti moguće dobiti sveobuhvatniji uvid u stanje očuvanja legata u knjižnicama u Republici Hrvatskoj.\u0000Pristup/metodologija/dizajn. U radu je razrađen teorijski pregled najvažnijih tema u okviru problematike očuvanja legata u knjižnicama. Prikazan je pregled relevantne literature pri čemu je poseban fokus stavljen na razmatranja terminoloških i pravnih pitanja te problematiku očuvanja, obrade, organizacije i smještaja legata u knjižnicama kao i pitanja njihova vrednovanja i uporabe.\u0000Rezultati. Na temelju teorijskih razmatranja dobiven je uvid u percepciju legata kao vrijednosti i za knjižnicu i za širu lokalnu zajednicu. Sveobuhvatno je definiran pojam legata u knjižnicama s čitavoga niza gledišta, a poseban naglasak stavljen je na moguće prepreke i probleme s kojima se susreću knjižničari u radu s ovim posebnim zbirkama. Razmatrana je problematika legata kroz različite aspekte upravljanja zaštitom što je rezultiralo definiranjem sveobuhvatnog teorijskog okvira očuvanja legata u knjižnicama.\u0000Ograničenja. Problematika legata, njihove organizacije i očuvanja u RH nije do sada sustavno istraživana. Prepreke u radu s legatima najčešće su vidljive kroz raspršene podatke o zbirkama i/ili nepostojanje evidencije baštinskih zbirki na nacionalnoj razini. Također je u velikoj mjeri prisutna i neobrađenost zbirki zbog nedostatka osoblja, financijskih i prostornih ograničenja, a što za rezultat ima nedostupnost građe za korisnike, te neprepoznatost legata kao vrijednosti na institucionalnoj, regionalnoj i nacionalnoj razini.\u0000Praktična primjena. Rad treba promatrati kao temeljni doprinos sustavnom promišljanju legata u knjižnicama, njihovoj organizaciji te očuvanju i prezentaciji u kontekstu kulturne baštine kao jednog osobito značajnog dijela kulturne baštine.\u0000Originalnost/vrijednost. Mogući su različiti pristupi obradi, organizaciji, pohrani i dostupnosti legata u knjižnicama. U radu je prikazan teorijski okvir očuvanja legata i najvažniji podaci o njihovu upravljanju i organizaciji. Razrada teorijskog okvira očuvanja legata u knjižnicama predstavlja polazište za daljnje sveobuhvatno i sustavno istraživanje legata kao vrlo važnog dijela cjelokupnog korpusa naše kulturne baštine. Pri tome se valja osobito usmjeriti na pitanja implementacije učinkovitih rješenja u knjižničnoj praksi.","PeriodicalId":425601,"journal":{"name":"Libellarium: časopis za istraživanja u području informacijskih i srodnih znanosti","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128612716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-26DOI: 10.15291/libellarium.3464
Inês Costa
Purpose. This article aims to analyze some examples of solidarity and cooperation between Portuguese cultural institutions, enterprises, artists, workers, volunteers, and local communities during the Covid-19 crisis. The research will focus on the years 2020 and 2021. Approach/methodology. Our approach to the subject matter encompasses four main components. One is an in-text glossary to clarify a few concepts in view of national legislation. The second is a brief contextualization of the evolution of the pandemic at an (inter)national level. The third one is a description of how cultural institutions, heritage sites, and professionals were affected by the widespread virus. And the fourth one is the analysis offive case studies of actions of solidarity and cooperation within the cultural field. Findings. Thanks to our research, we distinguish the negative impacts of Covid-19 from pre-existent problems in the sector. We have also found that some initiatives created to support cultural heritage may be questionable. Since the sanitary crisis is not over yet, the research is limited to the current state of knowledge. Future exploration on the matter may be relevant to find new case studies and consequences of the pandemic. We believe this article can have a social impact since it promotes a reflection on the economic sustainability, social engagement, and ethical responsibilities of cultural institutions and stakeholders. Besides, the discussion about the vulnerable conditions in which cultural workers found themselves during this crisis is of utmost urgency to design a better future for the sector and those who keep it running. Originality. The originality of our study lies in the registration of creative strategies found to counteract the outcomes of the pandemic, which may be inspiring in future times of emergency.
