The review discusses two books published in 2016, namely Krzysztof Koehler’s Palus sarmatica and jacek Kowalski’s Sarmacja. Obalanie mitów. Podręcznik bojowy ( Sarmatism. Abolishing the Myths. An Operational Manual ). They are a demanding challenge as a subject of a review since they can or rather should be seen as “a profession of Sarmatian faith.” The books’ greatest valour manifestation culture vitality our times.
{"title":"Dwie książki o Sarmacji. Rec.: Krzysztof Koehler, Palus sarmatica. Warszawa 2016. – Jacek Kowalski, Sarmacja. Obalanie mitów. Podręcznik bojowy. Warszawa 2016","authors":"K. Obremski","doi":"10.18318/pl.2018.4.17","DOIUrl":"https://doi.org/10.18318/pl.2018.4.17","url":null,"abstract":"The review discusses two books published in 2016, namely Krzysztof Koehler’s Palus sarmatica and jacek Kowalski’s Sarmacja. Obalanie mitów. Podręcznik bojowy ( Sarmatism. Abolishing the Myths. An Operational Manual ). They are a demanding challenge as a subject of a review since they can or rather should be seen as “a profession of Sarmatian faith.” The books’ greatest valour manifestation culture vitality our times.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"65 1","pages":"271-277"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73616646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
WOJCIECH TOMASIK Kazimierz Wielki University, Bydgoszcz JASIEŃSKI’S SHADOW A BIOBIBLIOGRAPHICAL CONTRIBUTION In Bruno Jasieński’s literary output there is a piece which remains unnoted in biographical papers and bibliographies, namely a volume published in Moscov in the year 1934 entitled Беломорско-Балтийский канал имени Сталина: История строительства, 1931–1934 гг. (Belomor: An Account of the Construction of the Great Canal Between the White Sea and the Baltic Sea) edited by Maxim Gorky, Leopold Auerbach, and Semen Georgievich Firin. Jasieński is found among the group of 120 writers who came to sightsee the White Sea–the Baltic Sea Canal build with the hands of prisoners, and subsequently entered the group of 36 men of letters invited to prepare a collective work documenting the visit. The work’s content is preceded by a list of contributors. Jasieński is found among the co-authors of chapter 9: To Kill Class Enemy in which the Polish writer probably prepared the parts the protagonists of which are Central Asia prisoners. Before his travel to the construction Jasieński published a novel in Russian about the building of a canal in Tajikistan entitled Man Changes His Skin. With the novel he might have won favor of Soviet authorities which made him responsible for preparing the fragments of chapter 9 about the ideological maturation of builders from national minorities. It cannot be excluded that Jasieński participated also in the parts prepared by Anna Berzin, at that time the writer’s wife. 36 J a s i e ń s k i, Człowiek zmienia skórę, [Księga 1], s. 201–202. 37 Ibidem, s. 350.
