EWA CYBULSKA-BOHUSZEWICZ Institute of Literary Research of the Polish Academy of Sciences, Warsaw MARS HIDDEN BEHIND VENUS ONE MORE ATTEMPT AT SOLVING JAN KOCHANOWSKI’S “GADKA” The text is one more attempt at solving the literary riddle contained in Jan Kochanowski’s Gadka. The piece is ambiguous; efforts to dismantle it were made by such eminent scholars as Julian Krzyżanowski and Janusz Pelc, as well as by younger generation researchers, namely Joanna Duska, Radosław Grześkowiak, Maciej Eder. Each of them pondered over what “źwierzę o jednym oku” (“an animal with one eye”) indeed was, and none of the analyses brought a concluding solution. The suggested proposals point to designates referring to erotic-scatological matter (male or female bottom, female sex organ, portable toilet) or to matters unconnected to it (firearm: a piece of ordnance or its smaller counterpart, a musket). It must be remembered that older generation researchers favoured the respectable (artillery) solutions while the younger one turned to the obscene. A next solution to the riddle is contained in the article. It differs from the previous ones above all in that it considers not only Gadka’s cultural and poetic contexts (sufficiently analysed by the abovementioned scholars), but it is an example of a detailed lexical examination which respects the meanings of individual words, phrases, and even syntactic elements present in the text. As a result, it is a semantic analysis, referring to the 16th c. Polish language condition, i.e. to the texts produced at the time when Gadka was composed. The basic tool that facilitated such analysis was Słownik polszczyzny XVI wieku (Dictionary of 16th Century Polish), containing excerpts from over 700 texts written at the times of the Polish Renaissance. Zadawali gadki sobie; Z krotochwile to działali, Iż je sobie wykładali. Który wyłożyć nie umiał, Sampierzowi dań dać musiał: A tymże się zwyczaili, Iż potym rozumni byli. Przeto Ezop, gdy to umiał, Iż gadki dobrze rozumiał: I króla babilońskiego Uczynił barzo sławnego [...]. Nie sposób w tym miejscu nie wymienić również królów Edypa oraz Salomona, którzy potrafili zmierzyć się z najtrudniejszą (za)gadką czy problemem.
波兰科学院文学研究所，华沙火星隐藏在维纳斯后面再一次尝试解开扬·科查诺夫斯基的《加德卡》这篇文章是对包含在扬·科查诺夫斯基的《加德卡》中的文学谜题的又一次尝试。这件作品模棱两可;杰出的学者Julian Krzyżanowski和Janusz Pelc以及年轻一代的研究人员Joanna Duska, Radosław Grześkowiak, Maciej Eder都在努力拆除它。他们每个人都在思考“źwierzę o jednym oku”(“一只眼睛的动物”)到底是什么，但没有一个分析得出结论。所建议的建议指向指向色情排泄物(男性或女性臀部，女性性器官，便携式厕所)或与之无关的事物(火器:一枚军械或其较小的对应物，火枪)的名称。必须记住的是，老一辈的研究人员喜欢体面的(大炮)解决方案，而年轻人则转向淫秽的。这个谜题的下一个答案包含在文章中。它与前几次的不同之处在于，它不仅考虑了加德卡的文化和诗歌背景(上述学者充分分析了这一点)，而且它是一个详细的词汇检查的例子，它尊重文本中单个单词、短语甚至句法元素的含义。因此，它是一种语义分析，参考16世纪波兰语的语言条件，即Gadka创作时产生的文本。促进这种分析的基本工具是Słownik polszczyzny XVI wieku(16世纪波兰语词典)，其中包含了波兰文艺复兴时期700多篇文章的摘录。Zadawali gadki sobie;Z krotochwile到działali, izje sobie到wykładali。Który wyłożyć nie umiazov, Sampierzowi dazeazi musiazov: A tymże sizezwyczaili, izepotym rozumni byli。Przeto Ezop, gdy to umiazow, izgadki dobrze rozumiazow: I króla babilońskiego uczyniowbarzo sławnego[…]。聂sposób w tym miejscu Nie wymieniki również królów Edypa oraz Salomona, którzy potrafili zmierzyki sizez najtrudniejszze (za) gadkzyzy problem。