{"title":"Between social needs and heritage safeguarding: examples of solidarity and cooperation during the Covid-19 crisis: the Portuguese study","authors":"Inês Costa","doi":"10.15291/libellarium.3464","DOIUrl":"https://doi.org/10.15291/libellarium.3464","url":null,"abstract":"Purpose. This article aims to analyze some examples of solidarity and cooperation between Portuguese cultural institutions, enterprises, artists, workers, volunteers, and local communities during the Covid-19 crisis. The research will focus on the years 2020 and 2021.\u0000Approach/methodology. Our approach to the subject matter encompasses four main components. One is an in-text glossary to clarify a few concepts in view of national legislation. The second is a brief contextualization of the evolution of the pandemic at an (inter)national level. The third one is a description of how cultural institutions, heritage sites, and professionals were affected by the widespread virus. And the fourth one is the analysis offive case studies of actions of solidarity and cooperation within the cultural field.\u0000Findings. Thanks to our research, we distinguish the negative impacts of Covid-19 from pre-existent problems in the sector. We have also found that some initiatives created to support cultural heritage may be questionable. Since the sanitary crisis is not over yet, the research is limited to the current state of knowledge. Future exploration on the matter may be relevant to find new case studies and consequences of the pandemic. We believe this article can have a social impact since it promotes a reflection on the economic sustainability, social engagement, and ethical responsibilities of cultural institutions and stakeholders. Besides, the discussion about the vulnerable conditions in which cultural workers found themselves during this crisis is of utmost urgency to design a better future for the sector and those who keep it running.\u0000Originality. The originality of our study lies in the registration of creative strategies found to counteract the outcomes of the pandemic, which may be inspiring in future times of emergency.","PeriodicalId":425601,"journal":{"name":"Libellarium: časopis za istraživanja u području informacijskih i srodnih znanosti","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128225589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-26DOI: 10.15291/libellarium.3477
Marta Gómez Ubierna
Purpose. The research aimed to develop an integrated and systematic method for assessing risk in contemporary public art collections. The research outlines key elements of a public-art risk-management plan. Emphasis is placed on enhancing heritage protection from natural hazards and extreme events related to climate change and, more significantly, on how such a plan can strengthen resilience in the social and historic built environment. Methodology. To develop the method, the World Heritage Historic Center of San Gimignano (Italy), comprising both medieval heritage and contemporary public art, is investigated because of its unique cultural landscape. The landscape’s contemporary elements exist as the result of several cultural initiatives: Affinità Elettive (1994), Arte all’Arte (1998-2005), and UmoCA (2011). This research highlights how the ensured survival of San Gimignano’s public art is severely conditioned by the coexistence of physical, contextual, and managerial factors (hazards and vulnerabilities). Findings. Based on case studies, the research develops indicators and criteria for vulnerability and risk analysis. Moreover, the integration of public art into, and its contribution to, general DRM frameworks is discussed. Despite the fact that public art’s values can contribute to the resilience of historic urban centers, the research reveals important challenges to overcome if public art is to be incorporated into general risk-management policies. Originality. In light of this, a risk-analysis model has been developed following international policies and frameworks, the results of which could be integrated into the general-management and conservation plan for the contemporary collections in the public space. Moreover, in recognition of the importance of social, cultural, and economic processes in the conservation of public spaces, a values assessment has been incorporated into the risk management framework.
目的。本研究旨在发展一种综合、系统的方法来评估当代公共艺术收藏的风险。该研究概述了公共艺术风险管理计划的关键要素。重点是加强对遗产的保护，使其免受自然灾害和与气候变化有关的极端事件的影响，更重要的是，如何通过这样的规划来增强社会和历史建筑环境的复原力。为了开发这种方法，圣吉米尼亚诺(意大利)的世界遗产历史中心，包括中世纪遗产和当代公共艺术，因为其独特的文化景观而被调查。景观的当代元素的存在是几个文化活动的结果:affinit Elettive (1994)， Arte all 'Arte(1998-2005)和UmoCA(2011)。这项研究强调了圣吉米尼亚诺公共艺术的生存是如何受到物理、环境和管理因素(危险和脆弱性)共存的严重制约的。在案例研究的基础上，本研究制定了脆弱性和风险分析的指标和标准。此外，还讨论了公共艺术与一般DRM框架的整合及其贡献。尽管公共艺术的价值有助于历史城市中心的恢复，但研究表明，如果要将公共艺术纳入一般的风险管理政策，还需要克服一些重要的挑战。鉴于此，根据国际政策和框架开发了风险分析模型，其结果可以整合到公共空间当代藏品的一般管理和保护计划中。此外，由于认识到社会、文化和经济进程在保护公共空间中的重要性，价值评估已被纳入风险管理框架。
{"title":"A method for the integration of public art in risk management frameworks: challenges and opportunities","authors":"Marta Gómez Ubierna","doi":"10.15291/libellarium.3477","DOIUrl":"https://doi.org/10.15291/libellarium.3477","url":null,"abstract":"Purpose. The research aimed to develop an integrated and systematic method for assessing risk in contemporary public art collections. The research outlines key elements of a public-art risk-management plan. Emphasis is placed on enhancing heritage protection from natural hazards and extreme events related to climate change and, more significantly, on how such a plan can strengthen resilience in the social and historic built environment.