WOJCIECH TOMASIK Kazimierz Wielki University, Bydgoszcz JASIEŃSKI’s SHADOW A bibibliography贡献在Bruno Jasieński的文学作品中，有一件作品在传记论文和参考书目中没有被注意到，即1934年在莫斯科出版的一卷，题为Беломорско-Балтийский канал имени Сталина: История строительства， 1931-1934 гг。(Belomor:在白海和波罗的海之间建造大运河的记述)由Maxim Gorky, Leopold Auerbach和Semen Georgievich Firin编辑。Jasieński是在120名作家中发现的，他们来参观白海——波罗的海运河是由囚犯亲手建造的，随后进入了36名作家的小组，他们被邀请准备一部记录这次访问的集体作品。作品的内容前面是贡献者的列表。Jasieński是第九章《杀死阶级敌人》的合著者之一波兰作家可能在其中准备了主角是中亚囚犯的部分。在前往建造之前，Jasieński用俄语出版了一本关于在塔吉克斯坦建造运河的小说，名为《男人改变皮肤》。凭借这部小说，他可能赢得了苏联当局的青睐，这让他负责准备第九章的片段，关于少数民族建设者意识形态的成熟。不能排除Jasieński也参与了作者当时的妻子Anna Berzin所准备的部分。[36] [J] .科学与技术，Człowiek zmienia skórę， [Księga 1]， s. 201-202 .]37我比登，第350页。
{"title":"Cień Jasieńskiego. Przyczynek biobibliograficzny","authors":"Wojciech Tomasik","doi":"10.18318/pl.2018.3.12","DOIUrl":"https://doi.org/10.18318/pl.2018.3.12","url":null,"abstract":"WOJCIECH TOMASIK Kazimierz Wielki University, Bydgoszcz JASIEŃSKI’S SHADOW A BIOBIBLIOGRAPHICAL CONTRIBUTION In Bruno Jasieński’s literary output there is a piece which remains unnoted in biographical papers and bibliographies, namely a volume published in Moscov in the year 1934 entitled Беломорско-Балтийский канал имени Сталина: История строительства, 1931–1934 гг. (Belomor: An Account of the Construction of the Great Canal Between the White Sea and the Baltic Sea) edited by Maxim Gorky, Leopold Auerbach, and Semen Georgievich Firin. Jasieński is found among the group of 120 writers who came to sightsee the White Sea–the Baltic Sea Canal build with the hands of prisoners, and subsequently entered the group of 36 men of letters invited to prepare a collective work documenting the visit. The work’s content is preceded by a list of contributors. Jasieński is found among the co-authors of chapter 9: To Kill Class Enemy in which the Polish writer probably prepared the parts the protagonists of which are Central Asia prisoners. Before his travel to the construction Jasieński published a novel in Russian about the building of a canal in Tajikistan entitled Man Changes His Skin. With the novel he might have won favor of Soviet authorities which made him responsible for preparing the fragments of chapter 9 about the ideological maturation of builders from national minorities. It cannot be excluded that Jasieński participated also in the parts prepared by Anna Berzin, at that time the writer’s wife. 36 J a s i e ń s k i, Człowiek zmienia skórę, [Księga 1], s. 201–202. 37 Ibidem, s. 350.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"104 1","pages":"189-204"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77262259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
WOjciecH ŚMiejA University of Silesia, Katowice MeSSiAH On THe cOAcH The author of the polemical review of paweł dybel’s book indicates exhaustion of psychoanalytical key in interpreting the work of the drohobych writer. dybel’s treatise is by no means the height of psychoanalytical interpretive tradition and offers a number of stimulating remarks (e.g. placing Schulz’s word philosophy in the framework of german idealism). Simultaneously, the impassable horizon of psychoanalytical interpretation blocks the perception of historicity and politicality written into Schultz project. 32 d e l e u z e, G u a t t a r i, op. cit., s. 93.