{"title":"Mars za Wenerą skryty. Jeszcze jedna próba rozwiązania „Gadki” Jana Kochanowskiego","authors":"Ewa Cybulska-Bohuszewicz","doi":"10.18318/pl.2018.4.9","DOIUrl":"https://doi.org/10.18318/pl.2018.4.9","url":null,"abstract":"EWA CYBULSKA-BOHUSZEWICZ Institute of Literary Research of the Polish Academy of Sciences, Warsaw MARS HIDDEN BEHIND VENUS ONE MORE ATTEMPT AT SOLVING JAN KOCHANOWSKI’S “GADKA” The text is one more attempt at solving the literary riddle contained in Jan Kochanowski’s Gadka. The piece is ambiguous; efforts to dismantle it were made by such eminent scholars as Julian Krzyżanowski and Janusz Pelc, as well as by younger generation researchers, namely Joanna Duska, Radosław Grześkowiak, Maciej Eder. Each of them pondered over what “źwierzę o jednym oku” (“an animal with one eye”) indeed was, and none of the analyses brought a concluding solution. The suggested proposals point to designates referring to erotic-scatological matter (male or female bottom, female sex organ, portable toilet) or to matters unconnected to it (firearm: a piece of ordnance or its smaller counterpart, a musket). It must be remembered that older generation researchers favoured the respectable (artillery) solutions while the younger one turned to the obscene. A next solution to the riddle is contained in the article. It differs from the previous ones above all in that it considers not only Gadka’s cultural and poetic contexts (sufficiently analysed by the abovementioned scholars), but it is an example of a detailed lexical examination which respects the meanings of individual words, phrases, and even syntactic elements present in the text. As a result, it is a semantic analysis, referring to the 16th c. Polish language condition, i.e. to the texts produced at the time when Gadka was composed. The basic tool that facilitated such analysis was Słownik polszczyzny XVI wieku (Dictionary of 16th Century Polish), containing excerpts from over 700 texts written at the times of the Polish Renaissance. Zadawali gadki sobie; Z krotochwile to działali, Iż je sobie wykładali. Który wyłożyć nie umiał, Sampierzowi dań dać musiał: A tymże się zwyczaili, Iż potym rozumni byli. Przeto Ezop, gdy to umiał, Iż gadki dobrze rozumiał: I króla babilońskiego Uczynił barzo sławnego [...]. Nie sposób w tym miejscu nie wymienić również królów Edypa oraz Salomona, którzy potrafili zmierzyć się z najtrudniejszą (za)gadką czy problemem.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"122 1","pages":"125-163"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85695534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PATRYK SZAJ Adam Mickiewicz University, Poznań ALEKSANDER WAT’S ACUTE POEMS The article takes up a thought over one of the most vital theme of Aleksander Wat’s post-war creativity, namely suffering. The notion is set into the context of radical hermeneutics of John D. Caputo who in his philosophy distinguishes between b o d y (healthy body) and f l e s h (a suffering one). Wat’s subject is seen by the author as flesh which issues a moral challenge to body – the reader. Interpretation is organised around “acuteness” of Wat’s texts – moving ones, calling for ethical commitment (how to responsibly respond to suffering?), and at the same time radically ambiguous, sense-forming, heterogeneous (how to remain fair against their complexity?). In the course of interpretation the phenomenon of dying is scrutinised, and it is viewed as an insolvability that structures Wat’s entire post-war poetry and that conditions its aporetic nature.