\u0000Methodology. To develop the method, the World Heritage Historic Center of San Gimignano (Italy), comprising both medieval heritage and contemporary public art, is investigated because of its unique cultural landscape. The landscape’s contemporary elements exist as the result of several cultural initiatives: Affinità Elettive (1994), Arte all’Arte (1998-2005), and UmoCA (2011). This research highlights how the ensured survival of San Gimignano’s public art is severely conditioned by the coexistence of physical, contextual, and managerial factors (hazards and vulnerabilities).\u0000Findings. Based on case studies, the research develops indicators and criteria for vulnerability and risk analysis. Moreover, the integration of public art into, and its contribution to, general DRM frameworks is discussed. Despite the fact that public art’s values can contribute to the resilience of historic urban centers, the research reveals important challenges to overcome if public art is to be incorporated into general risk-management policies.\u0000Originality. In light of this, a risk-analysis model has been developed following international policies and frameworks, the results of which could be integrated into the general-management and conservation plan for the contemporary collections in the public space. Moreover, in recognition of the importance of social, cultural, and economic processes in the conservation of public spaces, a values assessment has been incorporated into the risk management framework.","PeriodicalId":425601,"journal":{"name":"Libellarium: časopis za istraživanja u području informacijskih i srodnih znanosti","volume":"26 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120890270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-26DOI: 10.15291/libellarium.3480
C. Ronchini
Purpose. This paper aims to illustrate how organisations, especially cultural heritage organisations, can respond to a crisis and plan for recovery when dealing with multiple future uncertainties by applying Futures Thinking techniques. It does this by describing the approach that Historic Environment Scotland (HES) has been taking to plan for recovery and renewal during the COVID-19 pandemic. Approach/methodology/design. The paper uses the case study methodology to explore how different Futures Thinking techniques have been used to build flexibility in HES’s work when facing an uncertain future. The paper will also examine how the methodology used in this process will aid the development of a Futures Thinking toolkit and a Virtual Intelligence Hub in support of all HES’s operations. Findings. This paper demonstrates how Futures Thinking techniques, such as scenario planning, can be effectively used to map critical uncertainties and identify business priorities across different possible scenarios for cultural organisations. It does so by illustrating the journey taken so far by HES to embed Futures Thinking techniques in the organisation, how it engaged with these and used them to begin the process of creating resilience and sustainability in its operations during this crisis. Originality/value. Because cultural organisations do not traditionally engage in Futures Thinking, this paper makes the case that such tools are a valuable approach to foreseeing and surviving crises.
{"title":"Future proofing heritage: Futures Thinking approaches to aid recovery and renewal during the Covid-19 crisis","authors":"C. Ronchini","doi":"10.15291/libellarium.3480","DOIUrl":"https://doi.org/10.15291/libellarium.3480","url":null,"abstract":"Purpose. This paper aims to illustrate how organisations, especially cultural heritage organisations, can respond to a crisis and plan for recovery when dealing with multiple future uncertainties by applying Futures Thinking techniques. It does this by describing the approach that Historic Environment Scotland (HES) has been taking to plan for recovery and renewal during the COVID-19 pandemic.\u0000Approach/methodology/design. The paper uses the case study methodology to explore how different Futures Thinking techniques have been used to build flexibility in HES’s work when facing an uncertain future. The paper will also examine how the methodology used in this process will aid the development of a Futures Thinking toolkit and a Virtual Intelligence Hub in support of all HES’s operations.\u0000Findings. This paper demonstrates how Futures Thinking techniques, such as scenario planning, can be effectively used to map critical uncertainties and identify business priorities across different possible scenarios for cultural organisations. It does so by illustrating the journey taken so far by HES to embed Futures Thinking techniques in the organisation, how it engaged with these and used them to begin the process of creating resilience and sustainability in its operations during this crisis.\u0000Originality/value. Because cultural organisations do not traditionally engage in Futures Thinking, this paper makes the case that such tools are a valuable approach to foreseeing and surviving crises.","PeriodicalId":425601,"journal":{"name":"Libellarium: časopis za istraživanja u području informacijskih i srodnih znanosti","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121781137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-26DOI: 10.15291/libellarium.3472
Mislav Barić
