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Critical Global Semiotics 关键全球符号学
IF 0.1 4区 社会学 Pub Date : 2021-01-01 DOI: 10.5840/ajs2021371/279
W. J. Coletta, Ryan T. Polacek
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引用次数: 0
Semioethics and the Average Life 符号学伦理与普通生活
IF 0.1 4区 社会学 Pub Date : 2021-01-01 DOI: 10.5840/ajs202181874
I. Untea
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引用次数: 0
Transcendentalist Encounters with a Universe of Signs 先验主义者与宇宙符号的相遇
IF 0.1 4区 社会学 Pub Date : 2021-01-01 DOI: 10.5840/ajs202172772
Nicholas L. Guardiano
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引用次数: 1
Signs of Transition: An Editorial 转型的迹象:一篇社论
IF 0.1 4区 社会学 Pub Date : 2021-01-01 DOI: 10.5840/ajs20213711
André De Tienne
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引用次数: 0
Interview 面试
IF 0.1 4区 社会学 Pub Date : 2021-01-01 DOI: 10.5840/ajs2021373/481
Šárka Kadavá, Jordan Zlatev
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引用次数: 0
Jaspers on Communicology 雅斯贝尔斯论传播学
IF 0.1 4区 社会学 Pub Date : 2021-01-01 DOI: 10.5840/ajs20218573
T. Martin
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引用次数: 0
About the Authors 关于作者
IF 0.1 4区 社会学 Pub Date : 2021-01-01 DOI: 10.5840/ajs2021373/482
Swantje Höft, L. Oláh
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引用次数: 0
The Music of Meaning 意义的音乐
IF 0.1 4区 社会学 Pub Date : 2020-08-31 DOI: 10.5840/ajs2020361/265
Vincent M. Colapietro
This paper begins as a methodological musement inspired by a suggestion made by C. S. Peirce to William James (1905: CP 8.263). It takes his intellectual life as a complex affair displaying a creative tension between what, on the surface, appear to be exclusive impulses. On the one hand, there is the drive to attain the highest level of conceptual clarity humanly possible. This is of course evident in his pragmatism. On the other, there is his seeming dalliance with concepts so vague as to be possibly not concepts at all (arguably only “tones or tints upon conceptions” [Peirce 1901: CP 1.353]). His lifelong devotion to articulating a categoreal scheme is the most telling example of this intellectual propensity. In this paper, following Peirce’s example with respect to his interest in his categories, then, the author gives himself over to the intimations of intelligibility conveyed by the expression “the music of meaning”. From this musing, he then claims more solid ground by offering an explication of Peirce’s theory of interpretants as the place where that theorist’s account of meaning is to be found. Ultimately, he tries to draw together what has emerged, first, in his methodological musement and, then, in subsequent discussions—his three main topics: music, that mysterious form of time; time, that mysterious form of Being; and meaning.
本文以c·s·皮尔斯给威廉·詹姆斯(1905:CP 8.263)的一个建议为灵感,开始了方法论的探索。它把他的智力生活看作是一件复杂的事情,在表面上看来似乎是排他性的冲动之间表现出一种创造性的张力。一方面,有一种驱动力,要达到人类可能达到的最高水平的概念清晰度。这在他的实用主义中当然是显而易见的。另一方面,他似乎在玩弄那些模糊的概念,以至于可能根本不是概念(可以说只是“概念上的色调或色彩”[Peirce 1901: CP 1.353])。他毕生致力于阐明范畴图式,就是这种智力倾向的最有力例证。在本文中,作者以皮尔斯为例,对他的范畴感兴趣,然后,把自己交给“意义的音乐”这一表达所传达的可解性暗示。从这个思考中,他提出了一个更坚实的基础,通过对皮尔斯的解释者理论的解释,作为理论家对意义的描述可以找到的地方。最后,他试图把已经出现的东西汇集在一起,首先是在他的方法论上的沉思,然后是在随后的讨论中——他的三个主要主题:音乐,神秘的时间形式;时间,那神秘的存在形式;和意义。
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引用次数: 0
Sebeok Fellows Issue: Vincent Colapietro and Nathan Houser Sebeok研究员问题:Vincent Colapietro和Nathan Houser
IF 0.1 4区 社会学 Pub Date : 2020-08-31 DOI: 10.5840/ajs2020361/21
Jamin Pelkey
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引用次数: 0
Semiotics and Philosophy 符号学与哲学
IF 0.1 4区 社会学 Pub Date : 2020-08-31 DOI: 10.5840/ajs202082764
N. Houser
Semiotics has not been warmly welcomed as an area of research concentration within philosophy, especially not within philosophy in the English empirical tradition. But when we consider that much of the focus of semiotic research is signification, reference, and representation, it seems evident that semiotic questions are as old as reflective thought itself. A look at how these questions have been treated throughout the history of philosophy suggests that Umberto Eco was right in claiming that most major philosophers have grappled with sign theory, if only implicitly. The theory of signs was an active area of research during the Middle Ages and John Locke opened the Modern Age with the recommendation that semiotics should be cultivated. But the philosophers of Modernity embraced a Cartesian separation between mind and body unsupportive of a robust science of signs. When semiotics emerged as a discrete field of research in the writings of Charles S. Peirce and in the semiology of Ferdinand de Saussure, it remained on the fringes of philosophy. Around mid-20th century there was a resurgence of interest in semiotics and a promising attempt was made to merge American pragmatism and semiotics with the logical empiricism of the Vienna Circle. But that effort failed and semiotics was excluded from mainstream philosophy. There is now reason to suppose that philosophy, no longer under the domination of analytic philosophy, may be moving into a new period when a weakening commitment to epistemological nominalism will make room for a return to semiotic realism. Perhaps the time is right to follow Locke’s lead and to reconcile formal semiotics with philosophy—possibly heralding a new paradigm.
符号学作为哲学研究的一个集中领域并没有受到热烈欢迎,尤其是在英国经验主义传统的哲学中。但是,当我们考虑到符号学研究的重点是意义、参考和表征时,很明显,符号学问题和反思思维本身一样古老。纵观整个哲学史,这些问题是如何被处理的,这表明翁贝托·埃科声称大多数主要哲学家都在与符号理论作斗争,即使只是含蓄地,也是正确的。符号理论在中世纪是一个活跃的研究领域,约翰·洛克以培养符号学的建议开启了现代。但现代性哲学家们接受了笛卡尔式的身心分离,这不支持强有力的符号科学。当符号学在查尔斯·S·皮尔斯的著作和费迪南德·德·索绪尔的符号学中作为一个离散的研究领域出现时,它仍然处于哲学的边缘。大约在20世纪中期,人们对符号学的兴趣死灰复燃,并试图将美国实用主义和符号学与维也纳圈的逻辑经验主义相结合。但这一努力失败了,符号学被排除在主流哲学之外。现在有理由假设,不再受分析哲学支配的哲学可能正在进入一个新的时期,在这个时期,对认识论唯名论的承诺减弱,将为回归符号现实主义腾出空间。也许是时候效仿洛克,将形式符号学与哲学相调和了——这可能预示着一种新的范式。
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引用次数: 3
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AMERICAN JOURNAL OF SEMIOTICS
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