WOjciecH ŚMiejA西里西亚大学，卡托维兹·弥赛亚在教练上对帕维沃德贝尔的书进行辩论性评论的作者指出，在解释这位德罗霍比奇作家的作品时，精神分析学的关键已经耗尽。迪贝尔的论文绝不是精神分析解释传统的高度，并提供了许多令人兴奋的评论(例如将舒尔茨的“哲学”一词置于德国唯心主义的框架中)。同时，精神分析解释的不可逾越的视界阻碍了舒尔茨项目中对历史性和政治性的感知。32 .我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是，我的意思是。
{"title":"Mesjasz na kozetce. Rec.: Paweł Dybel, Mesjasz, który odszedł. Bruno Schulz i psychoanaliza. Kraków 2017","authors":"Wojciech Śmieja","doi":"10.18318/pl.2018.3.17","DOIUrl":"https://doi.org/10.18318/pl.2018.3.17","url":null,"abstract":"WOjciecH ŚMiejA University of Silesia, Katowice MeSSiAH On THe cOAcH The author of the polemical review of paweł dybel’s book indicates exhaustion of psychoanalytical key in interpreting the work of the drohobych writer. dybel’s treatise is by no means the height of psychoanalytical interpretive tradition and offers a number of stimulating remarks (e.g. placing Schulz’s word philosophy in the framework of german idealism). Simultaneously, the impassable horizon of psychoanalytical interpretation blocks the perception of historicity and politicality written into Schultz project. 32 d e l e u z e, G u a t t a r i, op. cit., s. 93.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"23 1","pages":"253-261"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84976870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
THE yEAR 1836: JULIUSZ SŁOWACKI By THE PIRAMIDS Among the many Polish travellers who visited Egypt in the 19th century, Juliusz Słowacki deserves special attention. He stayed in Egypt from October 20th, 1836, to the end of that year. Słowacki’s companion in the travel was Zbigniew Brzozowski, and also, though separately, two brothers and their friends Stefan and Aleksander Hołyński made a trip to that country. All of them, with the exception of the émigré poet, were wealthy landowners. Słowacki robbery of Egyptian antiquities done by art An effect of Słowacki’s travel were poetic reflections about the history of Egypt and the monuments of Egypt. The reflections surpass the “Egyptian” pieces by Western poets contemporary to Słowacki, not excluding Ozymandias by Shelley who, after all, never went to Egypt. Słowacki’s notebook from his travel to the East, containing images, notes and poems, has re cently been found. A part of Krasiński Library collection, for many years considered as destroyed dur ing the war, the notebook, following many war vicissitudes, reached a library in Moscow and is pres ently a subject of editorial activities performed by Polish specialists within the framework of the project sponsored by the Polish National Centre for Science (grant nr. NCN 2014/15/B/H52/01360) and di rected by professor Maria Kalinowska.
{"title":"Rok 1836: Juliusz Słowacki pod piramidami","authors":"Adam Łukaszewicz","doi":"10.18318/PL.2018.2.6","DOIUrl":"https://doi.org/10.18318/PL.2018.2.6","url":null,"abstract":"THE yEAR 1836: JULIUSZ SŁOWACKI By THE PIRAMIDS Among the many Polish travellers who visited Egypt in the 19th century, Juliusz Słowacki deserves special attention. He stayed in Egypt from October 20th, 1836, to the end of that year. Słowacki’s companion in the travel was Zbigniew Brzozowski, and also, though separately, two brothers and their friends Stefan and Aleksander Hołyński made a trip to that country. All of them, with the exception of the émigré poet, were wealthy landowners. Słowacki robbery of Egyptian antiquities done by art An effect of Słowacki’s travel were poetic reflections about the history of Egypt and the monuments of Egypt. The reflections surpass the “Egyptian” pieces by Western poets contemporary to Słowacki, not excluding Ozymandias by Shelley who, after all, never went to Egypt. Słowacki’s notebook from his travel to the East, containing images, notes and poems, has re cently been found. A part of Krasiński Library collection, for many years considered as destroyed dur ing the war, the notebook, following many war vicissitudes, reached a library in Moscow and is pres ently a subject of editorial activities performed by Polish specialists within the framework of the project sponsored by the Polish National Centre for Science (grant nr. NCN 2014/15/B/H52/01360) and di rected by professor Maria Kalinowska.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"26 1","pages":"119-138"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83263129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AGNIESZKA CZECHOWICZ John Paul II Catholic University of Lublin WACŁAW POTOCKI’S “MUZA POLSKA” (“POLISH MUSE”) AS AN EPIDEICTIC HEROICUM The article refers to Wacław Potocki’s poem Muza polska na tryjumfalny wjazd Najaśniejszego Jana III [...] (Polish Muse for a Triumphant Entering of His Majesty John III [...] ) published anonymously on the occasion of King John III Sobieski’s coronation in 1676. The piece, the content of which concentrates on the course of the 1672–1676 war waged between Poland and Turkey, is equally panegyrical and epic-historical in its character. The author of the paper focuses her attention on Potocki’s poetic creation of King John III Sobieski’s image, the most important attribute of which is temperance (Lat. temperantia) described in Plato’s Republic as an ability to abstain from lust due to which a man’s better part dominates over the worse one. The martial efforts undertaken by Sobieski and crowned with victories are depicted in Potocki’s poem not only as the example of regal virtues but also as an allegory of a war a man is waging against one’s own weakness and passions in order to gain control over oneself.