Purpose. The aim of the paper is to present the work the Croatian History Museum (CHM) has done to preserve cultural heritage and the use of its digital strategy to present that work. This was applied in the CHM’s plan as the digital editorial board was formed to oversee and curate the Museum’s presence on the social media and the internet. Approach/methodology. The paper showcases the increase of online visitors and users that consume cultural heritage on online platforms through the examples of virtual exhibitions, social media posts and gathered data. The maintenance of a specifically targeted virtual identity of a museum helped in this regard, which is evident in the increase of online visitors. Data was gathered and interpreted by using Google Analytics and Instagram analytical data by the author throughout 2020, and the data suggest that digital museums have a lot of potential, in particular with modern online users. Findings. The data presented in the paper shows that the online visitors were interested in the work of the Museum and that the promotion thorough social media generated online visitors as much as a real-life exhibition. It shows the interest in digital museums and the promotion of museum work online. Research limitations. The author recognizes that the data presented in the paper is gathered only from one source as the author could not access data from other similar institutions which would have been used for comparison. Originality/value. Through empirical examples, the paper showcases how useful a virtual museum can be in raising interest in cultural heritage. This is especially important in times when people cannot attend large social gatherings. Also, the paper describes the events and the work guidelines given at times of crisis such as earthquakes, which the author witnessed himself and participated in.
{"title":"Earthquake and the pandemic on top of old problems – work of the Croatian History Museum after the Zagreb earthquake of March 2020 and during the Covid-19 pandemic","authors":"Mislav Barić","doi":"10.15291/libellarium.3472","DOIUrl":"https://doi.org/10.15291/libellarium.3472","url":null,"abstract":"Purpose. The aim of the paper is to present the work the Croatian History Museum (CHM) has done to preserve cultural heritage and the use of its digital strategy to present that work. This was applied in the CHM’s plan as the digital editorial board was formed to oversee and curate the Museum’s presence on the social media and the internet. \u0000Approach/methodology. The paper showcases the increase of online visitors and users that consume cultural heritage on online platforms through the examples of virtual exhibitions, social media posts and gathered data. The maintenance of a specifically targeted virtual identity of a museum helped in this regard, which is evident in the increase of online visitors. Data was gathered and interpreted by using Google Analytics and Instagram analytical data by the author throughout 2020, and the data suggest that digital museums have a lot of potential, in particular with modern online users. \u0000Findings. The data presented in the paper shows that the online visitors were interested in the work of the Museum and that the promotion thorough social media generated online visitors as much as a real-life exhibition. It shows the interest in digital museums and the promotion of museum work online.\u0000Research limitations. The author recognizes that the data presented in the paper is gathered only from one source as the author could not access data from other similar institutions which would have been used for comparison.\u0000Originality/value. Through empirical examples, the paper showcases how useful a virtual museum can be in raising interest in cultural heritage. This is especially important in times when people cannot attend large social gatherings. Also, the paper describes the events and the work guidelines given at times of crisis such as earthquakes, which the author witnessed himself and participated in.","PeriodicalId":425601,"journal":{"name":"Libellarium: časopis za istraživanja u području informacijskih i srodnih znanosti","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130245180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-26DOI: 10.15291/libellarium.3459
Antonija Ujević
Purpose. The aim of this paper is to present one of the ways to protect and preserve cultural heritage in post-crisis situations. The paper presents the initiative of the European Solidarity Corps and its volunteer activities in Norcia with an emphasis on interventions and actions of fixing and preventing further deterioration of the Basilica of St. Benedict in Norcia after the 2016 earthquake. Approach/methodology. Research on the activities of the European Solidarity Corps initiative and its volunteer activities in Norcia was conducted by analysing archival material and literature. The paper refers to official documents of the Ministry of Culture in Italy, the European Commission and recent Italian papers on the subject. Findings. The first part of the paper presents the basic information and goals of the European Solidarity Corps initiative. The second part of the paper presents the state of the Basilica of St. Benedict in Norcia before the 2016 earthquake and the state of the Basilica during the earthquake. The main part of the paper presents the volunteer activities carried out by the European Solidarity Corps in ruined Norcia. The paper presents the work of student volunteers within the framework of the activities of the European Solidarity Corps at the Basilica of St. Benedict in Norcia. The fourth part of the paper points to the existence of an initiative in Croatia called Europske Snage Solidarnosti, which invites young professionals to participate in volunteer activities. Originality/value. The paper provides information about the existence of the European Solidarity Corps initiative. The successfully used EU funds for the post-earthquake reconstruction of the Basilica of St. Benedict in Norcia are pointed out. Information on the existence of the European Solidarity Corps and their potential use in similar situations in Croatia is important. The paper can inform and encourage readers to join the European Solidarity Corps and participate in their volunteer projects, or to volunteer for another organization or institution.