亚历山大·瓦特的尖锐诗歌本文对亚历山大·瓦特战后创作中最重要的主题之一——苦难——进行了思考。这个概念被置于约翰·d·卡普托的激进解释学的背景下，他在他的哲学中区分了body(健康的身体)和f l es h(痛苦的身体)。作者把主体看作是肉体，这是对肉体——读者——的道德挑战。解读是围绕着“尖锐”的经文来组织的——动人的经文，呼吁伦理承诺(如何负责任地应对苦难?)，同时又从根本上模棱两可，意义形成，异构(如何在其复杂性下保持公平?)在解释过程中，死亡现象被仔细审视，它被视为一种不可解决的问题，它构成了瓦特整个战后诗歌的结构，并决定了它的挽歌性质。
{"title":"Dotkliwe wiersze Aleksandra Wata","authors":"P. Szaj","doi":"10.18318/PL.2018.1.6","DOIUrl":"https://doi.org/10.18318/PL.2018.1.6","url":null,"abstract":"PATRYK SZAJ Adam Mickiewicz University, Poznań ALEKSANDER WAT’S ACUTE POEMS The article takes up a thought over one of the most vital theme of Aleksander Wat’s post-war creativity, namely suffering. The notion is set into the context of radical hermeneutics of John D. Caputo who in his philosophy distinguishes between b o d y (healthy body) and f l e s h (a suffering one). Wat’s subject is seen by the author as flesh which issues a moral challenge to body – the reader. Interpretation is organised around “acuteness” of Wat’s texts – moving ones, calling for ethical commitment (how to responsibly respond to suffering?), and at the same time radically ambiguous, sense-forming, heterogeneous (how to remain fair against their complexity?). In the course of interpretation the phenomenon of dying is scrutinised, and it is viewed as an insolvability that structures Wat’s entire post-war poetry and that conditions its aporetic nature.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"11 1","pages":"105-127"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85868836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Marie Krysinska, a woman writer, composer and signer, made a substantial contribution to philosophy and aesthetics of her epoch. In her output she took up, inter alia , the issues of creativity, genius, and women’s place in society. Her work is characterised by diversity of sources and influences as various arts, literature and science enter in it into a continuous discourse. Krysinska’s connections with music constitute, e.g . her activity in two cabarets ”Les Hydropathes” and ”Le Chat noir”. In 1880s she was engaged into a controversy over free verse ( vers libre ); she disallowed to diminish her role in introduction free verse into French poetry, for which her contemporaries and later critics punished her by exclu-sion. The fight she fought for the free verse is predominantly a fight for acknowledging equality of men and women in the domain of science and art.
{"title":"Szkic do portretu literackiego Marie Krysinskiej","authors":"Ewa M. Wierzbowska","doi":"10.18318/PL.2018.1.4","DOIUrl":"https://doi.org/10.18318/PL.2018.1.4","url":null,"abstract":"Marie Krysinska, a woman writer, composer and signer, made a substantial contribution to philosophy and aesthetics of her epoch. In her output she took up, inter alia , the issues of creativity, genius, and women’s place in society. Her work is characterised by diversity of sources and influences as various arts, literature and science enter in it into a continuous discourse. Krysinska’s connections with music constitute, e.g . her activity in two cabarets ”Les Hydropathes” and ”Le Chat noir”. In 1880s she was engaged into a controversy over free verse ( vers libre ); she disallowed to diminish her role in introduction free verse into French poetry, for which her contemporaries and later critics punished her by exclu-sion. The fight she fought for the free verse is predominantly a fight for acknowledging equality of men and women in the domain of science and art.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"62 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80305311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Miłosz czytany w panieńskim pokoju, albo jak nie być użyteczną. Rec.: Ewa Kołodziejczyk, \"Amerykańskie powojnie Czesława Miłosza\", Warszawa 2015","authors":"Piotr Pietrych","doi":"10.18318/PL.2018.1.15","DOIUrl":"https://doi.org/10.18318/PL.2018.1.15","url":null,"abstract":"","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"1 1","pages":"237-255"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86273530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
. The paper raises the problem of incommensurability of evaluation of the actions of the mythical Paris from Jan Kochanowski’s trifle (II 74) to the image of this figure presented in the piece that the present epigram commemorates, i.e. an anonymous Historyja trojańska ( Trojan History ). While in the trifle the Trojan prince is viewed as a readable exemplum of power which inspires to action–the power with which love influences those who experience it (the thought is expressed in the triffle with the words “dobrze miłować” (“love dearly”)–and puts in a good light even the price of life which his own brothers had to pay for Helen’s kidnapping by Paris, in the text of Trojan History he is seen as more severe since here Paris together with Priam are made responsible for the ultimate fall of Troy. The author of the paper sees the reason of the discrepancy both in the psychological sphere and in the specificity of the genre the piece in question represents.