AGNIESZKA CZECHOWICZ约翰保罗二世天主教卢布林大学WACŁAW波托基的“MUZA POLSKA”(“波兰缪斯”)是一个流行的英雄。文章提到Wacław波托基的诗MUZA POLSKA na tryjumfalny wjazd Najaśniejszego Jana III[…]约翰三世陛下凯旋进场的波兰缪斯[…])在1676年国王约翰三世索比斯基的加冕典礼上匿名出版。这篇文章的内容集中在1672年至1676年波兰和土耳其之间的战争过程中，它的特点同样是颂歌和史诗般的历史。本文的作者将重点放在波托基对国王约翰三世索比耶斯基形象的诗歌创作上，这一形象最重要的属性是节制。在柏拉图的《理想国》中被描述为一种克制欲望的能力，由于这种能力，一个人的好的部分支配着坏的部分。索比斯基的军事努力和胜利在波托基的诗中被描绘成不仅是帝王美德的典范也是一场战争的寓言一个人为了获得对自己的控制而对抗自己的弱点和激情。
{"title":"„Muza polska” Wacława Potockiego jako heroicum epideiktyczne","authors":"A. Czechowicz","doi":"10.18318/pl.2018.4.11","DOIUrl":"https://doi.org/10.18318/pl.2018.4.11","url":null,"abstract":"AGNIESZKA CZECHOWICZ John Paul II Catholic University of Lublin WACŁAW POTOCKI’S “MUZA POLSKA” (“POLISH MUSE”) AS AN EPIDEICTIC HEROICUM The article refers to Wacław Potocki’s poem Muza polska na tryjumfalny wjazd Najaśniejszego Jana III [...] (Polish Muse for a Triumphant Entering of His Majesty John III [...] ) published anonymously on the occasion of King John III Sobieski’s coronation in 1676. The piece, the content of which concentrates on the course of the 1672–1676 war waged between Poland and Turkey, is equally panegyrical and epic-historical in its character. The author of the paper focuses her attention on Potocki’s poetic creation of King John III Sobieski’s image, the most important attribute of which is temperance (Lat. temperantia) described in Plato’s Republic as an ability to abstain from lust due to which a man’s better part dominates over the worse one. The martial efforts undertaken by Sobieski and crowned with victories are depicted in Potocki’s poem not only as the example of regal virtues but also as an allegory of a war a man is waging against one’s own weakness and passions in order to gain control over oneself.","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"43 1","pages":"185-196"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83186678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Powrót do (filologicznych) źródeł. Rec.: Jakub Z. Lichański, „Niobe” Konstantego Ildefonsa Gałczyńskiego. „Ty jesteś moja światłość świata...” Kraków (2015)","authors":"A. Mazurkiewicz","doi":"10.18318/PL.2018.1.16","DOIUrl":"https://doi.org/10.18318/PL.2018.1.16","url":null,"abstract":"","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"5 1","pages":"255-259"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89243358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„Zapomniałem zapytać, czy bawią cię języki”. Kilka uwag o języku, rozmowie i wspólnocie w poezji Piotra Sommera","authors":"Kamil Nolbert","doi":"10.18318/PL.2018.1.9","DOIUrl":"https://doi.org/10.18318/PL.2018.1.9","url":null,"abstract":"","PeriodicalId":42580,"journal":{"name":"PAMIETNIK LITERACKI","volume":"7 1","pages":"167-184"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88365841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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