目的。本文的目的是提出一种在危机后的情况下保护和保存文化遗产的方法。本文介绍了欧洲团结团的倡议及其在诺尔恰的志愿者活动，重点是在2016年地震后修复和防止诺尔恰圣本笃大教堂进一步恶化的干预和行动。通过分析档案资料和文献，对欧洲团结团倡议及其在诺尔恰的志愿活动进行了研究。本文参考了意大利文化部、欧盟委员会的官方文件以及最近意大利关于这一主题的论文。本文的第一部分介绍了欧洲团结团倡议的基本情况和目标。论文的第二部分介绍了2016年地震前诺尔恰圣本笃大教堂的状态和地震期间大教堂的状态。论文的主要部分介绍了欧洲团结军团在被毁的诺尔恰开展的志愿活动。本文介绍了学生志愿者在诺尔恰圣本笃大教堂欧洲团结团活动框架内的工作。论文的第四部分指出，克罗地亚存在一项名为Europske Snage Solidarnosti的倡议，该倡议邀请年轻的专业人士参加志愿者活动。该文件提供了关于欧洲团结团倡议存在的资料。指出欧盟资金在震后重建诺尔恰圣本笃大教堂的成功使用。关于欧洲团结团的存在及其在克罗地亚类似局势中的可能用途的资料很重要。这篇论文可以告知并鼓励读者加入欧洲团结队，参与他们的志愿者项目，或者为其他组织或机构做志愿者。
{"title":"The European Solidarity Corps and their activities with emphasis on the protection of the Basilica of Saint Benedict in Norcia after the 2016 earthquakes","authors":"Antonija Ujević","doi":"10.15291/libellarium.3459","DOIUrl":"https://doi.org/10.15291/libellarium.3459","url":null,"abstract":"Purpose. The aim of this paper is to present one of the ways to protect and preserve cultural heritage in post-crisis situations. The paper presents the initiative of the European Solidarity Corps and its volunteer activities in Norcia with an emphasis on interventions and actions of fixing and preventing further deterioration of the Basilica of St. Benedict in Norcia after the 2016 earthquake.\u0000Approach/methodology. Research on the activities of the European Solidarity Corps initiative and its volunteer activities in Norcia was conducted by analysing archival material and literature. The paper refers to official documents of the Ministry of Culture in Italy, the European Commission and recent Italian papers on the subject.\u0000Findings. The first part of the paper presents the basic information and goals of the European Solidarity Corps initiative. The second part of the paper presents the state of the Basilica of St. Benedict in Norcia before the 2016 earthquake and the state of the Basilica during the earthquake. The main part of the paper presents the volunteer activities carried out by the European Solidarity Corps in ruined Norcia. The paper presents the work of student volunteers within the framework of the activities of the European Solidarity Corps at the Basilica of St. Benedict in Norcia. The fourth part of the paper points to the existence of an initiative in Croatia called Europske Snage Solidarnosti, which invites young professionals to participate in volunteer activities.\u0000Originality/value. The paper provides information about the existence of the European Solidarity Corps initiative. The successfully used EU funds for the post-earthquake reconstruction of the Basilica of St. Benedict in Norcia are pointed out. Information on the existence of the European Solidarity Corps and their potential use in similar situations in Croatia is important. The paper can inform and encourage readers to join the European Solidarity Corps and participate in their volunteer projects, or to volunteer for another organization or institution.","PeriodicalId":425601,"journal":{"name":"Libellarium: časopis za istraživanja u području informacijskih i srodnih znanosti","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125449739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-26DOI: 10.15291/libellarium.3476
Lina Šojat, I. Šimić, Magdalena Blažić, Filip Kartelo
Cilj. U ovome se radu daje pregled procesa obnove vrijedne knjižnične zbirke Instituta za povijest umjetnosti u Zagrebu uslijed preklapajućih kriza koje su obilježile 2020. godinu (potres, pandemija, poplava). Pristup/metodologija. Cjelokupni fond Knjižnice trebalo je ispočetka sistematizirati prema UDK sustavu jer se u potpunosti urušio zbog snažnog potresa u ožujku. Taj se proces preklapao s postupkom primarne zaštite i konzervacije zbirke rukopisne građe osobnog arhivskog fonda Grge Gamulina, povjesničara umjetnosti i likovnog kritičara, te iznenadnom i hitnom potrebom osnivanja osobnog arhiva i ex libris zbirke akademika Tonka Maroevića. Rezultati. Rezultat su tih simultanih procesa potpuno funkcionalan i resistematiziran knjižnični fond, uspostavljen arhiv i ex libris zbirka Tonka Maroevića te očišćena i organizirana zbirka rukopisnog gradiva Grge Gamulina. Originalnost/vrijednost. Ovaj rad daje pregled aktivnosti i procesa pri postupanju s posebnim vrstama kulturne baštine u neočekivanim i izvanrednim okolnostima. Ti istovremeni procesi proširili su sve naše kapacitete te rezultirali stvaranjem novih modela suradnje među kolegama, posebice sa studentima i volonterima, te su dugoročno značajno utjecali na promišljanje i razvoj radnih procesa i snaga.