{"title":"Fraszka „Na Historyją trojańską” (II 74) Jana Kochanowskiego: niejasności, znaki zapytania, „dubia”","authors":"R. Rusnak","doi":"10.18318/PL.2018.4.7","DOIUrl":"https://doi.org/10.18318/PL.2018.4.7","url":null,"abstract":". The paper raises the problem of incommensurability of evaluation of the actions of the mythical Paris from Jan Kochanowski’s trifle (II 74) to the image of this figure presented in the piece that the present epigram commemorates, i.e. an anonymous Historyja trojańska ( Trojan History ). While in the trifle the Trojan prince is viewed as a readable exemplum of power which inspires to action–the power with which love influences those who experience it (the thought is expressed in the triffle with the words “dobrze miłować” (“love dearly”)–and puts in a good light even the price of life which his own brothers had to pay for Helen’s kidnapping by Paris, in the text of Trojan History he is seen as more severe since here Paris together with Priam are made responsible for the ultimate fall of Troy. The author of the paper sees the reason of the discrepancy both in the psychological sphere and in the specificity of the genre the piece in question represents.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"155 4 1","pages":"111-118"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83149243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
FryDeryk NguyeN university of Wrocław INterPretatION OF DreamS aCCOrDINg tO StaNISłaW IgNaCy WItkIeWICz Stanisław Ignacy Witkiewicz familiarised with psychoanalysis when he underwent a therapy at karol de beaurain’s and it is at that moment when his fascination with dreams increased. the artist developed his own method of recollecting occurrences which consisted in evoking them in reverse order in comparison to that in dreaming. though Witkacy initially rejected Sigmund Freud’s thought, with time he became its supporter, and the description of genezyp kapen’s dream in Nienasycenie (Insatiability) is deeply influenced by it. an in-depth analysis of this oneiric phantasy reveals original traces of Witkiewicz’s views on the nature of human psyche. the main source of human struggle is, according to him, initial amazement with mystery of existence. 38 zbadanie pozostałych snów zawartych w powieściach Witkacego (pięć w 622 upadkach Bunga i trzy w Pożegnaniu jesieni) mogłoby ukazać, jak rozwijały się jego poglądy dotyczące marzeń sennych i jakim przemianom ulegały literackie fantazje oniryczne pisarza, w miarę jak zapoznawał się on
根据StaNISłaW IgNaCy WItkIeWICz对梦的解释Stanisław IgNaCy WItkIeWICz在karol de beaurain接受治疗时熟悉了精神分析，正是在那一刻，他对梦的迷恋增加了。这位艺术家发展了他自己的回忆事件的方法，包括以与梦中相反的顺序来唤起它们。虽然Witkacy最初拒绝西格蒙德·弗洛伊德的思想，但随着时间的推移，他成为了它的支持者，并且在《永不满足》中对genzyp kapen梦的描述深受其影响。深入分析这种梦幻般的幻想，可以发现维特凯维奇关于人类心灵本质观点的原始痕迹。在他看来，人类斗争的主要源泉是对存在的神秘最初的惊奇。38 zbadanie pozostałych snów zawartych w powieściach Witkacego (pięć w 622 upadkach Bunga i trzy w Pożegnaniu jesieni) mogłoby ukazazi, jak rozwijały siojego poglądy dotyczące marzezei sennych i jakim przemianom ulegały literackie fantazje oniryczne pisarza, w miarzejak zapoznawawszogion
{"title":"Objaśnianie marzeń sennych według Stanisława Ignacego Witkiewicza","authors":"Fryderyk Nguyen","doi":"10.18318/pl.2018.3.5","DOIUrl":"https://doi.org/10.18318/pl.2018.3.5","url":null,"abstract":"FryDeryk NguyeN university of Wrocław INterPretatION OF DreamS aCCOrDINg tO StaNISłaW IgNaCy WItkIeWICz Stanisław Ignacy Witkiewicz familiarised with psychoanalysis when he underwent a therapy at karol de beaurain’s and it is at that moment when his fascination with dreams increased. the artist developed his own method of recollecting occurrences which consisted in evoking them in reverse order in comparison to that in dreaming. though Witkacy initially rejected Sigmund Freud’s thought, with time he became its supporter, and the description of genezyp kapen’s dream in Nienasycenie (Insatiability) is deeply influenced by it. an in-depth analysis of this oneiric phantasy reveals original traces of Witkiewicz’s views on the nature of human psyche. the main source of human struggle is, according to him, initial amazement with mystery of existence. 38 zbadanie pozostałych snów zawartych w powieściach Witkacego (pięć w 622 upadkach Bunga i trzy w Pożegnaniu jesieni) mogłoby ukazać, jak rozwijały się jego poglądy dotyczące marzeń sennych i jakim przemianom ulegały literackie fantazje oniryczne pisarza, w miarę jak zapoznawał się on","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"53 1","pages":"71-82"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73893908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AnnA KOcHAn University of Wrocław BeTWeen ScAndAl And ReMedy ReligiOUS THeMeS ReFeRRing TO MiKOŁAj Rej’S “FigliKi” (“FUn And pRAnKS”) in pAWeŁ STĘpieŃ’S “ŚMiecH W czASAcH OSTATecznycH” (“lAUgHTeR in UlTiMATe TiMeS”) The review of paweł Stępień’s book Śmiech w czasach ostatecznych. Tematyka religijna w “Figlikach” Mikołaja Reja (Laughter in Ultimate Times. Religious Themes in Mikołaj Rej’s “Fun and Pranks”) discusses the scope of research settlements and composition of the work where Stępień precisely explains the reason for coupling the religious and the obscene in the piece by the writer who was called the polish champion of Reformation. in his well-balanced reasoning Stępień reveals the proper contexts and offers arguments rooted in protestant and catholic theological papers. Stępień offers an entirely new and revealing interpretations of selected epigrams, and his book is an important contribution to studies in Mikołaj Rej’s writings. dOi: 10.18318/pl.2018.4.19 dARiUSz dyBeK Uniwersytet Wrocławski O TyM, ile KSiąŻeK TRzeBA pRzeczyTAĆ, ABy nApiSAĆ jeSzcze jedną KSiąŻKĘ M a g d a l e n a p i s k a ł a, pOlSKi ŚWiAT znAKÓW. STUdiUM O HeRBARzU SzyMOnA OKOlSKiegO. (Recenzenci: Mieczysław Mejor, Wiesław pawlak. indeks: grażyna Łabęcka-jóźwiakowska). Warszawa 2017. instytut Badań literackich pAn – Wydawnictwo, ss. 334, 2 nlb. „Studia Staropolskie. Series nova”. T. XlVii (ciii). Są książki, które potencjalnych badaczy onieśmielają, a tych, co podejmują się ich opracowania – „pokonują”. powodem mogą być: obszerne rozmiary dzieła; język, w którym zostało napisane; brak wcześniejszych naukowych edycji; różnorodność poruszanej tematyki, należącej do rozmaitych dyscyplin; wielość odwołań do innych tekstów itd. Wszystkie wymienione cechy dotyczą jednego z najważniejszych polskich herbarzy, czyli Orbis Polonus splendoribus caeli, triumphis mundi, pulchritudine animantium, decore aquatilium, naturae excellentia reptilium condecoratus. In quo antiqua Sarmatarum gentilitia pervetustae nobilitatis Polonae insignia, vetera et nova indigenatus meritorum praemia et arma, specificantur et relucent Szymona Okolskiego.