{"title":"Ponovna uspostava knjižnica u vremenima višestrukih kriza","authors":"Lina Šojat, I. Šimić, Magdalena Blažić, Filip Kartelo","doi":"10.15291/libellarium.3476","DOIUrl":"https://doi.org/10.15291/libellarium.3476","url":null,"abstract":"Cilj. U ovome se radu daje pregled procesa obnove vrijedne knjižnične zbirke Instituta za povijest umjetnosti u Zagrebu uslijed preklapajućih kriza koje su obilježile 2020. godinu (potres, pandemija, poplava). \u0000Pristup/metodologija. Cjelokupni fond Knjižnice trebalo je ispočetka sistematizirati prema UDK sustavu jer se u potpunosti urušio zbog snažnog potresa u ožujku. Taj se proces preklapao s postupkom primarne zaštite i konzervacije zbirke rukopisne građe osobnog arhivskog fonda Grge Gamulina, povjesničara umjetnosti i likovnog kritičara, te iznenadnom i hitnom potrebom osnivanja osobnog arhiva i ex libris zbirke akademika Tonka Maroevića.\u0000Rezultati. Rezultat su tih simultanih procesa potpuno funkcionalan i resistematiziran knjižnični fond, uspostavljen arhiv i ex libris zbirka Tonka Maroevića te očišćena i organizirana zbirka rukopisnog gradiva Grge Gamulina.\u0000Originalnost/vrijednost. Ovaj rad daje pregled aktivnosti i procesa pri postupanju s posebnim vrstama kulturne baštine u neočekivanim i izvanrednim okolnostima. Ti istovremeni procesi proširili su sve naše kapacitete te rezultirali stvaranjem novih modela suradnje među kolegama, posebice sa studentima i volonterima, te su dugoročno značajno utjecali na promišljanje i razvoj radnih procesa i snaga.","PeriodicalId":425601,"journal":{"name":"Libellarium: časopis za istraživanja u području informacijskih i srodnih znanosti","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122323276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-26DOI: 10.15291/libellarium.3463
Jelena Balog Vojak, Maja Mladinov
Cilj. Cilj je ovoga rada analizirati mogućnosti korištenja postojećih projekata digitalizacije, kao i osmišljavanja novih, u kontekstu izazova uzrokovanih pandemijom i potresima, kao primjerima kriznih situacija. Rad se bavi odgovorom Hrvatskog povijesnog muzeja na složenu kriznu situaciju uzrokovanu pandemijom virusa SARS-CoV-2 i snažnim potresom koji je pogodio Zagreb 22. ožujka 2020. Kao rezultat tih događaja Hrvatski povijesni muzej do daljnjeg je zatvoren za javnost i suočava se s izazovom pronalaska novih modela komunikacije s korisnicima kako bi ispunio svoju svrhu i misiju. Pristup/metodologija. Metodologija rada bit će usredotočena na analizu prethodnih projekata i korištenja procesa digitalizacije i digitalnih preslika kao isključivog i jedinog središnjeg pristupa u (obradi), osiguranju dostupnosti i prezentaciji muzejske građe u kriznim situacijama, s naglaskom na nove načine njezina korištenja i poboljšanje postojeće komunikacije Muzeja s korisnicima. Rezultati. Rad donosi detaljan prikaz važnosti procesa digitalizacije i izrade digitalnih preslika te njihove implementacije u oblikovanju novih modela poslovnih procesa s mogućnošću uspostavljanja novih usluga i komunikacije s korisnicima u virtualnom okruženju. Originalnost/vrijednost. Iskustva stečena ovim projektima mogu poslužiti Hrvatskom povijesnom muzeju i drugim baštinskim ustanovama u Republici Hrvatskoj u praktičnojprimjeni jednog od modela korištenja digitalizacije u svladavanju brojnih izazova, posebice u kriznim situacijama, s kojima se baštinske institucije danas suočavaju, a u čemu se ogleda i originalnost ovoga rada.