安娜·科肯大学Wrocław丑闻与补救之间的宗教主题参考MiKOŁAj Rej的“FigliKi”(“有趣与恶作剧”)在pAWeŁ STĘpieŃ ' S的“ŚMiecH W czASAcH OSTATecznycH”(“终极时代的笑声”)对pawez Stępień的书Śmiech W czASAcH OSTATecznycH的评论。Tematyka religijna w“Figlikach”Mikołaja Reja(终极时代的笑声)。宗教主题(Mikołaj Rej的“Fun and Pranks”)讨论了研究解决方案的范围和作品的组成，Stępień精确地解释了被称为波兰改革冠军的作家在作品中将宗教和淫秽结合在一起的原因。Stępień在他平衡的推理中揭示了适当的背景，并提供了根植于新教和天主教神学论文的论点。Stępień对精选的警句提供了全新的、揭示性的解释，他的书对Mikołaj Rej著作的研究做出了重要贡献。dOi: 10.18318/pl.2018.4.19 dARiUSz dyBeK uniwersystemt Wrocławski O TyM, ile KSiąŻeK TRzeBA pRzeczyTAĆ， ABy nApiSAĆ jeSzcze jednje KSiąŻKĘ M a a d a a a a a a, pOlSKi ŚWiAT znAKÓW。HeRBARzU SzyMOnA OKOlSKiegO工作室。(最近:Mieczysław memajor, Wiesław pawlak。索引:grażyna Łabęcka-jóźwiakowska)。2017年华沙。“institut badaziliterackich pAn - Wydawnictwo, s. 334,2 nlb.”皆Staropolskie。系列新星”。T.十七(三)。szoksiążki, które potenticjalnych badaczy onieśmielają，一个tych, co podejmujosioich opacowania -“pokonujoz”。莫吉比奇:obszerne rozmiary dzieła;Język, w którym zostało napisane;刹车wcześniejszych naukowych edycji;Różnorodność poruszanej tematyki, należącej do rozmaitych dyscyplin;Wielość odwołań do innych tekstów itdWszystkie wymienione cechy dotyczz jednego z najważniejszych polskich herbarzy, czyli Orbis Polonus splendoribus caeli, triumphis mundi, pulchrudine animantium, decore aquatium, naturae excellentia reptilium condecoratus。In quo antiqua Sarmatarum gentilitia pervetustae nobilitatis Polonae insignia, vetera et nova indigenatus meritorum preemia et arma, specificanterent et enenent Szymona Okolskiego。
{"title":"O tym, ile książek trzeba przeczytać, aby napisać jeszcze jedną książkę. Rec.: Magdalena Piskała, Polski świat znaków. Studium o herbarzu Szymona Okolskiego. Warszawa 2017. „Studia Staropolskie. Series Nova”. T. XLVII (CIII)","authors":"Dariusz Dybek","doi":"10.18318/PL.2018.4.19","DOIUrl":"https://doi.org/10.18318/PL.2018.4.19","url":null,"abstract":"AnnA KOcHAn University of Wrocław BeTWeen ScAndAl And ReMedy ReligiOUS THeMeS ReFeRRing TO MiKOŁAj Rej’S “FigliKi” (“FUn And pRAnKS”) in pAWeŁ STĘpieŃ’S “ŚMiecH W czASAcH OSTATecznycH” (“lAUgHTeR in UlTiMATe TiMeS”) The review of paweł Stępień’s book Śmiech w czasach ostatecznych. Tematyka religijna w “Figlikach” Mikołaja Reja (Laughter in Ultimate Times. Religious Themes in Mikołaj Rej’s “Fun and Pranks”) discusses the scope of research settlements and composition of the work where Stępień precisely explains the reason for coupling the religious and the obscene in the piece by the writer who was called the polish champion of Reformation. in his well-balanced reasoning Stępień reveals the proper contexts and offers arguments rooted in protestant and catholic theological papers. Stępień offers an entirely new and revealing interpretations of selected epigrams, and his book is an important contribution to studies in Mikołaj Rej’s writings. dOi: 10.18318/pl.2018.4.19 dARiUSz dyBeK Uniwersytet Wrocławski O TyM, ile KSiąŻeK TRzeBA pRzeczyTAĆ, ABy nApiSAĆ jeSzcze jedną KSiąŻKĘ M a g d a l e n a p i s k a ł a, pOlSKi ŚWiAT znAKÓW. STUdiUM O HeRBARzU SzyMOnA OKOlSKiegO. (Recenzenci: Mieczysław Mejor, Wiesław pawlak. indeks: grażyna Łabęcka-jóźwiakowska). Warszawa 2017. instytut Badań literackich pAn – Wydawnictwo, ss. 334, 2 nlb. „Studia Staropolskie. Series nova”. T. XlVii (ciii). Są