{"title":"Kriza? Digitalizirajmo! Kako je krizna situacija utjecala na procese digitalizacije u Hrvatskom povijesnom muzeju","authors":"Jelena Balog Vojak, Maja Mladinov","doi":"10.15291/libellarium.3463","DOIUrl":"https://doi.org/10.15291/libellarium.3463","url":null,"abstract":"Cilj. Cilj je ovoga rada analizirati mogućnosti korištenja postojećih projekata digitalizacije, kao i osmišljavanja novih, u kontekstu izazova uzrokovanih pandemijom i potresima, kao primjerima kriznih situacija. Rad se bavi odgovorom Hrvatskog povijesnog muzeja na složenu kriznu situaciju uzrokovanu pandemijom virusa SARS-CoV-2 i snažnim potresom koji je pogodio Zagreb 22. ožujka 2020. Kao rezultat tih događaja Hrvatski povijesni muzej do daljnjeg je zatvoren za javnost i suočava se s izazovom pronalaska novih modela komunikacije s korisnicima kako bi ispunio svoju svrhu i misiju.\u0000Pristup/metodologija. Metodologija rada bit će usredotočena na analizu prethodnih projekata i korištenja procesa digitalizacije i digitalnih preslika kao isključivog i jedinog središnjeg pristupa u (obradi), osiguranju dostupnosti i prezentaciji muzejske građe u kriznim situacijama, s naglaskom na nove načine njezina korištenja i poboljšanje postojeće komunikacije Muzeja s korisnicima.\u0000Rezultati. Rad donosi detaljan prikaz važnosti procesa digitalizacije i izrade digitalnih preslika te njihove implementacije u oblikovanju novih modela poslovnih procesa s mogućnošću uspostavljanja novih usluga i komunikacije s korisnicima u virtualnom okruženju.\u0000Originalnost/vrijednost. Iskustva stečena ovim projektima mogu poslužiti Hrvatskom povijesnom muzeju i drugim baštinskim ustanovama u Republici Hrvatskoj u praktičnojprimjeni jednog od modela korištenja digitalizacije u svladavanju brojnih izazova, posebice u kriznim situacijama, s kojima se baštinske institucije danas suočavaju, a u čemu se ogleda i originalnost ovoga rada.","PeriodicalId":425601,"journal":{"name":"Libellarium: časopis za istraživanja u području informacijskih i srodnih znanosti","volume":"26 10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120949782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-26DOI: 10.15291/libellarium.3474
V. Živković, Vicki-Anne Heikell
Purpose. This paper will provide an insight into understanding of risks and cultural heritage by local and indigenous communities, as well as their knowledge, values and practices informing the perception of disaster risk management. The aim is to contribute to the implementation of Community Based Disaster Risk Management (CBDRM), which leads to a locally appropriate and locally "owned" strategy for disaster risk management. Approach. The paper presents experiences in disaster response by local communities in New Zealand Aotearoa and consequent shift in the perspective towards disaster risk management which needs to be reflected in cultural heritage field. Disaster risk management plans can be understood as series of written policies and procedures that prevent or minimize damage resulting from disasters, tailored to a museum’s, library’s, archives or community’s specific circumstances and facilities. Having a disaster management plan is not an end result, in itself. The process of creating, implementing, and updating a plan can be far more important and beneficial to an institution or community. Value. At-risk communities are actively engaged in the identification, analysis, treatment, monitoring and evaluation of disaster risks in order to reduce their vulnerabilities and enhance their capabilities. This means people are at the heart of decision-making and implementation of disaster risk management activities. This aligns with a paradigm shift in disaster management from having management agencies as the primary actors, towards wider and deeper stakeholder involvement, especially in the private sector with local level actors.