książki, które potencjalnych badaczy onieśmielają, a tych, co podejmują się ich opracowania – „pokonują”. powodem mogą być: obszerne rozmiary dzieła; język, w którym zostało napisane; brak wcześniejszych naukowych edycji; różnorodność poruszanej tematyki, należącej do rozmaitych dyscyplin; wielość odwołań do innych tekstów itd. Wszystkie wymienione cechy dotyczą jednego z najważniejszych polskich herbarzy, czyli Orbis Polonus splendoribus caeli, triumphis mundi, pulchritudine animantium, decore aquatilium, naturae excellentia reptilium condecoratus. In quo antiqua Sarmatarum gentilitia pervetustae nobilitatis Polonae insignia, vetera et nova indigenatus meritorum praemia et arma, specificantur et relucent Szymona Okolskiego.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"9 11 1","pages":"282-288"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81496674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
lidiA BAnOWSKA Adam Mickiewicz University, poznań geOpOeTicS OF ROMAnTiciSM Georomanticism is a collection of studies on the connections between Romantic literature and broadly understood space. The new approach to the issues that have been raised many times unfolds in recognising the cultural perspective as overriding, since this perspective opens the field of research in identity problems (connected e.g. with political and civilizational changes), in confrontation of various spatial orders (consideration on common/arguable/separate places) or spatial imagery, as well as in the “avant-garde” role of Romanticism for such fields of new humanities as politics of place, ecocriticism, and open or comparative regionalism. A separate value of the collection is its polyphony displaying in a variety of approaches and diversity of applied methods and discourses to which the volume
{"title":"Geopoetyka romantyzmu. Rec.: Georomantyzm. Literatura – miejsce – środowisko. Redakcja: Elżbieta Dąbrowicz, Marcin Lul, Katarzyna Sawicka-Mierzyńska, Danuta Zawadzka. Białystok 2015","authors":"Lidia Banowska","doi":"10.18318/pl.2018.2.12","DOIUrl":"https://doi.org/10.18318/pl.2018.2.12","url":null,"abstract":"lidiA BAnOWSKA Adam Mickiewicz University, poznań geOpOeTicS OF ROMAnTiciSM Georomanticism is a collection of studies on the connections between Romantic literature and broadly understood space. The new approach to the issues that have been raised many times unfolds in recognising the cultural perspective as overriding, since this perspective opens the field of research in identity problems (connected e.g. with political and civilizational changes), in confrontation of various spatial orders (consideration on common/arguable/separate places) or spatial imagery, as well as in the “avant-garde” role of Romanticism for such fields of new humanities as politics of place, ecocriticism, and open or comparative regionalism. A separate value of the collection is its polyphony displaying in a variety of approaches and diversity of applied methods and discourses to which the volume","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"12 1","pages":"241-255"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78529037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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