{"title":"Harnessing indigenous knowledge in disaster risk management in Aotearoa New Zealand","authors":"V. Živković, Vicki-Anne Heikell","doi":"10.15291/libellarium.3474","DOIUrl":"https://doi.org/10.15291/libellarium.3474","url":null,"abstract":"Purpose. This paper will provide an insight into understanding of risks and cultural heritage by local and indigenous communities, as well as their knowledge, values and practices informing the perception of disaster risk management. The aim is to contribute to the implementation of Community Based Disaster Risk Management (CBDRM), which leads to a locally appropriate and locally \"owned\" strategy for disaster risk management. \u0000Approach. The paper presents experiences in disaster response by local communities in New Zealand Aotearoa and consequent shift in the perspective towards disaster risk management which needs to be reflected in cultural heritage field. Disaster risk management plans can be understood as series of written policies and procedures that prevent or minimize damage resulting from disasters, tailored to a museum’s, library’s, archives or community’s specific circumstances and facilities. Having a disaster management plan is not an end result, in itself. The process of creating, implementing, and updating a plan can be far more important and beneficial to an institution or community. \u0000Value. At-risk communities are actively engaged in the identification, analysis, treatment, monitoring and evaluation of disaster risks in order to reduce their vulnerabilities and enhance their capabilities. This means people are at the heart of decision-making and implementation of disaster risk management activities. This aligns with a paradigm shift in disaster management from having management agencies as the primary actors, towards wider and deeper stakeholder involvement, especially in the private sector with local level actors. ","PeriodicalId":425601,"journal":{"name":"Libellarium: časopis za istraživanja u području informacijskih i srodnih znanosti","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127882836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-26DOI: 10.15291/libellarium.3468
S. Sunara
Aim. The paper describes a problem-based learning assignment through which conservation-restoration students become acquainted with the assessment and management of risks to cultural heritage. The assignment includes identification of threats, writing incident scenarios, proposing mitigation measures and identifying persons/institutions that can implement them. All risks are considered in the assignment, not just those related to disasters. Approach/methodology. In the Introduction section, the concept of risk assessment and the context of the assignment are explained. A short description of objects selected as case studies is provided (three sculptures from the Sisak Steelworks Sculpture Park), as well as basic information about the students who worked on the assignment. Next, all the steps of the assignment are described. The final results are only broadly indicated. Findings. Seventy-eight different incident scenarios were identified for outdoor sculptures. To help the reader understand the idea behind the assignment, mitigation measures for three incident scenarios are presented, and potential stakeholders listed. Practical implications. Although the assignment used outdoor sculptures as case studies, it can be applied to any object or collection. The assignment does not have to be included in a preventive conservation course, nor does it have to be directed only to (conservation-restoration) students: it can be used by museum and heritage professionals as a first step in risk assessment for collections. Originality/value. The topic presented in this paper is not well represented in Croatian professional literature. The assignment may be considered innovative in the context of the methodology of teaching conservation-restoration at higher education institutions in Croatia.
{"title":"Familiarizing conservation-restoration students with risk assessment and risk management using outdoor sculptures as case studies","authors":"S. Sunara","doi":"10.15291/libellarium.3468","DOIUrl":"https://doi.org/10.15291/libellarium.3468","url":null,"abstract":"Aim. The paper describes a problem-based learning assignment through which conservation-restoration students become acquainted with the assessment and management of risks to cultural heritage. The assignment includes identification of threats, writing incident scenarios, proposing mitigation measures and identifying persons/institutions that can implement them. All risks are considered in the assignment, not just those related to disasters.\u0000Approach/methodology. In the Introduction section, the concept of risk assessment and the context of the assignment are explained. A short description of objects selected as case studies is provided (three sculptures from the Sisak Steelworks Sculpture Park), as well as basic information about the students who worked on the assignment. Next, all the steps of the assignment are described. The final results are only broadly indicated.\u0000Findings. Seventy-eight different incident scenarios were identified for outdoor sculptures. To help the reader understand the idea behind the assignment, mitigation measures for three incident scenarios are presented, and potential stakeholders listed.\u0000Practical implications. Although the assignment used outdoor sculptures as case studies, it can be applied to any object or collection. The assignment does not have to be included in a preventive conservation course, nor does it have to be directed only to (conservation-restoration) students: it can be used by museum and heritage professionals as a first step in risk assessment for collections.\u0000Originality/value. The topic presented in this paper is not well represented in Croatian professional literature. The assignment may be considered innovative in the context of the methodology of teaching conservation-restoration at higher education institutions in Croatia.","PeriodicalId":425601,"journal":{"name":"Libellarium: časopis za istraživanja u području informacijskih i srodnih znanosti","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134215280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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